4Editors' Choice (Best of 2016 Publications) lNew for 2016 HPepper Basic Library Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
14
jazz
ensemble
Go to cart
Blues & Swing medium-easy
n All In for the BluesDoug Beach. As one of the
most important American music forms, the blues
is an essential concept for developing students
who are learning about jazz improvisation and
ensemble playing. This easy-level swinger has
it all: a strong melody, a fun stop-time section,
solid ensemble writing, an effective sax soli that
really swings, an open solo section with written
or improvised solos, and nice development.
Playable with optional reduced or expanded
instrumentations, it's scored for 12-17 players
with optional parts included for flute, clarinet, horn
in F, tuba and vibes. Outstanding performance
and instructional repertoire!
10499212 Jazz Ensemble . . . . . . . . . . 48.00
n The Answer Is in the Blues!Dana Gress.
There's never a dull moment in this exciting,
interesting chart! It's an impressive medium-
tempo blues shuffle chart at about 120 bpm that
will make your mid-level jazz ensemble sound like
the "big boys"! Included is an open solo section
where soloists of choice can be featured over easy
B-flat blues changes. With lots of solid ensemble
writing, this chart will give students an opportunity
to improve their jazz phrasing chops while providing
audiences and judges with a friendly tune that will
impress at concert and festival performances.
Highly recommended!
10369390 Jazz Ensemble . . . . . . . . . . 48.00
Artistry in RhythmStan Kenton/arr. Paul
Murtha. Composed and recorded by Stan Kenton in
the 1940s, Artistry in Rhythm became his signature
and a true classic from the big-band era. Paul
Murtha has skillfully adapted and truncated this for
younger players while maintaining the flavor and
energy of the original. Solo piano starts things off
followed by the iconic trombone solo in the medium
Latin section. The exciting double time swing section
features the entire ensemble, then the maestoso
theme returns to close things out. Impressive!
10374166 Jazz Ensemble . . . . . . . . . . 45.00
Attack of the Killer Tomatoesarr. Ralph Ford.
Crazy title? It's from the movie of the same
name and is a tongue-in-cheek swing chart
adapted from a much more difficult chart by
Gordon Goodwin for his Big Phat Band. Arranged
by Ralph Ford for developing players, it will be
a hit with both the band and the audience. No
improvised solos, just ensemble playing and
some great section solis. This will be a fun chart
for any performance! Highly recommended!
Optional expanded instrumentation.
10071882 Jazz Ensemble . . . . . . . . . . 48.00
n Attitude AdjustmentLarry Barton. Here's a big,
solid swing-blues chart with attitude! It includes an
open section for the soloists of your choice, with
written suggested solos. An incredibly solid bass
line really holds this chart together and gives it a
feel that is distinctive and powerful! Playable with
limited instrumentation, this will build confidence in
your developing players!
2478455 Jazz Ensemble . . . . . . . . . . 45.00
H Autumn LeavesJoseph Kosma/arr. Peter Blair.
This is a great old tune! Except...there's nothing
"old" sounding about it. It's a medium swing
version of a marvelous, often-played standard
that opens with an alto and trumpet duet and is
filled with tight ensemble punches. The saxes are
featured on a chorus and there is a written or ad lib
solo for piano.
2406361 Jazz Ensemble . . . . . . . . . . 45.00
n Baby Drives a Fast CarPaul Clark. There's
some solid swingin' going on here! The style
will make your kids feel like they're playing in a
professional big band, but with suggested solos
provided and playable by reduced instrumentation,
it's perfect for developing groups. Basic changes let
students work on their improv skills, too.
2438901 Jazz Ensemble . . . . . . . . . . 45.00
4 Back OnlineGregory Yasinitsky. Don't miss
this swinging, shuffle blues chart for developing
groups that cooks right off the top! Set at about
132 bpm, it features a full and hot saxophone
section soli, a stop-time section leading into the
solo, a written or improvised solo for trumpet,
and a section that comes way down after the
solos that feature the brass and then the full
ensemble. It then opens up and really begins
to swing! Additionally, it can be played with
optional reduced or expanded instrumentations.
Back Online is accessible for many bands and is
highly recommended!
10568026 Jazz Ensemble . . . . . . . . . . 48.00
Back to the BasementBret Zvacek. More
experienced groups know that a swing chart by
Bret Zvacek will be both well-written and exciting
to play. As this chart demonstrates, he is also
adept at writing charts at the medium-easy level.
This sizzling shuffle chart is a great teaching
vehicle. This accessible, melodic blues swinger
features nice ensemble passages, written or
improvised solos, and gets very exciting in the
last chorus. Great melody, great ensemble
writing, great chart!
10312757 Jazz Ensemble . . . . . . . . . . 52.00
n BackatownTroy Andrews/arr. John Wasson.
From Trombone Shorty's acclaimed CD Backatown,
here is the hot title cut arranged for big band in
a funky medium tempo. Combining the elements
of New Orleans second line and contemporary
rock styles, this unique chart features a blend
of catchy riffs, solid ensemble passages, and
stop-time breaks. There are short written or
ad lib solos for trumpet and tenor. This chart
exudes a spirited and unmistakable New
Orleans swagger!
10490289 Jazz Ensemble . . . . . . . . . . 45.00
BackburnerCarl Strommen. This bright,
bluesy shuffle features a triplet rhythmic figure
that is a strong hook and opens with the rhythm
section setting the groove and a piano solo which
may be played as written or improvised. A great
sax soli follows with the opening statement
accompanied by stop-time figures in the rhythm
section and is answered by the brass. As the
chart unfolds, the melody is segmented and
passed around the horns. The solo section
moves through several ii-V progressions so
your soloists will have an opportunity to play
over these essential jazz changes. After a soft
section, this fun swinger builds big to the end.
Highly recommended!
10009634 Jazz Ensemble . . . . . . . . . . 45.00
4 Bacon Suite BluesBret Zvacek. Bret Zvacek's
accessible chart on the blues not only has a clever
title, it's a laid-back swinger that's lays right in
the pocket! There's nothing like a straight-ahead,
medium blues chart for teaching the essential
elements of jazz playing. Bacon Suite Blues has it
all: a strong melody, solid ensemble writing, varying
dynamics and an optional open solo section with
included solo sheets. There's a soft ensemble
section after the solos that builds to a wonderful
shout and then a trombone section soli, then more
hard-driving and down home swing leading to a
cool finale. A great chart with great writing that's
highly recommended!
10604638 Jazz Ensemble . . . . . . . . . . 52.00
n Bags' Groove (Little Big Band)Milt Jackson/
arr. Mark Taylor. Milt Jackson's signature blues
tune has become a well-known jazz standard, and
Mark Taylor's arrangement makes it sound great
in this six horn, little big band format. Featuring a
nice, medium swing feel, and the flexibility for open
solos with backgrounds, this will be fun to perform
and easy to prepare. Instrumentation: 3 Saxes;
2 Trumpets; 1 Trombone plus Rhythm Section.
Optional parts are included for Alto and Tenor Saxes
and Trombone. Suggested solos and chord/scale
sheets are also included. Highly recommended!
10317260 Jazz Ensemble
Little Big Band . . . . . . . . . . 45.00
4 The Bare Necessities (from "The Jungle Book")
arr. John Wasson. From "The Jungle Book,"
this timeless classic appeared in the original movie
as well as the latest blockbuster hit. With a jaunty
2-beat swing style and well-known melody, this
one is impossible not to like. This carefully crafted
arrangement requires no solos, but features every
section of the band with the trombones first,
followed by the saxes and finally trumpets. Smart,
stylish and pure fun!
10617908 Jazz Ensemble . . . . . . . . . . 45.00
n Bari Cool ChartAndy Clark. Showcase your
bari sax player with this solid-sounding swinger
from the pen of Andy Clark. The spotlight is on the
bari throughout and the tasteful background parts
for the band provide a comfortable setting to allow
your bari sax soloist to really cook! A great choice
for any performance situation, this chart is based
on the changes to Don't Get Around Much Anymore
and features a solo part that is entirely notated,
although the bari player can definitely "stretch
out." This outstanding feature tune also has solo
opportunities for other players if desired. Sure to
bring the house down!
10071378 Jazz Ensemble . . . . . . . . . . 48.00
The Bari Thought of YouPeter Blair. A lush,
rubato introduction sets up the infectious shuffle feel
of this swingin' feature for baritone saxophone. The
solo is written or improvised and the arrangement
features nice band licks and backgrounds, a sax soli,
a tutti full band section and an improvised or notated
solo section. The key selection of Ab ensures that all
lines lay well for the soloist and the ranges remain
moderate for all players. A guaranteed audience
favorite, this hard-hitting chart will become a "must
have" for bands with strong, sassy bari players.
Highly recommended!
10029148 Jazz Ensemble . . . . . . . . . . 45.00
4 Be My Buddy?Terry White. Opening with the
full ensemble and then a great sax section soli
on the melody, this laid-back blues in B flat is the
perfect chart for developing bands learning to swing.
Additional features include a Basie-style medium
swing tempo of 128 bpm, effective dynamic
contrasts, and a solo section that includes written
or improvised solos for alto sax and trumpet. A very
effective teaching chart and performance vehicle!
10605772 Jazz Ensemble . . . . . . . . . . 50.00
4 Because I Said SoPaul Clark. There are lots of
swing charts based on blues changes, but this one
is in a class of its own! Because I Said So features
an attention-grabbing intro, unison ensemble
melodies, sectional trades, and an optional open
solo section with suggested solos included, all the
while swinging along at 160 bpm. After the solos
there's a soft interlude featuring your bass player
with tasty, written solo licks, then an even quieter
ensemble section leading to a shout chorus that
really shouts! Interesting, fun and playable, this
one is very highly recommended!
10607068 Jazz Ensemble . . . . . . . . . . 48.00
n The Big Band TheoryLarry Neeck. This bright
swinger kicks right from the start at around 180 bpm!
Based on a blues form, this chart is very melodic
and simply cooks in an uncomplicated fashion,
with tasty unison riffs balancing the powerfully
scored ensemble sections. The open solo section
with great background figures, along with the
included suggested solos, provides an opportunity
for individual band members to shine. Additional
highlights included a nice shout chorus and a
section after the shout that begins softly and builds
to the end. It's also playable with optional reduced
instrumentation. Here's a great chart for opening a
program or for any occasion! Highly recommended!
10518277 Jazz Ensemble . . . . . . . . . . 48.00
H Big Noise from WinnetkaHaggart & Bauduc/
arr. Paul Lavender. Bring the sounds of Bob Crosby
and the big band era to life again with this fun chart
for younger players! It features an authentic sound,
a flexible solo section and the saxes get to whistle
the melody for added fun. A great experience for
young players!
2481666 Jazz Ensemble . . . . . . . . . . 45.00
Big Swing FaceBill Potts/arr. Rich Sigler.
This chart, originally popularized by Buddy Rich,
has been scored at an accessible level while
maintaining the essence of the original and more.
The tempo is around 154 bpm, there are written
solos for tenor and trumpet 2, as well as nice
dynamics to show off your jazz band, plus optional
parts for expanded instrumentations. A fun chart
that you'll play for years to come!
10452096 Jazz Ensemble . . . . . . . . . . 48.00
n Blue Note BluesJeff Jarvis. Whether your
jazz band has some experience or is in the
developmental stages, this medium-tempo
swingin' blues chart is suitable for all performance
situations. All sections have interesting parts to
play, articulations are frequently offered, ranges
are reasonable, and rhythm parts are notated with
chord symbols provided. The easy-going, tuneful
melody is supported by accessible secondary
figures and the ranges are very reasonable.
Suggested or improvised solos are offered for
baritone sax and tenor sax. Some nice stop-time
figures and a couple of 2/4 measures add to the
appeal of this winning chart, and it's playable with
optional reduce or expanding instrumentations. This
one kicks at an accessible level!
10515802 Jazz Ensemble . . . . . . . . . . 48.00
n Blue Note SpecialMike Tomaro. Reminiscent of
the blues-oriented music of the hard bop era, the
strong melody and groove are cornerstones of this
brilliant original. As the piece alternates between
swing and shuffle styles, every member of the band
is given interesting parts to play. Trombone and
tenor take separate solos midway through, then near
the end trade fours, then twos, then solo together.
Written lines are provided for aspiring jazz soloists.
2410694 Jazz Ensemble . . . . . . . . . . 52.00
BEST
SELLERS
Blues and Swing
Medium-Easy
Buy with confidence! These works, listed in
order of their popularity, are chosen most
often by directors.
Backatown—Troy Andrews/arr. John Wasson.
10490289 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . 45.00
Flight of the Foo Birds—
Neal Hefti/arr. Peter Blair.
10513893 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . 48.00
10513893E Jazz Ensemble ePrint . . . . . . . . . . . . . . 46.00
The Big Band Theory—Larry Neeck.
10518277 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . 48.00
Autumn Leaves—Joseph Kosma/arr. Peter Blair.
2406361 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . 45.00
Hay Burner—Count Basie/arr. Sammy Nestico.
544684 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . 52.00
88 Ave. B—Dan Torosian.
10518332 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . 40.00
In Summer (from "Frozen")—arr. Rick Stitzel.
10490293 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . 45.00
Abracadabra—Larry Barton.
2472521 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . 45.00
Big Swing Face—Bill Potts/arr. Rich Sigler.
10452096 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . 48.00
10452096E Jazz Ensemble ePrint . . . . . . . . . . . . . . 46.00
Jumpin' at the Woodside—
Count Basie/arr. Rich DeRosa.
10028198 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . 52.00
10028198E Jazz Ensemble ePrint . . . . . . . . . . . . . . 52.00
