J.W. Pepper Music Catalog
Issue link: http://read.jwpepper.com/i/1171124
143 Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: satisfaction@jwpepper.com HANDBELL MUSIC Go to cart Concert Music Acclamation in G Minor—Karen Thompson. This original piece, with its catchy, syncopated rhythms, is your festival solution! With compatible arrangements for choirs containing two to six octaves of bells without bell changes, your ringers can play this fun and dynamic piece incorporating TD, RT and shakes, without tables or from memory for greater impact in your next concert or service. 10490113 2/3 Octave . . . . . . . . . . . L2+ 4.95 10490122 4/6 Octave . . . . . . . . . . . L2+ 4.95 4 Across the Pond—arr. Jason W. Krug. This versatile, reproducible collection is sure to be a hit with both handchime and handbell choirs! These creative arrangements of folk melodies are accessible for beginning groups looking to play something familiar, as well as groups working on advancing their skills from beginner to intermediate. The titles in this outstanding collection are well- known traditional folk tunes from England, Ireland, and Wales, which have also been paired with sacred texts in church settings, making them suitable for school, church, and community groups alike. Contents include: The Ash Grove; Londonderry Air; O Waly Way; Ar Hyd Y Nos and Bunessan. 10953809 2/3 Octave Reproducible. . . . . . . L1+-2 39.95 10953810 3/5 Octave Reproducible. . . . . . . L1+-2 39.95 l Beginnings—Scott McGlasson. The driving rhythms in this original work make it an exciting addition to any worship service, concert or festival. It includes chimes, malleting, martellato and shakes. Shifts from 4/4 to 8/8 require the Level 4 rating, but the repetitive rhythmic patterns will make it accessible for solid Level 3 ensembles. Your ringers will enjoy meeting the challenges in this well-crafted piece. 11101194 4/7 Octave optional 4 octave handchimes . . . . L4 5.95 l A Boardwalk Stroll—Betty B. Radford. This original piece was the prize-winning composition in the Alberta (Canada) Guild of English Handbell Ringers new composition contest. Twelve-bar blues support various improv solos, some with percussion. Although optional, handchimes are used to great effect, and together create a slinky, laid-back atmosphere! 11100466 3/5 Octave . . . . . . . . . . . . L3 5.25 l Carillon of Praise—Cathy Moklebust. This energetic, joyous original composition employs constant eighth-note carillon patterns and extensive use of LV in a piece that shimmers from beginning to end. The inclusion of the hymn tune LAUDA ANIMA (Praise My Soul, the King of Heaven) creates a familiar context, and the optional use of bass chimes in that section adds richness and variety in sound. Carillon of Praise will be a sparkling addition to the general worship, concert, or festival repertoire. 10953793 3/6 Octave with optional 3-5 octaves handchimes. . L3 5.50 le Cathedral Windows—Cynthia Dobrinski. Ideal for any concert or worship service, this impressionistic composition was inspired by the series of paintings by Claude Monet depicting the varying light shining on Rouen Cathedral throughout the day. The composition is reflective and free, like the spaciousness of a cathedral. 10956638 3/6 Octave opt. 3/5 octave handchimes. . . L3 5.25 l Chime In: Etudes—John A. Behnke. Two etudes are included in this offering: the first is a study on LV, while the second etude focuses on swings. These pieces not only teach techniques, but they are also beautiful compositions for use in various settings. Educational and musical. 10959700 2/3 Octave . . . . . . . . . . . . L1 5.50 l Come into God's Courts with Praise— Michael Helman. Beginning ringers will enjoy this procession-like piece appropriate for worship, concert, or festival. An alternative title also makes it practical for use in school settings. Thumb damps and shakes are included, and the lack of bell changes and subdivision of beat increase the accessibility. A compatible arrangement for 3-5 octaves is also available. 11101216 2/3 Octave . . . . . . . . . . . . L1 4.95 11101217 3/5 Octave . . . . . . . . . . . . L1 4.95 Despite the Storm—Cathy Moklebust. Commissioned for the Handbell Musicians of America, Area 8 2016 Festival/Conference, Despite the Storm is an original composition for handbells, optional handchimes, and optional flute. It features a nautical, Celtic-flavored melody in G minor with a gentle LV accompaniment. The second section is in C minor and includes a repetitive, turbulent 16th-note handbell ostinato played over the bass and lower treble handchime melody. The next section returns to the original melody, but now in G major, full and chordal, with a soaring flute descant. The work ends with calming singing bells. The two editions for 2-3 and 3-6 octaves are compatible for massed ringing. 10554369 2/3 Octave . . . . . . . . . . . . L3 4.95 10554370 3/6 Octave . . . . . . . . . . . . L3 4.95 l Dreamscape—Patricia Hurlbutt. This haunting original tune is full of intense emotion and is perfect for any ensemble looking to work on their musicality. Flowing eighth-note accompaniments underscore the simple melody, and unexpected harmonies abound, yielding moments of hope, surprise, and lament. A perfect choice for any ensemble throughout the year, but particularly nice for something different during the Lenten season. 10954672 3/5 Octave . . . . . . . . . . . L2+ 3.50 le Eternity's Timepiece—Jason W. Krug. Incorporating the hymn tune DIX, this moving program piece invokes the feelings of wonder and awe that are experienced when viewing Old Faithful, waterfalls, and the beautiful open wilderness of Yellowstone National Park. Useful in schools on Earth Day or to focus on environmental awareness, this original work will also be an expressive addition to concerts, festivals or worship services. 11101341 3/6 Octave optional 3/6 octave handchimes. . L3+ 5.95 4 Exuberance—Michael J. Glasgow & William A. Payn. This original composition is the result of a collaboration that celebrates and honors the friendships we make because of handbells. A stately eight-measure introduction may be repeated as a processional if desired. Plenty of fun techniques, exciting rhythms, and sweeping musical elements combine to create a memorable concert work whose message speaks to the heart of the handbell community. 10953804 3/7 Octave and 3 octaves handchimes . . . L3 5.50 l Exuberant Praise (Splendid!)—Kerry Johnston. Kerry Johnston's exciting and uplifting original tune is a delightful syncopated frolic, sure to enchant ringers and audiences. Driving eighth notes underscore the memorable melody, which takes several unexpected harmonic twists and turns on its way. A more laid- back middle section plays the melody in half time, casting it in a different light, before the opening feeling returns for a rousing conclusion. 10954674 3/5 Octave optional 3 octaves handchimes . . . L3 4.50 Exultation—Matthew Compton. Exultation is a spirited original piece with a catchy and memorable theme. Mart lifts and mallet work make this piece dance along. Yet contrast is provided with beautiful lyric interludes. Suitable for any occasion! 10810969 3/5 Octave . . . . . . . . . . . L2+ 5.50 4 Fanfare from the Sixth Double Concerto— Antonio Soler/arr. John A. Behne. Brilliant 16th note passages and malleted bass chords highlight this show-stopping adaptation for bells! A festive dialog between treble and bass bells creates different colors, dynamics and textures. The musical and educational elements in the piece define it as a quality piece that is worth the work. A wonderful opener to a concert or festival! 10953795 3/6 Octave . . . . . . . . . . . . L4 5.50 e Festival Celebration—Michael Helman. Commissioned to celebrate the tenth anniversary of the Florida State Handbell Festival in honor of festival founder Valerie Stephenson. Michael Helman brings us this exciting original work perfect for festivals, concerts, and worship. The rhythmic opening leads to a contrasting lyrical section with LVs and chimes, followed by a malleted return of the opening material. Festival Celebration is a crowd-pleaser for sure! 10843216 3/6 Octave . . . . . . . . . . . L2+ 5.50 FUNdamental Success—Sandra Eithun. The purpose of this collection is to offer simple music to young or beginning musicians that will foster success and provide the building blocks to future ringing experiences through repetition, the limited use of techniques, and no page turns. The three pieces in this collection range in difficulty from level 1- through 1+ and include selections from folk, classical, chorale and original repertoire. They are ideal for use in school, sacred, or festival settings. Some of the pieces have optional repeats to use as length of performance dictates or as the director sees fit. 10907916 2/3 Octave . . . . . . . . . . . L1+ 4.95 10907919 3/5 Octave . . . . . . . . . . . L1+ 4.95 l Glad Hearts, Rejoice!—Michael Mazzatenta. This wonderful new ABA original from Michael Mazzatenta is great for many settings. With lively syncopated rhythms, the A section rocks in F major. For contrast, the B section is in D minor with handchimes highlighting the melody while bells provide choral accompaniments. The A material returns with lively rhythms and an exciting ending. 10959701 3/5 Octave opt. 3 oct. handchimes . . . . . L2+ 4.95 4 Grand Chorus—Joel Raney. This well-crafted original composition is ideal for a festival, concert, or worship setting looking for a grand and regal statement. Good for the developing choir, techniques makes it full of interest, accessible, and fun to ring. 10998630 3/5 Octave . . . . . . . . . . . . L2 5.25 4 Hay River Anthem—Kevin McChesney. Written for choirs in Hay River, Canada, this piece features a percussive bass rhythm that builds in intensity as the piece develops. The melody is Level 1, and the repeating rhythms in the bass are quickly learned, making this easy to put together. A wonderful concert piece for school choirs - bass ringers, especially, will enjoy the rhythmic malleted bass. 11102340 3/5 Octave . . . . . . . . . . . L2+ 4.95 11102341 Percussion . . . . . . . . . . . . . . .20.00 4 I Come with Joy—arr. Brian Childers. This accessible setting of the American folk tune, Land of Rest, offers a full-sounding arrangement with tall chords and fun techniques added for interest and musicality. The arrangement features two verses with an interlude that builds to the fortissimo final statement in big octaves, unwinding to a peaceful, restful ending. A dynamic piece for developing bell choirs! 10953801 3/5 Octave . . . . . . . . . . . L1+ 4.95 l In the Stillness—Karen Lakey Buckwalter. This beautiful original tune, written in honor of the composer's brother, is a perfect choice for a moment of quiet introspection. The haunting melody, underscored by lush harmonies, gives a feeling of calm and depth with a subtle hint of motion. A more chromatic, harmonically diverse section provides a nice aural diversion midway through before the piece returns to the feeling of the opening. Playable by either handbell or handchime ensembles, this is a fantastic choice for the group looking to work on it is musicality. 10954678 3/5 Octave or handchimes . . . . . . . . L2+ 4.50 l The Journey Ahead—Ron Mallory. This original tune from the pen of Ron Mallory is a lighthearted romp suitable for concert or worship use. Dedicated to the composer's son, the lilting, syncopated 6/8 imparts a playful attitude to the piece, which is replete with unexpected harmonic divergences that add to the creative, exploratory feeling. Stopped techniques abound, making the piece as fun to play as it is to hear. 10954681 3/5 Octave . . . . . . . . . . . . L3 4.50 4 Joy and Remembrance—Paul McKlveen. In 6/8, "joy" is expressed in a Celtic-like melody which then gives way to "remembrance" in a slower but no less joyful middle section in 3/4. The opening material returns with some 16th-note flourishes. This is a good teaching piece for 6/8 and all its rhythm patterns. 11102238 3/5 Octave . . . . . . . . . . . L2+ 4.95 SAVE TIME! E X P L O R E S C R I P T U R E - B A S E D M U S I C A T J W P E P P E R . C O M / P L A N N I N G