Classical & Original Concert Works
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Aboriginal Rituals—Elliot Del Borgo. Driving
rhythms abound in this original contest
work. Performable by string or full orchestra,
the piece is contemporary in nature and
includes a mysterious section that has the
upper strings using natural harmonics. Full of
energy and vitality!
2440766 String or Full Orch . . . . . . M 58.00
madeus (from "Symphony No. 25")—
A
W. A. Mozart/arr. Hoffman. "Symphony No. 25"
begins with one of Mozart's most recognized
themes, as heard in the classic Oscar-winning
film "Amadeus." Hoffman has placed the first
movement in an accessible, practical format
that can be performed by school orchestras
with confidence.
10062533 Full Orchestra . . . . . . . . . . M 65.00
H Finlandia—Jean
Sibelius/arr.
Goldsmith.
There's a cold mystique about this work from
Finland's most famous composer, but at its
heart is a warmth that overflows with beauty.
Well known to many listeners, Finlandia
displays a strong sense of nationalistic strength
in its mighty brass and soaring strings. Owen
Goldsmith's adaptation eliminates a few of the
technical difficulties and includes generous
cross-cuings. The brass double tonguing is still
there, but so is all the power!
2376036 Full Orchestra . . . . . . . . . . M 80.00
l
Handel in the Strand—Percy Aldridge
Grainger/arr. Perna. This is one of the few
largely unchanged works from the famous
Leopold Stowkowski recording of Grainger's
music. It has been prepared from the
composer's manuscript score with the approval
of the Percy Grainger Society, and includes
the piano part exactly as played by Grainger
himself. A true classic.
10374131 Full Orchestra . . . . . . . . MA 85.00
Intermezzo
from
"Carmen"—Georges
l
Bizet/arr. Meyer. This gentle melodic selection
is an ideal way for your students to develop
a sensitive, legato playing style. Maturesounding and faithful to the composer's
original, the colorful orchestration is sure to
keep all sections engaged. The piano part may
be played by harp or keyboard.
10370567 Full Orchestra . . . . . . . . . . E 53.00
H acchanale (from "Samson and Delilah")—
B
Camille Saint-Saens/arr. Isaac. This haunting
Saint-Saens theme is a favorite of audiences
everywhere and is a great change of pace on
any program.
2143592 Full Orchestra . . . . . . . . . . M 65.00
H est of Bach—J S Bach/arr. Jerry Brubaker.
B
Bach's familiar Sheep May Safely Graze is
set here at a level perfect for intermediate
orchestras. Playable with just strings or by
adding any combination of winds up to full
orchestra instrumentation, this will be a lovely
addition to your concert.
2440733 String or Full Orch . . . . . ME 58.00
Dubinushka—Nikolai Rimsky-Korsakov/arr.
Lopez. A full orchestra transcription of this
brilliant Russian tone poem that features a new
introduction and simplifications, yet maintains
the feel of the original. Perfect for contest or
festival!
10310477 Full Orchestra . . . . . . . . . . M 69.00
Poem for Orchestra—John Tatgenhorst.
Originally written for and recorded by the
London Symphony Orchestra, this tender,
expressive piece will provide an opportunity for
development of lush, sensitive playing. Sure to
touch the hearts of players and audiences alike.
10050319 Full Orchestra . . . . . . . . . . M 70.00
Rhosymedre (Prelude On A Welsh Hymn
Tune)—Ralph
Vaughan
Williams/orch.
Foster. This is an exceptionally "pretty" work
which is perfect for the development and
demonstration of a controlled orchestral sound.
(Also playable by strings alone.)
955336 String or Full Orch . . . . . ME 35.35
4531117 Add. String Set . . . . . . . . ME 15.00
4 ing William's March—Jeremiah Clarke/arr.
K
Phillips. Your young full orchestra will sound
great playing this Baroque piece by British
composer Jeremiah Clarke. Mostly short eighth
note scale patterns provide excellent practice
in a harmonic setting. A charming addition to
your next concert.
10370581 Full Orchestra . . . . . . . . . . E 50.00
l Meditation—Elliot Del Borgo. This full
orchestra setting of "Meditations" is a
supremely Romantic work that paraphrases
a duo by C. Dancla. With a very slow tempo
and warm tensions derived from chromatic
harmonies of the nineteenth century, this
piece delivers the high emotion of Romantic
orchestral writing. An excellent contrast piece
on any program, sure to bring out the best of
expression from both conductor and players.
10370346 Full Orchestra . . . . . . . . . ME 50.00
octurne (from "A Midsummer Night's
N
Dream")—Felix Mendelssohn/arr. Richard
Meyer. Mendelssohn's famous Nocturne is one
of the cornerstones of the orchestral repertoire.
Scored here for developing orchestra, it
features the timeless melody with winds and
uses legato hooked bowings in the strings.
Recalling the magic slumbers of Shakespeare's
main characters in the forest, this lovely
transcription will provide a chance to develop
a beautiful, legato playing style while displaying
your orchestra's sensitivity and musicality!
10280409 Full Orchestra . . . . . . . . . ME 52.00
"
R
ussian Sailor's Dance—Reinhold Gliere/
arr. Balent. The famous classic! And wise
teachers know that occasionally programming
a rousing dance that is loud, fast and gets
even faster at the end is often a great way to
get students (and parents) more interested
in the orchestra program and classical
music. A well-done favorite!
2466225 String or Full Orch . . . . . . E 60.00
Sleepers Wake—J. S. Bach/arr. Brubaker.
The familiar Johann Sebastian Bach melody will
be loved by one and all. Solidly scored for your
strings or full orchestra, the delicate melody
will reinforce the musicianship of the entire
ensemble.
2478060 String or Full Orch . . . . . ME 63.00
l leigh Ride (November from "The Four
S
Seasons")—P.I. Tchaikovsky/arr. McAlister.
Delightful as only a Tchaikovsky melody can be,
this transcendent excerpt from "The Seasons"
brings the joys of a winter sleigh ride into your
concert hall.
10374098 Full Orchestra . . . . . . . . . ME 65.00
The Sorcerer's Apprentice—Paul Dukas/
arr. Balent. Here it is! The only selection to
be featured in the original "Fantasia" film and
sixty years later in "Fantasia 2000!" Now it
is arranged in a version your students can
play. Playable by string orchestra or full
orchestra, this arrangement avoids much of the
introductory material to get right into the most
familiar parts. An orchestra classic!
2472121 String or Full Orch . . . E-ME 65.00
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FULL ORCHESTRA
Barber of Seville Overture—Gioacchino
Rossini/arr. Meyer. Leave it to Richard Meyer
to bring this beloved favorite down to the easy
level while still retaining all the excitement of
the original! Everyone will recognize these great
themes from the world's most famous opera and
your orchestra will be able to handle all the parts.
Your orchestra will love sounding this good!
2472816 Full Orchestra . . . . . . . . . . E 58.00
l
Overture to Die Fledermaus—Johann
Strauss/arr. Meyer. One of the most famous
overtures ever written, this delightful selection
abounds with well-known melodies and
opportunities for technical development.
A great concert opener or closer, and a
wonderful contest selection. This arrangement
sounds like the original, yet is well within reach
of student musicians.
10370669 Full Orchestra . . . . . . . . . . E 58.00
R
l omeo and Juliet Overture—P.I. Tchaikovsky/arr. Brubaker. A lovely transcription with
tasteful reductions that allow the advanced
orchestra or community orchestra to experience
Tchaikovsky's masterpiece in about half the
duration of the original. A must for any library!
10370686 Full Orchestra . . . . . . . . MA 69.00
ncient Aires and Dances—Respighi/arr.
A
Brubaker. The noble elegance and beauty
of Respighi's marvelous work shines in this
arrangement of the Balletto Movement from
"Suite No. 1." The feel of early music carries
through in an arrangement that works equally
well for strings alone or with the addition of
winds. A great introduction to Respighi!
10032563 String or Full Orch . . . . . ME 53.00
l nvil Chorus (Chorus of the Gypsies from
A
"Il Trovatore")—Giuseppe Verdi/arr. Stroud.
Break out the anvils for this immensely popular
Verdi gem. Taken from the opera "Il Trovatore",
everyone should recognize this grand mainstay
of classical repertoire. A rewarding experience
for your advancing ensemble.
10374107 Full Orchestra . . . . . . . . . . M 70.00
de to Joy—Beethoven/arr. Meyer. This is the
O
perfect concert opener or closer! This flexible
arrangement of Beethoven's most famous
melody works for both full and string orchestras.
It's been transposed and adapted to give all of
your young students a rewarding orchestra
experience. Don't miss your opportunity to
perform this masterwork.
2442614 String or Full Orch . . . . . VE 58.00
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