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Concert Marches
very easy
e Andalucia—Victor Lopez. Andalucia has always
been a very musical land and the unique music
and exotic dances have inspired composers
throughout history. This tradition continues
with this inspired work, flavored by the colorful
blended sounds of the flamenco traditional march
styles. Full of fire and energy it will spice up any
young band concert!
10218260 Band Set & Score. . . . . . . . . . . 56.00
10218261 Additional Score. . . . . . . . . . . . 10.00
4 The Gladiator—John Philip Sousa/arr. Michael
Story. Composed in 1886 by "The March King"
himself, this familiar bold march is a real treat.
Retaining Sousa's original intent, the theme
incorporates light staccato notes in addition
to full-value quarter notes, all in the appealing
march style for which he's so well known. A great
teaching and performance choice!
10520384 Band Set & Score. . . . . . . . . . . 51.00
10520385 Additional Score. . . . . . . . . . . . . 9.00
e Loyalty—Larry Clark. This original march for
young bands is stylish, fully scored and very
playable, much in the style of the famous Harold
Bennett (aka Henry Fillmore) marches. Tuneful
and lively, your students will enjoy playing it,
making it a joy to rehearse and a joy to perform.
10457072 Band Set & Score. . . . . . . . . . . 50.00
10457073 Additional Score. . . . . . . . . . . . . 8.00
e March from "First Suite for Military Band"—
Gustav Holst/arr. Story. Historically important,
the suite this comes from is one of the first
pieces written exclusively for military bands. This
arrangement is based on the second theme of
the March, a very lyrical melody reminiscent of
British folk music. This accomplished setting
brings this cherished work to the stands of your
beginners, a most welcome addition to beginning
band repertoire!
10279758 Band Set & Score. . . . . . . . . . . 56.00
10279759 Additional Score. . . . . . . . . . . . 10.00
4 March of the Lava Fields—Andrew Poor. This
work begins with a slow and ominous feel. As the
tension builds, the momentum of the lava begins
to accelerate and grow in intensity until it finally
crashes into the surrounding roads and villages.
Brake drum, vibraslap and tam-tam add to the
dramatic nature of the work. A very exciting work
for young bands!
10520237 Band Set & Score. . . . . . . . . . . 45.00
10520238 Additional Score. . . . . . . . . . . . . 8.00
4 We, the People (Concert March)—James
Swearingen. No concert would be complete
without a rousing and stylish march, and this
is just that march. The steady tempo, dynamic
contrast, and vibrant rhythms of this original
work will have everyone tapping their toes in
enthusiastic approval.
10522815 Band Set & Score. . . . . . . . . . . 44.00
10522816 Additional Score. . . . . . . . . . . . . 6.00
4 Woodlands Celebration—Ron Arnon. This
piece leaves its unique imprint by using asym-
metrical phrases and harmonic uncertainty to
support an accessible melody comprising the first
six notes of the B-flat Major scale. A joyful march
that can be included in any concert program!
10523429 Band Set & Score. . . . . . . . . . . 50.00
10523430 Additional Score. . . . . . . . . . . . . 7.00
easy
4 Celebration (Concert March)—Phil Stone-
barger. An original concert march in traditional
form for developing bands. Very playable yet
varied enough to fit into concert programs
throughout the year. Ideal for concert, festival or
contest usage.
10521363 Band Set & Score. . . . . . . . . . . 52.00
10521364 Additional Score. . . . . . . . . . . . 18.00
Darklands March (March Through the Dark
Forest)—Randall Standridge. This somewhat
dark and edgy concert march is written in minor
mode with the militaristic first half of the march in
stark contrast to the lyrical trio. An expertly-written
easy concert march that is also an excellent work
for teaching march style, dotted eighth/sixteenth
note rhythms and motivic development.
10457936 Band Set & Score. . . . . . . . . . . 65.00
10457937 Additional Score. . . . . . . . . . . . . 8.00
4e The Royal Irish Regiment—Larry Clark. This
tuneful march is meant to emulate the passing of
an Irish regiment as it marches in a parade. With
its moderate tempo and majestic air, this regal
work features characteristics of many classic
British-style marches. With sounds reminiscent of
bagpipes, fifes, and drums, it's sure to stand out
as a resplendent part of any performance.
10521978 Band Set & Score. . . . . . . . . . . 60.00
10521979 Additional Score. . . . . . . . . . . . 10.00
4e Safety (March)—Harold Bennett/arr. Larry
Clark. Another great gem written by this famous
march composer. Henry Fillmore was a master
of the march style and his tunes are utterly
delightful. A great piece for teaching style to
younger students, it's also just a fun piece to play
and listen to.
10521954 Band Set & Score. . . . . . . . . . . 60.00
10521955 Additional Score. . . . . . . . . . . . 10.00
4 The Silver Quill—Dale Harphan & Sammy
Nestico/arr. Jason Scott. From the time-
honored classic band repertoire comes this
manageable arrangement of this cherished
march for younger players. With regal-sounding
tunes, persistent percussion, and solid harmonic
scoring, this thrilling musical masterpiece can't
help but raise the spirits.
10520390 Band Set & Score. . . . . . . . . . . 67.00
10520391 Additional Score. . . . . . . . . . . . 10.00
medium-easy
Aces of the Air (March)—Karl King/arr. Swear-
ingen. From the always popular collection of Karl
King marches has come another great work of
masterful writing. All the colorful ingredients of
a traditional march can be found in this fun to
perform piece by the preeminent composer of
circus music. His timeless pieces are performed
around the world and this exciting march will
hopefully find its way into the music folders of
your students.
10280589 Band Set & Score. . . . . . . . . . . 65.00
10280590 Additional Score. . . . . . . . . . . . . 7.00
H Alamo March—Karl L. King/arr. Swearingen.
When it came to writing marches that sounded
great with bands at all grade levels, Karl King
had no peer. Dedicated to the heroes of The
Alamo, this very playable march has that certain
quality which made it one of King's favorites at
the easy grade level. With a full concert band
instrumentation, along with subtle changes in the
instrumental scoring and percussion lines, James
Swearingen's arrangement enhances its charm
even further. A guaranteed winner!
2231751 Band Set & Score. . . . . . . . . . . 55.00
2231769 Additional Score. . . . . . . . . . . . . 5.00
e Amparito Roca—Jaime Texidor/arr. Fagan. This
classic Spanish march has been expertly re-cast
in an authentic-sounding edition for younger
players. Brass ranges and the instrumentation
have been modified while all the charm and
energy of the original remain. A most welcome
addition to band repertoire.
10052942 Band Set & Score. . . . . . . . . . . 65.00
10052943 Additional Score. . . . . . . . . . . . . 7.50
4 Bonnie Eloise—J. P. Thomas/arr. Ronald C.
Knoener. This favorite from the Civil War era
opens with hearty cadence of snare drums and
field drums, and then fifes (piccolo and flute)
are added. The traditional tune is blended with
original material in this fine arrangement for the
modern concert band!
10523139 Band Set & Score. . . . . . . . . . . 72.00
10523140 Additional Score. . . . . . . . . . . . . 6.00
4 Excelsior—Karl L. King/arr. Gene Milford. Karl
King had a knack for galops and screamers.
Excelsior is a fine example of the former, yet
despite the brisk tempo it is extremely playable.
Everything lies well, ranges are not extreme, and
there are no technical passages to give players
nightmares. Open or close your concert with this
exciting work from one of America's best-known
and beloved writers.
10523506 Band Set & Score. . . . . . . . . . . 55.00
10523507 Additional Score. . . . . . . . . . . . 10.00
4 Liberty Fleet—Karl L. King/James Swearingen.
Concert march programming just doesn't get any
better than this! This well-written edition provides
a wonderful opportunity for audiences and
musicians to experience the engaging melodies
and trademark style of this master march
composer. The perfect selection for achieving a
highly successful performance.
10522734 Band Set & Score. . . . . . . . . . . 65.00
10522735 Additional Score. . . . . . . . . . . . . 8.00
4e Manhattan Beach (March)—John Philip Sousa/
arr. Andrew Balent. This well-known march is
presented in a carefully written edition that in-
cludes the unique qualities of the original. The
dynamic contrasts are the same that Sousa
himself used when he conducted this intriguing
and entertaining march. Very effective, this will
provide an interesting highlight at your next
performance.
10521930 Band Set & Score. . . . . . . . . . . 95.00
10521931 Additional Score. . . . . . . . . . . . 12.00
"
You guys rock!"
— Lisa Butts, Band Director
Hanford West High School, Hanford, CA
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