4Editors' Choice (Best of 2017 Publications) lNew for 2017 HPepper Basic Library ♦A Cappella Available via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
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Handbell Music
PrayerErik Whitehill. A beautiful musical prayer
that incorporates the famous hymn, Be Still My Soul.
LV use, echoes, and lyrical lines characterize this
lovely and thought-provoking expression of faith.
10618438 3/5 Octave. . . . . . AGEHR-L2 4.95
Prayer for the Innocents (A Prayer for Hope
and Love)Michael Helman. In response to the
tragic shootings in Orlando on June 12, 2016, this
original piece was composed for all who have lost
loved ones due to hate, intolerance, and violence.
Appropriate for worship, festivals, concerts,
or times of remembrance, this lyrical piece
incorporates three key changes and effective use
of handchimes to challenge your ringers and uplift
the spirits of your intended audience. Incorporation
of techniques such as LVs and echos gives a strong
sense of the underlying movement in the harmonic
structure. Highly recommended!
10669470 3/6 Octave. . . . . . AGEHR-L2 5.50
Prelude on Lauda AnimaJohn A. Behnke.
With fanfares and majestic chords, this
arrangement of the tune "Lauda Anima" powerfully
conveys praise and glory. It is versatile and can be
used at a number of times in the church year with
the subtitles "Praise My Soul, the King of Heaven"
or "Alleluia, Song of Gladness." Both ringers and
listeners will love this arrangement.
10669455 3/5 Octave. . . . . AGEHR-L2+ 4.95
ProcessionSondra Tucker. This is a jubilant
original for organ and handbells by Sondra Tucker.
The organ part is idiomatic and a bit of a challenge,
the handbell part is the same. Written for the AGO
Southwest Convention in San Antonio in 2015, this
piece is a great addition to the repertoire and well
worth the effort for performers and congregations/
audiences alike.
10554857 Keyboard/Full Score . . . . . . . . . 6.95
PsalliteDan Edwards. Psallite can be used in
either a sacred or secular setting. Its song-like
qualities and clever harmonies are immediately
engaging to both audience and players alike. A
variety of bell techniques give the piece a playful,
almost humorous quality.
10617786 3/5 Octave. . . . . . AGEHR-L3 4.95
l Quarters on Foundationarr. Robert James
Lamb. Robert James Lamb's creative setting
of this early American melody is sure to delight
listeners. Based around the Westminster
Quarters change ring, which plays in one form
or another throughout most of the piece, the
arrangement moves from simple and prayerful
to grand and triumphant and back. Much of
the melody is scored on a separate staff for six
handchimes, which may be played by a separate
chime choir or soloist, or by a solo C instrument.
A delightful new take on a grand old hymn.
10757916 3/5 Octave. . . . . . AGEHR-L2 4.50
l Quickening SpiritPhoebe T. Yeung. A
dynamic and exciting new original piece by
Hong Kong composer, Phoebe T. Yeung, that
explodes with rhythm and drive. The middle
section provides beautiful contrast with use of
the singing bell technique and handchimes.
When the A section returns and you think it can't
get any more exciting, it pops into a higher gear.
Ringers and audience will love this rousing piece
for a church service or concert.
10756511 3/5 Octave. . . . . AGEHR-L3+ 5.50
RecollectionTimothy H. Waugh. Recollection
is a soothing, lyrical composition with flexible
instrumental options. While the piece may be rung
with just chimes and/or bells, the addition of the
optional instrument(s) adds much to the musical
context. Recollection is excellent for teaching
musicality and expressive musicianship. It will
provide meditative moments in worship, and be
effective in concerts and festivals.
10618599 3/5 Octave. . . . . AGEHR-L2+ 4.50
10618600 Keyboard/Full Score . . . . . . . . 11.95
4 Reflection and RejoicingMichael Helman. This
beautiful original by Michael Helman will challenge
your ensemble technically and musically. A slow
opening section features jazz-inspired harmonies
and a memorable, flowing melody. Handchimes
are masterfully interwoven throughout. The closing
section moves into 6/8 and lilts and dances along
to the final chord. A fun piece suitable for church or
concert use.
10757917 3/5 Octave. . . . . . AGEHR-L4 5.50
Reflections of Peacearr. Jason Krug.
Meditative and reflective, this magnificent piece
weaves together three tunes about peace. Jason
Krug's flowing and expressive arrangement is a
perfect addition for any communion service or time
of prayer.
10618112 3/6 Octave. . . . . AGEHR-L2+ 4.95
Reflections on How Great Thou ArtStuart
K. Hine/arr. H. Dean Wagner. One of the most
influential hymns of the 20th century is given a
powerful treatment in this awe-inspiring setting for
3-5 octave handbells and handchimes. Depicting
the majesty and greatness of God, this hymn
reflection builds from beginning to end using artful
compositional techniques useful for any worship
service on the theme of God and creation.
10669711 3/5 Octave. . . . . . AGEHR-L3 5.50
Rejoice, All Ye Believersarr. Ron Mallory. With
varied stopped techniques and melodic material in
both the treble and bass bells, your ringers will
remain engaged from start to finish. Sundays
concerning the second coming of Christ will be
particularly excellent times to share this piece. Solid
and engaging!
10618113 3/5 Octave. . . . . AGEHR-L2+ 4.95
Ring to the Lord a New Songarr. Cathy
Moklebust. The cheerful melody and spirited pace
of this jubilant original composition will delight
worshipers and concert-goers. The melody moves
between major and minor, bass and treble, then
concludes with a fiery return to the major key and
an energetic, powerful ending.
10618484 2/3 Octave. . . . . . AGEHR-L4 4.95
10618485 4/6 Octave. . . . . . AGEHR-L4 4.95
4 Rock-a My Soularr. Brenda Austin. This jazzy,
upbeat arrangement of the African American
spiritual is an excellent selection for festivals,
concerts, or special worship services. Malleting and
syncopation will keep your ringers on their toes, and
the slower middle section features handchimes on
the melody. Fun!
10756875 3/6 Octave. . . . . . AGEHR-L3 5.50
Sanna, Sannanina (Holy, Most Holy Lord)
arr. Sandra Eithun. Music from South Africa comes
to handbells with this energetic setting with a
fun groove that can be enhanced by optional
handchimes, and congas, shakers, cowbell and
guiro to add an authentic feel. The infectious
rhythms and lively melody will grab the attention
of any audience or congregation. Set for either
2-3 or 3-5 octaves, this piece is accessible and
offers ringers ample opportunity to work on many
articulations, including mallets on suspended
bells in the middle section, plus plenty of stopped
techniques and dynamic contrasts. Optional
percussion parts are included in the full score.
10489529 2/3 Octave opt.
Handchimes . . . AGEHR-L2+ 4.95
10489530 3/5 Octave. . . . . AGEHR-L2+ 4.95
10489531 Percussion includes
Full Score . . . . . . . . . . . . . . . 14.95
A Shepherd's Lovearr. Karen Lakey
Buckwalter. A beautiful handbell arrangement of
the
ST COLUMBA hymn tune with Jesus Loves Me,
this piece features a flowing piano accompaniment.
The piano part is included in the full score. The bell
parts are mostly blocked chords in an accessible
setting that partner with the piano to create a
serene, childlike setting for this beloved text.
10667429 3/5 Octave. . . . . . AGEHR-L2 4.50
10667431 Keyboard/Full Score . . . . . . . . . 5.95
Softly and TenderlyWill L. Thompson/arr. Dan
R. Edwards. This arrangement was specifically
crafted for the three-octave bell choir and offers
a gentle treatment of this hymn tune. With plenty
of techniques to keep your ringers engaged,
such as LVs, swings, echos and gyros, this quiet
piece features each section of your bell choir in a
musically satisfying way.
10669500 3 Octave . . . . . . . AGEHR-L2 4.95
Sometimes I Feel Like a Motherless Child
Patricia Hurlbutt. This masterful arrangement of the
soulful African American spiritual features a slow
bluesy feel with swingin' eighth notes throughout.
Equally appropriate for a concert or worship setting,
this piece begins simply and grows in intensity to a
glorious ending. Handbell techniques are included in
creative way to enhance the setting. The interesting
harmonizations are sure to appeal to your ringers in
this musically satisfying arrangement.
10669475 3/5 Octave. . . . . AGEHR-L3+ 4.95
Songs of Loudest Praisearr. Derek K. Hakes.
This uplifting arrangement melds together two
melodies associated with the text Come Thou
Fount of Every Blessing.
WARRENTON makes
use of martellato and malleted accompaniment
patterns and is surrounded by a lyrical treatment of
NETTLETON. Well crafted and artistically successful!
10618115 3/7 Octave. . . . . . AGEHR-L4 5.50
Spirit of God, Descend Upon My HeartSandra
Eithun. A beautiful melodic motif in the introductory
and interlude sections sets off a beautiful
arrangement of the well-known
MORECAMBE hymn
tune. Handchimes are featured in the middle
section creating a plaintive harmonization and
texture. This piece, perfect for use throughout the
church year, gives your bell choir a chance to work
on musicality with flowing, beautiful phrases.
10669476 3/5 Octave. . . . . AGEHR-L2+ 4.95
Standing on the Promisesarr. Sandra Eithun.
This light, spirited presentation of the beloved gospel
song is great for incorporating extended techniques
into a group's repertoire. Without bell changes,
ringers can focus on their malleted or thumb-damp
technique in the opening and closing statements,
as well as their legato ringing in the middle section.
This fun and bouncy arrangement will have the
congregation tapping their toes right along!
10490131 2/3 Octave. . . . . . AGEHR-L2 4.95
Swing Lowarr. Jason W. Krug. Swing Low is a
lively combination of Swing Low, Sweet Chariot and
Nobody Knows the Trouble I've Seen. Full of catchy,
syncopated rhythms and jazzy harmonies, this
rhythmic romp will delight audiences and challenge
ringers. For an even more festive version, add the
optional tambourine and hand drum.
10618596 3/6 Octave. . . . . AGEHR-L3+ 4.95
Take My Lifearr. Ron Mallory. This setting
of the hymn tune
HERNDON is very well crafted
and musically interesting. The lower bells carry
the melody at times, and a key change helps to
heighten the mood. Good for when your church is
focusing in on commitment.
10557333 2/3 Octave. . . . . . AGEHR-L2 4.99
Taste and SeeJames E. Moore/arr. Sandra
Eithun. This arrangement of James Moore's
venerable hymn is perfect for communion or for a
baptism. The use of suspended mallets and optional
handchimes evokes a warm and inviting sound to the
listener. This is an excellent arrangement to introduce
this tune to your congregation and is included in the
new Presbyterian Hymnal Glory to God.
10634142 3/6 Octave. . . . . . AGEHR-L3 4.95
4 Come, You Thankful People, Come—
arr. Hart Morris.
This is a spirited setting of
the familiar hymn tune
ST. GEORGE'S WINDSOR,
calling for mart, mart-lift, ring-touch, and shake
techniques as well as extensive use of mallets.
The straightforward first stanza is in the usual and expected 4/4 meter,
interspersed with an occasional 2/4 measure along the way. The second stanza
moves into 3/4, with a recurring cross-accent pattern producing the effect of
playing in 6/8. After modulating from F to E-flat, the third and final stanza returns
to the original meter, bringing the piece to a decisive and joyful conclusion!
10757880 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AGEHR-L3+ 5.50
4
For the Beauty of the Earth—arr. Kevin McChesney. Kevin McChesney
took this traditional Thanksgiving tune and transformed it into an outstanding,
expressive piece with LV and stopped passages as well as an energetic
statement of the full tune. The flowing coda mirrors the introduction, bringing the
arrangement to a peaceful close.
10756862 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AGEHR-L2 5.50
l
Now Thank We All Our God (with Sing to the Lord of Harvest)—
arr. Derek K. Hakes.
Using mallets to create an energetic mood, this setting
is designed to reflect the celebratory atmosphere of the Thanksgiving season.
While mallets are the dominating technique, exercise care to avoid creating a
heavy feeling but rather an upbeat, cheerful character. Practical, well crafted
and interesting.
10750844 3/5 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AGEHR-L2 4.95
4
Praise and Thanksgiving—arr. Dan R. Edwards. These three outstanding
hymn-tune arrangements, each supporting the theme of praise and thanksgiving,
are suitable for fall festivals and worship services throughout the church year. Not
only is this set a great value, the individual craftsmanship is excellent. Titles include:
Praise to the Lord; Rejoice, the Lord Is King and Now Thank We All Our God.
10756870 2/3 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AGEHR-L2 6.75
n
A Song of Thanksgiving—arr. Michael Helman. Now Thank We All Our
God and Let All Things Now Living come together in this enjoyable Thanksgiving
setting. The inclusion of mallets, LV, martellato, and shakes will keep your ringers
busy, yet the arrangement only needs minimal rehearsal. A special selection for a
special time of year.
10455007 2/3 Octave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AGEHR-L2 4.95
We Gather Together—arr. Joel Raney. Set in a gentle jazz waltz, Joel
Raney "swings the eighth notes" in a delightful setting on this great hymn of
Thanksgiving for 3-5 octave handbells and handchimes. A moving bass line
is created by use of mallets. Combined with various bell techniques, this work
creates a charming and satisfying presentation.
10360830 3/5 Octave with opt. 3/5 Octave Handchimes . . . . AGEHR-L3 4.95
THANKSGIVING
MUSIC for BELLS
