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NEW POP, STAGE & SCREEN CHORAL MUSIC
2 Be Loved (Am I Ready)—Lizzo/arr. Jack Zaino.
From high school flutist turned pop superstar Lizzo,
here's a high-energy hit about self-confidence and
accepting the love we deserve. A danceable '80s
rock goove with plenty of unison and singable
harmonies ask the question: "Am I ready to be loved?"
11426385 SATB . . . . . . . . . . . . . . . . . . . . . . . . .ME 2.25
11426386 SAB . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.25
11426387 SSA . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.25
11426388 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . 29.99
Ain't It Fun—arr. Anita Cracauer. This Grammy
Award-winning song from alt/rock group Paramore is a
great upbeat ensemble number for your choir. It can be
performed with or without soloists, and there is even a
short a cappella section of full harmony where you can
add a beatboxer.
11394419E SATB ePrint. . . . . . . . . . . . . . . . .ME 3.00
11394422E SAB ePrint. . . . . . . . . . . . . . . . . .ME 3.00
11394426E SSA ePrint. . . . . . . . . . . . . . . . . .ME 3.00
Ain't No Mountain High Enough—arr. Roger
Emerson. This #1 hit from 1970 by Diana Ross still
has super appeal, and this arrangement has all the
drive of the original, building to a powerful finish. A
fantastic closer!
3206752 SATB . . . . . . . . . . . . . . . . . . . . . .ME 2.25
3206760 SAB . . . . . . . . . . . . . . . . . . . . . . .ME 2.15
11415811 Two-Part Mixed . . . . . . . . . . . . .ME 2.30
11415809 Two-Part . . . . . . . . . . . . . . . . . . .ME 2.30
3206778 SSA . . . . . . . . . . . . . . . . . . . . . . .ME 2.15
3206794 P/A CD . . . . . . . . . . . . . . . . . . . . . . . 26.99
3206786 Instrumental Parts. . . . . . . . . . . . . . . 25.00
Anything Worth Holding On To—Scott Alan/arr.
Anita Cracauer. This powerful ballad performed by
Cynthia Erivo confronts the struggle with depression
and can help provide the courage to fight it. It features
an extended solo for the first verse and chorus. Its
powerful message and simple, sincere harmonies
combine to make it a song that will connect with every
performer and listener.
11394455E SATB ePrint. . . . . . . . . . . . . . . . .ME 3.00
11394465E SAB ePrint. . . . . . . . . . . . . . . . . .ME 3.00
11394459E SSA ePrint. . . . . . . . . . . . . . . . . .ME 3.00
As It Was—arr. Mark Brymer. Critically acclaimed
and certifiably catchy, choirs will enjoy singing Harry
Styles' hit song. Peppy, danceable, and a little bit retro,
this accessible arrangement will bring out the smiles.
Great for show and concert choirs of all ages!
11415591 SATB . . . . . . . . . . . . . . . . . . . . . .ME 2.30
11415589 Three-Part Mixed . . . . . . . . . . . .ME 2.30
11415590 SSA . . . . . . . . . . . . . . . . . . . . . . .ME 2.30
11415625E Instrumental Parts ePrint . . . . . . . . . 20.00
Big Time—John Murphy & Frank Wildhorn/arr.
Anita Cracauer. A sassy big-band number with
a classic feel about the process of becoming a
big-time star. This piece features a fabulous clarinet
part and a short solo. Made popular by Broadway
star Linda Eder, this piece is a quick learn and
a great choice for a concert or show opener. So fun
to sing!
11394474E SATB ePrint. . . . . . . . . . . . . . . . .ME 3.00
11394478E SAB ePrint. . . . . . . . . . . . . . . . . .ME 3.00
11394482E SSA ePrint. . . . . . . . . . . . . . . . . .ME 3.00
Caught in the Storm (from "Smash")—Benj Pasek
& Justin Paul/arr. Anita Cracauer. The sensational
songwriting duo that brought you "The Greatest
Showman" and "Dear Evan Hansen" penned this
ballad for the NBC musical drama "Smash." Featuring
a soloist to open and to bring in the final chorus, this
mid-tempo ballad examines the emotions of stormy
relationships that are difficult to let go of.
11396392E SATB divisi ePrint . . . . . . . . . . . .ME 3.00
11396393E SAB divisi ePrint . . . . . . . . . . . . .ME 3.00
11396394E SSA ePrint. . . . . . . . . . . . . . . . . .ME 3.00
The Comeback—arr. Anita Cracauer. This song by
American Idol alum Danny Gokey has a powerful
message of hope and perseverance: just when you
think you're down and out, you stage a comeback!
It's got a fresh modern sound with an upbeat groove
that's fun to sing. Each verse features a soloist -
an opportunity to give different singers a chance in
the spotlight.
11394554E SATB ePrint. . . . . . . . . . . . . . . . .ME 3.00
11394555E SAB ePrint. . . . . . . . . . . . . . . . . .ME 3.00
11394556E SSA ePrint. . . . . . . . . . . . . . . . . .ME 3.00
Encanto (Choral Highlights)—Lin-Manuel Miranda/
arr. Roger Emerson. Sing your favorite songs from
Disney's animated movie "Encanto" in this choral
medley designed especially for younger voices.
Accessible versions of The Family Madrigal; We Don't
Talk About Bruno
and Surface Pressure are combined
into a four-and-a-half-minute highlight reel that portrays
the magic and charm found in this tale about an
extraordinary Colombian family.
11411943 Three-Part Mixed . . . . . . . . . . . .ME 3.20
11411942 Two-Part . . . . . . . . . . . . . . . . . . .ME 2.95
End of Time—arr. Anita Cracauer. One of
Beyonce's most popular hits, this dance number features
a march-like rhythm, rapid-fire lyrics, and plenty of
stacked three-part treble harmonies throughout, but it
could work just as well with only two parts. It features a
lead soloist off and on throughout the song.
11402523E SSA ePrint. . . . . . . . . . . . . . . . . . .M 3.00
Fearless (from "Mean Girls")—Jeff Richmond/
arr. Mac Huff. This showcase for treble voices is the
Act I closer from the Broadway hit musical "Mean
Girls." The text features powerful, emboldening lyrics
accompanied by hard-driving, emotional music.
Feature a few soloists, a small group, and have fun
singing the plentiful unison lines and pop harmonies,
too. So fetch!
11415816 SSA . . . . . . . . . . . . . . . . . . . . . . .ME 2.30
Feet Don't Fail Me Now—arr. Anita Cracauer.
Looking for a fun stomp percussion dance feature? This
song by indie rock band Needtobreathe is a fun, blues-
infused rocker with a strong guitar riff. With no solos,
it is a great ensemble number - and the chromatically
descending hook into the chorus is a standout feature
that will be lots of fun to sing. It can work well as a
transition into the closer, and it can accommodate a
full costume change by combining different voicings to
create section features.
11402541E SATB ePrint. . . . . . . . . . . . . . . . .ME 3.00
11402540E SAB ePrint. . . . . . . . . . . . . . . . . .ME 3.00
11402542E SSA ePrint. . . . . . . . . . . . . . . . . .ME 3.00
11402543E TTB ePrint . . . . . . . . . . . . . . . . . .ME 3.00
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