J.W. Pepper Music Catalog
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17 Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: satisfaction@jwpepper.com STRING ORCHESTRA Go to cart CLASSICAL medium-easy H Alla Tchaikovsky—P.I. Tchaikovsky/arr. Richard Meyer. Incorporating 22 different melodies from the works of Tchaikovsky, this is an incredibly clever and sometimes humorous medley that even includes the 1812 Overture accompanied by the popping of paper bags! It's amazing how seamlessly each melody leads into the next. You would think Tchaikovsky himself had intended it to work like this. 2375533 String Orchestra . . . . . . . . . . .56.00 H Allegretto (Symphony No. 7, Movement 2)— Beethoven/arr. Robert D. McCashin. The second movement of Beethoven's "Symphony No. 7" has enormous popularity with performers and audiences. This thoughtful version goes beyond a cursory repeat of the famous theme by including developmental material from the movement, giving a more complete understanding of Beethoven's intent. This remains faithful to the original and makes for an excellent performance! Highly recommended! 10047949 String Orchestra . . . . . . . . . . .50.00 10047951 Additional Score . . . . . . . . . . . .5.00 H Allegretto (from "Symphony No. 7")—Ludwig van Beethoven/arr. Robert Longfield. As heard in the Oscar-winning movie "The King's Speech," one of Beethoven's most beloved movements accompanied the dramatic moments of this monumental film. Robert Longfield's accessible adaptation for string orchestra can be a centerpiece of most any program. A wonderful addition to your concert repertoire! 10284930 String Orchestra . . . . . . . . . . .45.00 Allegro con Brio (from "Symphony No. 5")— Ludwig van Beethoven/arr. John O'Neill. Crafted into a sturdy string orchestra arrangement, the striking and oh so familiar movement of Beethoven's seminal "Symphony No. 5" is the model introduction to one of the poignant works in Classical music history. Condensed from the movement's usual seven-minute average playing time into a tidy 2:20, Beethoven's impressive mastery resounds! 10307139 String Orchestra . . . . . . . . . . .45.00 10307140 Additional Score . . . . . . . . . . . .5.00 H Allegro Giocoso (Symphony 4, Movement 3) —Brahms/arr. Deborah Baker Monday. This Brahms masterpiece is a joy to hear and a thrill to play! Set in the bright key of D major, it retains the slur over the beat that gives the descending line its character. This line is then offset with strong unison rhythmic motives that drive the music ahead. An outstanding work to open or close any concert! Highly recommended! 10051490 String Orchestra . . . . . . . . . . .48.00 10087536 Additional Score . . . . . . . . . . . .6.00 H Allegro in G (from "Concerto for Two Guitars") —Antonio Vivaldi/arr. Steven Frackenpohl. Carefully crafted for string ensemble, this lively movement is adapted from Vivaldi's "Concerto for Two Guitars." In true Vivaldi style, the ensemble is driven by energetic rhythms that make all parts interesting and fun to play. Another outstanding edition for young string orchestra teaching and performance. 10061543 String Orchestra . . . . . . . . . . .45.00 10061587 Additional Score . . . . . . . . . . . .5.00 H Amadeus—W. A. Mozart/arr. Jamin Hoffman. Here's the music from the dramatic opening scene of the movie "Amadeus." It's actually the first movement of "Symphony 25 in G minor," arranged here to be in E minor to make it accessible to more students. It's a thrilling work and well arranged for your players. 2481826 String Orchestra . . . . . . . . . . .45.00 H Ancient Aires and Dances—Ottorino Respighi/ arr. Jerry Brubaker. The noble elegance and beauty of Respighi's marvelous work shines in this arrangement of the Balletto Movement from Suite No. 1. The feel of early music carries through in an arrangement that works equally well for strings alone or with the addition of winds. A great introduction to Respighi! 10032563 String or Full Orchestra . . . . . .55.00 10032564 Additional Score . . . . . . . . . . . .9.00 Autumn from "The Four Seasons"—Vivaldi/ arr. Richard Meyers. One of the earliest examples of tone painting, Vivaldi's "The Four Seasons" are a staple of the orchestral repertoire. This energetic movement from Autumn depicts a hunt on a crisp fall morning and is full of terraced dynamics, hooked bowings and dotted rhythms. The original violin solo has been simplified and distributed to two solo violins with solo cello accompaniment. Full and mature-sounding, yet very playable by less- experienced students. 10015215 String Orchestra . . . . . . . . . . .49.00 10015216 Additional Score . . . . . . . . . . . .9.00 H Badinerie (from "Orchestral Suite No. 2")—J. S. Bach/arr. Jeremy Woolstenhulme. This lively selection in G minor brings the intricate charm of Bach to life for developing players. As a teaching piece, the primary purpose is to introduce low 4th finger to violin and viola players. As a performance piece, it's clean and flashy! 10281211 String Orchestra . . . . . . . . . . .48.00 10281212 Additional Score . . . . . . . . . . . .6.00 Beethoven, Inc.—Ludwig van Beethoven/ arr. Richard Meyer. Hear what happens when Beethoven meets Mozart, Offenbach, Brahms, Handel, Bach, Saint-Saens and Rossini in this clever arrangement that combines Ode to Joy with some of the most famous melodies in the classical repertoire. Your students and audience will enjoy trying to find Ode to Joy as it is hidden above, under, and in the middle of Eine Kleine Nachtmusik; Can-Can; Brahms' "Symphony No. 1"; Hallelujah Chorus; Jesu, Joy of Man's Desiring; Bacchanal from "Samson and Delilah" and William Tell Overture. A great way to teach music history while playing music that's just plain fun! 2703085 String Orchestra . . . . . . . . . . .55.00 10006155 Additional Score . . . . . . . . . . . .8.00 H Best of Bach—J S Bach/arr. Jerry Brubaker. Bach's familiar Sheep May Safely Graze is set here at a level perfect for intermediate orchestras. Playable with just strings or by adding any combination of winds up to full orchestra instrumentation, this will be a lovely addition to your concert. 2440733 String or Full Orchestra . . . . . .58.00 H Brandenburg Concerto No. 5 (First Movement, Abridged)—J. S. Bach/arr. Merle J. Isaac. The first movement from this Bach classic is arranged in a very playable manner to allow the young string player to comprehend and perform a Bach masterwork. Recorded by Michigan State University Orchestra on the CD Teaching Music Through Performance in Orchestra Volume 1 - Pepper #5973728. 2052959 String Orchestra . . . . . . . . . . .62.00 5973728 Teaching Music Through Orchestra -4 CD Set . . . . . . . .49.50 Brandenburg Concerto No. 5—J.S. Bach/arr. Lynne Latham. An absolute classic for strings, this version is in C major to avoid forward extensions for viola and cello. There is nothing out of first position except for a simple shift for cello and bass in a brief passage. A solo string quartet section gives the work a truly Baroque feel. 10738717 String Orchestra . . . . . . . . . . .35.00 10738718 Additional Score . . . . . . . . . . . .6.00 Canarios—Gaspar Sanz/arr. Robert Longfield. The guitar music of Gaspar Sanz retains its popularity to this day. This particular excerpt for string orchestra exudes rhythmic vitality and a fascinating use of hemiola. The Spanish influence gives it a unique take on Baroque music. 10617944 String Orchestra . . . . . . . . . . .48.00 10617945 Additional Score . . . . . . . . . . . .6.00 Canarios—Gaspar Sanz/arr. Deborah Baker Monday. Canarios is a movement taken from the Suite Espanola for guitar by Gaspar Sanz, a leading composer of Spanish Baroque music. This delightful arrangement in D major engages all sections of the ensemble in the interplay between 6/8 and 3/4. The rich and resonant texture makes this piece a great concert or festival selection. 10907783 String Orchestra . . . . . . . . . . .60.00 10907784 Additional Score . . . . . . . . . . . .7.50 Carnival of the Animals—Camille Saint-Saens/ arr. Frank Halferty. Three standout movements from "Carnival of the Animals" are available in this appealing setting for developing string orchestra. Royal March Of The Lion; The Elephant and Fossils are all in very playable keys and arranged to maintain the integrity of the original without the need for piano soloists. Destined to be a highlight at concerts and contests for years to come. 10367496 String Orchestra . . . . . . . . . . .56.00 10367497 Additional Score . . . . . . . . . . . .6.00 Cavatina—Antonin Dvorak/arr. Robert Sieving. This beautiful Romantic work has been expanded from the violin and piano setting and is perfect for strings! The violin, viola and bass parts are all playable in first position, while the cello goes to third position. As the title suggests, expressive legato playing within the ensemble gives students the opportunity to develop their bow control. The piano part requires a clean and crisp approach. Beautiful! 10310576 String Orchestra with Piano . . .46.00 10310581 Additional Score . . . . . . . . . . . .7.00 H Classical Symphony—Sergei Prokofiev/ arr. Carrie Lane Gruselle. Carrie Lane Gruselle has made this great work accessible to student orchestras while maintaining the spirit and drive of the original. Prokofiev's trademark harmonic twists will be a welcome change for your orchestra, and the Finale will be a high point of your concert! 2346443 String Orchestra . . . . . . . . . . .56.00 2346450 Additional Score . . . . . . . . . . . .9.00 Concerto for Three—Antonio Vivaldi/arr. Lloyd Conley. Taken from "Concerto Grosso, Op. 3," L'Estro Armonico (Harmony of the Soul), this unique edition offers the opportunity to feature three of your best players - two violins and one viola - as soloists accompanied by string orchestra. A great opportunity to perform a distinctive Baroque work. 10057760 String Orchestra . . . . . . . . . . .45.00 10061954 Additional Score . . . . . . . . . . . .5.00 Country Wedding (from "The Moldau")— Bedrich Smetana/arr. Sandra Dackow. Smetana's Bohemian slow polka from "The Moldau" makes a colorful selection for string orchestra. Sandra Dackow's typically strong arrangement will provide many teaching and performing opportunities. 2191658 String Orchestra . . . . . . . . . . .45.00 Dance of the Hours—Amilcare Ponchielli/arr. Robert Longfield. As heard in the Disney classic "Fantasia" where it served as accompaniment for ostriches, hippos, elephants and alligators, this work continues as a staple of the of light Classical repertoire taken from both opera and ballet. Now available in this superb, accessible version. 10459281 String Orchestra . . . . . . . . . . .40.00 10459282 Additional Score . . . . . . . . . . . .5.00 H Dance of the Reed Flutes—P.I. Tchaikovsky/ arr. Carrie Lane Gruselle. Taken from Act II of Tchaikovsky's timeless "Nutcracker" ballet, Carrie Lane Gruselle's arrangement of Dance of the Reed Flutes is a sugar-sprinkled "plum" for string orchestras. It's a lively way to incorporate a traditional Christmas favorite into secular holiday concerts for upper-elementary/middle school performers. 10091971 String Orchestra . . . . . . . . . . .50.00 10091972 Additional Score . . . . . . . . . . . .5.00 Dance of the Tumblers—Nikolai Rimsky- Korsakov/arr. Bob Lipton. The personality of Rimsky-Korsakov's original really shines through in this arrangement. The piece offers great performance flexibility, working equally well as an opener, closer, or even a lighter selection during your program. 10454267 String Orchestra . . . . . . . . . . .50.00 10454300 Additional Score . . . . . . . . . . . .5.00 Danse Bacchanale (from "Samson and Delilah") —Camille Saint-Saens/arr. Jamin Hoffman. One of opera's most famous scenes is now available in this skilled adaption for strings, with the powerful tribal dance scene from "Samson and Delilah." After opening with an evocative violin solo, the tension-filled movement accelerates to a brilliant finish, depicting the drama surrounding Samson's destruction of the temple and his enemies. 10343646 String Orchestra, Percussion Required . . . . . . . .50.00 H Danza—Vaclav Nelhybel. Nelhybel's intriguing work is divided into three sections, Adagio; Allegro, and Vivo. Nelhybel's contribution to the world of music is fast becoming recognized worldwide. Recorded by Michigan State University Orchestra on the CD, Teaching Music Through Performance in Orchestra Volume 1 - Pepper #5973728. 2065894 String Orchestra . . . . . . . . . . .65.00 Eine Kleine Nachtsmusik (First Movement)— W.A. Mozart/arr. Robert D. McCashin. Eine Kleine Nachtmusik was written near the end of Mozart's short life (1787) as a four-movement serenade for chamber strings. It has become one of his most- performed works, and this easy arrangement of the first movement will allow young orchestras to perform it beautifully. 10568185 String Orchestra . . . . . . . . . . .45.00 10568186 Additional Score . . . . . . . . . . . .6.00 H Entrance of the Queen of Sheba—G.F. Handel/ arr. H.B. Fisher. A sure winner with your violin section, this festive processional by Handel will sound "royal" with your group. On the easy side of this level. Recorded by Michigan State University Orchestra on the CD Teaching Music Through Performance in Orchestra, Volume 1 - Pepper #5973728. 2301349 String Orchestra . . . . . . . . . . .62.00 4 Finale from Symphony No. 12—F.J. Haydn/arr. Carrie Lane Gruselle. Treat your students to this spectacular arrangement showcasing the "Father of the Symphony." This exquisitely orchestrated arrangement teaches a wealth of skills including off-the-string eighth notes, detache, sixteenth notes, chromatic alterations, and includes abundant opportunities to practice upbeats at the frog. Engaging for every member of the orchestra! 10995989 String Orchestra . . . . . . . . . . .55.00 10995990 Additional Score . . . . . . . . . . . .6.00 Fingal's Rock—Felix Mendelssohn/arr. Kathryn Griesinger. In this modern twist on Mendelssohn's epic Hebrides Overture, low strings get to dig into energetic accented bass lines as two prominent themes weave through the orchestra. This arrangement is very playable in first position with a few simple accidentals. Every section of the orchestra is featured using the same melodic echoes that inspired Mendelssohn almost two centuries ago. Includes optional drum set. 10696530 String Orchestra . . . . . . . . . . .47.00 10696531 Additional Score . . . . . . . . . . . .6.00 Gagliarda—Ottorino Respighi/arr. Carrie Lane Gruselle. Borrowing a tune form Vincenzo Galilei, father of the famous astronomer Galileo, Respighi brings a bright and energetic taste of the Renaissance to the concert hall. Triple meter, irregular melodic patterns, dotted rhythms, independence of voices, contrasting textures and dynamics are all studied in this wonderful work by a master composer. 10752888 String Orchestra . . . . . . . . . . .50.00 10752889 Additional Score . . . . . . . . . . . .5.00 Habanera (from "Carmen")—Georges Bizet/arr. Jerry Brubaker. This aria, probably the most popular habanera ever, lends itself in a superb fashion to the string orchestra. Even in the opera score, the cello is the anchor, providing the rhythmic and tonal structure on which the aria is built. Incorporating many special effects, including optional tambourine and triangle, this new setting is as fun to play as it is to listen to. Truly a must for any string library! 10310453 String Orchestra . . . . . . . . . . .55.00 10310455 Additional Score . . . . . . . . . . . .8.00 H Hopak (from "The Fair at Sorochinsk")—Muss- orgsky/arr Merle J. Isaac. This lively Russian dance comes from the brilliant orchestral music of Mussorgsky. Merle Isaac's excellent adaptation has long been a classic of school orchestras. 988667 String Orchestra . . . . . . . . . . .62.00 4 If Thou Be Near—Gottfried Heinrich Stolzel/arr. Carrie Lane Gruselle. This treasured Baroque aria provides young string players with an opportunity to develop beautiful tone, vibrato and intonation in the key of B-flat. Solemn and stately, the melodic phrases are shared between the upper strings, while the cello and bass experience the responsibility of the basso continuo, making each note a pearl of musical beauty while setting the foundation for the harmonies in the inner voices. 10995997 String Orchestra . . . . . . . . . . .50.00 10995998 Additional Score . . . . . . . . . . . .5.00 In Paradisum (from "Requiem in D Minor")— Gabriel Faure/arr. Bob Lipton. The last movement of Faure's "Reqiuem in D Minor" has a transcendent beauty that will cause goose bumps for audience members and performers alike. This arrangement has a technical ease that leaves the player free to concentrate on communicating Faure's vision of emotion and expression. An optional harp/keyboard part is included. Very moving. 10366825 String Orchestra . . . . . . . . . . .40.00 10366836 Additional Score . . . . . . . . . . . .5.00