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Jazz/Rock & Funk medium-easy
4 Blame It on the DiscoTim Fisher. Blame It on
the Disco begins with a slow rubato introduction,
then breaks into a very hip funk style featuring a
relaxed groove at around 108 bpm. The improvised
solo section features alto sax, tenor sax, trumpet
and/or trombone as desired. After the solos it's
time for a breakdown section featuring the saxes
trading with the rhythm section before a return of
the opening theme. This is a very likable chart!
10605774 Jazz Ensemble . . . . . . . . . . 50.00
Boogie LouPaul Baker. This is an upbeat
chart! Composed and arranged by Paul Baker, this
boogaloo groove which is blend of rock with a funky
twist will have everyone tapping their feet. The
groove will push the band forward and the features
include written or ad lib solos for alto 1, trumpet 2
and trombone 2, lead trumpet to a written G, some
very cool stop-time sax section licks, and energy
bursting from every part!
10277738 Jazz Ensemble . . . . . . . . . . 48.00
H Brick Housearr. Paul Murtha. It is absolutely
impossible to find a funkier tune than this R&B hit
from the 1970s courtesy of The Commodores. This
chart has it all, from the trademark bass riff to the
ensemble punches and melodic hooks. Bring down
the house as you groove on this one!
2479363 Jazz Ensemble . . . . . . . . . . 45.00
4 BuckjumpAndrews & Ballard/arr. John
Wasson. Recorded by Trombone Shorty on
his 2011 album For True and featuring the
Rebirth Brass Band and 5th Ward Weebie, this
hot tune has a funky New Orleans style groove
with a moderate tempo and catchy riffs. The
trombones get the spotlight to start with, followed
by tight ensemble playing and later space for an
improvised or written trombone solo. This chart is
cool, confident and colorful! Highly recommended!
10556780 Jazz Ensemble . . . . . . . . . . 45.00
n Car Washarr. Paul Murtha. Originally recorded
by Rose Royce in 1977, this well-known funky hit
as recorded by Christina Aguilera and Missy Elliott
is enjoying new life in the hit movie "Shark Tale."
Authentic-sounding, it cooks right along in an up-
tempo groove! Our highest recommendation!
2702641 Jazz Ensemble . . . . . . . . . . 50.00
H ChameleonHerbie Hancock/arr. Victor Lopez.
Herbie Hancock for the developing band? Yes! From
Hancock's famous Headhunter recording, here is a
great opportunity to play the biggest jazz-rock hit of
all time. The melody is first played by alto, tenor,
trumpet and trombone, then the trumpet section.
Next up is a flexible, open solo section with a solo
line written for all the winds so anybody or everyone
can solo! The top note for lead trumpet is written
G on top of the staff. Super-cool chart! Optional
expanded instrumentation.
10071885 Jazz Ensemble . . . . . . . . . . 48.00
Cissy Strutarr. Roger Holmes. Few people
remember The Meters and this recording from
1969; however, over the years Cissy Strut has
become a model of funky drumming and simmering
grooves, and has been recorded by countless rock
and jazz artists. Captured here is the unique sound
of the original with a flexible solo section along with
hot sounds for the entire group. Suggested solos are
included along with scale/chord sheets in all keys.
10297520 Jazz Ensemble . . . . . . . . . . 45.00
n CrablegsJay Chattaway. Here's an industrial
strength rock chart with a half-time funk feel that
really cooks! With its infectious touches of gospel,
this outstanding chart will give your band a high-
powered sound that will have your audiences
shouting "one more time!"
2115160 Jazz Ensemble . . . . . . . . . . 40.00
n Cut to the ChaseLarry Barton. This funky rock
chart has shades of the rock group Chase! There
are some fast licks for the trumpets, but they fall in
a comfortable range so your players can really dig in
and sell it. The open solo section contains suggested
solos written out to help the soloists gain confidence.
It's a really hot chart your jazzers will love playing!
2468239 Jazz Ensemble . . . . . . . . . . 40.00
Dancing in the Streetarr. John Wasson.
Recorded in 1964 by Martha Reeves and the
Vandellas, this moderate tempo rocker became a
signature of the Motown sound. John Wasson's
soulful version for jazz ensemble stays true to the
original feel while adding a bit of contemporary flare.
10317279 Jazz Ensemble . . . . . . . . . . 45.00
n Everybody Needs Somebody to Lovearr.
Paul Murtha. Recorded in the '60s by artists
such as Wilson Pickett and The Rolling Stones,
this gospel-flavored rocker was then famously
featured in the 1980 film "The Blues Brothers."
There's a brief written solo for alto sax, an
interlude with the drummer, then guitar with
the ensemble layering back in. This rockin'
chart for younger jazz ensembles brings out
all the excitement, rhythmic energy and fun
of a Blues Brothers performance. Perfect for
light programming!
10490295 Jazz Ensemble . . . . . . . . . . 45.00
EDITORS' CHOICE
Jazz/Rock & Funk • Medium-Easy
Each year Pepper's Editors review hundreds of new releases and choose the cream of the crop to bear the name, Editors' Choice.
You can buy any of these titles with confidence!
Bari-ed Alive!—Erik Sherburne.
Here's a straight-ahead, rockin' bari sax solo feature set at 156 bpm.
The ensemble has a lot of exposure and the writing has a ton of style.
The changes are a variation on the blues form with a little bit of mixed
modes to give it just the right feel to suit the title. The solo is entirely
written, with some optional sections for improvising. Your brass can
bop and dance in the background with their subtle hits that set up the
melody, making for an entertaining performance to win over your
audiences. If you haven't had a bari sax feature for a while, then this
one will be a great choice!
10607066 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48.00
Birdland (Little Big Band)—Josef Zawinul/arr. Rick Stitzel.
Joe Zawinul and Weather Report turned the jazz world on its ear with
this iconic fusion composition from their 1977 album Heavy Weather.
Arranged here for six horns and rhythm section, this version retains
all the drive and uplifting energy of the original. Instrumentation: six
horns (ATB saxes, two trumpets, one trombone) plus four rhythm
with optional additional parts for alto, tenor and trombone. Perfect for
smaller programs, or additional ensemble opportunities!
10617894 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45.00
Blame It on the Disco—Tim Fisher.
Blame It on the Disco begins with a slow rubato introduction, then
breaks into a very hip funk style featuring a relaxed groove at around
108 bpm. The improvised solo section features alto sax, tenor sax,
trumpet and/or trombone as desired. After the solos it's time for a
breakdown section featuring the saxes trading with the rhythm section
before a return of the opening theme. This is a very likable chart!
10605774 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50.00
Buckjump—Andrews & Ballard/arr. John Wasson.
Recorded by Trombone Shorty on his 2011 album For True and featuring
the Rebirth Brass Band and 5th Ward Weebie, this hot tune has a funky
New Orleans style groove with a moderate tempo and catchy riffs. The
trombones get the spotlight to start with, followed by tight ensemble
playing and later space for an improvised or written trombone solo. This
chart is cool, confident and colorful! Highly recommended!
10556780 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45.00
Flow Chart—Paul Baker.
With a tempo around 152 bpm, this chart sets the tone from the first
measure with a cool fusion groove in the rhythm and trombones,
and there's a cool bari part too! There's great variety with the feel
changing back and forth throughout the chart, from fusion to half-time
rock, to a driving 4/4 rock and back again, all a great showcase for the
rhythm section! The drummer has several opportunities for two bar
fills. Dynamic contrast plays a major role for the entire ensemble as it
shapes the melody and background figures. Written solos are provided
for tenor sax and trumpet, along with chord changes. Brass ranges:
trumpet to written G, and trombone to F. Flow Chart is full of energy,
variety and style!
10605819 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40.00
Groove Merchant—Jerome Richardson/arr. Rich Sigler.
Made famous by the Thad Jones/Mel Lewis band, this accessible
version has a gospel rock groove that fits perfectly. Played at about
132 bpm with straight eighths, this chart is packed with goodies like
written-out solos for trombone and trumpet, a lead trumpet range to
written G on top of the staff, a few clever modulations, and a great
development section. Toss in the optional parts to include vibes
and you have a fine chart. Groove Merchant is very effective at any
performance and is highly recommended!
10593765 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48.00
Humanism—Jonathan Batiste/arr. Paul Murtha.
Recorded by jazz artist Jon Batiste and his group Stay Human as the
theme song for The Late Show with Stephen Colbert, this energetic
tune features an appealing jazz/rock flare. The saxes take the lead in
the beginning supported by funky riffs from the entire ensemble. Solos
are available for any combination of alto sax, trumpet, or trombone.
Suggested solos and chord/scale sheets in all keys are included. A step
above the rest!
10556778 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45.00
The In Crowd—arr. Peter Blair.
You'll recognize this tune for sure as a hit by the great jazz pianist
Ramsey Lewis. It's a groovy boogaloo chart played at 140 bpm with a
lead trumpet range to written G on top of the staff, and written solos are
provided for all four trumpets as chosen. The changes are very accessible
and will provide an opportunity for some improvisation for developing
jazzers. Optional parts are included for expanded instrumentations.
The In Crowd is a fun and happy chart to play. You'll dig it!
10593773 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48.00
Living for the City—Stevie Wonder/arr. John Wasson.
From Stevie Wonder's acclaimed and highly influential "Innervisions"
album, Living for the City features a slow, bluesy, funky groove and
memorable melodic lines. Adapted beautifully for jazz ensemble, this
chart provides feature space for the trombone section along with powerful
phrases for the entire ensemble. A suggested or ad lib solo is included for
tenor sax. This is a hot must-have that is highly recommended!
10617910 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45.00
One Flight Up—Larry Barton.
Larry Barton's fast-paced, original rock chart exudes tons of excitement
and fun with its easy changes over a blues progression, solid sectional
and full ensemble scoring, rhythmic variation, and an open solo section
with suggested solos included. This highly appealing chart will become a
favorite with your developing players and its audiences!
10607088 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48.00
Power Play—Rich Woolworth.
Crank it up to 10! Power chords, a boogaloo style, simple changes,
and a driving tempo all add up to a chart that will please players and
audiences alike! Also featured is a great breakdown section featuring
the saxes before the written or ad lib solos for alto and trumpet.
Additionally, a fun drum break leads into the last chorus. Power Play is
fun, exciting, accessible and highly recommended!
10605798 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50.00
Preach It!—Joe Elefante.
Here's an original rock chart with a gospel feel that will showcase
developing groups at their best. At around 132 bpm, it features the full
ensemble with suitably melodic lines before nice development and
dynamic builds in the second section. The excitement really begins to
build with the very cool backgrounds in the open solo section where
suggested solos are provided. There's a hip sax section soli after the
solos, then the full band falls into the groove with sections answering
back and forth before the dynamic ending. Preach It! is outstanding!
10607084 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48.00
Shakey Ground—arr. Paul Murtha.
This 1975 tune by the Temptations is one of their later hits and is
described as "funkadelic" in style. This chart features the infectious bass
line first stated by baritone sax and guitar, and later joined by the rest of
the ensemble playing the funky riffs. The solo section on a one-chord
vamp can easily be opened up, but samples are provided for alto sax,
trumpet and trombone. You will love the way the ensemble layers in near
the ending. Shakey Ground is definitely a fun chart with attitude!
10617906 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45.00
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