J.W. Pepper Catalogs

119 Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: satisfaction@jwpepper.com ALPHABETICAL INDEX Go to cart My Favorite Things— Rodgers & Hammerstein/arr. Conley . . . . . . . . . . .44 My Shot—Lin-Manuel Miranda/arr. Larry Moore. . . .49 Mystic Caravan—Soon Hee Newbold. . . . . . . . . . . .27 Mystic Lair—Sean O'Loughlin . . . . . . . . . . . . . . . . .40 Mystic Mountain—Chris Thomas . . . . . . . . . . . . . . .40 Mystical Mage—Jeremy Woolstenhulme . . . . . . . . .27 Mystical Towers—Jeremy Woolstenhulme . . . . . . . .40 Mythos—Soon Hee Newbold . . . . . . . . . . . . . . . . . .35 Nabucco Overture— Giuseppe Verdi/arr. Deborah Baker Monday . . . . . .19 Nearer, My God, to Thee— Lowell Mason/arr. Robert Longfield . . . . . . . . . . . .58 Nessun Dorma—Giacomo Puccini/arr. Ted Ricketts . .19 Never Ending Story—Giorgio Moroder & Keith Forsey/arr. Patrick Roszell . . . . . . . . . . . . .74 New Delhi Nights—Kirt Mosier. . . . . . . . . . . . . . . . .40 New World Symphony— Antonin Dvorak/arr. Deborah Baker Monday. . . . . .23 New World Symphony— Antonin Dvorak/arr. Brad Pfeil . . . . . . . . . . . . . . . .69 Night on Bald Mountain— Modest Mussorgsky/arr. Eric Segnitz . . . . . . . . . . .23 Night Ride—Deborah Baker Monday . . . . . . . . . . . .31 Night Shift—Richard Meyer . . . . . . . . . . . . . . . . . . .31 Nightrider—Richard Meyer . . . . . . . . . . . . . . . . . . .31 Nimrod—Edward Elgar/arr. Mitchell Bender . . . . . . .20 Nimrod—Sir Edward Elgar/arr. Bud Caputo . . . . . . .20 Ninja—Richard Meyer . . . . . . . . . . . . . . . . . . . . . . .27 No One Is Alone— Stephen Sondheim/arr. James Kazik . . . . . . . . . . .47 Nocturne—Felix Mendelssohn/arr. Richard Meyer . .70 Nomadic Journey—Carol Brittin Chambers . . . . . . .35 Non piu andrai—W.A. Mozart/arr. Sandra Dackow . .71 Northumbrian Suite—arr. Ian David Coleman . . . . . .57 Norwegian Dance No. 1, Op. 35— Edvard Grieg/arr. Deborah Baker Monday . . . . . . .16 Nostalgia—Rossano Galante . . . . . . . . . . . . . . . . . .73 Nunca te Rindas!—Thom Sharp . . . . . . . . . . . . . . .42 Nutcracker Ballet, Set 1— P.I. Tchaikovsky/arr. Merle Isaac. . . . . . . . . . . .71, 78 Nutcracker Ballet, Set 2— P.I. Tchaikovsky/arr. Merle Isaac. . . . . . . . . . . .71, 78 Nutcracker Jam— P.I. Tchaikovsky/arr. Michael Hopkins . . . . . . . . . . .65 Nutcracker Suite Selections— P.I. Tchaikovsky/arr. Bud Caputo. . . . . . . . . . . . . . .65 O'Carolan's Draught— Turlough O'Carolan/arr. Andrew H. Dabczynski. . . .56 O Come, O Come Emmanuel— Traditional/arr. Brian Holmes & J. Cameron Law. . .65 O Come, O Come Emmanuel— Traditional/arr. Jack Bullock . . . . . . . . . . . . . . . . . .77 O Holy Night—arr. Calvin Custer. . . . . . . . . . . . . . . .78 O Magnum Mysterium— Morten Lauridsen/arr. Sandra Dackow . . . . . . .40, 58 Oblivion—Astor Piazzolla/arr. Robert Longfield . . . . .47 Ocean Storm—Antonio Vivaldi/arr. Tom Fritz. . . . . . .16 October—Eric Whitacre/arr. Paul Lavender. . . . . . . .40 Ode to Joy— Ludwig van Beethoven/arr. Richard Meyer . . . .10, 69 Ode to Joy Festival (Multi-Level)— Ludwig van Beethoven/arr. Todd Parrish. . . . . . . . .20 Odyssey—Soon Hee Newbold . . . . . . . . . . . . . . . . .40 Of Glorious Plumage—Richard Meyer . . . . . . . . . . .42 Old Boatman—Florence Price/arr. Dana Perna . . . . .40 On a Hymnsong of Philip Bliss—David Holsinger . . .58 On Christmas Day— Traditional/arr. Robert Longfield . . . . . . . . . . . . . . .63 On Top of the World—Brian Balmages . . . . . . . . . . .74 Once in Royal David's City— Henry John Gauntlett/arr. Jerry Brubaker . . . . . . . .78 One Bow Concerto—Richard Meyer. . . . . . . . . .31, 52 One Hand, One Heart— Leonard Bernstein/arr. Robert Longfield . . . . . . . . .47 Orange Jam—Jeffrey S. Bishop. . . . . . . . . . . . .35, 53 Orient et Occident— Camille Saint-Saens/arr. Deborah Baker Monday . .20 Orion and the Scorpion—Soon Hee Newbold . . . . . .42 Orion the Hunter—Matthew Gelfer. . . . . . . . . . . . . .27 Orpheus in the Underworld (Finale)— Jacques Offenbach/arr. Sandra Dackow . . . . . . . .14 Our Heroes—Susan H. Day.. . . . . . . . . . . . . . . . . . .58 Out of Time—Sean O'Loughlin. . . . . . . . . . . . . . . . .43 Over the Misty Moor—Jason W. Krug. . . . . . . . . . . .40 Over the Rainbow—arr. Bob Cerulli . . . . . . . . . . . . .44 Over the Rainbow— Harold Arlen & E.Y. Harburg/arr. Phillips . . . . . . . . .47 Over the Rainbow— Harold Arlen & E.Y. Harburg/arr. Phillips & Beck . . .44 Overture—J.S. Bach/arr. Robert D. McCashin. . . . . .23 Overture—Ludwig van Beethoven & W.A. Mozart/ arr. Paul O'Neill & Bob Phillips . . . . . . . . . . . . . . . .49 Overture from "The Barber of Seville"— Giacomo Rossini/arr. Merle J. Isaac . . . . . . . . . . . .72 Overture from "The Thieving Magpie"— Gioachino Rossini/arr. Carrie Lane Gruselle . . . . . .20 Overture to Die Fledermaus— Johann Strauss/arr. Richard Meyer . . . . . . . . . . . .69 Overture to Lucio Silla— W. A. Mozart/arr. Sandra Dackow. . . . . . . . . . . . . .16 Overture to "Royal Fireworks Music"— G.F. Handel/arr. Richard Meyer. . . . . . . . . . . . . . . .69 Overture to the Wind—Kirt Mosier . . . . . . . . . . . . . .43 Pacem Noel—arr. Larry Clark. . . . . . . . . . . . . . . . . .61 Pachelbel Canon— Johann Pachelbel/arr. Andrew Balent. . . . . . . . . . .14 Palladio—Karl Jenkins. . . . . . . . . . . . . . . . . . . . . . .43 Palladio—Karl Jenkins/arr. Robert Longfield . . . . . . .35 Pan—John Powell/arr. Douglas E. Wagner . . . . . . . .75 Parade of the Wooden Soldiers— Leon Jessel/arr. Ralph Ford . . . . . . . . . . . . . . . . . .77 Parkland—Susan H. Day . . . . . . . . . . . . . . . . . . . . .43 Passacaglia—G.F. Handel/arr. Robert Frost. . . . . . . .23 Pastoral Symphony— Ludwig van Beethoven/arr. Christina Hans . . . . . . .14 Pat-a-pan— Bernard de la Mannoye/arr. Jason Krug . . . . . . . . .65 Patriotic Salute—Various/arr. Timothy J. Isham. . . . .58 Patron Saint of Ballyvourney—John Mock . . . . . . . .40 Pavane—Gabriel Faure/arr. John O'Neill . . . . . . . . .20 Peer Gynt Suite— Edvard Grieg/arr. Carrie Lane Gruselle . . . . . . . . . .20 Peer Gynt Suite—Edvard Grieg/arr. Richard Meyer . .70 Pepperoni Pizza Rock—Brian Balmages. . . . . . .27, 50 Peripheral Visions—Alan Lee Silva . . . . . . . . . . . . . .35 Perpetual Fiddle Motion—Brian Balmages . . . . . . . .35 Perpetuum—Paul Barker. . . . . . . . . . . . . . . . . . . . .35 Perseus—Soon Hee Newbold . . . . . . . . . . . . . . . . .43 Petite Tango—Casimer Kriechbaum. . . . . . . . . . . . .31 Phantom of the Opera— Andrew Lloyd Webber/arr. Custer. . . . . . . . . . . . . .75 Phantom of the Opera-Selections— Andrew Lloyd Webber/arr. Larry Moore . . . . . . . . .47 Phantom Waltz—Chris Thomas . . . . . . . . . . . . . . . .40 Pictures at an Exhibition— Modest Mussorgsky/arr. Carrie Lane Gruselle . . . .20 Pieces of Eight—Richard Meyer. . . . . . . . . . . . . . . .35 Pines of Rome— Ottorino Respighi/arr. Stephen Bulla. . . . . . . . . . . .71 Pink Panther—Henry Mancini/arr. Longfield . . . . . . .47 Pirate's Legend— Soon Hee Newbold/arr. Carl Rydlund . . . . . . . . . . .73 Pirates of the Caribbean—arr. Paul Lavender . . . . . .44 Pirates of the Caribbean— Hans Zimmer/arr. Moore . . . . . . . . . . . . . . . . . . . .44 Pirates of the Caribbean— Hans Zimmer/arr. Ted Ricketts . . . . . . . . . . . . . . . .47 Pirates of the Caribbean— Klaus Badelt/arr. Ted Ricketts. . . . . . . . . . . . . . . . .75 Pirates of the Caribbean— Hans Zimmer/arr. James Kazik . . . . . . . . . . . . . . .49 Pirate's Plunder—Neridah Oostenbroek . . . . . . . . . .31 Plink Plank Plunk—Leroy Anderson . . . . . . . . . . . . .53 Poe: Tales of the Macabre—Gary Fagan . . . . . . . . .35 Point Lookout—Brian Balmages . . . . . . . . . . . .43, 58 Poker Face—Lady Gaga/arr. Robert Longfield . . . . .44 Polar Express— Alan Silvestri/arr. Moore & Lavender . . . . . . . . . . .47 Polar Express—arr. Jerry Brubaker . . . . . . . . . . . . .78 Polar Express (Selections)—arr. Mike Story . . . . . . .77 Polka Dot Polka—Richard Meyer . . . . . . . . . . . . . . .31 Polovtsian Dances— Alexander Borodin/arr. Samuel Gelfer. . . . . . . . . . .16 Pomp and Circumstance— Edward Elgar/arr. John Whitney . . . . . . . . . . . . . . .71 Por una Cabeza— Carlos Gardel/arr. Christopher Selby. . . . . . . . . . . .57 Postcards from Russia—Carrie Lane Gruselle. . .35, 56 Pot Of Gold—Susan H. Day . . . . . . . . . . . . . . . . . . .50 Power Rock—Various/arr. Michael Sweeney . . . . . .44 Power Shift—Kathryn Griesinger . . . . . . . . . . . . . . .53 Precipice—Eric B. Davis . . . . . . . . . . . . . . . . . . . . .43 Prelude and Fugue—Brian Balmages . . . . . . . . . . .27 Prelude for String Orchestra—Gerald Finzi . . . . . . . .20 Prelude from "Holberg Suite"— Edvard Grieg/arr. Brendan McBrien . . . . . . . . . . . .17 Prelude in G Minor— Sergei Rachmaninoff/arr. Tanner Otto. . . . . . . . . . .20 Premonitions—Larry Neeck . . . . . . . . . . . . . . . . . . .31 Presto— Ludwig van Beethoven/arr. Ben Clinesmith. . . . . . .10 Primavera—Antonio Vivaldi/arr. Todd Parrish . . . . . .20 Primrose Hill—Alan Lee Silva. . . . . . . . . . . . . . . . . .40 Prince of Denmark's March— Jeremiah Clarke/arr. Bob Phillips . . . . . . . . . . . . . .69 Procession of the Sardar— Ippolitov-Ivanov/arr. Merle J. Isaac . . . . . . . . . . . . .71 Pulcinella— Igor Stravinsky/arr. Robert D. McCashin . . . . . . . . .20 Purple Mountain Heather—arr. Michael J. Miller. . . .35 Puttin' on the Pizz—Chris M. Bernotas. . . . . . . . . . .50 Radetzky March— Johann Strauss/arr. Merle J. Isaac . . . . . . . . . . . . .71 Radetzky March— Johann Strauss/arr. Richard Meyer . . . . . . . . . . . .69 Radioactive—Imagine Dragons/arr. Larry Moore. . . .49 Ravenwood Castle—Kathryn Griesinger . . . . . . . . . .27 Rebellion Is Reborn—John Williams. . . . . . . . . . . . .76 Red Lion—Jeremy Woolstenhulme . . . . . . . . . . . . .27 Red Pepper—Jeffrey S. Bishop . . . . . . . . . . . . .53, 56 Red Pony—Aaron Copland/arr. Erik Morales. . . . . . .20 Red Rhythmico—Kirt Mosier . . . . . . . . . . . . . . . . . .43 Regal March— George Frederic Handel/arr. Christina Hans . . . . . .10 Reindeer Galop—arr. Robert W. Smith . . . . . . . . . . .65 Rejoice, East and West— arr. Deborah Baker Monday . . . . . . . . . . . . . . . . . .59 Remember Me— Michael Giacchino/arr. James Kazik. . . . . . . . . . . .44 Remote Control—Richard Meyer . . . . . . . . . . . . . . .53 Requiem—Ludwig van Beethoven/arr. Bob Phillips. .49 Rest—Frank Ticheli . . . . . . . . . . . . . . . . . . . . . . . . .40 Rest Ye Merry, Rock Ye Very—arr. Brian Balmages . .63 Restful River Rondo—Susan H. Day . . . . . . . . . . . . .36 Reverie—Claude Debussy/arr. Samuel Gelfer . . . . . .23 Reverie for String Orchestra—James Corigliano. . . .17 Rey's Theme— John Williams/adapt. Paul Lavender . . . . . . . . . . .49 Rey's Theme—John Williams/arr. Robert Longfield. .44 Rhapsody in Blue— George Gershwin/arr. Bob Cerulli . . . . . . . . . . . . . .74 Rhapsody in Blue— George Gershwin/arr. Jerry Brubaker . . . . . . . . . . .72 Rhythm and Blues—Soon Hee Newbold . . . . . . . . .52 Rhythm Dances—Brian Balmages. . . . . . . . . . . . . .43 Rhythmic Snapshots of Christmas— Brian Balmages. . . . . . . . . . . . . . . . . . . . . . . . . . .63 Rhythms of Africa—Soon Hee Newbold . . . . . . . . . .56 Riding with Eagles—Stephen Chin. . . . . . . . . . . . . .40 Ring of Fire—Kathryn Griesinger . . . . . . . . . . . . . . .27 Ripples—Yukiko Nishimura . . . . . . . . . . . . . . . . . . .40 Rise of the Olympians—Brian Balmages . . . . . . . . .36 Rite of Spring Themes— Igor Stravinsky/arr. Bob Lipton . . . . . . . . . . . . . . . .20 Rites of Tamburo—Robert W. Smith . . . . . . . . . .40, 73 River Flows in You—arr. Larry Moore.. . . . . . . . . . . .47 Riverside Celebration—Brian Balmages . . . . . . . . . .36 Robot Factory—Chris M. Bernotas . . . . . . . . . . .27, 50 Rock Bottom Boogie—Robert Longfield . . . . . . . . . .52 Rock Riffs—Soon Hee Newbold . . . . . . . . . . . . . . . .52 Rock the Halls!—arr. Kathryn Griesinger. . . . . . . . . .61 Rockin' 67 Blues—Bob Phillips . . . . . . . . . . . . . . . .53 Rockin' Halloween—arr. Michael Story. . . . . . . .47, 74 Romanian Folk Dances— Bela Bartok/arr. Monday . . . . . . . . . . . . . . . . .20, 57 Romeo and Juliet Overture— P.I. Tchaikovsky/arr. Jerry Brubaker . . . . . . . . . . . .72 Romeo and Juliet Overture— P.I. Tchaikovsky/arr. Richard Meyer . . . . . . . . . . . .70 Rondo—W. A. Mozart/arr. Carrie Lane Gruselle. . . . .17 Rondo-Finale— Franz Joseph Haydn/arr. Kevin Kaisershot . . . . . . .23 Rosamunde Overture— Franz Schubert/arr. Richard Meyer. . . . . . . . . . . . .70 Rosin Eating Zombies from Outer Space— Richard Meyer. . . . . . . . . . . . . . . . . . . . . . . . .36, 53 Rosintown Rock—Benjamin P. Snoek. . . . . . . . . . . .50 Rubicon—Doug Spata . . . . . . . . . . . . . . . . . . . . . . .36 Russian Christmas Music— Alfred Reed/arr. Michael Story . . . . . . . . . . . . . . . .77 Russian Dance from "The Nutcracker"— P.I. Tchaikovsky/arr. Michael Story . . . . . . . . . . . . .10 Russian Sailor's Dance— Gliere/arr. Bilisario Errante . . . . . . . . . . . . . . . . . . .70 Russian Sailor's Dance— Reinhold Gliere/arr. John Caponegro . . . . . . . . . . .20 Sadness and Sorrow— Purojekuto Musashi/arr. Larry Moore . . . . . . . . . . .47 Sahara Crossing—Richard Meyer . . . . . . . . . . . . . .31 Sailors Song—Mark Williams. . . . . . . . . . . . . . . . . .27 Saint Nick's Canon on the Housetop— arr. Carrie Lane Gruselle . . . . . . . . . . . . . . . . . . . .59 Saint Paul's Suite—Gustav Holst . . . . . . . . . . . . . . .23 Salute to Michael Jackson—arr. Robert Longfield. . .47 Sans Day Carol—arr. Michael Kamuf . . . . . . . . . . . .59 Scarborough Fair—Traditional/arr. Brian Balmages. .55 Scheherazade— Rimsky-Korsakov/arr. Carrie Lane Gruselle. . . . . . .20 Scherzo—Roger Zare . . . . . . . . . . . . . . . . . . . . . . .43 Scherzo from Symphony No. 6—Ludwig van Beethoven/ arr. Deborah Baker Monday . . . . . . . . . . . . . . . . . .23 School—Richard Meyer. . . . . . . . . . . . . . . . . . . . . .53 Season's Greetings—arr. Deborah Baker Monday . .61 Second Storm—Robert W. Smith . . . . . . . . . . . . . . .72 Secret Agent Sugar Plum— P.I. Tchaikovsky/arr. Scott Watson . . . . . . . . . . . . .63 Secret Passage—Frank J. Halferty. . . . . . . . . . . . . .27 Secret Santa—arr. Kathryn Griesinger . . . . . . . . . . .59 See Amid the Winter's Snow— John Goss/arr. Dan Forrest & Kirk Moss. . . . . . . . .63 See You Again— Thomaz, Puth, Franks & Cedar/arr. Larry Moore . . .49 Selections from "Hamilton"— Lin-Manuel Miranda/arr. Douglas E. Wagner . . . . .48 Selections from "Les Miserables"— arr. Bob Lowden . . . . . . . . . . . . . . . . . . . . . . . . . .75 Serenade for String Orchestra—Norman Leyden . . .36 Serenade for Strings, Op. 22— Antonin Dvorak/arr. Jeremy Woolstenhulme . . .20, 23 Serenade for Strings— P.I. Tchaikovsky/arr. Richard Meyer . . . . . . . . . . . .20 Serendipity Suite—Richard Meyer . . . . . . . . . . . . . .53 Serenity—Bruce W. Tippette. . . . . . . . . . . . . . . . . . .31 Seven International Rounds—arr. Lynne Latham. . . .54 Seven Nation Army—Jack White/arr. Larry Moore . .49 Shadowlands—Gary Fagan . . . . . . . . . . . . . . . . . . .31 Shake It Off—Max Martin, Taylor Swift & Shellback/arr. Larry Moore . . . . . . . . . . . . . . . . .49 Shaker Hymn—Traditional/arr. John O'Reilly. . . .55, 58 Shallow (from "A Star Is Born")—arr. Victor Lopez. . .75 Shallow—Various Composers/arr. Larry Moore. . . . .49 Sharks of Seville— Traditional/arr. Deborah Baker Monday . . . . . . . . .52 She Will Hang the Night with Stars— William Hofeldt . . . . . . . . . . . . . . . . . . . . . . . . . . .40 Shenandoah—Traditional/arr. Erik Morales. . . . . . . .57 Shifting Sands (The Shifting Song)—Bob Phillips . . .36 Shinkansen—Jason W. Krug . . . . . . . . . . . . . . . . . .40 Ships of Ireland—Soon Hee Newbold. . . . . . . . . . . .31 Short Cuts—arr. Michael Story. . . . . . . . . . . . . . . . .44 Shut Up and Dance—arr. Larry Moore . . . . . . . . . . .47 Shut Up and Dance—arr. Michael Story . . . . . . . . . .44 Siberian Hunt—Aaron Fryklund . . . . . . . . . . . . . . . .27 Siberian Sleigh Ride—Paul O'Neill/arr. Bob Philips . .65 Siege—Christian A. Williams . . . . . . . . . . . . . . . . . .36 Silent Night—Franz Gruber/arr. Jeffrey E. Turner. . . .63 Silent Night—Franz Gruber/arr. Paul Clark . . . . . . . .63 Silent Night— Franz Xavier Gruber/arr. Erik Morales . . . . . . . . . . .65 Silk Road—Matt Riley . . . . . . . . . . . . . . . . . . . .36, 56 Silver Moon—Yukiko Nishimura . . . . . . . . . . . . . . . .31 Simple Gifts— Joseph Brackett/arr. Carrie Lane Gruselle . . . . . . .55 Sinfonia—G.P. Telemann/arr. Bob Mathews . . . . . . .14 Sinfonia in D Major— Johann Christian Bach/arr. Jim Palmer . . . . . . . . .20 Sinfonia No. 2 in D Major— Felix Mendelssohn/arr. Kirk Moss. . . . . . . . . . . . . .24 Skaters' Waltz— Emile Waldteufel/arr. Richard Meyer. . . . . . . . .10, 59 Sky Suite—Katie O'Hara LaBrie . . . . . . . . . . . . . . . .27 Skyfall— Adele Adkins & Paul Epworth/arr. Larry Moore . . . .49 Skyline Rising—Kirt Mosier . . . . . . . . . . . . . . . .27, 40 Slane—Soon Hee Newbold . . . . . . . . . . . . . . . .56, 58 Slavonic Dance No. 1— Antonin Dvorak/arr. Merle J. Isaac . . . . . . . . . . . . .71 Sleepers Awake— J. S. Bach/arr. Soon Hee Newbold . . . . . . . . . . . . .14 Sleepers Wake— J.S. Bach/arr. Jerry Brubaker. . . . .17, 58, 63, 70, 77 Sleeping Beauty Waltz— P.I. Tchaikovsky/arr. Merle J. Isaac . . . . . . . . . . . . .71 Sleigh—Richard Kountz/arr. James Kazik . . . . . . . . .65 Sleigh Ride—Leroy Anderson . . . . . . . . . . . . . . . . .78 Sleigh Ride—Leroy Anderson/arr. Bob Cerulli . . . . . .77 Sleigh Ride—Leroy Anderson/arr. Bud Caputo . . . . .65 Sleigh Ride in the Park—Chris Thomas . . . . . . . . . .59 Sleigh Song—Traditional/arr. Michael Kamuf . . . . . .54 Slingshot—Michael Story. . . . . . . . . . . . . . . . . . . . .72 Smooth—arr. Jerry Brubaker . . . . . . . . . . . . . . .49, 75 Snowfall at Dusk—Aaron Fryklund. . . . . . . . . . .31, 61 Snowflake—Yukiko Nishimura . . . . . . . . . . . . . .31, 61 Solitary Wish—Brian Balmages . . . . . . . . . . . . . . . .65 Somerset Lament and Reel—William Camphouse . .41

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