Editors' Choice 2022 New Basic Library Large Print Edition A Cappella Available via ePrint Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
42
CONCERT
MUSIC
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SECULAR CONCERT
Can You Hear Me?—Bob Chilcott. The simple
message "Can you see, feel, hear me, the sun too?"
describes the wonder of a world seen through the
eyes of a deaf child, expressed through singing and
sign language. A guide with pictures is included for
both British and American sign language. A longtime
festival favorite for treble choirs, this profound
concert work is now available for mixed choirs!
11392290 SAB . . . . . . . . . . . . . . . . ME 3.35
3183191 SA . . . . . . . . . . . . . . . . . ME 3.00
The Candle Is a Symbol—Andy Beck. An
emblem that transcends culture, religion, and era,
the flickering candle offers a message of joy, hope,
and peace that can reach every human heart. Start
with the spark of a single voice on the opening solo,
and then expand the texture when the entire group
joins. Elegantly simple with a folk-like quality, this
piece works for general or holiday programming.
11195167 SATB . . . . . . . . . . . . . . . . . E 2.05
11196344 Three-Part Mixed . . . . . . . . E 2.05
11196345 Two-Part. . . . . . . . . . . . . . . E 2.00
11196346 P/A CD . . . . . . . . . . . . . . . . . 29.99
Cantamos!—James M. DesJardins. This
energetic and fun piece for SA or two-part treble
voices with mixed English and Spanish text
celebrates the power of singing. The spicy and
rhythmic accompaniment moves every line forward
in a lively dance until the very last "Sing!" Singers
and audiences alike will love this piece.
10683352 Two-Part. . . . . . . . . . . . . . M 2.25
Cantate!—Victor C. Johnson. This joyous Latin
text paired with a fitting English text has been
set in a bright, lilting style. This short piece is
a perfect introduction to Latin for young singers,
with limited complexity and vocal lines that help
singers stay on part.
11393877 Two-Part. . . . . . . . . . . . . . . E 2.75
Caritas Abundat—Michael John Trotta. This
work is an energetic reimagining of timeless text
and tune from the 12th-century poet, composer,
and philosopher Hildegard of Bingen. The marriage
of the Caritas Abunda chant with a text taken
from Liber Divinorum Operum (The Book of Divine
Works) creates an entirely new work that expresses
themes of empowerment, especially the power of
belonging to a group united for a purpose greater
than oneself.
11162396 SATB divisi . . . . . . . . . . . . M 3.00
10944946 SSAA . . . . . . . . . . . . . . . . M 3.10
Carnival of the Animals—Camille Saint-Saens/
arr. Heather Sorenson. Introduce Saint-Saen's
beloved instrumental chamber work in a highly
creative way! Playful original lyrics accompany
strong two-part writing and an enchanting
accompaniment. To get the full effect, consider
adding the optional flute part for Aquarium, and/
or the optional xylophone part for Fossils. May be
performed separately or as a four-minute concert
set. Absolutely delightful!
11196348 Two-Part. . . . . . . . . . . . . ME 2.30
11312378 Multi-Song
Accompaniment CD . . . . . . . 44.99
Carry the Light—Andy Beck. Inspiring at any
time of year, this song brings light from a single
solo voice that gradually increases luminosity as
the full texture builds. Mostly in English, with a
short section on the Latin Lux Aeterna text, this is
a gorgeous way to spread light, hope, and joy. Add
the optional violin obbligato to increase the appeal.
Consider programming for general concerts,
Christmas, or year-end ceremonies.
11393271 SATB . . . . . . . . . . . . . . . ME 2.05
11393272 SAB . . . . . . . . . . . . . . . . ME 2.05
11393273 Two-Part or SSA . . . . . . . ME 2.05
11393274 P/A CD . . . . . . . . . . . . . . . . . 29.99
Carry the Music—Sarah Quartel. This uplifting
and affirmatory piece sets a text by the composer
inspired by the reflections of the Northwest Girlchoir
on what their choir means to them. A gradual
building of choral texture creates an atmosphere
of heartfelt celebration of choral singing that
culminates with the profound closing words "I hear
you. I see you too."
11372378 SSA . . . . . . . . . . . . . . . . ME 3.00
A Change Has Come—Rollo Dilworth & Jim
Papoulis. In a creative blend of styles, this original
concert piece for young choirs has elements of pop,
gospel, funk, and blues. With its positive message
that speaks to innovation, justice, and truth, this
inspiring piece will be one that your choir members
will just want to sing.
11348245 SATB . . . . . . . . . . . . . . . ME 2.35
11369018E Instrumental Parts ePrint . . . . 19.99
Changes—Audrey Snyder. Changing the world
starts with just one person! Using a powerful
vocal call and response with body percussion, this
original work builds confidence and self-awareness
through the affirming lyrics and vocal inflections. A
refreshing change of pace for any concert!
10999262 SATB opt.
piano accompaniment. . . . . E 2.25
10605483 SSA opt.
piano accompaniment. . . . . E 2.25
Child of Wonder—Eric Whitacre. The final
movement of "The Sacred Veil", a twelve-movement
work written with poet Charles Anthony Silvestri that
chronicles the rich life of Tony and his late wife Julie,
this plaintive piece serves as a benediction and
farewell. Opening in divisi a cappella harmonies, the
piano enters with a flowing motive to underscore
the text "Turn your silvered sail toward the light
... stretched on ocean waves of endless foam,
welcome home, my child, welcome home."
11196196 SATB divisi . . . . . . . . . . . . M 2.75
Choose Love—Kyle Pederson. An ethereal, deeply
moving piece about the conscious decision to
choose love. This has an ancient-modern feel, made
even more prominent with the interplay between the
Latin and English text, and chant-like melodies layer
to become interesting harmonies that stretch the
palette and give it an otherworldly feel.
11394736 SATB divisi . . . . . . . . . . . . M 3.15
Choose Something Like a Star—Randall
Thompson. Robert Frost's outstanding text is
magnificently enhanced by Randall Thompson's
music in this choral standard for concerts and
commencements. Thompson's setting of the
entire Frost work "Frostiana" is a keystone of the
choral literature.
338319 SATB . . . . . . . . . . . . . . . ME 2.60
338400 SSAA . . . . . . . . . . . . . . . ME 2.60
3700592 TTBB . . . . . . . . . . . . . . . ME 2.60
Circa Mea—Mark Burrows. An interesting take on
a section of text from the medieval Latin "Carmina
Burana." This setting uses modal harmonies, a
haunting melodic line, and transfixing percussion
to express the mysterious nature of the text.
10746413 SATB . . . . . . . . . . . . . . . . M 2.90
11200617 TTBB . . . . . . . . . . . . . . . . M 2.90
Clap and Sing, Join Together!—Victor C.
Johnson. This vibrant celebration in classic
ABA form has a nice, syncopated opening and
a contrasting lyrical middle section. It consists
primarily of unison writing with some easily
taught moments of two- and three-part harmony.
Arranged in a comfortable range for middle school
voices, it also features simple clapping patterns
and nice harmonic moments and is an especially
effective concert opener.
10991715 Three-Part Mixed . . . . . . ME 2.20
10810588 Two-Part. . . . . . . . . . . . . ME 2.20
10882911 Multi-Song
Accompaniment CD . . . . . . . 44.95
Climb!—Christopher Fox. A lively contemporary
gospel-style piano accompaniment sets the feeling
for this positive piece that is bound to be an audience
pleaser. Tuneful upbeat melodies layer and create
accessible harmonies that are designed for younger,
developing voices. The uplifting and empowering
text makes it a great choice for a closing selection
or a moving up/graduation ceremony.
11315860 SATB . . . . . . . . . . . . . . . ME 2.20
11315861 SAB . . . . . . . . . . . . . . . . ME 2.20
11315862 SSAA . . . . . . . . . . . . . . . ME 2.20
Closer to the Flame—Susan Boersma & David
Lantz III. The buoyant music and hopeful text of
this contemporary original are reminiscent of
a traditional American folk song. A compelling
accompaniment gracefully winds throughout, easily
navigating the metric changes. "New day dawning,
life before us unexplored. Morning sun on fire above
us lights the way..."
10303494 SATB . . . . . . . . . . . . . . . ME 2.05
10303495 SAB . . . . . . . . . . . . . . . . ME 2.05
10303496 SSA . . . . . . . . . . . . . . . . ME 2.05
10303497 P/A CD . . . . . . . . . . . . . . . . . 27.99
The Cloud—Toh Xin Long. Based on the Sara
Teasdale poem, this selection is written with
a mixture of modern and traditional a cappella
stylings. The harmonic treatment is sensitive and
satisfying, making this an excellent concert piece
for more advanced ensembles.
11396096 SATB divisi . . . . . . . . . . . . M 2.95
The Cold Earth Slept Below—Jimmy Baas.
Percy Bysshe Shelley's wintry text is beautifully set
in this lyrical contemporary choral for treble voices.
Soaring vocal lines capture the expressive lyrics,
and the captivating vocal harmonies and dramatic
piano accompaniment frame the contemplative
mood. An exquisite treble concert selection for any
time of year!
11396612 SSA . . . . . . . . . . . . . . . . ME 2.40
11396613 P/A CD . . . . . . . . . . . . . . . . . 27.95
Colorful—Philip E. Silvey. The quote from Laurel
Thatcher Ulrich, "Well-behaved women seldom
make history" is the inspiration for this moving
and thought-provoking new piece about female
empowerment and celebrating oneself. Singers will
be challenged with difficult rhythmic and melodic
figures that bring whimsey and character to the
piece. Additional SEL resources including videos
from the composer are accessible with a QR code!
11389453 SSA . . . . . . . . . . . . . . . . . M 2.30
Come in from the Firefly Darkness—Amy
F. Bernon. This exquisite work has a haunting
yet whimsical quality as it tells its story from the
viewpoint of a wanderer who has returned home
to share life's experiences, only to leave again in
the final, bittersweet measures. "Open up your
door, my friend, and let me come in from the
firefly darkness..." A beautifully poetic text, set
to shimmering music, this sings so naturally that
it will really let your voices soar! The P/A CD is
compatible with the SATB, three-part mixed,
unison/two-part and TBB editions; the SSA version
is in a different key.
10028546 SATB . . . . . . . . . . . . . . . ME 2.20
3253911 Three-Part Mixed . . . . . . ME 2.05
10810590 Unison/Two-Part . . . . . . . ME 2.05
3296684 SSA . . . . . . . . . . . . . . . . ME 2.05
10366623 TBB . . . . . . . . . . . . . . . . ME 2.20
10028547 P/A CD for SATB and
3-Part Mixed & TTBB Only. . . 26.95
10944160 P/A CD for SSA
Arrangement Only . . . . . . . . . 26.95
Come to Me, O My Love—Allan Robert Petker.
This bright original work in 6/8 meter has been
successful in many voicings, and for good reason!
With an extra dose of rhythmic vitality, the selection
is centered around a melodious canon and a
buoyant piano accompaniment, making it fun for
performer and listener alike.
1672963 SATB . . . . . . . . . . . . . . . ME 2.75
1718097 SAB . . . . . . . . . . . . . . . . ME 2.25
3266491 Two-Part. . . . . . . . . . . . . ME 2.35
10045233 SSA . . . . . . . . . . . . . . . . ME 2.25
Come to the Music—Joseph Martin.
Commissioned for a premiere performance at
the Texas Music Educators Association 2000
convention, Joseph Martin's Come to the Music is
alive and electric with driving rhythm, memorable
melodies, mixed meter, and joyful text. Optional
percussion and piccolo accompaniment (parts
included) enhance the medieval dance quality of
this exciting piece.
3293529 SATB . . . . . . . . . . . . . . . . M 2.55
10453564 SAB . . . . . . . . . . . . . . . . . M 2.55
10510924 Two-Part. . . . . . . . . . . . . . M 2.55
3296613 SSAA . . . . . . . . . . . . . . . . M 2.55
3293537 TTBB . . . . . . . . . . . . . . . . M 2.55
10453568 P/A CD . . . . . . . . . . . . . . . . . 26.99
10453569 Orchestration . . . . . . . . . . . . 69.99
Come Travel With Me—Scott Farthing. Walt
Whitman's Song of the Open Road is the basis for
this expansive and melodic original composition
that is perfectly suited to the young chorus. Limited
range melodies and chordal harmonies soar over
an active piano accompaniment, creating an
expressive sound tapestry that will captivate both
singers and listeners alike. Free-spirited and fun!
3296205 SATB . . . . . . . . . . . . . . . ME 3.00
10850205 SAB . . . . . . . . . . . . . . . . ME 3.00
11316555 SSA . . . . . . . . . . . . . . . . ME 3.00
3281565 TTB. . . . . . . . . . . . . . . . . ME 3.00
Come, Sing A Song With Me—Kimberly Hill/
arr. Joseph M. Martin. This is a cheerful song of
community that is easy to learn and has a graceful
piano accompaniment. A perfect selection for
beginning harmony singers that will work well for
starting your music class or as a concert opener!
11388931 Two-Part. . . . . . . . . . . . . . . E 2.20
Connected—Brian Tate. "I am you are me...." This
innovative original uses a clever text and pop-style
music to create an environment of togetherness
among members of the choir. Community - that's
what it's all about. Each vocal part gets its own
statement, and all are sequenced together into a
rollicking chorus, all a cappella, all fun! Complete
with finger snaps and handclaps, this will be a hit
with your singers!
10602876 SATB . . . . . . . . . . . . . . . ME 2.60
10997680 SAB . . . . . . . . . . . . . . . . ME 2.25
10729441 SSAA . . . . . . . . . . . . . . . ME 2.45
11199790 TTBB . . . . . . . . . . . . . . . ME 2.55
Cool Moon—Richard A. Williamson. Carefully
crafted vocal lines combine in lush harmony in
this easy and effective introduction into modern a
cappella singing. A beautiful text paired with an
artistic setting gives the perfect opportunity to teach
musical and literary sensitivity along with balance
and blend.
10590395 SATB . . . . . . . . . . . . . . . ME 2.05
10843329 Three-Part Mixed opt.
piano accompaniment. . . ME 2.05
11172841 SSA opt.
piano accompaniment. . . ME 2.05
Count the Stars—Andy Beck. A poignant original
English text combined with Latin phrases from
the Requiem Mass lays the foundation for this
tender song of remembrance. Deeply emotive
musically, with exquisite lyricism, this piece was
commissioned by the classmates of a high school
student who passed away to honor his memory.
Contemporary cluster chords, beautifully sculpted
phrases, and expressive dynamics leave the listener
with a sense of awe and wonder.
10751916 SATB . . . . . . . . . . . . . . . ME 2.05
10751917 SAB . . . . . . . . . . . . . . . . ME 2.05
10751918 SSA . . . . . . . . . . . . . . . . ME 1.90
Crossing the Bar—Matthew A. Armstrong &
Shelly Armstrong. A high-energy treatment of the
famous Tennyson poem, this beautiful setting for
tenor-bass choirs may be included as a part of a
trilogy of Tennyson poems.
11394737 TBB . . . . . . . . . . . . . . . . . M 2.25
11394730 A Farewell (SATB) . . . . . . . . . . 2.25
11394762 There Is Sweet Music Here
(SSAA) . . . . . . . . . . . . . . . . . . 2.25
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