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Choral

J.W. Pepper Music Catalog

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111 Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: satisfaction@jwpepper.com CONCERT MUSIC Go to cart SECULAR All Voicings medium Ht This Marriage—Eric Whitacre. A delicate setting of a timeless love poem by the Sufi poet Jalal al-Din Rumi, this marks the first time that Eric Whitacre has written for four-part a cappella chorus without divisi. 10004924 SATB . . . . . . . . . . . . . . . . . . 1.95 lL The Tide Rises, The Tide Falls—Sally Lamb McCune. A classic poem of Henry Wadsworth Longfellow and the traditional "Row, Row, Row Your Boat" intertwine in this free-flowing ballad that centers on the fragility of life and the persistence of time. An undulating eighth note accompaniment throughout supports the simple choral lines. This is the third movement from the composer's choral trilogy, The Sadness of the Sea. 10882902 SSAA. . . . . . . . . . . . . . . . . . 2.25 10882902L SSAA Large Print . . . . . . . . . 2.25 l The Tiger—Mark Patterson. English poet William Blake wrote two wonderful poems as a contrasting pair - The Tiger and The Lamb. This energetic and mysterious setting encapsulates all the excitement of the first poem with unusual melodic and harmonic choices that allow the text to be central and clearly articulated. Not for the faint of heart! 10846391 Unison/Two-Part . . . . . . . . . 1.95 l Travel—Lon Beery. Join tenor-bass choirs as they take a journey and explore the world through Travel. The rhythmically active piano part and optional train whistle imitate a train in motion, yet are supportive of the vocal lines throughout. A perfect showpiece for young choirs that comprise unchanged and changing voice singers in Lon Beery's trademark style. 10871932 TTB . . . . . . . . . . . . . . . . . . . 1.95 4L The Tree of Song—Timothy P. Cooper. The lovely words of Sara Teasdale breathes life into this sensitive, through-composed setting. Subtly nuanced musical lines follow the ebb and flow of the short, but deeply emotional poem. "I sang my songs for the rest, for you I am still; the tree of my song is bare on its shining hill." Exceptional writing for Treble Choirs. 10882918 SSA . . . . . . . . . . . . . . . . . . . 2.10 10882918L SSA Large Print . . . . . . . . . . 2.10 4L Until All of Us are Free—Mark Burrows. t Inspired writing and captivating choral textures carry the urgency and timely truth of a quote by Emma Lazarus. A rhythmically charged setting for medium or large sized ensembles with some divisi in all parts. "Until all of us are free, we are none of us free." 10882921 SSAATTBB . . . . . . . . . . . . . . 2.25 10882921L SSAATTBB Large Print . . . . . 2.25 lL Uphill—Jill Friedersdorf & Melissa Keylock. From a simple melodic idea shared through the voices, the music builds gradually - dynamically, rhythmically and in density to match the lyrics. The text looks to our lives as an uphill journey, and despite the weariness of travel, if we follow the path, we shall find safe shelter prepared and ready at the end of the road. This very accessible work is perfect for graduation or as a thoughtful closing number at any performance. 10805536 SATB . . . . . . . . . . . . . . . . . . 2.35 10805536L SATB Large Print . . . . . . . . . 2.35 10805537 SA . . . . . . . . . . . . . . . . . . . . 2.05 10805537L SA Large Print . . . . . . . . . . . 2.05 t Venga Nel Nostro Coro (Come to Our Choir)— Antonio Salieri/arr. Jill Gallina. This was originally a four-part canon, or round. The lyrics invite those with "difficulty to come to the choir with the promise of happiness and peace." For a cappella voices, it is a joyful invitation to partake of the happiness that singing together can bring! In Italian, with a pronunciation guide. 10503348 SAB. . . . . . . . . . . . . . . . . . . 2.50 10503351 SSA . . . . . . . . . . . . . . . . . . . 2.50 A Lullaby—Ryan Murphy. The poetry of Eugene Field is captured beautifully in this original work. The words of the lullaby speak both to a child falling asleep and to a child who "does not hear his mother's song." The lilting triple meter and the movement of the piano accompaniment imitate rocking. Add the optional strings for a lush effect. "And as I sing, my sweet, to you, oh, would the lullaby I sing - the same sweet lullaby he knew while slumbering on this bosom too - were borne to him on angel's wing! So hushaby - O hushaby." Highly recommended! 10513269 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . .2.65 10513269L SATB Large Print. . . . . . . . . . . . . . . . . .3.65 10513271 Instrumental Parts Strings. . . . . . . . . .40.00 O Nata Lux—Tom Porter. Fluid melodic lines depict the gentle birthing of light from light in this reverent setting of the classic Latin text. Poignant harmonies support the interwoven countermelodies, creating layers of sound that climax in the final refrain and fade into sweet reflection on the repeated phrase, "O nata lux." 3303201 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . .1.95 10047281 Three-Part Mixed . . . . . . . . . . . . . . . . .2.10 10047892 P/A CD . . . . . . . . . . . . . . . . . . . . . . . .26.95 Oh Think of Me—Elaine Hagenberg. The simple beauty of a sunrise, a summer breeze, or evening stars can evoke memories of a loved one. Oh, Think of Me was inspired by a poem by Frances Anne Kemble to honor the life of a young man who died too young. With a beautiful, emotive piano art, soaring melodies and reflective moments, your singers and audience will find heartache and then resolution and peace in both the music and the text. Absolutely breathtaking! 10661176 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.10 H Omnia Sol (Let Your Heart Be Staid)— Z. Randall Stroope. This is simply too good not to consider for your choir. Omnia sol temperat, "the sun warms everything," comes from a verse of Latin found in "Carmina Burana." The composer's English text speaks to the human need to anchor words of love and commitment in the hearts of those who have been pillars along life's way. An important contribution to the choral literature! 10006501 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . .2.10 10006502 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.10 10590499 TBB . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.10 10590500 P/A CD . . . . . . . . . . . . . . . . . . . . . . . .26.95 10068270 Instrumental Parts Brass. . . . . . . . . . .29.95 H The Poet Sings—Z. Randall Stroope. "Stay the course, light a star, change the world wherever you are..." With a compelling text, based on a poem by Richard LeGallienne, and magnificent original music, this is truly inspiring! A brief narration sets the mood, enhancing the impact of this profound work: "...Send out the best messages, for they may be shaping future generations." An excellent choice. 3129079 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . .1.95 4 See You Again (from "Furious 7")— arr. Audrey Snyder. Snyder has created a really beautiful treble setting of this Charlie Puth song from the soundtrack of "Furious 7". Lyrical, simple and effective as a beautiful tribute to a loved one, this concert arrangement will be one that your treble choir will want to sing again and again. 10834868 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.25 10910085 P/A CD . . . . . . . . . . . . . . . . . . . . . . . .26.99 H Song for the Unsung Hero—Pamela & Joseph Martin. Of the compositions written in the aftermath of the attacks of 9/11, none is more compelling and deeply moving than this stunning tribute to all those who serve and protect. Joe Martin's rich melody is bathed in emotion and gratitude to the heroes who "lay their dreams aside, choosing honor more than glory." When the music climbs a mountainous crescendo to reveal the strains of My Country 'Tis of Thee, the effect is just an overpowering statement of patriotism and national pride. This is a musical tapestry that aspires to the inexpressible feelings of a nation and its people. 3296194 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . .2.50 10009364 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.50 10009365 Two-Part or SA . . . . . . . . . . . . . . . . . . .2.50 10276656 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . .2.50 3296584 P/A CD . . . . . . . . . . . . . . . . . . . . . . . .26.99 10276659 Orchestration CD-ROM. . . . . . . . . . . .60.00 l Stand with the Brave—Mark Patterson. Bold and strong, like those who have served our great country, this arrangement of Stand with the Brave is the perfect patriotic offering at any time of the year. With or without the optional trumpet (included), it will challenge and develop expressive abilities and musicianship and provide a military and regal flair to any performance. 10872491 SATB with opt. Trumpet . . . . . . . . . . . .1.95 l That I Loved—Mark Burrows. Sara Teasdale's lovely poem about the end of life is the foundation of this soul-stirring choral setting. Text painting and sensitive musical choices bring the meaning of the words alive in an unforgettable way. 10881853 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . .2.05 10881853L SATB Large Print. . . . . . . . . . . . . . . . . .2.05 10881854 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.05 10881854L SSA Large Print. . . . . . . . . . . . . . . . . . .2.05 10881851 Multi-Song Accomp. CD . . . . . . . . . .44.99 l They Remain—Anthony Bernarducci. An artistic yet labored march-like piano accompaniment with oboe obligato sets the mood for this work which features lovely choral textures over a poignant memorial text. This work links the lyricism of English folk music, the rich male chorus tradition of Great Britain, and the tragedy of World War I. This is a wonderful addition to the repertoire for men's chorus. 10785706 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . .2.45 10785706L TTBB Large Print. . . . . . . . . . . . . . . . . .2.45 Ht Wanting Memories—Yasaye M. Barnwell. "I am sitting here wanting memories to teach me to see the beauty in the world through my own eyes..." As recorded by Sweet Honey in the Rock, this extraordinary a cappella piece speaks to everyone of the precious gift of life. 3225760 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . .2.50 We Honor You—Roger Emerson. For Veteran's Day and other commemorative occasions honoring our troops, this powerful original is a perfect salute to those who serve. Well-crafted vocal parts ensure success for younger and developing choirs, and it is well-suited to simple choreography or visual imagery. "For sacrifices made, for courage you displayed, we honor you." 10606889 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . .2.10 10606890 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . .1.90 10606891 Two-Part . . . . . . . . . . . . . . . . . . . . . . . .1.90 10606892 P/A CD . . . . . . . . . . . . . . . . . . . . . . . .26.99 Winter Lullaby—Pinkzebra. A beautiful secular winter song perfect for December choir concerts, this tender lullaby combines snapshots of winter scenes with the sentimentality of life's fleeting moments. Winter Lullaby is a great fit within a program of both holiday and non-holiday songs. Additional string orchestra parts heard in the demo recording are also available in the String Pack, which includes the conductor's score. The tender and beautiful preview recording was performed by the iSing Silicon Valley Girlchoir, led by Shane Troll, Artistic Director and Co-Founder, and the Amaranth Quartet. 10633221 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . .2.25 10633222 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.25 10633224 Two-Part . . . . . . . . . . . . . . . . . . . . . . . .2.25 10633223 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.25 10633225 Instrumental Parts Strings. . . . . . . . . .35.00 You've Been on My Mind—Audrey Snyder. Growth, change, love and loss - these are all a part of growing to adulthood. This gentle original offers an introspective look at these emotions with accessible and well-crafted pop-style harmonies and a lyric that singers will embrace as their own. Accompanied, or optional a cappella, for women's choirs. 10760625 SSA opt. A Cappella . . . . . . . . . . . . . . .2.10

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