J.W. Pepper Catalogs

2021 22 General Music Catalog DIGITAL

J.W. Pepper Music Catalog

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Call 1.800.345.6296 / w: jwpepper.com / e: orders@jwpepper.com Go to cart 45 Choral Performance Music CONCERT SELECTIONS N E W F O R 2 0 2 1 E D I T O R S ' C H O I C E L Aiken Drum—arr. Blake Richter. This popular Scottish folk song and nursery rhyme features a simple refrain and additional lyrics by the arranger that offer a message of hope. The hilarious depiction of the man in the moon whose body was made of food presents numerous opportunities to work on diction, rhythmic accuracy, and performance practice. An absolute charmer for young choirs! 11347938 SA . . . . . . . . . . . . . . . . . . . . . . . . . . M 2.65 N E W F O R 2 0 2 1 E D I T O R S ' C H O I C E D Akatonbo—arr. Greg Gilpin. This traditional Japanese song depicts a red dragonfly at sunset. Paired with an original melody and English lyrics in a simple partner song setting, this easy-to-learn concert piece features lyrical lines, accessible ranges, and supportive piano accompaniment. As an added bonus, rehearsal suggestions are included for extended teaching and learning. 11348126 Two-Part. . . . . . . . . . . . . . . . . . . . . ME 2.10 D Are You Proud of Me?—Mark Burrows. "And though I've L lost more than I've won, still I try, still I dare, still I run. Are you proud of me?" Exploring themes of risk-taking, perseverance, and seeking validation from important people in our lives, this beautiful ballad will touch the hearts of all who sing and hear it. Lyrical lines, uncomplicated harmonies and a flowing piano part come together with the poignant text in a standout choral selection for young singers. 11195163 Two-Part. . . . . . . . . . . . . . . . . . . . . ME 2.05 11312378 Multi-Song Accompaniment CD . . . . . . 44.99 L Banuwa Yo—arr. Mark Weston. Based upon a popular Liberian folk song, this easy-to-learn arrangement depicts a caring relative or friend consoling a young child who misses her family. The vocal parts are equal in range and sung in unison the first time, then in canon, and then in harmony, with a brief echo section. An explanation of the song, a pronunciation guide, and parts for drum, claves, shaker, and triangle are included. 11196495 Two-Part. . . . . . . . . . . . . . . . . . . . . . E 2.05 11199223 Multi-Song Accompaniment CD . . . . . . 44.95 D Be Brave, Be Proud—Douglas Beam. "Be brave, be proud. Whatever you have to say, you say it loud." This creative, heartwarming piece uses text written by elementary school students. Catchy and heartfelt, the song makes good use of syncopated vocal lines and an energetic piano accompaniment to convey this important message of courage and hope. 11202194 Two-Part. . . . . . . . . . . . . . . . . . . . . ME 2.10 N E W F O R 2 0 2 1 E D I T O R S ' C H O I C E Be Who You Are—Ryan Main. Framed as a letter from a teacher to her young students, this text is brimming with descriptive phrases and inspirational thoughts. The musical setting partners with the youthful exuberance of the text with creative rhythms and a contemporary pop feel that young choirs will really like. "The world needs your light, this place needs your song. Never be sorry to be who you are." 11347705 Two-Part. . . . . . . . . . . . . . . . . . . . . . M 2.95 D The Candle Is a Symbol—Andy Beck. An emblem that L transcends culture, religion, and era, the flickering candle offers a message of joy, hope, and peace that can reach every human heart. Start with the spark of a single voice on the opening solo, and then expand the texture when the entire group joins. Elegantly simple with a folk-like quality, this piece works for general or holiday programming. 11196345 Two-Part. . . . . . . . . . . . . . . . . . . . . . E 2.00 L Crawdad Creek—Mary Donnelly & George L.O. Strid. Your students will have a blast performing the simple body percussion that enhances this partner-song setting of the two popular American folk songs Crawdad Song and Cripple Creek. A perfect opportunity for introducing harmony and developing part independence, this arrangement offers great educational options as well as being a strong performance piece. Add the fiddle for even more fun! 11202521 Two-Part. . . . . . . . . . . . . . . . . . . . . . E 2.35 11317585F Virtual Learning Resource Pak Two-Part. . . . . . . . . . . . . . . . . . . . . . . . 39.95 lD Crowin' on Sourwood Mountain—arr. Mary Donnelly & George L.O. Strid. Here's a traditional Appalachian folk song with a lighthearted feel and a bouncy piano accompaniment. An ideal teaching piece for simple harmonies as well as context and style, this arrangement also offers high performance value with stomps and claps and some simple movement ideas that will surely entertain your audience! 11348128 Two-Part. . . . . . . . . . . . . . . . . . . . . ME 2.10 L Dona Nobis Pacem—Victor C. Johnson. This sensitive setting of the traditional Latin text exudes a gentle warmth while expressing the desire for peace in our world. With its simple unison phrases, conservative ranges, soaring melodic lines and fluid accompaniment, this is a solid choice for building artistry and musicality in developing choirs. 11202527 Two-Part. . . . . . . . . . . . . . . . . . . . . ME 2.10 N E W F O R 2 0 2 1 E D I T O R S ' C H O I C E D Down to the Zoo!—Katie O'Connor-Ballantyne. Penned by L A.A. Milne, author of Winnie the Pooh, the lyrics are a playful poem about amusing animals, both real and imagined, at a zany zoo. This clever children's choral offers plenty of musical moments, including independent counterlines, optional descant, and a variety of rhythms. This fun piece for beginning choirs will result in hilarious rehearsals and a roaring crowd! 11346409 Two-Part. . . . . . . . . . . . . . . . . . . . . ME 2.05 D El Vito—arr. Greg Gilpin. This energetic arrangement of the L traditional Spanish folk song is infused with the characteristic dance rhythms of Andalusia. Easy-to-learn phrases in the original language alternate with some English text. Plenty of unison and a fun-to-sing countermelody in the chorus make the harmonies easy to teach. Add the optional choreography to complete the picture of this vibrant dance. 11196351 Two-Part. . . . . . . . . . . . . . . . . . . . . ME 2.05 lD Exsultate Deo—Emily Crocker. This joyful original song is a great opening festival selection for developing treble choirs. Repetition in both text and melody helps singers to learn the piece easily. With sections that use traditional Latin text and other places that use English lyrics based on Psalm 80, it is an ideal piece for working on pure vowels and blend with your choir that will help them to sound fantastic! 11338676 Two-Part or SA . . . . . . . . . . . . . . . . ME 2.10 lD Fill the World with Music—David Waggoner. Celebrate L the joy of music making and singing with this elegant concert work. It's consistently lyrical and legato, with peaks and valleys built into the dynamics to heighten emotions and capture joy. The expressive piano part is lovely and supportive, and dramatic modulation crescendos to a big finish. 11343543 Two-Part. . . . . . . . . . . . . . . . . . . . . ME 2.05 Elementary Choral Concert Selections Sisi Ni Moja—Jacob Narverud. 10776380 SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.20 Walk Through Life—Pinkzebra. 11130556 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . ME 2.25 Bhombela—arr. Will Skaff/ed. Melissa Keylock. 10971340 Two-Part or SSA . . . . . . . . . . . . . . . . . . ME 2.10 The Fox—arr. Blake Richter & Taylor Shaeffer. 11121872 SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 2.55 Kusimama (Stand Tall)—Jim Papoulis. 10296741 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . ME 2.15 J'entends le Moulin (I Hear the Windmill)— arr. Emily Crocker. 10030298 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . ME 2.10 The Moon—Andy Beck. 10047188 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . .E 2.05 11194620 Performance & Part Learning CD . . . . . . . . . . 9.99 Murasame (The Mists of Evening)— Victor C. Johnson. 10273543 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . ME 2.05 Why We Sing—Greg Gilpin. 3303244 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . ME 2.50 Galop (from "Solfege Suite")—Ken Berg. 10028692 Unison/Two-Part . . . . . . . . . . . . . . . . . . ME 2.45 B EST SELLING! T H E C CHORAL MUSIC

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