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HYMN ARRANGEMENTS
L Amazing Grace—Marianne Forman. The well-
known text is paired with an original melody in this
lovely new setting. An elegant piano accompaniment
adds to the rhapsodic nature of the piece in this
fresh and interesting treatment. The work explores
a variety of choral textures before ending quietly on
a perfect unison. Absolutely beautiful!
10954529 SATB. . . . . . . . . . . . . . . . . . . . 2.25
L Amazing Grace—arr. David Schwoebel. Flute,
oboe, and hand drum introduce and accompany
this SATB a cappella setting that pairs Newton's
traditional text with the tune
GREENVILLE, an
American melody in flowing 6/8 meter. The vocal
parts are often spare and elegant, almost in a
Shaker style. A key change leads to the final, almost
rollicking verse.
11199608 SATB. . . . . . . . . . . . . . . . . . . . 2.50
11199609 Instrumental Parts . . . . . . . . . 15.00
HD Arise, My Soul, Arise—Dan Forrest. Offering a
fresh perspective on a Charles Wesley text, Dan
Forrest has fashioned a new hymn tune, Chodan,
that is a tender yet emphatic statement of faith
from the believer. Scored for SATB chorus with
piano and optional violin, this anthem is suitable for
Lent, communion or general worship during a time
of confession and assurance of pardon. A must for
your Holy Week services.
10341889 SATB with Violin. . . . . . . . . . . . 2.25
10341890 SSA with Violin. . . . . . . . . . . . . 2.10
10425394 Violin Part for
SSA Arrangement Only. . . . . . . 4.95
D Be Still, My Soul—Ethan McGrath. This
reimagining of a classic hymn text receives a
beautiful new melody in an elegant setting. The
exceptional piano accompaniment allows for
moments when the choir is heard unaccompanied.
The vocals are not difficult but masterfully varied,
embracing the truth of the hymn text - at once both
ancient and modern.
11199150 SATB. . . . . . . . . . . . . . . . . . . . 2.10
L Be Thou My Vision—Valerie Showers Crescenz.
Be Thou My Vision is a cherished traditional hymn
that finds a fresh voice in this setting by Valerie
Showers Crescenz. Scored for mixed voices, it
enjoys long phrases and an expressive piano
accompaniment. Lyrical, beautiful and a great
ministry tool.
11166993 SATB. . . . . . . . . . . . . . . . . . . . 2.55
t Be Thou My Vision—arr. McKay Crockett. As
performed by Brigham Young University's a cappella
group BYU Vocal Point, this Irish folk hymn sparkles
in a contemporary a cappella setting. Full harmonies
surround the solo lines, creating a texture that is at
times rhythmic and exciting, contrasted with the
lyrical opening and closing stanzas.
11204260 TTBB divisi, or TTTTBBBB . . . . 2.95
l Be Thou My Vision—arr. Benjamin M. Culli.
Enjoy a gentle and easy hymn concertato on this
familiar Irish hymn. The accompaniment is scored
for keyboard and prominently features two flutes
providing interludes and descants throughout. The
texture of each stanza varies from unison to SATB, a
cappella to unison with descant. Flute 2 is optional.
11349054 SATB. . . . . . . . . . . . . . . . . . . . 2.40
Be Thou My Vision—arr. Dan Forrest. This
masterfully crafted essay on the timeless Irish hymn
is realized with the utmost concern for the melody,
the singers, and the accompanist. Liquid vocals
appear over understated piano lines, followed
by judicious a cappella phrases and a sweeping
crescendo to the phrase "Heart of my own heart,
whatever befall." This is such a worshipful
treatment of a timeless melody that it deserves to
be heard again and again.
10002552 SATB. . . . . . . . . . . . . . . . . . . . 2.10
10515945 Two-Part Mixed . . . . . . . . . . . . 2.10
10515946 SSA. . . . . . . . . . . . . . . . . . . . . 2.10
10515947 TTB . . . . . . . . . . . . . . . . . . . . . 2.10
10515948E Instrumental Parts ePrint . . . . 10.00
t Be Thou My Vision—arr. Keith McKay Evans.
A wonderfully fresh Irish lilt highlights this
arrangement of the traditional folk hymn made
popular by Brigham Young's a cappella group, BYU
Noteworthy. Optional improvised vocal percussion
and a violin obbligato add to the feel, and the divisi
contemporary vocal harmonies surround the solo
line with warmth and energy.
10989934 SATB divisi,
with violin obbligato . . . . . . . . . 2.95
10989935 SSAA divisi,
with violin obbligato . . . . . . . . . 2.95
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
L Be Thou My Vision—Mark A. Miller. While the
text is from the traditional hymn, the composer
has written an original melody with flowing piano
accompaniment for the first two verses. The hymn
tune
SLANE then appears as an interlude leading to
the third verse which is sung to that tune. The piece
ends with a return to the original melody. Simple,
fresh, and effective with any size SATB choir.
11316656 SATB. . . . . . . . . . . . . . . . . . . . 2.25
l Blessed Assurance—arr. Doug Andrews. This
old favorite begins quietly, then slowly builds into a
full, rich choral sound. Engaging yet approachable
part-writing throughout, one verse allows tenor and
bass voices to shine. The piece flows along in 12/8,
dipping into 9/8 for one refrain, then returning to end
quietly as it began. With a spirited gospel-style piano
accompaniment, this anthem will become a favorite.
11349055 SATB. . . . . . . . . . . . . . . . . . . . 2.25
L
Ceaseless Praise—Tracey Craig McKibben
& Michelle Christensen. "Take my life and let
it be consecrated, Lord, to Thee... Take my
moments and my days, let them flow in ceaseless
praise." Drawing on the classic hymn lyrics, the
composers have created a heartfelt song of love
and commitment, offering the Lord our ceaseless
praise. Beautiful, well-written, and useful.
11200371 SAB. . . . . . . . . . . . . . . . . . . . . 2.20
A Charge to Keep I Have—arr. David
Schwoebel. David Schwoebel has turned a
historic Charles Wesley hymn into a crisp, spirited
expression of Christian commitment. An original
melody alternates seamlessly with a tasteful
reharmonization of the traditional
BOYLSTON tune.
Both tunes are skillfully incorporated into the choral
texture near the end. The accompaniment is well
suited for performance on piano or organ.
11167048 SATB. . . . . . . . . . . . . . . . . . . . 1.95
L Christ Be in My Waking—Stuart Townend
& Simon Brading. This folk-like setting of a
contemporary hymn is a great choice for worship
throughout the year. An appealing text, lyrical
melody, and straightforward harmonies make this
arrangement approachable and satisfying to sing.
The Celtic spirit is reinforced and enhanced by the
optional solo and instrumental accompaniments.
Very pretty!
11165752 SAB. . . . . . . . . . . . . . . . . . . . . 2.25
Christ, the Solid Rock—arr. Clayton White. A
rocking gospel-style piece, featuring a new tune
with the familiar My Hope Is Built on Nothing Less.
A fun piece to learn and perform, especially for the
soloist who sings the verses.
11202248 SATB. . . . . . . . . . . . . . . . . . . . 2.40
L Christ, Whose Glory Fills the Skies—Bob
Moore. Flowing harmonies set in a lightly
syncopated style support three-part mixed
voices as they illuminate Wesley's text. Great for
Transfiguration Sunday. Musically rewarding, this
unique text reminds the listener that it is Christ's
glory that overcomes darkness.
11166804 SAB. . . . . . . . . . . . . . . . . . . . . 2.15
The Church's One Foundation—arr. Dan Forrest.
A powerful festival arrangement for SATB choir,
organ (or piano) optional brass sextet and percussion.
A perfect way to begin a service of celebration, with a
joyous opportunity for the congregation to participate
on the final verse. Highly recommended!
10757386 SATB. . . . . . . . . . . . . . . . . . . . 2.25
10758622 Reproducible Choral
Congregational Sheet. . . . . . . . 5.00
10758623 Instrumental Parts
Brass Sextet/Percussion. . . . . 30.00
L Come, All Christians, Be Committed—Mary
McDonald. Incorporating
WARRENTON from The
Sacred Harp, this anthem bursts with lively energy
in an early American hymn style. The familiar tune
combines with original music, solidly supported by
the piano accompaniment, to create a work that is
accessible and effective. The text challenges and
encourages each of us to press on in service and
dedication to the Lord.
11165762 SATB. . . . . . . . . . . . . . . . . . . . 2.25
lL Come, Christians, Join to Sing—arr. John
Stoddart. Alleluia! This spirited setting of the hymn
tune
MADRID is given extra verve with instrumental
fanfares and interludes, full choral harmony, and a
majestic finale with a brilliant descant. Amen!
10936157 SATB. . . . . . . . . . . . . . . . . . . . 2.20
HD Come, Thou Fount of Every Blessing—arr.
Mack Wilberg. This American folk hymn is
marvelously arranged for SATB voices and organ.
The accompaniment is written with the organist in
mind, giving the organist interesting parts that are
an integral part of the music. Printed on oversized
paper. A classic.
5701776 SATB. . . . . . . . . . . . . . . . . . . . 3.95
D
Come, Ye Sinners, Poor and Needy—arr.
Heather Sorenson. Filled with mixed meters, special
vocal effects, and an open harmonic vocabulary
that speaks to the folk idiom of the work, this
arrangement of the early American hymn tune
RESTORATION, from Southern Harmony, speaks to
themes of repentance and grace. It will be effective
in many settings.
10803978 SATB. . . . . . . . . . . . . . . . . . . . 2.10
11166199 SSAA. . . . . . . . . . . . . . . . . . . . 2.10
L
Come, Christians, Join to Sing—arr. Stan
Pethel. As all directors know, sometimes a very
easily prepared anthem is needed for a variety
of reasons. This anthem can be prepared in one
rehearsal - yet still creates a superb moment in
music worship. Don't miss this joyful favorite.
11203338 SATB. . . . . . . . . . . . . . . . . . . . 2.25
BEST
SELLERS
Hymn Arrangements
SATB Choir
These bestsellers are chosen most often by
directors! Look online for the most current
information on recordings, instrumental parts,
large print and digital edition availability.
O Love—Elaine Hagenberg.
10667410 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Like a River in My Soul—arr. Tim Osiek.
10907660 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
For Everyone Born—
Brian Mann/arr. Tom Trenney.
10606167 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.70
I Will Be a Child of Peace—
Elaine Hagenberg.
10366953 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Great Is Thy Faithfulness—arr. Dan Forrest.
11166190 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
How Can I Keep from Singing?—
arr. Gwyneth Walker.
3062221 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.60
Rejoice, the Lord Is King!—arr. Dan Forrest.
10954548 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Arise, My Soul, Arise—Dan Forrest.
10341889 SATB with Violin . . . . . . . . . . . . . . . . . 2.25
Come, Thou Fount of Every Blessing—
arr. Mack Wilberg.
5701776 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 3.95
How Can I Keep from Singing?—
Robert Lowry/arr. Sarah Quartel.
10879525 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 3.35
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