All Prices Are In U.S. Dollars & Are Subject To Publisher Revision
18
Go to cart
the best new
CONCERT SELECTIONS
Clap Your Hands and Sing!
Mary Lynn Lightfoot.
Joyful and celebratory, this original choral is an excellent opening concert
selection for young voices. Easy mixed meter, minor tonality and optional hand
claps create the driving, rhythmic feel that propels the piece from beginning to
end. Highly recommended!
10689125 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10689125E SATB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10499854 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10499854E Three-Part Mixed ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10499760 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10499760E Two-Part ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10499818 Multi-Song Accompaniment CD. . . . . . . . . . . . . . . . . . . . . 44.99
Connected
Brian Tate.
"I am you are me..." This innovative original uses a clever text and pop-style
music to create an environment of togetherness among members of the choir.
Community - that's what it's all about. Each vocal part gets its own statement,
and all are sequenced together into a rollicking chorus, all a cappella, all fun!
Complete with finger snaps and hand claps, this will be a hit with your high
school singers!
10602876 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10602876E SATB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10729441 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.45
Count the Stars
Andy Beck.
A poignant original English text combined with Latin phrases from the Requiem
Mass lays the foundation for this tender song of remembrance. Deeply
emotive musically, with exquisite lyricism, this piece was commissioned by the
classmates of a high school student who passed away to honor his memory.
Contemporary cluster chords, beautifully sculpted phrases, and expressive
dynamics leave the listener with a sense of awe and wonder.
10751916 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10751917 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10751918 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
Courage, My Soul
Rollo Dilworth.
The famous text of Charles A. Tindley's hymn The Storm Is Passing Over forms
the lyric framework for this modern concert gospel piece. This powerful setting
is marked by sturdy gospel harmonies, a confident piano accompaniment, and
strong vocal articulation. "Thanks be to God, the morning light appears, and the
storm is passing over, hallelujah!" Highly recommended!
10759836 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10759837 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
The Crawdad Song
Greg Gilpin.
Hand claps, knee slaps, foot stomps, and rhythmic vocal speech make this a
must-do folk song arrangement for mixed, three-part, and male choirs. Full of
quick-witted humor and down-home hillbilly fun, it's much more than a song -
it's a performance experience! "You get a line, I'll get a pole. We'll go fishin' at
the crawdad hole!" Highly recommended!
10276003 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10708683 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Dance with Me to My Heart
Jim Papoulis.
This energetic and lively piece is about discovering the power of our own voices
and letting them dance; setting ourselves free, exploring and learning to let go
of preconceived notions of how we "should" be or "should" think. Combining
this uplifting text in Swahili and English with driving rhythms in the vocal parts
and the piano, djembe, and stick accompaniment makes this both a fun and
memorable song for singers and audience alike! Highly recommend!
10735002 SSAA Piano with Djembe & Stick. . . . . . . . . . . . . . . . . . . . . 2.50
Bwana Awabariki with Kum Ba Ya
Mark Weston.
This vibrant partnering of two popular African folk songs features easily learned
vocals with rhythmically supportive piano. Add percussion to complete this
musical celebration of life. The Swahili text, which includes a pronunciation guide
and translation, gives an opportunity to teach the language and culture, which
can then be incorporated into this fun presentation piece for your next concert.
10684737 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Call Me Friend
Ruth Morris Gray.
"I can live my life on earth contented to the end, if but a few shall know my
worth and proudly call me friend." Edgar Guest's poetry is paired with text from
Shakespeare to create a warm, reflective text on the importance of friendship.
Subtle tempo changes and sensitive dynamics encourage expressive singing,
and an optional obbligato allows for a C instrument of your choice.
10751908 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10751910 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
10751911 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.90
Can't Hide, Sinner
Brian Tate.
This traditional African-American slave song comes from the Georgia Sea
Islands. Filled with energy, this a cappella spiritual with gospel elements has a
soli that passes through all voices, hand claps, and enough repetition to make it
easy and fun to learn. A great addition to repertoire for high school, community
and church choirs.
10748252 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
Cangoma
arr. Lon Beery & Elisa Dekaney.
In the Bantu language, "cangoma" means "drum." The text of this piece,
in a Portuguese dialect, celebrates the end of slavery. Use congas, djembe,
tubanos, cajon, or tom-toms to add the simple drum part. A pronunciation
guide is included for this highly charged and fun-filled Brazilian folk song.
Now available for women's choir!
10443525 Three-Part Mixed with opt. Baritone . . . . . . . . . . . . . . . . . . 1.95
10735217 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10585416 TTB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Cantamos!
We Sing!
James M. DesJardins.
This energetic and fun piece for SA or two-part treble voices with mixed English
and Spanish text celebrates the power of singing. The spicy and rhythmic
accompaniment moves every line forward in a lively dance until the very last
"Sing!" Singers and audiences alike will love this piece. Highly recommended!
10683352 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10683352E Two-Part ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Capelinha de Melao
arr. Will Lopes.
Layered harmonies and invigorating vocal percussion bring life and energy to this
Brazilian children's song. Rhythmic and syncopated, this a cappella piece is an
excellent world music selection for mixed choirs that will delight your choir and
audience. The program notes include helpful background information as well as
a translation and pronunciation guide for the Portuguese text. Fun to sing!
10683421 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10683421E SATB ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
