J.W. Pepper Catalogs

Spring Instrumental 2019

J.W. Pepper Music Catalog

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Order Toll-Free! Call 1-800-345-6296 / FAX 1-800-260-1482 / Internet jwpepper.com / E-mail satisfaction@jwpepper.com 21 Go to cart BIG BAND STANDARDS H In the Mood—Joe Garland/arr. Michael Swee- ney. This one's a must! Glenn Miller's big band classic is one of the best known tunes from the swing era, and Mike's excellent arrangement puts it within reach of young bands. Comfortable ranges, easy rhythm patterns and written solos make this a perfect choice to teach your students how to swing! 2314268 Jazz Ensemble . . . . . . . . . . E 40.00 H In the Mood—Joe Garland. This Glenn Miller classic is a must for every jazz band library! Carefully edited and available with a full score, this arrangement has everything you need to recreate the original including a trumpet solo, and a short call-and-response passage between the alto and tenor saxes. It's a guaranteed crowd-pleaser! 2090959 Jazz Ensemble . . . . . . . . . . M 50.00 n It Don't Mean a Thing (If It Ain't Got That Swing)—Duke Ellington/arr. Ralph Ford. You may think this very clever chart is all swing, but it begins as Latin then alternates with a swing feel. The tempo is bright at around 190-200 bpm with suggested solos for trumpet and tenor sax, a few piano montunos, and a big shout chorus leading to a huge ending closing this fine chart appropriately. Additional wind parts and a vibes part are included for optional expanded instrumentations. Highly recommended! 10756380 Jazz Ensemble . . . . . . . . . . M 48.00 H Jumpin' at the Woodside—Count Basie/arr. Rich DeRosa. This one just builds and builds! Rich DeRosa keeps this Count Basie signature tune swinging all the way and includes two optional tag endings to keep the Basie style intact. The solos are written out for piano, tenor sax, trumpet and trombone and the lead trumpet range is to written G on top of the staff with an A on the optional tag ending. Optional parts are included for expanded instrumentation. One of the Count's finest! 10028198 Jazz Ensemble . . . . . . . . . ME 52.00 H Pennsylvania 6-5000—Jerry Gray/arr. John Berry. Here's a perfect touch of swing era nostalgia with this signature tune from the Glenn Miller Orchestra. All the elements of the original are here in this more accessible version including the famous sax melody, written trumpet and alto solos and, of course, full band vocals. A real crowd pleaser! 10028094 Jazz Ensemble . . . . . . . . . ME 45.00 H Shiny Stockings—Frank Foster/arr. Greg Yasinitsky. Frank Foster's composition Shiny Stockings is one of the greatest jazz tunes ever for big band. Arranged by Greg Yasinitsky and scored at an accessible level, this chart has all the ingredients you expect plus a few short section solis and an ensemble shout chorus. This arrangement stays very close to the original, yet is more accessible for developing groups. Other features include a written solo for 2nd trumpet with the lead trumpet range to written A above the staff. This Basie classic belongs in every jazz library! Highly recommended! Optional expanded instrumentation. 10071900 Jazz Ensemble . . . . . . . . . . M 52.00 H Sing, Sing, Sing—Louie Prima/arr. Victor Lopez. Yep, this is the Sing, Sing, Sing you know and love, made famous by Gene Krupa and the Benny Goodman Orchestra, only arranged for young players by Victor Lopez. The classic drum solo that can be opened up for as much excitement as the crowd can stand, along with a written-out tenor solo, reasonable brass ranges and lots of meaty ensembles keep this great chart exciting. It will also sound full with reduced instrumentation or with the optional, non-jazz band parts. It's still a showstopper! Highly recommended! 2702806 Jazz Ensemble . . . . . . . . . ME 48.00 H Sing, Sing, Sing—Louis Prima/trans. Mike Lewis. Here it is...perhaps the most recognizable swing tune of all time! This incredible transcription is as close as you're going to come to the original (which included clarinet and less than a full compliment of brass). This chart is scored for a standard 5 saxes, 4 trumpets, 4 trombones and rhythm, but aside from that, it is the original as played by Benny Goodman. Every lick is there, including all the Gene Krupa drum breaks! This chart is a must for every big band's library! 2411486 Jazz Ensemble . . . . . . . . . . M 60.00 H Sing, Sing, Sing—Louis Prima/arr. Vince Gassi. Accessible and fun to rehearse and play, this timeless swing tune contains all the key ingredients for a real crowd pleaser! It features the iconic drum pattern as it recurs throughout and the solid swing style that has become so familiar over the decades. Other features include easy brass ranges (with trumpet 1 to written E top space), a written drum solo and a big shout chorus as the modulation brings it all home. Here's a great chart that will be an essential part of your jazz ensemble library. Optional reduced or expanded instrumentations. 10277443 Jazz Ensemble . . . . . . . . . . E 42.00 H Take the 'A' Train—Billy Strayhorn/arr. Vince Gassi. This chart swings all the way and is very playable by a young jazz ensemble. Arranger Vince Gassi offers a fresh take on this classic, yet captures the essence of this well-known Strayhorn composition made famous by Ellington. It's scored exactly right for younger players... not too difficult but with fun-to-play parts. With brief written solos for 1st alto sax and 1st trumpet, and easy ranges, it also has plenty of dynamics to teach. A superb chart you will play for years to come! Optional reduced or expanded instrumentation. 10066743 Jazz Ensemble . . . . . . . . . . E 42.00 n Things Ain't What They Used to Be— Mercer Ellington/arr. Alan Baylock. Mercer Ellington's classic blues shuffle gets the Baylock treatment! The style is down home and the solos are for alto, trumpet, trombone, and tenor sax. Also included is a powerful Baylock-style shout chorus and optional parts for expanded instrumentations. It's a fun chart and it gets our highest recommendation! 10513911 Jazz Ensemble . . . . . . . . . . M 52.00 JAZZ ENSEMBLE Hits from MOTOWN! Motown Tribute—arr. Eric Richards. The music of Motown continues to stand the test of time with catchy melodies and well-constructed songs. Here's a well-crafted and entertaining production number that features I Heard It Through the Grapevine; My Girl and Dancing in the Streets. Included is an open solo section during Dancing in the Streets with written samples for alto, tenor, trumpet and trombone. Highly recommended! 10960650 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 60.00 My Girl—arr. Rick Stitzel. Here's the classic Motown hit from 1964 and The Temptations in a great-sounding chart for young jazz ensembles. No solos are required, just skillful scoring for the entire band. Scored for standard jazz ensemble, but also playable with optional reduced or expanded instrumentations. Nice chart! 10960670 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00 Papa Was a Rollin' Stone—arr. Rick Stitzel. This acclaimed hit from 1972 was the final number one hit from the super group The Temptations. With a haunting, yet appealing minor groove, this chart offers interesting and fun parts for all sections of the band, plus its playable with optional reduced or expanded instrumentations. A solo break for drums and/or percussion offers additional excitement. Very nice! 10960672 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 40.00 e music from Motown has been a consistent source of entertainment and culture through the decades. Check out these dynamic new charts! " What stands out about your organization is not just your complete selection but also the service. This high standard is what sets you guys apart from the rest." —Sandeep Fernandes, Dubai, UAE MUSIC ON APPROVAL 30 days to try before you buy.

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