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POP CHARTS
I Got You (I Feel Good)—James Brown/arr.
Allen Gray. This iconic hit from the great James
Brown should be a staple in every jazz band's
library! With funky horn licks and a driving groove
in the rhythm section, this tune gets off to a
rousing start. The solo section features a written
or ad-libbed alto sax solo or improvised solos for
tenor sax, trumpet or trombone. Optional parts
are included for expanded instrumentation. After
the solo section, it's back to that infectious groove
and a recap of the melody before the band gets a
chance to yell "Hey" to close it out. The Godfather
of Soul! Need we say more?
11000480 Jazz Ensemble . . . . . . . . . . . . . 65.00
I Left My Heart in San Francisco—arr. Quincy
Jones. Quincy Jones wrote some incredible
arrangements on very popular tunes for the Count
Basie Orchestra. As recorded on This Time By
Basie, Quincy's arrangement of I Left My Heart
in San Francisco features great interplay between
the ensemble playing the melody, and the piano
with written solo fills. With a tempo around 108
bpm, and a relaxed swing feel, there's also short
solo space for tenor saxophone, and the ranges
are very moderate. This chart is playable by a lot
of bands. It's a true classic! Highly recommended!
10368506 Jazz Ensemble . . . . . . . . . . . . . 55.00
H I Wanna Be Like You—Sherman & Sherman/
arr. John Wasson. What happens when one of
the hottest swing bands in the land cuts loose
on a Disney classic? Cranked up excitement!
Big Bad Voodoo Daddy takes a mambo spin on I
Wan'na Be Like You from "The Jungle Book," and
with lots of tutti writing, your band will get a real
powerhouse sound!
2433704 Jazz Ensemble . . . . . . . . . . . . . 50.00
I Wish—Stevie Wonder/arr. Mike Tomaro. This
tune makes tons of sense for jazz ensemble!
With its invigorating style, the arrangement is true
to the classic sound of Stevie Wonder's original.
The solo section is flexible, so you can tailor it to
your band's strengths. The medium slow groove
on this one is pure magic!
2470798 Jazz Ensemble . . . . . . . . . . . . . 55.00
e In the Stone—arr. Paul Murtha. With no solos
required and only a driving rhythmic groove,
here's an authentic-sounding version of this Earth,
Wind & Fire classic. The trombones are featured
on the melody and all the signature riffs from the
original are beautifully captured. Guaranteed fun!
10033677 Jazz Ensemble . . . . . . . . . . . . . 50.00
H The Incredibles (Medley)—Michael Giacchino/
arr. Stephen Bulla. Mix the stylish spy music from
the 1960s with a dose of cool jazz and you have a
winning combination for jazz ensemble. From the
Pixar hit animated movie, here's a high-energy
and entertaining chart that captures the essence
of the soundtrack perfectly, with three themes
from the movie that offer a ton of variety and
entertainment! A middle section in a jazz waltz
style is framed by exciting rock styles that will
be appealing to both audiences and developing
players. Highly recommended!
2480196 Jazz Ensemble . . . . . . . . . . . . . 55.00
He Isn't She Lovely?—Stevie Wonder/arr. Mike
Tomaro. Recorded by Stevie Wonder in 1976
on his acclaimed album Songs in the Key of
Life, this beautiful song is a good example of
combining elements of jazz with pop. Keeping
the same easy-flowing shuffle groove of the
original, Mike Tomaro adapts this very nicely for
the contemporary big band!
10462702 Jazz Ensemble . . . . . . . . . . . . . 55.00
e Make Me Smile—James Pankow/arr. John
Wasson. One of the first tunes to put the group
Chicago on the map was this early rocker from
1970. John Wasson stays true to the original
in this outstanding version for jazz ensemble
that features solos for alto sax, guitar, and all
the signature horn licks. Suggested solos are
included along with chord/scale sheets in all keys.
10297505 Jazz Ensemble . . . . . . . . . . . . . 55.00
e Motown Tribute—arr. Eric Richards. The music
of Motown continues to stand the test of time with
catchy melodies and well-constructed songs.
Here's a well-crafted and entertaining production
number that features I Heard It Through the
Grapevine; My Girl and Dancing in the Streets.
Included is an open solo section during Dancing
in the Streets with written samples for alto, tenor,
trumpet and trombone.
10960650 Jazz Ensemble . . . . . . . . . . . . . 60.00
He Over the Rainbow—Harold Arlen/arr. Alan
Baylock. Do you have two trumpet players to
showcase? Here is a ballad everybody knows,
scored as a trumpet duet feature. Everything is
written, no improvised solos, the lead trumpet
range is to C above the staff and the second
part is to written A. Lyrical and melodic, this
chart is a sure-fire crowd pleaser impeccably
arranged by Alan Baylock! Optional expanded
instrumentation.
10093177 Jazz Ensemble . . . . . . . . . . . . . 52.00
He Pick Up the Pieces—arr. Victor Lopez. It's
funk/rock... you know it, you love it! The tune
is infectious, the arrangement is right on target
with no individual solos but plenty of section and
ensemble work. The sax soli is crazy hot and the
lead trumpet range is to written A above the staff.
Lots of unison lines, some fun bari sax licks and
a very hip stop-time interlude that really cooks.
This arrangement really works for this tune!
Consider this chart a winner! Optional expanded
instrumentation.
10068806 Jazz Ensemble . . . . . . . . . . . . . 52.00
H September—arr. Mark Taylor. Here's the classic
funk tune from Earth, Wind & Fire in a terrific
arrangement for big band by Mark Taylor. This
one includes all your favorite signature horn riffs
as well as a solo for tenor sax.
10016127 Jazz Ensemble . . . . . . . . . . . . . 50.00
He Sir Duke—Stevie Wonder/arr. Michael Mossman.
In 1977 Stevie Wonder was in his prime and Sir
Duke was on top of the charts. Michael Philip
Mossman takes this familiar hit and adds his own
unique touch. The opening features the brass
with sax section fills. The middle section goes
into a double-time swing and includes a solo for
tenor sax, a soli for the saxes, and a drum break.
All the familiar lines from the original are there too!
Suggested solos are included along with scale/
chord sheets in all keys. Highly recommended!
10297508 Jazz Ensemble . . . . . . . . . . . . . 50.00
e A Song for You—Leon Russell/arr. Mark Taylor.
Composed in 1970, A Song for You has over the
years become one of Leon Russell's most popular
songs, recorded by countless artists including
Peggy Lee, Michael Buble, Ray Charles, Whitney
Houston, Aretha Franklin and many others. Here
is an outstanding version for jazz ensemble
arranged as a solo feature for tenor saxophone.
10759340 Jazz Ensemble . . . . . . . . . . . . . 50.00
He Superstition—Stevie Wonder/arr. Mike Tomaro.
Mike Tomaro weaves this funk classic by Stevie
Wonder through a series of new twists and turns,
but he is careful to preserve the great groove
and signature horn riffs of the original. There are
featured solos for alto and trumpet in this style
defining hit that sets the pace for the genre!
2481654 Jazz Ensemble . . . . . . . . . . . . . 50.00
e Tell Me Something Good—Stevie Wonder/
arr. Mike Tomaro. This classic funk tune from the
1970s was written by Stevie Wonder, but became
a huge hit for Rufus and Chaka Khan. Featuring
a slow and driving pulse with heavily syncopated
figures, this chart provides a powerful change-of-
pace for concerts, contests and festivals.
10617878 Jazz Ensemble . . . . . . . . . . . . . 55.00
e Uptown Funk!—arr. Paul Murtha. Here's
the ultimate in contemporary funk from Mark
Ronson and Bruno Mars! Paul Murtha captures
all the style and attitude in this exciting chart for
jazz ensembles. The melody is skillfully passed
around from section to section, and suggested or
improvised solo options are provided for trumpet
and tenor sax, along with written bass lines
and piano voicings. This one is hot and highly
recommended!
10500110 Jazz Ensemble . . . . . . . . . . . . . 55.00
e The Way We Were—Marvin Hamlisch/arr. Mark
Taylor. Celebrate the legend of Marvin Hamlisch
with this terrific, moderate Latin setting of one
of his timeless classics. A trombone soloist is
featured throughout along with a smooth
ensemble blend. An iconic standard!
10343790 Jazz Ensemble . . . . . . . . . . . . . 50.00
He Welcome to the Jungle—arr. Paul Murtha.
Hailed as one of the greatest hard rock songs
of all time, this 1987 hit from Guns N' Roses
features familiar melodies and a relentless
drive throughout. Paul Murtha's hard-hitting
arrangement uses the saxes on the lead and the
brass on the signature riffs, along with terrific
interplay within the ensemble. There's a brief
written or improvised solo for alto sax. Rock the
stage with this one! Highly recommended!
10343785 Jazz Ensemble . . . . . . . . . . . . . 55.00
e What a Wonderful World—Douglas & Weiss/
arr. Alan Baylock. Alan Baylock sets this
wonderful tune in a sultry 12/8 groove played at
about 72 bpm, making it feel lazy and relaxed.
There are no solos, just sweet ensemble writing all
the way. The lead trumpet range is to A above the
staff and optional parts are included for expanded
instrumentations. This outstanding chart is an
ideal contrasting piece for any performance!
10997206 Jazz Ensemble . . . . . . . . . . . . . 52.00
Won't You Be My Neighbor? (It's a Beautiful
Day in the Neighborhood)—Fred Rogers/arr.
Mike Tomaro. As the world reflects on one of its
most genuinely kind souls in the person of Mr.
Rogers, fellow Pittsburgh neighbor Mike Tomaro
pays tribute to Mr. Rogers' famous TV theme in
this laid-back samba setting. This is not juvenile
sounding, it's very sophisticated and hip, with
solos for tenor sax and trombone. This one will
have tremendous audience appeal!
2701404 Jazz Ensemble . . . . . . . . . . . . . 50.00
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