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D The Arrow and the Song—Douglas Beam.
Longfellow's famous poem is set with beauty
and simplicity for treble voices. Soaring, echoing
melodies, rich choral textures, and a lovely, elegant
piano part combine to create this atmospheric yet
accessible work.
11200390 Three-Part Treble or SSA . .ME 2.25
t
As the rain hides the stars—Ian Assersohn.
This setting of a traditional Gaelic prayer is
poignant and heartfelt, with sustained lines and
a full, rich choral sound. Gentle shifts in harmony
between various combinations of voices and the
use of unexpected chromatic chords imitate the
slow movement of the clouds, rain, and mist, and
reveal something once hidden.
11315640 SATB . . . . . . . . . . . . . . . . .M 3.00
D
As the Rain Hides the Stars—Elaine Hagenberg.
"As the rain hides the stars, as the autumn mist hides
the hills..." Here is an exquisite setting of a traditional
Gaelic prayer that will enhance the ethereal beauty of
your choral sound. As the clouds finally part, the sun
shines clearly for the first time. "Yet, if I may hold your
hand in the darkness, it is enough."
10748271 SATB . . . . . . . . . . . . . . . . .M 2.45
10519865 SSA . . . . . . . . . . . . . . . . . .M 2.55
Lt As the Tree Stands Tall—Daniel Schreiner.
With a theme of unity and standing together, this
exceptional work will have special appeal to treble
ensembles as well as multigenerational choirs.
11190446 SSAA with djembe . . . . . . .M 2.15
t As You Sing—Sarah Quartel. In this fast
and energetic piece, Quartel sets her own text
celebrating the joy of singing. The melody weaves
in and out of the texture, supported by dynamic
vocal accompaniment and rhythmically driven by
the hand drum. This is a memorable and uplifting
song ideal for concert and festival performance.
11164336 SSAA . . . . . . . . . . . . . . . . .M 3.35
Astronomy—Christopher Tin. To Shiver the Sky is
an oratorio about the history of flight and mankind's
quest to conquer the heavens. Told through the
words of 11 of our greatest astronomers, inventors,
visionaries, and pilots, it charts our relentless need
to explore the universe, defy our earthly bonds,
reach for the face of God, and ultimately claim our
place among the stars. This is the fifth movement
from the larger work, with lyrics in Polish.
11314281 SSATBB . . . . . . . . . . . . . . .M 2.75
HD At the Round Earth's Imagined Corners—
t Williametta Spencer. This contemporary, a cappella
setting by Williametta Spencer of the sonnet by
John Donne is a strong contest/festival selection
for mature mixed choruses.
4035259 SATB . . . . . . . . . . . . . . . .MA 2.50
DL Awake My Song—Christopher Fox. "Awake my
song. Once a dream, now a reality." With ranges
that suit this age group, this special message is
especially well suited for middle school choirs.The
piano part is artistic and supportive. A valuable
addition to the repertoire.
10939189 SAB . . . . . . . . . . . . . . . . .ME 2.15
10939190 SA . . . . . . . . . . . . . . . . . .ME 2.05
10999355 SSA . . . . . . . . . . . . . . . . .ME 2.15
HD Ballade to the Moon—Daniel Elder. "...Come
sing with me! The twinkling sky casts forth its tune:
O must I leave thy charms so soon? I weep with joy
beneath the moon." Marked Adagio Misterioso, this
evocative work has been appearing on festival lists
all over the country, and for good reason - it is an
important contribution to the choral repertoire.
10283255 SATB . . . . . . . . . . . . . . . . .M 2.65
10527161 TTBB . . . . . . . . . . . . . . . . .M 2.55
D Be Brave, Be Proud—Douglas Beam. "Be brave,
be proud. Whatever you have to say, you say it loud."
This creative, heartwarming piece uses text written
by elementary school students. Catchy and heartfelt,
the song makes good use of syncopated vocal lines
and an energetic piano accompaniment to convey
this important message of courage and hope.
11202194 Two-Part. . . . . . . . . . . . . .ME 2.10
D Be the Change—Laura Farnell. With a
t
multicultural flair, this energetic and rhythmic work
conveys a singular force for change. Combining
texts from Mahatma Gandhi, Dr. Martin Luther
King, Jr., and Matthew 5:15 with original lyrics,
the piece also incorporates This Little Light of Mine.
An optional divisi descant will challenge younger
choirs while remaining accessible. Optional djembe
and shaker parts are included.
11203571 SATB divisi, opt.
piano accompaniment. . . .ME 2.25
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
D Be the Change—Jacob Narverud. Following
L on the heels of his wildly popular Sisi Ni Moja,
Narverud returns with another show-stopping
piece in a similar style. With influences from world
music and an upbeat rhythmic style, this socially
responsive text of empowerment and peace will be
a great choice for choirs of all ages.
11134295 SATB . . . . . . . . . . . . . . . .ME 2.15
11345231 SA . . . . . . . . . . . . . . . . . .ME 2.25
11161031 SSA . . . . . . . . . . . . . . . . .ME 2.20
11161032 TTBB . . . . . . . . . . . . . . . .ME 2.20
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Be Who You Are—Ryan Main. Framed as a letter
from a teacher to her young students, this text is
brimming with descriptive phrases and inspirational
thoughts. The musical setting partners with the
youthful exuberance of the text with creative
rhythms and a contemporary pop feel that young
choirs will really like. "The world needs your light,
this place needs your song. Never be sorry to be
who you are."
11347707 Three-Part Mixed . . . . . . . .M 2.95
11347705 Two-Part. . . . . . . . . . . . . . .M 2.95
D Bend—Kyle Pederson. The text of this powerful
Lt choral work is addressed to anyone facing struggles
and it presents an honest affirmation that those
struggles are real. Rather than deny the existence
of problems or pain, the listener is encouraged to
"lean into" the hardship, to name it-and to thereby
reduce its power. Textually and musically, the
listener is presented with the metaphor of a tree-
being whipped by the wind but built to bend in that
wind, and ultimately withstand the pressure-filled
gales. The power of community is also affirmed, as
the listener is encouraged to walk alongside and to
bend along with their neighbor.
11219762 SATB divisi . . . . . . . . . . . .ME 2.35
L Beyond the Years—Mark Patterson. A song of
hope for the future, this well-crafted piece is great
for young mixed choirs, with conservative ranges,
interesting lines to sing in each part, and a warm
section of harmony with a key change variant in the
bridge. American poet Paul Laurence Dunbar's text
is especially appropriate for a moving-up ceremony
or as a ballad in a contest set.
11172838 SATB divisi . . . . . . . . . . . .ME 2.20
L The Bicycle—Andy Beck. Written expressly
for young students, this charming original piece
captures the joy of childhood. Ample echo-
singing and sensible vocal ranges will help young
singers take off the training wheels and quickly
find success. Built on an ostinato and simple
harmonies, add in a positive message about the
power of persistence and you've got a winning
combination!
11195164 Two-Part. . . . . . . . . . . . . . . E 2.05
11312378 Multi-Song
Accompaniment CD . . . . . . . .44.99
D The Bird's Lullaby—Sarah Quartel. Inspired
t
by the text of poet E. Pauline Johnson, Sarah
Quartel has created an energetic and fun piece
for a cappella voices. Melodic elements and
counter melodies are shared between the voices
in a conversational style while the background
vocables create the texture. Concert music with a
contemporary a cappella feel, it will appeal to good
high school or collegiate choirs.
11315655 SATB . . . . . . . . . . . . . . . . .M 3.35
10879553 SSAA . . . . . . . . . . . . . . . . .M 3.00
HD Birdsong—Paul Read. This touching work is
inspired by a poem written by an unknown child in
the Terezin Concentration Camp in Czechoslovakia
during World War II. The poem's positive, uplifting
message about the beauty of life is all the more
striking when placed against the backdrop of war
and the loss of personal freedom. A strong choice
for concert, contest or festival!
5562566 SA . . . . . . . . . . . . . . . . . . .M 2.25
D
Blithe Spirit—Nathan Howe. This iconic Percy
Bysshe Shelley poem uses a bird to explore
big human experiences: nostalgia, creativity,
and our constant drive to reach for higher and
more beautiful things. Soaring legato lines and
staccato phrases along with an evocative piano
accompaniment are used to illustrate the lyrics.
11200732 Two-Part or SA . . . . . . . . . .M 2.25
The Blue Ridge—Elaine Hagenberg. Harriet
Monroe's stunning poem about an evening in the
Blue Ridge Mountains is set with crystal-clear
melodies, fervent harmonies, and a smooth piano
accompaniment that match the grandeur of the
scenery. The ascent and descent of the opening
lines trace the mountains' silhouette against the sky
while treble and bass voices draw us by turn to view
each detail of the scene and listen for the wisdom of
the mountains.
11165788 SATB divisi . . . . . . . . . . . . .M 2.50
H
Boatmen Stomp—Michael Gray/arr. Mark
Hayes & Emily Crocker. Marked to be performed
"boisterously," this original Michael Gray work in
the style of a sea chantey is a true choral classic!
10363897 SATB . . . . . . . . . . . . . . . . . E 2.10
1364538 Three-Part Mixed or TTB . . . E 1.95
10363898 SA . . . . . . . . . . . . . . . . . . . E 1.95
10002125 P/A CD . . . . . . . . . . . . . . . . . .14.95
lL Boats Sail on the River—Barbara Poulshock.
This charming little piece with a Christina Rossetti
text is lauding the clouds of the sky over the boats
and ships. A lilting 6/8 meter propels the text
forward, and ample unison sections and singable
harmonies make this an endearing choice for
younger developing treble choirs.
11356933 Two-Part. . . . . . . . . . . . . .ME 2.25
Boats Sail on the Rivers—Mark Patterson.
This choral setting of a brief and simple poem by
Christina Rossetti offers a poignant comparison
between things made by people and the things
found in the natural world. With lovely harmonies
and a flowing piano accompaniment, this piece will
appeal to treble ensembles looking for growth in
tone, text, and musical line development.
11193970 SSA . . . . . . . . . . . . . . . . .ME 2.25
HD A Boy and a Girl—Eric Whitacre. A tender,
t
delicate, exquisite poem by Octavio Paz is the
inspiration for this superb a cappella piece by Eric
Whitacre. "Stretched out, stretched out on the
grass, a boy and a girl savoring their oranges, giving
their kisses like waves exchanging foam..."
3301920 SATB . . . . . . . . . . . . . . . . .M 2.50
The Breeze and the Birdsong—Amy F. Bernon.
"May the bright, sparkling day stay beside you
now as you're on your way." Full of descriptions
of nature and fresh adventures, Bernon's original
concert piece is a charming selection for young
singers who are moving up to middle or high school
and experiencing important transitions of their own.
A valuable Learning Resource Page is included.
11100083 Two-Part. . . . . . . . . . . . . .ME 2.25
11100740 P/A CD . . . . . . . . . . . . . . . . . .27.95
L Bringers of Noise—Kyle Pederson. This is
different! Using a fictional language combined
with a powerful English text, this exceptional
piece effectively combines narration, rhythmic
chanting and whispers, singing, vocal
percussion, stomps with drum, and a driving
piano accompaniment to create an atmosphere
of drama and mystique. Mixed choirs can adapt
the SA voicing by doubling the soprano part at the
octave. Not to be missed!
11196339 SA or Two-Part . . . . . . . . .ME 2.20
11196340 TB . . . . . . . . . . . . . . . . . .ME 2.20
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