J.W. Pepper Catalogs

2023-24 Fall Choral Catalog

J.W. Pepper Music Catalog

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POP, STAGE & SCREEN Editors' Choice 2023 New Basic Library Large Print Edition A Cappella ePrint Downloadable (MP3s, PDFs & more) All Prices in U.S. Dollars & Subject To Publisher Revision 162 Go to cart Almost Like Being in Love (from "Brigadoon")—Frederick Loewe/ arr. Roger Emerson. Filled with jazz stylings from swing to scat, this arrangement of the classic show tune from Lerner & Loewe's "Brigadoon" is perfect for developing choirs. Singers will love the bright, upbeat setting with its smooth conversational style and colorful piano accompaniment! 11419605 Three-Part Mixed . . . . . . . . .ME 2.30 11419608 Two-Part . . . . . . . . . . . . . . . .ME 2.30 Blue Moon—Lorenz Hart & Richard Rodgers/ arr. Roger Emerson. Developing mixed and treble choirs will enjoy performing this jazz-inflected doo- wop song, written in the 1930s but made popular in 1961 by the Marcels. With careful attention to range and voice-leading, this pop standard is a perfect selection for teaching blend, style, swing rhythms and articulation. A quick learn, with a great track that features many additional teaching resources. A pleasing concert selection! 10689147 Two-Part . . . . . . . . . . . . . . . . . E 2.30 Blue Skies—Irving Berlin/ arr. Roger Emerson. Irving Berlin's quintessential song is a classic of swing style, and this straightforward, singable arrangement brings Berlin's standard to vocal jazz and show choirs of any level. The swing groove is established in the beginning with choral voices accompanied by finger snaps and bass guitar. Later in the arrangement, written-out scat solos will encourage younger singers to try this vocal jazz technique. 3276862 Three-Part Mixed . . . . . . . . .ME 2.15 3276870 Two-Part . . . . . . . . . . . . . . . .ME 2.30 Blue Suede Shoes—Carl Perkins/ arr. Kirby Shaw. Accessible, authentic and fun, this arrangement of the famous Carl Perkins song that helped catapult Elvis to stardom features solo opportunities (including a notated scat solo) and a vocal stacking section. Add the jazz combo or the backing track for even more sizzle. 11203666 Three-Part Mixed . . . . . . . . .ME 2.50 11203667 Two-Part . . . . . . . . . . . . . . . .ME 2.25 Cuppa Cappuccino—Andy Beck. Frothy fun for caffeine lovers everywhere! From the swingin' echoed phrases of the catchy chorus to the tasty "with extra foam" ending, this creative chart is equal parts education and fun. Extend the learning by trading bars to create a solid introduction to the jazz style and beginning scat singing for developing mixed or treble choirs. 10983405 Three-Part Mixed . . . . . . . . .ME 2.05 10984607 Two-Part . . . . . . . . . . . . . . . .ME 2.05 Don't You Worry 'Bout a Thing— Stevie Wonder/arr. Roger Emerson. This Discovery Jazz series edition of Stevie Wonder's 1973 song packs all the joyful Latin energy you would want into an accessible arrangement that is super cool and fun to sing. Great for building skills and style, the voice-leading is well crafted for your beginning and developing jazz/pop groups. 10567900 Two-Part . . . . . . . . . . . . . . . .ME 2.30 Dream a Little Dream of Me (with Debussy's "Clair de Lune")— Fabian Andre & Wilbur Schwandt/ arr. Andy Beck. Pink Martini and the von Trapps have put a new spin on an old standard. The piano opening quotes Debussy's Clair de Lune before melting into a relaxing presentation of the familiar tune. Create a unique performance with the ukulele, string bass, and melodica parts. 11503191 Two-Part . . . . . . . . . . . . . . . .ME 2.10 Fly Me to the Moon (In Other Words)— arr. Roger Emerson. Written back in 1954, this famous song has become a part of the Great American Songbook, with Frank Sinatra's 1964 version becoming the standard. This accessible arrangement brings plenty of unison, well-placed harmonies, and a section of choral scat that your singers will really enjoy learning and performing. 11341723 Three-Part Mixed . . . . . . . . .ME 2.75 11341722 Two-Part . . . . . . . . . . . . . . . .ME 2.75 Hello, Mr. Sunshine—John Florio. Your younger singers can bring cheer to any concert with this sunny, swingin' original tune! Plenty of unison, simple harmonies, and a little introduction to scat syllables make this an easy-to- learn piece that packs plenty of pizzazz! 11393032 Two-Part . . . . . . . . . . . . . . . .ME 2.00 It Had to Be You & You Made Me Love You—arr. Adam Podd & Matt Podd. Two classic songs from the 1920s have been stitched together to make a perfect singing (and swingin') valentine. Not just for Valentine's Day, this fun, jazzy medley with full accompaniment is a great way to introduce the jazz/swing style to younger singers all year round. Easy to learn and put together, and the accompaniment MP3 or jazz combo chart help you make your performance extra special. Also available as a virtual choir kit. 11374416 Two-Part or SA. . . . . . . . . . .ME 2.50 11374417 Unison. . . . . . . . . . . . . . . . . .ME 2.50 It's All Right (from "Soul")— Curtis Mayfield/arr. Robert T. Gibson. Jon Batiste's cover of the 1963 Impressions hit in Disney/Pixar's "Soul" brings this early Curtis Mayfield song to a whole new generation. Built on a soulful groove, jazzy twists, and a feel-good vibe, this choral arrangement is based on the Batiste version from the film. Accessible to choirs of all ages in a variety of voicings, it's sure to be a hit at your next concert! 11347553 Two-Part or SSA . . . . . . . . .ME 2.25 It's Only a Paper Moon— Harold Arlen/arr. Mac Huff. "SSay, it's only a paper moon sailing over a cardboard sea, but it wouldn't be make-believe if you believed in me." This enduring jazz standard from the 1930s is a great song of friendship and support, set in an arrangement specifically designed for younger voices with both unison and easy part-singing opportunities. 11424807 Three-Part Mixed . . . . . . . . .ME 2.30 11424808 Two-Part . . . . . . . . . . . . . . . .ME 2.30 Jungle Jam—Sharon Burch & Rosana Eckert. Experience jazz in your classroom and performances with this swingin' original tune especially crafted for younger voices. The music, accompaniment, vocal arrangements, and recording are authentic and true to jazz using a New Orleans second line groove. Movement suggestions are included as well as notes for learning musical concepts including scat singing. A great introduction to the jazz genre! 11500444 Unison/Two-Part. . . . . . . . . .ME 2.20 My Favorite Things (from "The Sound of Music")—Rodgers & Hammerstein/arr. Roger Emerson. What could be more pleasant than singing this favorite song from the classic 1959 Broadway musical in a delightful jazz waltz setting? Accessible and fresh, this arrangement of the very familiar tune is a great way for young choirs to explore the style and hone their sound. Perfect for the holidays, or any time of year! 11171306 Three-Part Mixed . . . . . . . . .ME 2.25 11171307 Two-Part . . . . . . . . . . . . . . . .ME 2.15 On the Sunny Side of the Street— Jimmy McHugh/arr. Rosana Eckert. A jazz standard in every sense, this has received countless performances and cover recordings since 1930, including the likes of Louis Armstrong, Ella Fitzgerald, and Frank Sinatra. Versatile and lively, this arrangement captures the original's penchant for both chromatic and leaping phrasing within a single phrase. Conservative ranges, a short section of notated choral scat, and a great track make this highly accessible for developing mixed or treble choirs. 10980653 Three-Part Mixed . . . . . . . . .ME 2.25 10980650 Two-Part . . . . . . . . . . . . . . . .ME 2.15 Rainy Day Blues—Karen Crane. There's no need to be blue about a rainy day with this fun, jazzy song! With a super-catchy swingin' tune and upbeat lyrics, there is no way they won't be singing right along. Each part has engaging lines to sing. This is a great way to introduce jazz and blues to younger groups. 11510871 Three-Part Mixed . . . . . . . . .ME 2.15 Smile—arr. Roger Emerson. Charlie Chaplin's timeless classic is presented in an arrangement that's just right for young, developing choirs. The harmonies are smooth and will sing easily with an emphasis on phrasing and line. Students and audiences alike will appreciate this song and its uplifting message. 11378529 Three-Part Mixed . . . . . . . . . . E 2.30 11378530 Two-Part . . . . . . . . . . . . . . . . . E 2.30 Swingin' with the Saints—arr. Mark Hayes. Swing Low, Sweet Chariot and When The Saints Go Marching In really belong together in this dynamic, soulful setting, which contrasts the two classic spirituals in such an exciting way that your choir won't want it to end! 3701799 Two-Part . . . . . . . . . . . . . . . .ME 2.50 When the Saints Go Marching In— arr. Mac Huff. Ever since Louis Armstrong incorporated this traditional spiritual into his swing- era sets, it has become a favorite jazz standard. Explore this vocal jazz setting in that swing style, carefully crafted for younger choirs to provide a first introduction to the genre. 11380862 Three-Part Mixed . . . . . . . . . . E 2.25 11381570 Two-Part . . . . . . . . . . . . . . . . . E 2.15 VOCAL JAZZ FOR YOUNG VOICES More and more young choirs have been getting into singing vocal jazz, so here's a convenient list of new and best-selling vocal jazz charts for young voices!

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