4Editors' Choice (Best of 2014 Publications) lNew for 2014 HPepper Basic Library Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
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Classical medium / medium-advanced & advanced
Classical Selections
Medium
1812 OvertureTchaikovsky/arr. Brubaker.
Maintaining all of the excitement and pageantry
of the original, this work has been paired down to
six and half minutes. Best known for its climactic
volley of cannon fire, ringing chimes and brass
fanfare, this piece is perfect for a bicentennial
celebration in 2012. You'll have to hear it to
believe it!
10310481 Full Orchestra . . . . . . . . . . 69.00
Academic Festival OvertureJ. Brahms/ed.
Leidig. Brahms' famous overture has been carefully
edited to remain playable yet as close to the original
as possible. Veteran arranger Vernon Leidig has
carefully scored this work to produce the rich full
sound this masterpiece deserves. Your audience
will be impressed!
2478651 Full Orchestra . . . . . . . . . . 73.00
Amadeus (from "Symphony No. 25")W. A.
Mozart/arr. Hoffman. "Symphony No. 25" begins
with one of Mozart's most recognized themes, as
heard in the classic Oscar-winning film "Amadeus."
Hoffman has placed the first movement in an
accessible, practical format that can be performed
by school orchestras with confidence.
10062533 Full Orchestra . . . . . . . . . . 65.00
American Suite SelectionsAntonin Dvorak/
arr. McBrien. Your musicians will love the
colors and energy of this uniquely American
music. Composed by the great Czech master
following his visit to America in 1892, this work
contains music inspired by African-American,
Native-American, and Scottish music. Movements
I, IV, and V of the original five movement suite
are included.
10067003 Full Orchestra . . . . . . . . . . 72.00
n Anvil Chorus (Chorus of the Gypsies from
"Il Trovatore")Giuseppe Verdi/arr. Stroud.
Break out the anvils for this immensely popular
Verdi gem. Taken from the opera "Il Trovatore,"
everyone should recognize this grand mainstay of
classical repertoire. A rewarding experience for your
advancing ensemble.
10374107 Full Orchestra . . . . . . . . . . 70.00
H
Bacchanale (from "Samson and Delilah")
Camille Saint-Saens/arr. Isaac. This haunting Saint-
Saens theme is a favorite of audiences everywhere
and is a great change of pace on any program.
2143592 Full Orchestra . . . . . . . . . . 65.00
H
Brandenburg SinfoniaBach/arr. Isaac.
Adapted from the first movement of his
"Brandenburg Concerto No. 3" for strings,
J.S. Bach later added wind parts and created
this "Sinfonia" for his "Cantata No. 174." This
arrangement by Merle Isaac is an excellent way to
showcase your strings in a full orchestra setting.
2038230 Full Orchestra . . . . . . . . . . 73.00
l A Dance of ClownsFelix Mendelssohn/arr.
Jerry Brubaker. A fantastic arrangement of music
from Shakespeare's play, "A Midsummer Night's
Dream," that is true to the original, but eminently
playable. This transcription will fit any concert.
10453876 Full Orchestra . . . . . . . . . . 63.00
DubinushkaNikolai Rimsky-Korsakov/arr.
Lopez. A full orchestra transcription of this brilliant
Russian tone poem that features a new introduction
and simplifications, yet maintains the feel of the
original. Perfect for contest or festival!
10310477 Full Orchestra . . . . . . . . . . 69.00
4 Espana CaniPascual Marquina Narro/arr. Albert
Wang. The stirring, Spanish style is immediately
recognizable, particularly in this famous paso doble.
Some simplification of keys makes it accessible to
orchestras of all levels of experience.
10459542 Full Orchestra . . . . . . . . . . 65.00
H
FinlandiaJean Sibelius/arr. Goldsmith. There's
a cold mystique about this work from Finland's
most famous composer, but at its heart is a
warmth that overflows with beauty. Well known to
many listeners, Finlandia displays a strong sense of
nationalistic strength in its mighty brass and soaring
strings. Owen Goldsmith's adaptation eliminates
a few of the technical difficulties and includes
generous cross-cuings. The brass double tonguing
is still there, but so is all the power!
2376036 Full Orchestra . . . . . . . . . . 80.00
l The FirebirdIgor Stravinsky/arr. Jack Bullock.
This thrilling selection provides a great introduction
for younger players to Stravinsky! This transcription
provides access at the perfect level.
10453875 Full Orchestra . . . . . . . . . . 53.00
n Granada (from "Suite Espagnole," Op. 47)
Albeniz/arr. McAlister. Skillfully adapted for
full orchestra, this movement comes from the
composer's "Suite Espagnole." Originally written
for piano, each movement of the suite depicts
a different region of Spain. Granada evokes
the serene atmosphere of this beautiful and
historical old city.
10094084 Full Orchestra . . . . . . . . . . 75.00
Introduction and Royal March of the Lions
(from "Carnival of the Animals")Camille
Saint-Saens/arr. Story. This charming transcription
of the majestic opening piece from Saint-Saen's
"Carnival of the Animals" captures the grandeur of
the "King of the Jungle." Ideal for teaching marcato
style with chromaticism in the cellos and basses, it
is an evocative, colorful program feature that will
make an excellent concert opener!
10280153 Full Orchestra . . . . . . . . . . 58.00
H
Jupiter-Bringer of Jollity (from "The Planets")
Gustav Holst/arr. Leidig. This magnificent work
by Gustav Holst is now available in a quite playable
arrangement for school orchestras.
2155315 Full Orchestra . . . . . . . . . . 73.00
H
Marriage of FigaroMozart/arr. Isaac.
Here's Mozart's most famous overture, carefully
arranged and edited by Merle Isaac. Staying
very true to the original, this one challenges
the strings, but often becomes their favorite! An
excellent opener or closer.
2127850 Full Orchestra . . . . . . . . . . 66.00
n Pines of RomeOttorino Respighi/arr. Bulla.
Long considered to be one of the most dramatic
symphonic movements of all time, Respighi's finale
is arranged to make it accessible and effective
for advancing groups. The tension-building final
section of this monumental work has been carefully
crafted by Stephen Bulla to give your orchestra the
opportunity to perform the triumphant "ending of
all endings."
2481823 Full Orchestra . . . . . . . . . . 75.00
Pomp and Circumstance (Military March
Op. 39, No. 1)Edward Elgar/arr. Whitney.
This marvelous, flexible arrangement of Elgar's
famous processional march is so versatile,
you'll want to use it every year! All the strings
can remain in first position, double stops may
be divided, repeats can be optional, and it works
equally well with full orchestra or just strings and
piano. Highly recommended!
10092290 String Orch or Full Orch . . . 58.00
H
Procession of the Sardar (from "Caucasian
Sketches")Ippolitov-Ivanov/arr. Isaac. This
very pompous, march-like setting by Merle Isaac is
perfect for assemblies and concert openings. This
is quite full sounding, and there is a nice balance of
melody between winds and strings.
2066645 Full Orchestra . . . . . . . . . . 65.00
4 Sheep May Safely GrazeJ.S. Bach/arr. Clark
McAlister. A small orchestra is an exquisite medium
for Bach's famous cantata excerpt. Woodwinds and
horns in pairs join the string family to bring us music
of sublime beauty.
10459556 Full Orchestra . . . . . . . . . . 45.00
Sleeping Beauty WaltzP.I. Tchaikovsky/arr.
Isaac. This is absolutely delightful! Well-known
and loved by all, this beautiful Tchaikovsky work,
filled with glorious melodies, is a welcome addition
to any program at any time. It's an excellent choice.
2143618 Full Orchestra . . . . . . . . . . 66.00
H
Song Without WordsGustav Holst/arr.
Phillippe. Holst used this compelling folk melody
in his famous wind band suite and also in his "St.
Paul's Suite," and one listen will tell you why. At
once both sorrowful and uplifting, the melody is
so beautiful that it will bring tears to your eyes.
Roy Phillippe's striking setting adheres to Holst's
original, and presents a beautiful vehicle for
displaying the finer points of playing.
2440709 Full Orchestra . . . . . . . . . . 63.00
l Spanish Dance No. 4Enrique Granados/
arr. Clark McAlister. In the Spanish Dances,
Granados constructed music in a Spanish folk-
style. "Villanesca," the subtitle of the fourth dance,
suggests an older folk song. This orchestration brings
out the colors implied in the original piano edition.
10459562 Full Orchestra . . . . . . . . . . 65.00
n Symphony No. 5 FinaleDimitri Shostakovich/
arr. Bulla. One of the most notable movements
from Dimitri Shostakovich is transformed into this
superb new edition that is well within the reach
of most orchestras. Stephen Bulla's arrangement
is appropriately truncated, and carefully altered
with key, range and technique, with orchestration
considerations for today's school, festival and
regional orchestras.
10042883 Full Orchestra . . . . . . . . . . 95.00
4 Three Dances from "The Fantastic Toyshop"
Gioachino Rossini/arr. Ottorino Respighi &
Douglas Stroud. "Tarantella" is the first of a set
of three dances from a ballet about dancing dolls
created by a famous toymaker. The set also
includes "Cossack Dance" and "Can-Can" (sold
separately). They are a marvelous and colorful
addition to the orchestral repertoire.
10459578 Full Orchestra Movement 1 . . 90.00
10459580 Full Orchestra
Movements 2 & 3. . . . . . . . 90.00
What's Up at the SymphonyVarious Comp-
osers/arr. Brubaker. Are you part of the generation
that learned classical music via Bugs Bunny on
Saturday mornings? If so, this is for you and your
students! Bugs and Porky invite you to take part in
this classical cartoon medley. All the greats are here:
This Is It, William Tell, Barber of Seville, The Merry-
Go-Round Broke Down, Liszt's Hungarian Rhapsody,
Brahms' Hungarian Dance, and Ride of the Valkyrie.
What's Up at the Symphony? Includes every cartoon
mood and effect you could expect. You've got to
get up pretty early on Saturday morning to hear a
medley better than this!
2481133 Full Orchestra . . . . . . . . . . 75.00
H
William Tell OvertureG. Rossini/arr. Lehmeier.
Every once in a while a publication is released that
stands out far and above everything else. Such a
work is Jerry Lehmeier's arrangement of Rossini's
William Tell Overture. This is so good that we feel
you will want to get it immediately. It is exceptional!
2038263 Full Orchestra . . . . . . . . . . 68.00
Classical Selections
Medium-Advanced
& Advanced
H An American in Paris SuiteGeorge Gershwin/
arr. Whitney. Don't miss this one! Gershwin's
original suite, some 17 minutes in length, is often
too cumbersome to program. This version, edited
and condensed down to 7 minutes, is your solution!
Staying true to the original, it's a wonderful display
of Gershwin's rich and evocative orchestral writing.
Recommended for mature school orchestras and
community orchestras!
2440956 Full Orchestra . . . . . . MA 80.00
AsturiasIsaac Albeniz/arr. Lopez. Enjoy the
intensity and intricate harmonies of Asturias, in a
shorter version that captures the spirit and feel of
the original work. First written for piano, but also
a beloved part of the classical guitar repertoire,
this piece is a wonderful addition to the repertoire
for more advanced ensembles. It's not for the
faint of heart!
10280229 Full Orchestra . . . . . . MA 69.00
Berceuse and Finale (from "The Firebird
Suite")Igor Stravinsky/arr. Isaac. Here is a
classic arrangement being made available to a new
generation of students! The beautiful Berceuse and
exciting Finale of Stravinsky's "Firebird Suite" are
fantastic works of music and will also be recognized
as the climactic finale to Disney's "Fantasia 2000!"
Isaac's meticulous arranging includes written cues
for vital solos to ensure playability and success. Give
your orchestra the chance to play this masterwork!
129064 Full Orchestra . . . . . . MA 66.00
Full Orchestra
Classical
Medium &
Medium-Advanced
Buy with confidence! These works, listed in
order of their popularity, are chosen most
often by directors.
Symphony No. 5 Finale—
Dimitri Shostakovich/arr. Bulla.
10042883 Full Orchestra . . . . M-MA 95.00
Romeo and Juliet Overture—
P.I. Tchaikovsky/arr. Brubaker.
10370686 Full Orchestra . . . . . . . MA 69.00
10370686E Full Orchestra ePrint . . MA 69.00
Pomp and Circumstance (Military March Op. 39,
No. 1)—Edward Elgar/arr. Whitney.
10092290 String Orch
or Full Orch . . . . . . . . . . M 58.00
10092290E String Orch or Full Orch
ePrint . . . . . . . . . . . . . . . M 58.00
Bacchanale (from "Samson and Delilah")—
Camille Saint-Saens/arr. Isaac.
2143592 Full Orchestra . . . . . . . . M 65.00
2143592E Full Orchestra ePrint . . . M 65.00
Variations on a Shaker Melody
(from "Appalachian Spring")—Aaron Copland.
169292 Full Orchestra . . . . . . . MA 90.00
Jupiter-Bringer of Jollity
(from "The Planets")—Gustav Holst/arr. Leidig.
2155315 Full Orchestra . . . . . . . . M 73.00
2155315E Full Orchestra ePrint . . . M 73.00
Carmen Suite—Georges Bizet/arr. Kennedy.
2415479 Full Orchestra . . . . . . . M 125.00
What's Up at the Symphony—
Various Composers/arr. Brubaker.
2481133 Full Orchestra . . . . ME-M 75.00
2481133E Full Orchestra ePrint ME-M 75.00
Danse Infernale—Igor Stravinsky/arr. Isaac.
2051043 Full Orchestra . . . . . . . MA 75.00
2051043E Full Orchestra ePrint . . MA 75.00
1812 Overture—Tchaikovsky/arr. Brubaker.
10310481 Full Orchestra . . . . . . . . M 69.00
10310481E Full Orchestra ePrint . . . M 69.00
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