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Boats Sail on the Rivers—Mark Patterson.
This choral setting of a brief and simple poem by
Christina Rossetti offers a poignant comparison
between things made by people and the things
found in the natural world. With lovely harmonies
and a flowing piano accompaniment, this piece
will appeal to treble ensembles looking for growth
in tone, text, and musical line development.
11193970 SSA. . . . . . . . . . . . . . . . . . . ME 2.25
L Cantate Domino—Mark Hayes. Pure energy from
start to finish, this dynamic original incorporates
both Latin and English lyrics, which are brought
to life by the toccata-like piano accompaniment.
Vocal layering is a key sectional element and
facilitates teaching. Mixed meter enhances text
declamation, and driving syncopations propel it
towards a dramatic ending.
11195622 SSA. . . . . . . . . . . . . . . . . . . ME 2.20
L Celtic Blessing (from "Songs for the Jour-
ney")—Kevin Siegfried. This final movement of
Songs for the Journey is set to the traditional Irish
blessing, "May the road rise up to meet you."
11164361 SATB. . . . . . . . . . . . . . . . . . . M 2.35
Child of Wonder (from "The Sacred Veil")—
Eric Whitacre. The final movement of "The Sacred
Veil", a twelve-movement work written with poet
Charles Anthony Silvestri that chronicles the rich
life of Tony and his late wife Julie, this plaintive
piece serves as a benediction and farewell.
Opening in divisi a cappella harmonies, the
piano enters with a flowing motive to underscore
the text "Turn your silvered sail toward the light
... stretched on ocean waves of endless foam,
welcome home, my child, welcome home."
11196196 SATB divisi . . . . . . . . . . . . . . M 2.75
t Circa Mea—Mark Burrows. An interesting take on
a section of text from the medieval Latin "Carmina
Burana." This setting uses modal harmonies, a
haunting melodic line, and transfixing percussion
to express the mysterious nature of the text.
11200617 TTBB. . . . . . . . . . . . . . . . . . . M 2.65
Considering Matthew Shepard: A Choral
Suite—Craig Hella Johnson. The profound work
Considering Matthew Shepard has been moving
audiences around the world with its compelling
message of love and acceptance. An abbreviated
version of the larger work, this 25-minute suite
uses the healing power of music to create a
memorable experience for singers and all who
hear the piece.
11203886 SATB Choral Score . . . . . . . M 8.95
Deep Field—Eric Whitacre. Eric Whitacre's
Deep Field, arranged for wind ensemble and
choir, was inspired by the world's most
famous space observatory, the Hubble Space
Telescope, and one of its greatest discoveries,
the iconic Deep Field image. This is the choral
part as performed by the epic Virtual Choir in the
film "Deep Field: The Impossible Magnitude of
Our Universe," which represents 120 countries
with over 8,000 voices aged four to 87 alongside
the Royal Philharmonic Orchestra and the Eric
Whitacre Singers.
10759889 SATB. . . . . . . . . . . . . . . . . . . M 2.75
DL Dies Irae (from "Requiem")—Michael John
t Trotta. Pulsating rhythmic ostinatos, cluster
harmonies, and soaring soprano lines are all
present in this exciting a cappella concert work,
possessing all the elements you'd expect from the
composer of Veni, Veni Emmanuel. Based on the
13th century Dies Irae chant, the exciting minor
texture contrasts driving rhythms and beautiful
legato singing, while still remaining accessible. A
perfect way to showcase your choir as a concert
opener, closer, or for festival use.
11315425 SATB. . . . . . . . . . . . . . . . . . . M 2.65
L Do Not Stand and Weep—Greg Gilpin. Pro-
foundly moving, this musically sensitive work
brings a deeper level of understanding to Mary
Elizabeth Frye's immortal poem. An opening
section of gorgeous layered harmonies moves
into a more free-flowing melodic interpretation of
the text in a stunning setting.
11195577 SATB. . . . . . . . . . . . . . . . . . ME 2.25
D Early Winter Tree—Russell Nadel. A breath-
taking setting of Sara Teasdale's poem Leaves,
this piece uses a unique harmonic language
that paints a picture in a gorgeous way. The
slow, reflective tempo lends itself to the
gentle dissonances, glissandos, and delicate
text painting. The evocative piano or harp
accompaniment plays an integral part in this
composition.
11200738 SATB. . . . . . . . . . . . . . . . . . . M 2.10
Lt Earth Song—Frank Ticheli. A cry for peace in a
world torn by war, this poignant a cappella setting
of an original text is filled with striking dynamic
contrasts. "Sing, Be, Live, See... This dark stormy
hour, the wind, it stirs. The scorched earth cries
out in vain... But music and singing have been my
refuge, and music and singing shall be my light..."
11196150 SSAA . . . . . . . . . . . . . . . . . . M 2.25
Everyday Wonders (The Girl from Aleppo)—
Cecilia McDowall. Everyday Wonders: The Girl
from Aleppo tells the extraordinary story of
Nujeen Mustafa, a Kurdish teenager with cerebral
palsy forced by war to flee her home and embark
on an arduous journey to Europe with her sister.
Pushed in a wheelchair by her sister, Nasrine, from
Aleppo to Germany, her journey was the subject
of much publicity. Throughout many months,
Nujeen remained brave, blithe and articulate.
This 18-minute cantata traces Nujeen's journey
with a musical narrative using chorales, haunting
vocal solos, intense solo violin passages, restless
choruses, and body percussion to follow the
sisters through various countries to their ultimate
destination in Germany. It is the story of a journey
of hope and extraordinary fortitude against all
odds. The five movements are: 1. Orphans of
the World; 2. Thousands milling at the border
(The Journey); 3. I had never seen the sea before;
4. A lost tribe pushed from border to border; 5.
Everyday Wonders.
11315643 SSA Vocal Score . . . . . . . . . . 12.95
L Exsultate! Jubilate!—Kyle Pederson. This
unique setting pairs the iconic Latin text with a
new, original English text which responds to the
question: Why do we rejoice and shout our praises
to God? The music captures the energy, rhythm,
and exuberance inherent in the phrases "exsultate
Deo" and "jubilate Deo," but also reflects the quiet
joys found in gratitude for the daily gifts of breath
and light. The piano accompaniment is rhythmic
and lively.
11197399 SATB. . . . . . . . . . . . . . . . . . . M 2.60
11208080 SSAA . . . . . . . . . . . . . . . . . . M 2.60
D Feeling Infinite—Dominick DiOrio. Alternating
between quiet and fervent, this music struggles
to give form to memories that exist no longer as
sharp images but as blurry clouds. With a piano
part that never quite settles as it reaches back
into the past, the poetry of young poet Eleanor
Wikstrom is always front and center as the
singers wrestle with the unsettling emotion of
"Feeling Infinite."
11203141 TTBB. . . . . . . . . . . . . . . . . . . M 2.25
Flying Solo—Philip E. Silvey. This powerful
message is about mustering the courage to leap
from one stage of life into the next. Melodic lines
are juxtaposed with a lively piano accompaniment
creating bold expressiveness and strong har--
monies in this fantastic original concert offering.
11195041 SATB. . . . . . . . . . . . . . . . . . . M 2.75
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ADULT
COMMUNITY
CHOIR
SACRED & SECULAR
1
MA JOR WORKS
for ADULT
COMMUNITY
CHOIRS
Requiem—Gabriel Faure/ed. Rutter.
1537414 SATB Choral Score . . . . . . . . . . . . . . . 11.25
Requiem for the Living—Dan Forrest.
10384178 SATB Choral Score . . . . . . . . . . . . . . . 12.99
Come Away to the Skies: A High Lonesome Mass—
Wes Ramsay & Tim Sharp.
10912971 SATB Choral Score . . . . . . . . . . . . . . . 16.99
Tuvayhun (Beatitudes for a Wounded World)—
Kim Andre Arnesen.
11160525 SATB Choral Score . . . . . . . . . . . . . . . 17.99
Considering Matthew Shepard: A Choral Suite—
Craig Hella Johnson.
11203886 SATB Choral Score . . . . . . . . . . . . . . . . 8.95
Mass in F Major—Marcel Tyberg.
11165733 SATB Choral Score . . . . . . . . . . . . . . . . 7.50
Magnificat—Michael John Trotta.
11164004 SATB P/V Score . . . . . . . . . . . . . . . . . . 13.95
The City and the Sea—Eric Whitacre.
11001130 SATB Choral Score . . . . . . . . . . . . . . . . 8.95
Vaughan Williams for Choirs 1 (10 sacred pieces
compiled and arranged for accompanied mixed
voices)—Ralph Vaughan Williams/arr. John Leavitt.
11196412 Mixed Voices Choral Score
or SATB. . . . . . . . . . . . . . . . . . . . . . . . . . 9.75
Angel Band—Timothy Michael Powell & Tim Sharp.
11201240 SATB Choral Score . . . . . . . . . . . . . . . . 9.95
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