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Sacred Concert All Voicings easy / medium-easy
H Gloria in Excelsis DeoAntonio Vivaldi/arr.
Porterfield. This excerpt from Vivaldi's "Gloria" is
specially arranged to meet the needs of the middle
school/junior high singer. An intelligent choice for
teaching phrasing and other stylistic features of the
Baroque period, this will display your developing
choir's musicianship in a very positive way!
1910736 Three-Part Mixed . . . . . . . . . . . 1.95
3294571 TTB . . . . . . . . . . . . . . . . . . . . . 1.95
H How Can I Keep from Singing?arr. Ginger
Littleton. This Quaker song is one of the strongest
pentatonic melodies and texts ever written. In this
beautiful unison setting, the melody is surrounded
by a flowing yet supportive accompaniment
that heightens the expressive text without
overshadowing it. An outstanding arrangement!
3251238 Unison . . . . . . . . . . . . . . . . . . . 1.95
Ht If Ye Love MeThomas Tallis. One of the most
recognized anthems from the English renaissance,
this choral work is both intimate and expressive in
concert or worship settings.
1515675 SATB. . . . . . . . . . . . . . . . . . . . 2.40
n In Terra PaxMary Lynn Lightfoot. Lightfoot's
expressive and poignant setting of the traditional
Latin text, "on earth, peace," is graced by sweeping
melody lines, a contrasting middle section in minor
mode, and a pensive, thoughtful ending. This is a
superb choice for young and developing choirs for
concerts, festivals and peace-themed events, and
is equally suitable throughout the year for school or
church use. A pronunciation guide and translation
are provided.
10601714 SAB. . . . . . . . . . . . . . . . . . . . . 2.10
10601715 Two-Part . . . . . . . . . . . . . . . . . 1.95
10648368 P/A CD . . . . . . . . . . . . . . . . . 27.95
n KyrieAntonin Dvorak/arr. Jay Rouse. Jay Rouse
has beautifully paired the melody from Dvorak's
"From the New World" with the classic text Kyrie
eleison, Christe eleison. The setting features
rich harmonic color, pristine vocal writing, and a
distinctive piano accompaniment.
10425045 SATB. . . . . . . . . . . . . . . . . . . . 2.05
10425080 P/A CD . . . . . . . . . . . . . . . . . 26.95
n KyrieMichael John Trotta. Here is a lovely
introduction to the ancient Greek text for beginning
singers. The optional flute part adds much to the
simple beauty of this endearing original, equally
effective for either unison or two-part choirs.
10509958 Unison/Two-Part . . . . . . . . . . . 1.95
Kyrie CanonAndy Beck. This is perfect for
young singers! It's an original two-part canon,
with a third part in the optional flute, and "Kyrie
eleison, Christe eleison" is the only text. Easy,
beautiful, and with great educational value, it is
an exceptionally rewarding work for young choirs!
Highly recommended!
10303498 Two-Part . . . . . . . . . . . . . . . . . 1.85
10308648 Multi-Song
Accompaniment CD . . . . . . . . 39.99
n Laudamus TeTerri Sinclair. Joyous and
uplifting, this vibrant setting of the familiar Latin
text is a concert and festival winner. The 6/8 meter
is ideally suited to a buoyant style, creating a light,
sophisticated dance-like feel. The short phrases,
ideal vocal ranges and rhythmic motives designed
to naturally emphasize the stressed syllables ensure
a successful experience for young and developing
choirs. A learning resource page is included.
10601717 Two-Part . . . . . . . . . . . . . . . . . 2.10
10648369 P/A CD . . . . . . . . . . . . . . . . . 27.95
Ht Lift Thine EyesFelix Mendelssohn. Mendel-
ssohn's lovely trio from "Elijah" has become a
standard for women's choral groups everywhere.
G.Schirmer edition.
408609 SSA. . . . . . . . . . . . . . . . . . . . . 1.90
Ht The Lord Bless You and Keep YouPeter
Lutkin. Excellent as a benediction or closing
number, this is a piece you're sure to pick up often.
May be done with or without accompaniment.
368100 SATB. . . . . . . . . . . . . . . . . . . . 1.75
n Lux AeternaChristi Jones. This easy, lyrical
setting of the well-known Latin text, translated
"Light Eternal," is perfect for young treble voices.
Whether your students are ready to sing a cappella
or with accompaniment, the choice is yours in this
excellent introduction to singing in Latin.
10509971 Two-Part or SA . . . . . . . . . . . . 1.50
n Non Nobis DomineWilliam Byrd/arr. Russell
Robinson. Now developing mixed or treble choirs can
sing this English Renaissance canon, arranged with
piano accompaniment. Text is in Latin throughout;
translation and historical notes are included.
10065779 SAB. . . . . . . . . . . . . . . . . . . . . 1.95
10585377 SSA. . . . . . . . . . . . . . . . . . . . . 1.95
Pie JesuVictor Johnson. This luscious and
sensitive setting of the traditional Latin text exudes
a gentle simplicity, with soaring melodic lines
and a fluid accompaniment. A pronunciation and
translation guide is provided.
10590502 SATB. . . . . . . . . . . . . . . . . . . . 1.95
10443059 Three-Part Mixed . . . . . . . . . . . 1.95
10443060 Two-Part . . . . . . . . . . . . . . . . . 1.95
10457512 P/A CD . . . . . . . . . . . . . . . . . 26.95
4 SanctusSally K. Albrecht. An accessible choral
setting featuring a one-octave melody, imitative
textures, independent vocal parts, and an easily
learned Latin text make this an ideal selection
for developing choirs. The interplay between the
voices encourages balanced choral singing with
an opportunity for every part to enjoy singing the
melodic material. A wonderful teaching piece
to emphasize pure vowels, legato phrasing and
musicality. Simply stunning.
10738835 Three-Part Mixed . . . . . . . . . . . 1.90
10738836 Two-Part or SA . . . . . . . . . . . . 1.90
4 Sanctus (from "German Mass in F")Franz
Schubert/arr. Lon Beery. A beautiful adaptation
of this Schubert standard for men's ensembles.
This piece is equally appropriate for concert or
worship settings and presents wonderful teaching
opportunities for lyrical singing along with an
introduction to simple German text. Sing either
the English version or the original German with the
pronunciation guide (included).
10735262 TTB . . . . . . . . . . . . . . . . . . . . . 1.95
t Three A Cappella Latin SettingsJerry Estes.
Developing choirs will be motivated and engaged
by this unique set of three, short, original a cappella
pieces. Written in contrasting styles, the opening
Gloria In Excelsis Deo is exuberant and features a
soloist or small group. An expressive Et In Terra
Pax is followed by a vibrant and rhythmic Alleluia.
Whether performed individually or as a set, at
Christmas, or in a general concert setting or festival
at school or church, this wonderful teaching piece
has many valuable uses. A Learning Resource Page
is included.
10512811 Three-Part Mixed . . . . . . . . . . . 2.25
Sacred Concert
All Voicings
Medium-Easy
Adoramus TeJ.S. Bach/arr. Tom Fettke. Bach's
famous instrumental arioso is set here with a simple
Latin text. The expressive piano accompaniment
can be used alone or with the optional string parts,
which richly enhance the effect. A beautiful way to
introduce your singers to important works of the
master composers.
10510718 SATB. . . . . . . . . . . . . . . . . . . . 2.50
10510719 SAB. . . . . . . . . . . . . . . . . . . . . 2.50
10510720 P/A CD . . . . . . . . . . . . . . . . . 26.99
10510721E Instrumental Parts ePrint . . . . 20.00
t
Adoramus TeG.P. da Palestrina/arr. John
Leavitt. The expressiveness of the Renaissance is
richly portrayed in this clean edition of Palestrina's
classic masterwork. At only one and a half minutes
in duration, this is an excellent choice for young a
cappella choirs. It belongs in every choral library!
3289840 SATB. . . . . . . . . . . . . . . . . . . . 2.10
10092184 TTBB . . . . . . . . . . . . . . . . . . . . 1.95
n Adoramus Te (Honor, Thanks, and Praise)
G.F. Handel/arr. Becki Slagle Mayo. This skillful
adaptation of Air from Handel's "Water Music Suite"
includes abundant repetition of musical material
and solid vocal scoring. In Latin, with English
subtext. Includes a part for optional oboe.
10590317 Three-Part Mixed . . . . . . . . . . . 2.25
Agnus DeiVictor C. Johnson. This flowing,
melodic setting of the traditional Latin text is
absolutely gorgeous! The marvelous part writing,
luscious harmonies and rich accompaniment are
so gentle and graceful, the work is pure liquid
expression. Highly recommended!
10044094 Two-Part or SA . . . . . . . . . . . . 1.95
10047774 P/A CD . . . . . . . . . . . . . . . . . 26.95
H All Things Bright and BeautifulJohn Rutter.
The delicate melody befitting this familiar text gains
gentle momentum by a continual movement in the
keyboard. A quintessential piece for spring from
renowned composer John Rutter.
1673078 SATB. . . . . . . . . . . . . . . . . . . . 2.30
10648587 SSA. . . . . . . . . . . . . . . . . . . . . 2.30
1484310 Unison/Two-Part . . . . . . . . . . . 2.30
4535720 Instrumental Parts . . . . . . . . . 56.95
10648586 Full Score . . . . . . . . . . . . . . . 24.95
lt Alleluiaarr. Russell Robinson. Inspired
by the Byrd Haec dies, this very accessible
arrangement, using only the word "alleluia,"
provides a nice introduction to counterpoint and
independent singing for a developing choir. Piano
accompaniment reinforces the vocal lines but can
be excluded for an a cappella performance.
10736718 Three-Part Mixed . . . . . . . . . . . 2.10
t AlleluiaWilliam Boyce/arr. Robinson. Every part
has a chance to sing the simple melody in this
flexible arrangement of the classic canon. Singable
a cappella, it includes a piano part that is a real
accompaniment, not just a keyboard reduction,
so your SAB choir can learn the piece with
accompaniment and have the option of performing
it either way. A bright tempo, stunning dynamic
contrasts and plenty of repetition make it easy to
learn and fun to perform!
10086605 SAB. . . . . . . . . . . . . . . . . . . . . 2.25
H Amazing Gracearr. Jack Schrader. Absolutely
inspired! Jack's perspective on this beloved melody
is to use a slow, gospel style. The authentic piano
accompaniment has all the piano licks you could
possibly want, and supports the arrangement just as
well as the marvelous orchestral track. In a creative
twist, the last verse features the instruments on the
melody as the choir acts as "back-up singers" to
the piano. Part of our American heritage, Amazing
Grace is a hymn everyone knows, and this
arrangement adds a richness to the melody that
you simply must hear to appreciate.
3133154 SATB. . . . . . . . . . . . . . . . . . . . 2.20
3133162 P/A CD . . . . . . . . . . . . . . . . . 29.95
8020711 Orchestration . . . . . . . . . . . . . 69.95
H
Amazing Grace/Pachelbel's Canonarr. Jean
Anne Shafferman. Here is a marvelous pairing
of Amazing Grace with the beloved baroque
classic, Pachelbel's Canon! The baroque canon
accompanies as the voices sing Amazing Grace in
4/4. Opening with unison voices, it flows easily to
rich part writing, closing in inventive counterpoint
with the canon bass line, the Amazing Grace
melody, and a soaring soprano descant Alleluia.
Inventive and very creative!
3073350 Two-Part . . . . . . . . . . . . . . . . . 1.85
BEST
SELLERS
Sacred Concert
Two-Part
Buy with confidence! These works, listed in
order of their popularity, are chosen most often
by directors.
Inscription of Hope—Z. Randall Stroope.
1910512 Two-Part. . . . . . . . . . . . . . . . . . .2.10
10006345 P/A CD. . . . . . . . . . . . . . . . . . .26.95
10011541 Instrumental Parts . . . . . . . . . .29.95
10011541E Instrumental Parts ePrint. . . . .29.95
Cantate Domino—Nancy Hill Cobb.
3192275 Two-Part. . . . . . . . . . . . . . . . . . .1.95
For the Beauty of the Earth—John Rutter.
1363399 SA. . . . . . . . . . . . . . . . . . . . . . . .2.30
4534657 Instrumental Parts . . . . . . . . . .56.95
10664870 Full Score. . . . . . . . . . . . . . . . .24.95
All Things Bright and Beautiful—John Rutter.
1484310 Unison/Two-Part . . . . . . . . . . . .2.30
4535720 Instrumental Parts . . . . . . . . . .56.95
10648586 Full Score. . . . . . . . . . . . . . . . .24.95
Ubi Caritas—Victor C. Johnson.
10512922 Two-Part. . . . . . . . . . . . . . . . . . .1.95
10512923 P/A CD. . . . . . . . . . . . . . . . . . .27.95
Antiphonal Kyrie—Susan Thrift.
10086489 Two-Part. . . . . . . . . . . . . . . . . . .1.95
Cantate Canon—Donald Moore.
10006227 Two-Part. . . . . . . . . . . . . . . . . . .1.95
Medieval Gloria—Vijay Singh.
3024577 SA. . . . . . . . . . . . . . . . . . . . . . . .1.75
Antiphonal Sanctus—Cristi Cary Miller.
10503369 Two-Part. . . . . . . . . . . . . . . . . . .1.90
10503370 Teaching P/A CD. . . . . . . . . . .22.99
How Can I Keep from Singing?—
arr. Ginger Littleton.
3251238 Unison . . . . . . . . . . . . . . . . . . . .1.95
A collection of masterworks!
BACH FOR
YOUNG VOICES
J.S. Bach/arr. Geoffrey Edwards.
This collection celebrates the
generational universality of Bach's
music by bringing these time-
honored selections within the
technical reach of younger singers
as a reproducible book in two-part
format. Directors will find the seven
sensitively crafted arrangements,
Alleluia; Come, Walk with Me; Jesu,
Joy of Man's Desiring; Awake, Thou
Wintry Earth; And So Shall I Sing;
Sheep May Graze and Good People
All, Rejoice, are all faithful to the
composer's originals, with carefully
planned vocal lines and supportive
piano parts. With a school-friendly
text provided for each title, this
collection will aid in fostering a lasting
appreciation for Bach's music to
your students and the continued
enrichment it brings to all of our lives.
10736705 Two-Part
Reproducible Book . . 99.95
10736706 P/A CD . . . . . . . . . . . . 35.00
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