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Multicultural/World Music
H Ose Shalom (The One Who Makes Peace)
John Leavitt. This timely text from the Jewish liturgy
is brilliantly set in a lovely original work by John
Leavitt. Its simple message of peace is enhanced
with soaring melodies and lyric instrumental lines,
making it a strong choice as a multicultural or a
Hanukkah feature. Very highly recommended!
3295478 SATB . . . . . . . . . . . . . . . . . . 1.90
3295479 SAB. . . . . . . . . . . . . . . . . . . 1.90
3295480 Two-Part . . . . . . . . . . . . . . . 1.90
3295481 P/A CD . . . . . . . . . . . . . . . 26.99
3295482 Instrumental Parts . . . . . . . 25.00
H Oye (Listen!)Jim Papoulis/ed. Nunez. Full of
life and energy, this work in Spanish and English
expresses the plea of Mexican children to the
rest of the world to listen to their cry for help. The
percussion and bass parts (included in the score)
really make it percolate from beginning to end, and
the performance notes make it easy to pronounce
and understand the Spanish. Now available
for treble and mixed voices, this is a very cool
multicultural feature with an important message for
today's world. Highly recommended!
10030085 SATB . . . . . . . . . . . . . . . . . . 2.25
3301378 SSA . . . . . . . . . . . . . . . . . . . 2.50
10001346 P/A CD . . . . . . . . . . . . . . . 22.95
n Pata PataMiriam Makeba/arr. Audrey Snyder.
This authentic South African song is the signature
hit of the famous singer Miriam Makeba. In the
Xhosa language, it's catchy, with a fun dance beat
and lots of repetition, making it easy to learn. It has
such an irresistible groove, you can't help but get
on your feet!
10518234 SATB . . . . . . . . . . . . . . . . . . 1.95
10518235 Three-Part Mixed . . . . . . . . . 1.95
10518236 Two-Part . . . . . . . . . . . . . . . 1.95
10518237 P/A CD . . . . . . . . . . . . . . . 26.99
10518238E Instrumental Parts ePrint. . . 20.00
n Pete, Pete!Victor C. Johnson. On the heels of
his wildly successful arrangement of the Zambian
folk song Bonse Aba, here is Pete, Pete! from
Ghana. Call-and-response-style writing makes the
vocal parts engaging and easy to learn, while conga
drum, shaker, woodblock and cowbell lend an
authentic African flavor (parts included in the score).
A pronunciation guide, translation of the text, and
program notes are included. This has all the right
stuff for a successful multicultural performance!
Highly recommended!
10192867 Three-Part Mixed . . . . . . . . . 2.10
10192892 Two-Part . . . . . . . . . . . . . . . 2.10
10192893 P/A CD . . . . . . . . . . . . . . . 26.95
H Petit EnfantLinda Miller Shaw & Dana
Thompsen. Tenderness and loving affection are
beautifully rendered in this lullaby for two-part
choir, piano, and optional flute. Petit Enfant, or
"Tiny Child" may be performed either in French or
English, and is appropriate at any time of the year,
since its poignant message is truly universal. An
exquisite addition to the body of choral literature for
the two-part choir.
3117967 SA . . . . . . . . . . . . . . . . . . . . 1.95
t Peze Kafearr. Sten Kallman. The perfect
change-of-pace number for any concert, this
colorful arrangement of a Haitian folk song has
lots of fun rhythms and sounds that you just want
to keep singing and hearing. It has an infectious
rhythmic groove, vocal percussion, and plenty of
repetition. The Haitian words are easy to learn as
they tell the story of a young boy who loses the
coffee he's supposed to sell at the market, which
gets him in trouble with his mother. It's very catchy!
10304838 SATB with Percussion. . . . . . 2.25
H RitmoDan Davison. This energetic Latin-style
piece is a great opener, closer or encore number!
Melodic and fun, with Spanish lyrics, handclaps,
finger snaps and other body percussion, it's a party
fixin' to happen! (With four-hand piano).
10065254 SATB . . . . . . . . . . . . . . . . . . 2.45
10090775 SAB Or ST/AB . . . . . . . . . . . 2.35
10090829 TTBB . . . . . . . . . . . . . . . . . . 2.45
10067378 Instrumental Parts
Four-Hand Piano . . . . . . . . 10.00
H Riversong (A Celtic Celebration)Roger
Emerson. Anyone who has experienced the
wonderful sounds of Celtic music is going to
respond enthusiastically to this exceptional Roger
Emerson original which captures all the spark
and color of the Celtic tradition. Collect your own
instrumental ensemble on the optional instrumental
accompaniment, scored for recorder (or flute),
violin, mandolin (or guitar), bass, synthesizer,
percussion and drums. This is an extraordinary
"sound experience" that you won't want to miss!
Highly recommended!
3144615 SATB . . . . . . . . . . . . . . . . . . 1.90
3144623 SAB. . . . . . . . . . . . . . . . . . . 1.90
10278609 SSA . . . . . . . . . . . . . . . . . . . 1.90
3144631 Two-Part . . . . . . . . . . . . . . . 1.90
3144649 P/A CD . . . . . . . . . . . . . . . 26.99
3144656 Instrumental Parts . . . . . . . 25.00
t Rosas Pandanarr. George G. Hernandez. This
Filipino or Visayan folksong is a song of joy and love.
George Hernandez, conductor of the Saringhimig
Singers based in San Francisco, has captured the
native flavor in this rousing arrangement. High
school and college choirs will love it!
10007924 SATB . . . . . . . . . . . . . . . . . . 2.35
10512732 SSAA. . . . . . . . . . . . . . . . . . 2.10
n SahaytahBen Allaway. Here is a truly unique
musical experience for singers of all ages. This
call and response song features soloist, choir,
and audience singing about unity, peace, and
community in ten different languages! Sahayta uses
words and phrases from Arabic, Hebrew, Hindi,
Sanskrit, Spanish, English, Filipino, Swahili and
other African tribal languages, and is appropriate
for any age treble choir. This infectious world-beat
dance unites musicians and audience in the spirit
of love and brotherhood!
3296646 SSA . . . . . . . . . . . . . . . . . . . 2.50
Ht Salmo 150 (Psalm 150)Ernani Aguiar. A very
rhythmic work, with rapid articulations, this is an
exciting showcase for a cappella choirs. Written
by a well-known Brazilian composer, it has a
distinctive Latin American feeling that will really
light a fire under your singers!
5318514 SATB . . . . . . . . . . . . . . . . . . 1.75
3128758 SSA . . . . . . . . . . . . . . . . . . . 1.75
t Sambalelearr. Will Lopes. The word "samba"
comes from a Brazilian rhythm and dance, and the
word "lele" is an expression of excitement. Vocal
percussion, exciting dynamics, snappy rhythmic
figures and a fun Portuguese text combine to make
this a one-of-a-kind a cappella experience for your
choir and audience.
10503458 SATB divisi. . . . . . . . . . . . . . 1.90
H
Sansa Kromaarr. Michael Scott. Don't miss
this! Here is another wonderful addition to your
multicultural programming that includes authentic
native percussion and an infectious beat. The South
African feel is dominant in the rhythms, authentic
lyrics, and in a hand-clapping section that can be
used to feature dancers and costumes. Accessible
to choirs at any age, this two-part arrangement will
be a highlight of your concert!
3262979 Two-Part . . . . . . . . . . . . . . . 1.85
3262987 P/A CD . . . . . . . . . . . . . . . 27.99
n Saraspondaarr. Ruth Boshkoff. This charming
Dutch spinning song has an easy flow and a
sweet melody that is perfect in young voices.
Entirely in the Dutch language, it's repetitive in text
and melody making it easily learned. And, it has
become a widely-used selection in festivals as well
as concert settings.
3265188 Two-Part . . . . . . . . . . . . . . . 1.95
H Shake the Papaya Downarr. Ruth Dwyer
& Judith Waller/Leck. A thoroughly delightful
calypso number which can easily be enhanced
by the addition of conga, maracas and/or
claves (suggested rhythms are included in the
performance notes). This is pure fun for three-part
treble voices!
1925650 SSA . . . . . . . . . . . . . . . . . . . 1.75
H Shalom Chaverimarr. Catherine Delanoy. This
flexibly-voiced setting of the ever-popular Hebrew
song works equally well for three-part mixed, SAB
or SA voices. Any way, the canonic treatment of
the melody, lush choral harmonies and artful
accompaniment create a hauntingly beautiful
effect. This is an exceptionally fine choice for
holiday or spring concerts. Highly recommended!
10045962 Three-Part Mixed
SAB or SA . . . . . . . . . . . . . . 2.50
lt Shalom!arr. Elio Bucky. Shalom Chaverim
and Hevenu Shalom Aleichem are successfully
combined in this impressive a cappella divisi
setting. A real showpiece for advanced choirs!
10589959 SATB divisi. . . . . . . . . . . . . . 2.00
n Shiru L'Adonaiarr. David Neches. This
well-known Hebrew blessing, set canonically,
is rhythmically interesting and exciting. The
simple Hebrew text, which translates as "Sing to
God a new song. Sing to God all the earth," has
universal appeal and is appropriate any time of
year. Highly recommended!
10509877 Three-Part Mixed . . . . . . . . . 1.95
10501200 Two-Part . . . . . . . . . . . . . . . 1.95
H Shoshone Love Song (The Heart's Friend)
arr. Roger Emerson. Now available for SSA choirs,
this tender setting of a Native American poem has
become a standard in the choral repertoire. With
extended legato phrasing, delicate musicality,
and a simple piano accompaniment that supports
the expressive vocal textures, this is a top
choice for concert or festival programming!
Highly recommended!
10303135 SATB . . . . . . . . . . . . . . . . . . 1.90
1816149 SAB. . . . . . . . . . . . . . . . . . . 1.90
10455151 SSA . . . . . . . . . . . . . . . . . . . 1.90
1816131 Two-Part . . . . . . . . . . . . . . . 1.90
1960988 TBB . . . . . . . . . . . . . . . . . . . 1.90
n Shule Aroonarr. Ruth Elaine Schram. Create
your own Celtic experience with your choir when
you perform this authentic setting of the eighteenth-
century Irish folk song. A mixture of thoughtful
rubato and energetic rhythms, a Gaelic chorus -
written phonetically throughout - and an optional
violin obbligato all contribute to the lively Celtic
flavor and flair.
10519887 SATB . . . . . . . . . . . . . . . . . . 2.10
10366682 SSA . . . . . . . . . . . . . . . . . . . 2.10
10366683 P/A CD . . . . . . . . . . . . . . . 26.95
n SigueIvette Herryman. Here's a lively and fun
selection in Spanish for women's voices, featuring
a piano accompaniment characteristic of Cuban
rhythms and harmonies. This is an impressive
concert or festival piece for treble choirs.
10513282 SSAA. . . . . . . . . . . . . . . . . . 2.35
Sih'r KhalaqJim Papoulis. Sih'r Khalaq explores
the world of Arabic rhythms, textures, and style
in the interest of global fusion. The phrase "sih'r
khalaq" describes the kind of magic that exists in art
- magic that transforms and grows, and permeates
the soul. It literally means "creative magic."
10439099 SSAA opt. Percussion . . . . . . 2.50
l
Sikiliza! (Listen!)Sally K. Albrecht. Listen
to the infectious African rhythms and stacking
triads of this joyous multicultural original, with an
English text that features several Swahili words and
phrases. A unison melody becomes a rhythmic
echo section before breaking into spoken chant
and body percussion.
10552113 Three-Part Mixed . . . . . . . . . 1.90
10549177 Two-Part . . . . . . . . . . . . . . . 1.90
10552119 P/A CD . . . . . . . . . . . . . . . 27.99
10604614 DVD-Step One!
Choral Movement . . . . . . . . 39.99
t Sililiza (Hear Me)Jim Papoulis. This energetic,
uplifting work fuses the rhythms of African,
American and Latin cultures, and uses a text
primarily in Swahili but interspersed with phrases in
Spanish. Supported by shaker, djembe and agogo
bells, the middle section has the feel of a cultural
celebration, with layers of spoken words that lead
us to the understanding, "listen, hear, stand strong."
10308983 SATB . . . . . . . . . . . . . . . . . . 2.25
10308985 SSAA. . . . . . . . . . . . . . . . . . 2.25
n Sim ShalomJohn Leavitt. This is gorgeous!
With a text from the Hebrew liturgy, and based on
a Jewish folk melody, this rich setting is a prayer
for peace. Perform it with the sensitive piano
accompaniment or add a small consort of violin,
clarinet, cello and bass. Highly recommended!
10518357 SATB . . . . . . . . . . . . . . . . . . 1.90
10518358 Two-Part . . . . . . . . . . . . . . . 1.90
10518359 P/A CD . . . . . . . . . . . . . . . 26.99
10518360E Instrumental Parts ePrint. . . 30.00
n SingabahambayoVictor C. Johnson. Fun to
sing and surprisingly rehearsal-friendly, this South
African musical celebration of freedom and hope is
sure to have instant appeal. Lending itself to simple
stage choreography and with an exciting, driving
beat throughout, choirs and audiences alike will find
themselves enthralled by this Victor Johnson original.
10513128 Three-Part Mixed . . . . . . . . . 2.25
4t Sisi KushangiliaVictor C. Johnson. Exuberant
rhythmic energy abounds in this African-style
original! The Swahili text of only four words
translates: "We will dance! We will sing! We will
be glad!" The only accompanying instruments are
shaker, hand drum and djembe, which add an
authentic flavor and texture to this celebratory and
accessible multicultural selection.
10602840 Three-Part Mixed . . . . . . . . . 2.10
10602842 Two-Part . . . . . . . . . . . . . . . 2.10
Sisi Sote (All of Us)Andy Beck. The world
rhythms and contemporary harmonies in this
multicultural original are cause for celebration!
An easy-to-learn Swahili text invites us to sing,
dance, clap our hands, and stomp our feet. Free
percussion parts are available from the publisher's
website, and choreography suggestions are
included on the With a Song! DVD.
10500115 Three-Part Mixed . . . . . . . . . 1.90
10500116 Two-Part . . . . . . . . . . . . . . . 1.90
10500117 SSA . . . . . . . . . . . . . . . . . . . 1.90
10500118 P/A CD . . . . . . . . . . . . . . . 27.99
10514967 DVD-With A Song
Choral Movement . . . . . . . . 39.99
Siyahambaarr. Donald Moore. The magical
effect created by this wonderful South African
folksong is remarkable! The Zulu text is sung first
(pronunciation guide is included), then an optional
English translation may be used on the second
verse. Use the optional parts for conga, tam and
maracas to enhance the bubbly, dance-like feeling
of the piece. Your singers will naturally want to
incorporate some movement in their performance,
such as a simple step from side to side. Your choir
will love it!
1969393 Three-Part Mixed . . . . . . . . . 1.85
1969401 Two-Part . . . . . . . . . . . . . . . 1.85
10062145 P/A CD . . . . . . . . . . . . . . . 27.99
So Danco Samba (Jazz 'n' Samba)Antonio
Carlos Jobim/arr. Roger Emerson. Here is the
perfect way to introduce your young singers to the
Brazilian jazz samba, or bossa nova. Just enough
repetition, some simple scat singing, and English
subtext are a recipe for success. There's even a
jazz tenor sax on the recorded accompaniment
track, a tip of the hat to the great Stan Getz, who
started the bossa nova craze in the US back in
1964. This is a great teaching piece, too, with a full
page of performance notes, including translation
and pronunciation guide.
10499847 Three-Part Mixed . . . . . . . . . 2.25
10499848 Two-Part . . . . . . . . . . . . . . . 1.95
10499849 Teaching P/A CD . . . . . . . . 26.99
t Son de CamagueyStephen Hatfield. An
outstanding cross-cultural feature! With percussion
as the only accompaniment (included in the octavo),
this arrangement of the Cuban folk song is a
vibrant, exciting salute to our Caribbean neighbors.
The infectious rhythmic pulse just won't quit!
3148822 SATB . . . . . . . . . . . . . . . . . . 2.50
10308997 SSAA. . . . . . . . . . . . . . . . . . 2.50
10308999 TTBB . . . . . . . . . . . . . . . . . . 2.50
t SoridaRosephanye Powell. "Sorida" is a term
of greeting in the Shona language of Zimbabwe,
similar to "shalom" in Hebrew or "jambo" in Swahili.
This massive original work features six percussion
instruments, layered divisi vocal patterns, a joyful
solo and a passage for semi-chorus or vocal trio.
With both secular and sacred texts, this is a tour
de force for festivals or accomplished choirs and a
totally unforgettable musical experience!
3296959 SSAATTBB . . . . . . . . . . . . . . 1.70
10558326 TTBB . . . . . . . . . . . . . . . . . . 1.90
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