Pop Tunes
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e rick House���arr. Michael Brown. This one needs no
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4 all Me Maybe���arr. Michael Brown. With a catchy
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introduction! The percussion section sets up the groove then the
low brass joins in with the bass line. This chart gives you the option
of two endings; a regular ���short ending��� if needed in the stands or
elsewhere, and an extended ���closer ending��� for a big finish to a
show. ���Mighty, mighty!���
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melody and irresistible upbeat feel, Carly Rae Jepsen���s megahit
has instant appeal to all age groups! Sure to be a favorite
wherever it���s performed!
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saw her solo career take off with the success of this great dance
song. The horn lines translate very easily for marching band, making
this an instant crowd favorite!
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an���t Help Falling in Love (Opener)���arr. Jay
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Dawson. The King lives on! One of Elvis��� most popular hits will thrill
razy Little Thing Called Love���arr. Richard
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Saucedo. Who knew that Queen could really swing? This energetic
audiences and judges alike in this effective show opener!
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e rown Eyed Girl���arr. Paul Murtha. Some songs never
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seem to grow old, and this pop classic recorded by Van Morrison
in 1967 is a perfect example. You���ll find a multitude of uses for this
solid and well-paced arrangement!
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arry on Wayward Son���arr. Mike Sweeney. From
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progressive rock group Kansas, this chart uses deep bass lines,
strong ensemble phrases and contrasting softer sections to create
a truly powerful statement for the field or stands!
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uild Me Up, Buttercup���arr. Paul Murtha. This tune is
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destined to join the ranks of the all-time classic stands charts! A fun
shuffle chart from the ���60s, it���s enjoying renewed popularity thanks
to its use in the hit movie ���There���s Something About Mary.��� Your
crowd will absolutely love this one!
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l hain of Fools���arr. Dallas Burke & Carl Major. This truly
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Crazy in Love���arr. Ralph Ford & Bryden Atwater. Beyonce
l oes Anybody Really Know What Time It Is?���
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arr. Brian Scott. The jazz-rock group Chicago is still a favorite!
One of their biggest hits has been crafted into a fresh and exciting
arrangement that contains all of the great sounds of the original.
Featuring a cool trumpet solo, and a smokin��� trombone solo at the
end, this chart will be a favorite for years to come!
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chart provides a wealth of opportunities for color guard work! It���s
light-hearted fun at its best!
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e on���t Fear the Reaper���arr. Paul Murtha. Here���s a
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e razy Train���arr. Paul Murtha. It seems Ozzy Osbourne
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e on���t Stop Believin������arr. Jay Bocook and Omar
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Carmenates. Here is Journey���s signature hit from 1981 in a high
is everywhere, so he may as well be in marching band, too!
Here���s Ozzy���s biggest hit arranged for pep bands or general mania
in the stands!
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timeless Aretha Franklin hit is part of the Motown Era Soul halftime
show. You���ll love the driving funk arrangement for marching band!
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classic rocker from the group Blue Oyster Cult. With an up-tempo
rock style and effective pacing, this will work great for drill teams!
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octane version for mature bands! With the mellophones and horns
on the signature guitar riff, carefully paced impact points, and a
driving percussion score, this is sure to whip the crowd into a frenzy!
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Bully���arr. Tom Wallace. This heavy-hitting rock song from
Shinedown addresses a hot-button issue with today���s youth and
gives encouragement to those affected most. The arrangement
speaks with a strong musical statement that gives great meaning to
a powerful song!
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Burn It to the Ground���arr. Ralph Ford. Here is the
Nickelback hard rock anthem in a smokin��� arrangement for marching
band! The driving rock shuffle is sure to make this a crowd favorite!
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Burning Love/C.C. Rider���arr. Jay Dawson. The
excitement Elvis created every time he walked on stage will
be generated by your band when they play this medley of two of
his classics!
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California Gurls���arr. Doug Adams. Not to be confused
with the Beach Boys classic, this hot chart by Katy Perry was one
of the biggest songs of the summer of 2010. Strong block scoring
and lots of unison writing make this one playable by any band. It
really rocks!
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4 reep���arr. Jay Dawson. Made popular by English alternative
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4 helsea Dagger���arr. Paul Murtha & Will Rapp. The
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title isn���t instantly recognizable, but the tune is! Recorded by The
Fratellis, this rock anthem has become a fan favorite in sports
arenas in the US as well as in Europe. The bluesy yet upbeat shuffle
brings enthusiasm to the field or stands!
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e Cold-Hearted���arr. Raymond Rolle. Paula Abdul rocked the
pop world in 1989 with this distinctive and energetic hit. Featured as
a part of the ���Drumline Live��� stage production, this chart epitomizes
their edgy and exciting style.
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ome Out and Play���arr. Tom Wallace. Pristine heavy
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metal from the group The Offspring.
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Come Sail Away���arr. Paul Murtha. It���s a genuine rock
anthem and both your band and the crowd will love it! It starts quietly
with trumpet soloist, then builds solidly and pulls out all the stops to
the powerful closing. A great closer!
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4 all Me Maybe���arr. Ayatey Shabazz. This monster hit by
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Carly Rae Jepsen was everywhere in 2012. The guard, the crowd
and even the team will be singing along and having a great time!
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Conga���arr. Victor Lopez. The biggest hit by Gloria Estefan has
been carefully arranged to be easier and more playable by bands of
all levels! This classic will be a welcome addition to your stands for
years to come!
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rock group Radiohead, this tune gained worldwide attention when it
was released in 1993. The reflective melody and tempo make for a
moving change of pace production number.
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e upid Shuffle���arr. Tim Waters. Recorded by Cupid in
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2007, this catchy hit spawned a popular line dance as well as
numerous remixes and versions on YouTube. Create your own
dance sensation with this hot tune!
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l ance to the Music���arr. Allen Gray. This funky classic
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from Sly and the Family Stone is a groovy way to start your Motown
Era Soul show or to get everyone in the stands moving!
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l ance to the Music���arr. John Wasson & Will Rapp. Sly
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and the Family Stone were breaking new ground in the late 1960s
by combining funk, rock and soul. Driven by catchy melodies,
rhythmic grooves, and blazing brass, this funky hit is a must for
marching bands!
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4 on���t Stop Believin������arr. Doug Adams. Inspire the
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team and the fans with this timeless rock anthem from the group
Journey! This easy but very effective arrangement contains an
easy optional trumpet solo before building to a stirring finish.
Spectacular!
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e on���t Stop Believin������arr. Paul Murtha. This 1981 arena
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anthem from the group Journey has enjoyed renewed popularity in
TV and film as well as the Broadway production ���Rock of Ages.���
It was featured in the final episode of the HBO hit series ���The
Sopranos,��� and most recently in the highly acclaimed TV Series
Glee. Guaranteed showstopper!
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Don���t Stop Believin������arr. Brian Scott. The inspirational
rocker from Journey is popular again due to the Fox TV show ���Glee.���
Horn and trumpet have optional solo opportunities in this solidly
scored arrangement for the field or stands!
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Pop Tunes
e ancing in the Street���arr. Tim Waters. A Motown
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signature hit first recorded in 1964 by Martha and the Vandellas
and since covered by numerous performers! This version for young
bands lays down a solid groove and features all the familiar horn riffs
from the original. There���s sure to be dancing in the stands!
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4 ie Young���arr. Jay Bocook. Here���s a powerful stands
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arrangement of the megahit from recording sensation Ke$ha! The
ultimate party song!
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4 ie Young���arr. Nick Baratta. With its catchy beat and
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infectious groove, this hot tune by singer-songwriter Ke$ha was a
big hit at the end of 2012. This fun arrangement is a winner that���s
full of great sounds!
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e isturbia���arr. Paul Murtha. Plenty of tutti riffs and solid
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scoring characterize this hit recorded by Rihanna. This arrangement
is easy to learn and will sound great in the stands or on the field.
Sure to be a crowd favorite!
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Dr. Beat DB-90
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4 on���t Stop the Music���arr. Tom Wallace. Originally a
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hit song for pop artist Rihanna, this arrangement is based on the
version performed in the musical comedy film ���Pitch Perfect.��� Your
band will want to play this chart over and over again!
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l on���t Stop ���Til You Get Enough���arr. Dallas Burke.
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You���ll never get enough of this Michael Jackson funk-rock hit.
No King of Pop show is complete without this exciting production
number!
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on���t Stop Till You Get Enough���arr. Ayatey
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Shabazz. Before Michael Jackson was the King of Pop, he had a big
1979 hit with this hot tune. One chart your band will want to play over
and over again!
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e ream On���arr. Jay Bocook and Will Rapp. Since its initial
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release by Aerosmith in 1973, this classic rock ballad has enjoyed
continual popularity through the years in film and TV, most recently
being featured on Glee. This powerful version for the field or stands
will bring the house down!
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l umb Love���arr. Ralph Ford. Here is a cool arrangement of a
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song made popular by Sean Kingston. A catchy tune with elements
of the 50���s classic doo-wop hit Come Go With Me, it���s a ���feel good���
chart that will get your crowd and students pumped up!
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Dynamite���arr. Tom Wallace. From British recording artist
Taio Cruz comes this compelling dance tune with an infectious hook,
tailor-made for the stands. It will be instantly recognizable to your
band and audience!
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Dynamite���arr. Victor Lopez. This infectious dance-pop tune
by Taio Cruz was one of the biggest hits of 2010. The crowd is sure
to be on their feet when they hear this hip chart! Sure to make any
event ���dynamite!���
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e he Edge of Glory���arr. Michael Brown & Will Rapp.
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l New for 2013 e Available via e-Print
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Editors��� Choice
Here���s a huge Lady Gaga hit that works perfectly as a stands chart,
field performance or dance feature! The powerful scoring brings out
strong melodies for the entire band!
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he Edge of Glory���arr. Victor Lopez. Lady Gaga���s catchy
T
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dance-pop hit from the summer of 2011 is now a very solid and playable
arrangement for marching band! Perfect for the stands, drill teams and
pep band, this chart will come together quickly and sound glorious!
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