J.W. Pepper Catalogs

2016 Fall Jazz

J.W. Pepper Music Catalog

Issue link: http://read.jwpepper.com/i/712263

Contents of this Issue

Navigation

Page 49 of 119

4Editors' Choice (Best of 2016 Publications) lNew for 2016 HPepper Basic Library Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision 48 jazz ensemble Go to cart Jazz Ensemble with Vocal Solo H EverythingBuble, Chang & Foster/arr. Scott Ragsdale. Michael Buble sang this hit song and now it's time for your vocal soloist and jazz ensemble. Arranger Scott Ragsdale captured the essence of the Buble arrangement with his terrific adaptation at an easier level of this great tune. The vocal range is from F below middle C up to third space C, treble clef, and the vocal part has some easy scat lines with vocal syllables. Lead trumpet range is to written A above the staff. A wonderful chart on a neat tune! 10071937 Jazz Ensemble & Vocalist . . . . . . . . . ME 54.00 Fascinating RhythmGeorge Gershwin/arr. Dave Wolpe. Here's a great Dave Wolpe vocal chart! It features a samba treatment of this iconic Gershwin classic, and the vocal range is G below the staff to middle line B. With great wind parts, a lead trumpet range to written A, and a tempo around 104 bpm in cut time, this is an excellent arrangement. Also included is an optional tenor sax solo part to be used in place of the vocal solo. 10452148 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . . M 62.00 H Feeling GoodBricusse & Newley/arr. Roger Holmes. From the Broadway musical "The Roar of the Greasepaint - The Smell of the Crowd," this fabulous standard is popular again with a stunning rendition by Michael Buble. Capturing the bluesy flavor of this version, here is a vocal solo feature sure to bring down the house. It can also be used as a tenor sax feature. Highly recommended! Vocal in C minor. 10297513 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . . M 50.00 H FeverCooley & Blackwell/arr. Roger Holmes. Peggy Lee made this sizzler famous. Make sure you have enough fire extinguishers on hand just in case. Vocal in A minor/C minor. 2212082 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . ME 50.00 H Fly Me to the MoonBart Howard/arr. Sammy Nestico. Written with comfortable ranges and at a moderate tempo, this vocal feature will be at home on any concert. Vocal in Ab. 2249415 Jazz Ensemble & Vocalist . . . . . . . . . . M 50.00 n Fly Me to the Moonarr. Quincy Jones. For the first time, here is Quincy Jones' arrangement originally written for the 1964 Sinatra/Basie studio collaboration It Might As Well Be Swing. This chart was also used a few times during the 1965 Sinatra/ Basie summer tour and then at the famous 1966 "Live at the Sands" concert. This publication comes from the original parts. Alto 1 and Tenor 1 double on flute. As was customary for these recordings, Harry "Sweets" Edison would play fills throughout the arrangement and typically didn't have a part. The fill spots are in the trumpet 4 part, although they are not written out. Vocal Key: C. Highly recommended! 10493006 Jazz Ensemble & Vocalist . . . . . . . . . MA 65.00 A Foggy Day (In London Town)George Gershwin/arr. Scott Ragsdale. Arranger Scott Ragsdale nailed this swing chart styled after the Michael Buble version! It's set at about 148 bpm in a swing style, in the key of B-flat modulating to C, with a vocal range from F below middle C to 3rd space C, treble clef. The lead trumpet range is to written A above the staff and there are optional solo instrumental parts for B-flat, E-flat and bass clef instruments in lieu of the vocal. This is an excellent chart on a great Gershwin standard! 10355566 Jazz Ensemble & Vocalist or Solo Instrument . . . . M 54.00 n The Girl from IpanemaAntonio Carlos Jobim/ arr. Roger Holmes. Made famous by Astrud Gilberto and Stan Getz, this laid back Latin favorite features a great groove and tasty ensemble writing to back your singer, either male or female. 2314219 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . . M 50.00 n God Bless the USALee Greenwood/arr. Mark Taylor. A patriotic anthem for the ages, this contemporary ballad has already established itself as a standard! Beautifully scored for vocal soloist and jazz ensemble, this arrangement makes a powerful statement for singer and band alike. It's the ultimate patriotic chart! Vocal in Bb. 2481657 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . ME 50.00 Have Yourself a Merry Little Christmasarr. Dave Wolpe. This sentimental Christmas favorite will never go out of style, and Dave Wolpe's satisfying arrangement is a great way to feature your vocalist during the holidays. Vocal in G. 2188910 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . ME 48.00 H Haven't Met You YetBuble, Chang & Foster/arr. Scott Ragsdale. Michael Buble sang this hit song and now it's time for your vocal soloist and jazz ensemble! Arranger Scott Ragsdale captured the essence of the Buble arrangement with his terrific adaptation of this familiar tune. The vocal range is from F below middle C up to third line B, and the lead trumpet range is to written A above the staff. A wonderful chart on a cool tune! Highly recommended! 10277798 Jazz Ensemble & Vocalist . . . . . . . . . . M 54.00 4 Helloarr. Paul Murtha. Adele's chart-topping song of the year is skillfully arranged here by Paul Murtha as a power ballad for jazz ensemble and vocalist. This superb setting can also be used as a feature for an alto saxophone soloist rather than a vocalist. Beautifully paced, it begins with only a piano accompaniment then gradually builds in intensity as the full band layers in. This artful and outstanding solo feature is highly recommended and not to be missed! Vocal key: F minor 10606773 Jazz Ensemble & Vocalist opt. Alto Sax Solo . . . . . . . ME 50.00 n Here's to Lifearr. Mark Taylor. From the recording by Shirley Horn in 1992, this wonderful ballad went on to become her signature song. This version for vocalist with jazz ensemble is a touching and sensitive tune for any soloist. In the event a vocalist is not available, an optional tenor sax solo part is included. 10522924 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . ME 50.00 How High the MoonMorgan Lewis/arr. Dave Wolpe. All jazz students should know this great tune! Dave's straight-ahead, swingin' vocal solo feature is written in two keys to accommodate both female and male voices. There are also brief solos for trombone and trumpet. The version in C has an optional shout chorus with the ensemble. Low vocals in C, high vocals in F. 2701962 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . . M 62.00 I Can't Believe that You're in Love with Me Jimmy McHugh/arr. Darmon Meader. Feature your vocal quartet or SATB vocal ensemble with your jazz ensemble! Plus, this chart also includes an additional part for vocal soloist if you prefer. A medium-swing arrangement by Darmon Meader, the musical director and chief arranger of the sensational jazz vocal group, The New York Voices, this was arranged for them with jazz ensemble. The solo vocal range is from G below middle C up to F top line, treble clef. The lead trumpet range is to high D above the staff. Jazz vocal quartets/groups are happening! 10069098 Jazz Ensem & Vocal Group or Vocal Solo . . . . . . . MA 62.00 n I Can't Give You Anything But Lovearr. Mark Taylor. Penned by Jimmy McHugh and Dorothy Fields and first introduced in 1928, this familiar song has gone on to become one of the most recorded standards of all time, including recently by Tony Bennett with Lady Gaga. It can also be performed as a tenor sax solo as a substitution for the vocal solo. This swinging version for vocalist with jazz ensemble will light up any occasion! Vocal in B-flat. 10523754 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . ME 50.00 I Could Write a BookRichard Rodgers/ arr. Darmon Meader. Have a jazz vocal group or quartet? Here is a stunning chart arranged by Darmon Meader, the musical director and chief arranger of the jazz vocal group New York Voices. This stellar tune is scored for SATB voices and jazz ensemble. Also included are female or male solo parts in the event you want to perform it as a vocal solo feature. The vocal group arrangement and the jazz ensemble chart are both superb. Solo vocal ranges: female part is G below middle C to top space E; male part is D below middle C to G above treble staff. Check out this outstanding chart! Highly recommended! 10049782 Jazz Ensem & Vocal Group or Vocal Solo . . . . . . . MA 62.00 I Get a Kick Out of YouCole Porter/arr. Dave Wolpe. Here's a staple of every jazz singer's repertoire! Arranger Dave Wolpe delivers another great chart with plenty of musical space for the vocalist. He knows how to arrange better than just about anyone for vocal with big band. This chart proves it with perfect ensemble writing, an alto sax solo and two key choices for vocalist flexibility. It includes two scores and reversible parts...just flip the page for the key that suits your vocalist. Vocal solo ranges in two keys: female key (low) key of Bb, G below middle C to 3rd space C; male key (high) of Eb, middle C to top line F, treble clef. You'll get a kick out of this chart! 10049776 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . . M 62.00 I Just Called to Say I Love YouStevie Wonder/ arr. Michael Mossman. Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Mossman uses some harmonic twists and turns, interesting and creative background figures, and includes solo space for trumpet. Vocal in B-flat. 10427394 Jazz Ensemble & Vocalist . . . . . . . . . MA 60.00 I Thought About Youarr. Mark Taylor. This tuneful Jimmy Van Heusen and Johnny Mercer ballad from 1939 has remained popular through the years and is a particular favorite among jazz musicians. Beautifully set for vocalist and jazz ensemble in a medium swing style, Mark Taylor places just the right background lines in just the right places. This may also be used as a tenor sax solo feature. Vocal in B-flat. 10461360 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . ME 50.00 n I've Got You Under My Skin (from Live at the Sands)Cole Porter/arr. Quincy Jones. Now for the first time in print, this publication is based on Nelson Riddle's original set of parts used by Frank Sinatra for the 1956 session with Quincy Jones' modifications for the Live at the the Sands album. This arrangement follows Riddle's very closely, but there are no saxophone doubles, and Jones' adaptation places the original string parts in the saxophone section. Also included is the big full ensemble section with the famous trombone solo before returning to the chorus. No chart says "Sinatra" like this one! Highly recommended! 10517479 Jazz Ensemble & Vocalist . . . . . . . . . MA 65.00 n I've Got You Under My SkinCole Porter/arr. Dave Wolpe. Dave Wolpe delivers a classic swing vocal feature chart in the Sinatra style. Arranged in two keys for flexibility, this one features a full band interlude in the middle and a trombone solo in the shout chorus. High key is Eb (range is Bb below middle C to top line F), low key is Bb (range is F below middle C to third line Bb). There is an alternate tenor saxophone solo part included that substitutes for the vocal solo. Highly recommended! 10028161 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . . M 62.00 H It Don't Mean a Thing (If It Ain't Got That Swing) Duke Ellington/arr. Victor Lopez. Swingin' and singin' with big band! This vocal feature chart with a hard swing feel practically plays itself. The key is F minor, the vocal range is middle C to 3rd space C, and the lead trumpet range is to written F top line. The solo space is for tenor, trombone, alto, and trumpet, or optional vocal scat, all written out. It's Ellington, it's Lopez, it's great! Highly recommended! 10310223 Jazz Ensemble & Vocalist . . . . . . . . . ME 54.00 It Had Better Be Tonight (from "The Pink Panther")Henry Mancini/arr. Scott Ragsdale. Here is a great vocal feature chart on this Henry Mancini favorite! Scott Ragsdale gives it a samba treatment with the vocal range of G below the staff to middle line B. With great horn parts, a lead trumpet range to written A and a tempo around 104 bpm in cut time, this is an outstanding vocal chart. Optional solo parts are included for B-flat, E-flat and Bass Clef instruments to be used in place of the vocal solo part. 10452142 Jazz Ensemble & Vocalist or Any Solo Instrument . . . M 54.00 It Had Better Be Tonight (from "The Pink Panther")Henry Mancini/arr. Mark Taylor. Originally composed for the 1963 film "The Pink Panther," this unique tune has enjoyed renewed popularity thanks to the energetic samba version recorded by Michael Buble. This one is fun for vocalist and band! Vocal in G minor/A minor. 10283014 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . . M 50.00 n It's Only a Paper MoonHarold Arlen/arr. Jerry Nowak. Natalie Cole's Unforgettable album met with incredible popularity and acclaim, and this great old standard is hot! Jerry Nowak's solid, medium swing chart cooks all the way, and is a fantastic feature for your vocal soloist! Vocal in Eb. 2262590 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . ME 50.00 H Jingle Bellsarr. John Clayton. Adapted from the chart he did for Diana Krall, and recorded with the Clayton-Hamilton Jazz Orchestra on her CD Christmas Songs, here is John Clayton's joyous, up-tempo swing chart on this holiday favorite. These jinglin' bells never sounded so good! Vocal in Bb. 10052515 Jazz Ensemble & Vocalist . . . . . . . . . MA 60.00 Just FriendsJohn Klenner/arr. Dave Wolpe. Dave Wolpe's superb chart on this great jazz standard is for vocalist and jazz ensemble and it is arranged in two keys for flexibility. The low key is C and the high key is F...just flip the page for the preferred key! In addition, an optional part is provided for tenor sax as an alternative to the vocal. A terrific stop-time sax soli and a jazz solo for 2nd trumpet are more highlights of this swinger. The low key vocal range is Gb below middle C to second space A. The high key range is B below middle C to fourth line D treble clef. A great vocal feature that swings all the way home! 10028165 Jazz Ensemble & Vocalist or Tenor Sax . . . . . . . . M 65.00 " JW Pepper customer service rocks!" — Jeff Dent, Middle School Band Director Jersey Shore, PA

Articles in this issue

Links on this page

Archives of this issue

view archives of J.W. Pepper Catalogs - 2016 Fall Jazz