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CONCERT SELECTIONS
Wynken, Blynken, and Nod
Greg Gilpin.
The delightful Eugene Field poem is a fantasy bedtime story about three
children sailing and fishing among the stars from a boat (which is a wooden
shoe), symbolizing a sleepy child's blinking eyes, nodding head and trundle
bed. Greg Gilpin's original music is rhythmic and up-tempo, reflecting the story
in a playful and wonderfully teachable way! Highly recommended!
10574202 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10574202E Two-Part ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10592959 Multi-Song Accomp. CD . . . . . . . . . . . . . . . . . . . . . . . . . . 44.99
Y'all Come
Arlie Duff/arr. Greg Gilpin.
Grab your washboards and kazoos, heat up the vittles and get ready to
entertain country style, with a bit of hillbilly thrown in! "When you live in the
country, everybody is your neighbor!" Bill Monroe's 1954 hit continues to be a
fun, feel-good number in this lively choral arrangement!
10595169 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10595169E SATB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10595172 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10595172E SAB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10595173 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10595173E Two-Part ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10595174 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.99
Ye Followers of the Lamb
arr. Greg Gilpin.
A longtime staple of the choral repertoire in the Ferguson setting, the traditional
Shaker song is now available in this accessible arrangement. Opening
a cappella and building to a powerful ending, it's an exciting concert opener.
There is some divisi in the final refrain as the "Sing on, dance on..." theme
grows to a delirious climax!
10561778 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Yonder Come Day
arr. Paul John Rudoi.
This a cappella setting of Yonder Come Day was created for the 2015
Conference of the National Collegiate Choral Association. Composer Paul
John Rudoi's music stems from a deeply rooted passion for connecting
innate human values and universal experiences. Paul John Rudoi's music
stems from a deeply rooted passion for connecting innate human values and
universal experiences.
10618575 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10618576 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10618577 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
You Can Dance, You Can Sing
Mark Burrows.
This high-energy composition based on a traditional Zimbabwean proverb
will be a hit with your singers and audiences. The lyrics are mostly in English,
with a few simple Zimbabwean words. Shaker, djembe, and hand drum add a
vibrant texture that helps to establish the rhythmic groove.
10590554 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10443062 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10443062E Two-Part ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10590555 P/A CD for 3-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . 26.95
10457524 P/A CD for 2-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.95
Zum Gali Gali
arr. Vicki Tucker Courtney.
This popular Hebrew song depicts everyone working together as one, towards
peace. An excellent selection to introduce a cappella singing, it can also be
performed with piano, hand claps and tambourine. A very entertaining, upbeat,
minor-key selection that is guaranteed to energize your women's choir! The text
is English except for the title phrase. "All the world shall be for peace..."
10582870 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
We Shall Overcome
arr. Tom Trenney.
The beloved American freedom song has been expertly and inspiringly set here
by Tom Trenney. The original song was first written for a service celebrating
the legacy of Martin Luther King Jr. This arrangement proclaims a powerful
message of hope and faith. Scored for SATB a cappella choir with djembe.
10607537 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.80
Weep, O Mine Eyes
John Bennet/ed. John Leavitt.
John Bennet (c. 1575-c. 1614) was a Renaissance-era English composer
who wrote several madrigals in the style of Thomas Morley. This is perhaps
his most famous one, and is a wonderful contest or festival selection.
Highly recommended!
10588919 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
When Music Sounds
Victor C. Johnson.
Composed for the 2016 Florida All-State Men's Choir, this expressive and
lyrical original work gently flows forward, supported by rich piano textures. With
careful attention to part-writing, range and tessitura, this very singable work is
ideal for developing sensitivity in your men's chorus and festival concerts.
10606938 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
When the Train Comes Along Medley
Greg Gilpin.
Three popular spirituals: When the Train Comes Along; This Train and The
Gospel Train, make up this dynamic and rhythmic mini-medley. Packing tons
of energy, it's also a fabulous choice for use as a closing number or encore.
Gilpin's smart piano accompaniment emulates the rhythmic motion of a train
and provides added interest and excitement.
10602818 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10602819 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10602820 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Who's That Knockin'?
Greg Gilpin.
Don't miss this extraordinary original a cappella spiritual! An insistent melody
opens the piece in unison, then fully develops with rhythmic syncopations,
varied choral textures, and dramatic dynamics. A challenging mixed-meter
section and a compelling descant build anticipation, then terraced dynamics set
up the final, powerful "Should I let him in?" Highly recommended!
10590237 SSATTB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10590237E SSATTB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
With a Hey, Ho, Nonny, Nonny No!
Cynthia Gray.
Commissioned by the Cincinnati Children's Choir Festival, this delightful work is
written in the style of a madrigal and is absolutely infectious. It is a marvelous,
accessible choice for young choirs and your singers will love the joyful, merry
style and rhythmic feel. It is especially appropriate for spring concerts and end-
of-year performances.
10561771 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
