J.W. Pepper Catalogs

2017 Fall Choral

J.W. Pepper Music Catalog

Issue link: https://read.jwpepper.com/i/856507

Contents of this Issue

Navigation

Page 130 of 267

129 Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: satisfaction@jwpepper.com concert music Go to cart l ZephyrAmy F. Bernon. Opening with a whimsical piano motif, this gentle, aptly named piece breezes its way through the thoughtful lyrics with beautiful voice-leading. Lyrical, yet with a subtly shifting rhythmic feeling between two and three, Zephyr sets an ethereal tone that will be very effective in a concert setting. A learning resource page to apply this piece to the teaching standards is also included. 10757023 Three-Part Mixed . . . . . . . . . . . 2.25 10757024 Two-Part . . . . . . . . . . . . . . . . . 2.25 10757025 SSA. . . . . . . . . . . . . . . . . . . . . 2.25 Secular Concert All Voicings Medium H A Zing-a Za (Brazilian Folk Song)arr. Mary Goetze. Utilizing a Brazilian folk song and three separate counter-melodies, this delightful piece is full of good humor! The rhythm and melody capture the flavor of the Brazilian culture, and tambourine, maracas and guiro add greatly to the authenticity and excitement! 1616598 SSAA. . . . . . . . . . . . . . . . . . . . 2.25 n Abschiedslied (Song of Farewell)Johannes Brahms/arr. Gerald Custer. One of Brahms' best-known love songs is now available in this sensitively scored arrangement, which retains the harmonic richness of the original while making the work accessible to high school choirs. The strophic setting takes voice leading into careful consideration. IPA pronunciation guide is provided for the German text. 10590283 SATB. . . . . . . . . . . . . . . . . . . . 1.95 H AdiemusKarl Jenkins. Although this is an original work, the words, which simulate a tribal language, give it a world-music feeling. In fact, the chant-like character of the piece almost makes you feel as though you are taking part in a tribal ritual. A compelling work that has become popular in festivals and regional choral activities. Now available in SA voicing. 3165875 SATB. . . . . . . . . . . . . . . . . . . . 2.50 3118460 SSAA. . . . . . . . . . . . . . . . . . . . 2.50 10609878 SA . . . . . . . . . . . . . . . . . . . . . . 1.95 n An Die MusikFranz Schubert/ed. Craig Courtney. These transcriptions, for mixed, treble and male choirs, of this famous Schubert song offer the perfect material for teaching free, bel canto-style singing, German diction, and "arch and taper" phrasing. With its strophic form and relatively simple melody, the piece can be easily learned, allowing time to focus on and develop expressive phrasing and musicality. English translation is included in this wonderful introduction to Schubert Lieder for high school choirs! Highly recommended! 10606980 SATB. . . . . . . . . . . . . . . . . . . . 2.00 10606981 SSAA. . . . . . . . . . . . . . . . . . . . 2.00 10606984 TTBB . . . . . . . . . . . . . . . . . . . . 2.00 l And We are the Dreamers of DreamsNeil Ginsberg. "We are the music makers, and we are the dreamers of dreams." These inspiring words, freely set with highly creative craftsmanship and expression, virtually dance off the page of this artful and unique musical interpretation. The closing section of the piece is an especially effective a cappella section that evokes the feeling that the music continues on forever. 10684735 SATB. . . . . . . . . . . . . . . . . . . . 2.25 Animal Crackers (Volume II)Eric Whitacre. Here are three whimsical settings of Ogden Nash poems that are perfect for a lighter portion of your program or as an encore. The long-awaited sequel to Whitacre's first Animal Crackers, this is a musical treat. Includes: The Canary; The Eel and The Kangaroo. 10086978 SATB. . . . . . . . . . . . . . . . . . . . 2.95 Animal CrackersEric Whitacre. Here are three whimsical settings of Ogden Nash poems that are sure to appeal to Eric Whitacre fans: The Panther; The Cow and The Firefly. For mixed choirs, this is a novelty selection with sophistication and class! 10025930 SATB. . . . . . . . . . . . . . . . . . . . 2.95 n As the Rain Hides the StarsElaine Hagenberg. "As the rain hides the stars, as the autumn mist hides the hills..." Here is an exquisite setting of a traditional Gaelic prayer that will enhance the ethereal beauty of your choral sound. As the clouds finally part, the sun shines clearly for the first time. "Yet, if I may hold your hand in the darkness, it is enough." 10748271 SATB. . . . . . . . . . . . . . . . . . . . 2.45 10519865 SSA. . . . . . . . . . . . . . . . . . . . . 2.45 l Auld Lang Synearr. Tedd Firth. Opening with a lush, a cappella vocal jazz setting, this piece moves into an accompanied jazz ballad style with a truly reimagined harmony. The perfect setting for new beginnings, graduations and, of course, ringing in the new year! 10723151 SATB. . . . . . . . . . . . . . . . . . . . 2.10 n Ballade to the MoonDaniel Elder. "...Come sing with me! The twinkling sky casts forth its tune: O must I leave thy charms so soon? I weep with joy beneath the moon." Marked Adagio Misterioso, this evocative work has been appearing on festival lists all over the country, and for good reason - it is an important contribution to the choral repertoire. 10283255 SATB. . . . . . . . . . . . . . . . . . . . 2.65 10527161 TTBB . . . . . . . . . . . . . . . . . . . . 2.55 t Behold, How GoodMichael John Trotta. Inspired by Psalm 133, composer Michael John Trotta has written a lovely a cappella piece that celebrates the unity of brotherhood among all people. This calm, sonorous work is the perfect choice for a concert finale, signature piece, encore, or worship benediction. 10461315 SATB. . . . . . . . . . . . . . . . . . . . 1.70 n Beneath the African SkyPaul Caldwell & Sean Ivory. Inspired by a young girl's experience living in refugee camps in Africa, this melancholy original is a top choice for festival choirs. "Sing, little girl, and don't cry..." 10295656 SA . . . . . . . . . . . . . . . . . . . . . . 3.00 10295658 Instrumental Parts Oboe obbligato. . . . . . . . . . . . . 5.00 H BirdsongPaul Read. This touching work is inspired by a poem written by an unknown child in the Terezin Concentration Camp in Czechoslovakia during World War II. The poem's positive, uplifting message about the beauty of life is all the more striking when placed against the backdrop of war and the loss of personal freedom. A strong choice for concert, contest or festival! 5562566 SA . . . . . . . . . . . . . . . . . . . . . . 2.25 H Blow, Blow, Thou Winter WindJohn Rutter. The remarkable Rutter style explores this Shakespearean text and gives you an ideal selection for your holiday/winter concert or any other performance occasion. 1218767 SATB. . . . . . . . . . . . . . . . . . . . 3.10 10478873 Instrumental Score. . . . . . . . . 25.95 10478874 Instrumental Parts . . . . . . . . . 55.00 lt The Blue BirdCharles Villiers Stanford/arr. John Leavitt. This lovely a cappella setting of the poem by Mary Elizabeth Coleridge features a lyrical soprano solo and beautifully harmonized choral parts. Several cued-note options are provided to make the arrangement accessible without losing the full impact of the work. This concert setting features an a cappella style with modern influence and clever voice-leading and articulation to set the text. A musically challenging piece, it's an excellent choice for developing beautiful choral tone and expression. Highly recommended! 10759735 SSATB. . . . . . . . . . . . . . . . . . . 2.10 Ht A Boy and a GirlEric Whitacre. A tender, delicate, exquisite poem by Octavio Paz is the inspiration for this superb a cappella piece by Eric Whitacre. "Stretched out, stretched out on the grass, a boy and a girl savoring their oranges, giving their kisses like waves exchanging foam..." 3301920 SATB. . . . . . . . . . . . . . . . . . . . 1.95 l A Branch of MayJames Q. Mulholland. This May Day song scored for four-part male voices begins almost like a prayer, and then suddenly, over a very lively piano accompaniment, the tempo picks up as the text moves from a prayer-like tone to one of celebration. "Awake oh pretty Maid, out of your drowsy dream... for the Lord knows where we shall meet again to be maying another year." The mixed meter throughout enhances both the text and the music. 10763138 TTBB . . . . . . . . . . . . . . . . . . . . 1.95 n Break of DayMichael John Trotta. Now available for mixed, treble, or male choirs, this original work contains lyric, legato vocal lines which unfold to reveal a subtle interplay between voices, interwoven with piano and an optional obbligato line. The text, an account of two lovers faced with parting, concludes with the yearning refrain, "Stay, or else my joys will die," which gives voice to the dichotomy of the feelings of joy and pain associated with closeness and separation from a loved one. 10352199 SATB. . . . . . . . . . . . . . . . . . . . 2.50 10352164 SSA or SSAA . . . . . . . . . . . . . . 2.50 10583522 TB . . . . . . . . . . . . . . . . . . . . . . 2.50 4 Cantamos! (We Sing!)James M. DesJardins. This energetic and fun piece for SA or two-part treble voices with mixed English and Spanish text celebrates the power of singing. The spicy and rhythmic accompaniment moves every line forward in a lively dance until the very last "Sing!" Singers and audiences alike will love this piece. Highly recommended! 10683352 Two-Part . . . . . . . . . . . . . . . . . 2.25 H Ching-A-Ring-ChawAaron Copland/Fine. This classic work, adapted by Aaron Copland, is a continually popular contest/festival selection. 155796 SATB. . . . . . . . . . . . . . . . . . . . 2.25 155705 SSAA. . . . . . . . . . . . . . . . . . . . 2.15 n Cloths of HeavenZ. Randall Stroope. The text is by William Butler Yeats, an Irish poet. In this setting the music compliments the words by following the natural rhythm of the text. Rich in symbolic imagery, "Had I the heavens' embroidered cloths, Enwrought with gold and silver light, I'd spread the gold and silver cloths under your feet: Tread softly, you tread on my dreams." This piece is on many state and regional contest lists. 1589696 SATB. . . . . . . . . . . . . . . . . . . . 1.85 H Come to the MusicJoseph Martin. Commiss- ioned for a premiere performance at the Texas Music Educators Association 2000 convention, Joseph Martin's Come to the Music is alive and electric with driving rhythm, memorable melodies, mixed meter, and joyful text. Optional percussion and piccolo accompaniment (parts included) enhance the medieval dance quality of this exciting piece. 3293529 SATB. . . . . . . . . . . . . . . . . . . . 2.55 10453564 SAB. . . . . . . . . . . . . . . . . . . . . 2.55 10510924 Two-Part . . . . . . . . . . . . . . . . . 2.55 3296613 SSAA. . . . . . . . . . . . . . . . . . . . 2.55 3293537 TTBB . . . . . . . . . . . . . . . . . . . . 2.55 10453568 P/A CD . . . . . . . . . . . . . . . . . 26.99 10453569 Orchestration . . . . . . . . . . . . . 69.95 l Cultivo una Rosa BlancaThomas Juneau. A creative setting of Cuban Jose Marti's heartfelt poem in the original Spanish. The carefully crafted melody and choral parts offer countless opportunities to explore musical phrasing, tone building, and the expressive elements. English translation is provided. 10735198 SATB. . . . . . . . . . . . . . . . . . . . 2.25 l Dance for LoveZ. Randall Stroope. Set to a Civil War poem, we are implored to "dance for beauty, dance for laughter, dance for love - soft falls the rain, bare feet dance me home" in this delightful and charming composition. Lovely piano accompaniment adds to and supports the voices. Wonderful opportunity to explore lyrical singing, phrasing and mixed meters in this very accessible work. 10661653 SATB. . . . . . . . . . . . . . . . . . . . 1.95 H Dance on My HeartAllen Koepke. This light- hearted contemporary-styled madrigal is a favorite with concert and festival choirs, and is on several state contest lists. 1826932 SSA. . . . . . . . . . . . . . . . . . . . . 1.95 l Dance with the StormAndrew Lippa. Edited by Timothy Seelig, this uplifting song is a powerful work of affirmation and inclusion that supports our shared spiritual heritage. "If I dance with the storm, I'll be safe in your arms." A fantastic concert finale for men's choirs! 10759880 TTBB . . . . . . . . . . . . . . . . . . . . 2.25 l Dancing on the Edges of TimeCraig Carnahan. "Let your life lightly dance on the edges of Time like dew on the tip of a leaf." This simple text by Rabindranath Tagore comes to life with wonderful musical lines, exquisite harmonies, interesting interplay between the voices, and the opportunity for the choir to explore the depth and meaning of the text through the music. A challenging and interesting piano accompaniment is an equal partner with the voices in this creative setting. 10593053 SATB. . . . . . . . . . . . . . . . . . . . 2.50 4 Deep Peace I Send to YouDouglas E. Wagner. "Deep peace of a soft white dove to you; Deep peace of a quiet rain; Deep peace of the ebbing wave to you. Deep peace I send to you." This incredibly beautiful and heartrending setting of a precious text by William Sharp makes an especially effective concert closer or encore. The gorgeous harmonic structure begins with a quiet section that gradually unfolds into a full choral statement appropriate to this inspirational text. Highly recommended! 10684739 SATB. . . . . . . . . . . . . . . . . . . . 2.10 10684741 P/A CD . . . . . . . . . . . . . . . . . 26.95 Ht Ding-A Ding-A DingGreg Gilpin. This very cool original is a masterpiece of vocal layering, a "sound experience" for a cappella voices as bells. All voices sing together in the middle section before returning to vocalized bell effects. "Merrily on high, hear the bells ring. Merrily, the heavens sing. Merrily on high, hear the bells ring. O'er the earth, they ding dong ding." Now also available in an accessible two-part treble or TB voicing with optional accompaniment, this is appropriate for the holidays or any festive occasion throughout the year! Highly recommended! 10029457 SATB. . . . . . . . . . . . . . . . . . . . 2.50 10029458 SSAB. . . . . . . . . . . . . . . . . . . . 2.50 10029459 SSAA. . . . . . . . . . . . . . . . . . . . 2.50 10306019 TTBB . . . . . . . . . . . . . . . . . . . . 2.50 10066277 Two-Part or SA, with opt. Accompaniment. . . . . 2.50 10737274 TB with opt. Accompaniment . . 2.10 H Dirait-OnMorten Lauridsen. This exquisite work is the fifth of a set of choral settings of poems by Rainer Maria Rilke entitled Les Chansons des Roses. With velvet choral lines and a pensive mood, it is a deeply expressive musical statement for more accomplished choirs. 1949080 SATB. . . . . . . . . . . . . . . . . . . . 1.90 3167434 SSAA. . . . . . . . . . . . . . . . . . . . 1.90 Secular Concert All Voicings medium-easy / medium Masterwork from a female composer LORELEI Clara Schumann/ arr. Brandon Williams. An authentic and representative lied from a Romantic-era female composer set in an dynamic arrangement for women's or treble choirs. Clara Schumann's dramatic setting of the poem Lorelei was a birthday gift to her husband Robert in 1843. Her mastery of the keyboard is evident in this exciting and descriptive accompaniment that features driving eighth-note figures reminiscent of Schubert's Erlkoenig. A translation and pronunciation guide is included for the German text. 10685865 Three-Part Treble or SSA. . . . . . . . 2.25 10685865E Three-Part Treble ePrint. . . . . . . . . 2.25

Articles in this issue

Links on this page

Archives of this issue

view archives of J.W. Pepper Catalogs - 2017 Fall Choral