J.W. Pepper Music Catalog
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65 Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: satisfaction@jwpepper.com jazz ensemble Go to cart Latin medium EncantadoraBret Zvacek. Emulating the music of Antonio Carlos Jobim and Eliane Elias, this light and breezy samba is an ideal change-of-pace choice for any performance. With a title meaning "lovely" in Portuguese, it features a duet of alto sax and trombone with the melody at the top, solid ensemble writing, a strong rhythmic groove and an open solo section with solo sheets included, making it a perfect teaching and performance vehicle. Additional features include a brief trombone soli, the ensemble trading with the drummer, and an effective build to a quiet ending. Nice chart! 10513205 Jazz Ensemble . . . . . . . . . . 52.00 H Feels So GoodChuck Mangione/arr. Victor Lopez. Only rarely does a jazz tune cross over to the pop charts the way this Chuck Mangione classic did back in the seventies! Flugelhorn solo on the 1st trumpet part is featured throughout with the distinctive melody and then with a written or ad lib solo along with a tenor solo. The flugelhorn solo range is up to an optional written high C, but the solo is cued on the 1st tenor part as well. Victor's arrangement brings this contemporary gem within the range of the developing trumpet player without losing any of the hip appeal of the original. Here's a perennially appealing, samba/rock chart that will provide outstanding performance opportunities for your band and soloist! Highly recommended! 2480787 Jazz Ensemble . . . . . . . . . . 52.00 n I Wanna Be Like YouSherman & Sherman/ arr. John Wasson. What happens when one of the hottest swing bands in the land cuts loose on a Disney classic? Cranked up excitement! Big Bad Voodoo Daddy takes a mambo spin on I Wan'na Be Like You from "The Jungle Book," and with lots of tutti writing, your band will get a real powerhouse sound! 2433704 Jazz Ensemble . . . . . . . . . . 50.00 4 It Don't Mean a Thing (If It Ain't Got That Swing)Duke Ellington/arr. Ralph Ford. You may think this very clever chart is all swing, but it begins as Latin then alternates with a swing feel. The tempo is bright at around 190-200 bpm with suggested solos for trumpet and tenor sax, a few piano montunos, and a big shout chorus leading to a huge ending closing this fine chart appropriately. Additional wind parts and a vibes part are included for optional expanded instrumentations. Highly recommended! 10756380 Jazz Ensemble . . . . . . . . . . 48.00 Just FriendsJohn Klenner/arr. Scott Ragsdale. The jazz classic Just Friends is set here as a trombone section feature with a samba groove. This superb chart with a lyrical melody also features written or ad lib solo space for trombones 1 and 2, excellent and accessible trombone solis, and a lead trumpet range to written A above the staff. Give the 'bones some of the spotlight with this exceptional arrangement! 10311435 Jazz Ensemble . . . . . . . . . . 52.00 4 Let's Get LoudEstefan & Santander/arr. Rich Woolworth. As written by Gloria Estefan and Kiki Santander, this Latin pop tune was a huge hit for Jennifer Lopez. Here, in the hands of Rich Woolworth, it translates into an extremely awesome jazz band chart. With tons of Latin flair in the rhythm section and tasty horn licks, this one will be lots of fun to play and perform before your adoring audiences! 10752081 Jazz Ensemble . . . . . . . . . . 65.00 4 Mambo Over the MountainRick Hirsch. This catchy mambo is built almost entirely on the rhythmic figure clapped in the first two bars. Its authentic mambo flavor is a blast to play. After two bars of hand claps, it's winds only, then the rhythm section is layered in. Nice combinations of instrumental textures keep things interesting throughout. The solos can be opened up for as many players as desired, there are optional parts included for expanded instrumentations, and don't miss the highly effective drum/percussion-only interlude near the end! This is a great chart with a lot of substance. 10734986 Jazz Ensemble . . . . . . . . . . 60.00 n MantecaDizzy Gillespie/arr. Mike Tomaro. Dizzy Gillespie was a master of combining Latin influences with the jazz idiom. This medium tempo arrangement of one of his best-known compositions really sizzles for jazz ensemble. 2384543 Jazz Ensemble . . . . . . . . . . 55.00 4 Mi Mentor, Mi AmigoErik Sherburne. Erik Sherburne's exciting samba chart is very playable and very melodic. A unique and highly effective a cappella introduction leads to themes that allow the chart to settle into a distinct groove before the solos. A powerful interlude leads to a strong ensemble section before returning to melodies from the opening section. Sure to become a favorite, this chart is highly recommended! 10757087 Jazz Ensemble . . . . . . . . . . 52.00 4 Midnight BuffetAndrew Neu. Inspired by the music of Brazil, this chart is an upbeat, catchy, medium-tempo samba that's impossible to get out of your head. Written or improvised solos for tenor saxophone and trumpet lead into a vamp and drum solo. Great for change-of-pace programming! 10682769 Jazz Ensemble . . . . . . . . . . 52.00 n NaimaJohn Coltrane/arr. Craig Skeffington. One of Coltrane's favorites and played by jazz musicians everywhere, this sweet bossa chart is magical. It opens with alto 1 on the written melody, then the sax section, followed by the brass taking the bridge. Features include a very nice, written tenor solo and lead trumpet range to written B-flat above the staff. Perfect for any jazz performance, you'll be delighted with Naima! Highly recommended! Optional expanded instrumentation. 10093179 Jazz Ensemble . . . . . . . . . . 52.00 A Night in Tunisia (Little Big Band)Gillespie & Paparelli/arr. Michael Mossman. Michael Mossman takes Dizzy Gillespie's signature tune into new territory, with a touch of mambo in this distinctive arrangement for little big band. A perfect way to showcase a trumpet soloist, the full ensemble also plays an important role in this sophisticated and dynamic arrangement for six horns and rhythm section. Instrumentation: 3 Saxes; 2 Trumpets; 1 Trombone plus Rhythm Section. For flexibility, optional parts are included for Alto and Tenor Saxes and Trombone. 10317258 Jazz Ensemble . . . . . . . . . . 45.00 Night of the MojitoAndrew Neu. Reminiscent of the music of Quincy Jones and Henry Mancini in the 1960s, this catchy boogaloo for advancing groups is a fun-loving fusion of Brazilian, Afro/ Cuban and American funk influences. The easy solo changes are based on a minor blues with an 8-bar bridge; while tenor sax and trumpet are the designated soloists, chords are also cued for alto sax and trombone. 10452995 Jazz Ensemble . . . . . . . . . . 52.00 OclupacaDuke Ellington/arr. Michael Mossman. Michael Mossman uses a moderately fast Afro/ Cuban style to craft this setting of a lesser-known Duke Ellington work. This striking and fresh sounding chart features tight harmonies and a driving rhythmic groove along with solo space for trombone, trumpet and any saxophone. Suggested solos and chord/scale sheets in all keys are included. The unexpected shift in feel for the shout chorus after the solos will knock your socks off! 10343794 Jazz Ensemble . . . . . . . . . . 55.00 l On Green Dolphin Street (Little Big Band)arr. Mike Tomaro. This American popular tune is a "must know" in the standard jazz repertoire. Set here in a smooth samba groove, Mike Tomaro takes full advantage of the six horn format. The solo space is flexible for any player. Instrumentation: ATB Saxes; 2 Trumpets; 1 Trombone and rhythm section with optional parts included for Alto Sax, Tenor Sax and Trombone. 10775164 Jazz Ensemble . . . . . . . . . . 45.00 l One Day SoonLachlan Davidson. One Day Soon has a unique harmonic flavor which supports an intensely descriptive form and an almost pop melody and groove. There are many styles included in this chart - a chorale-like opening, followed by a small group texture, and additional layering of instruments in a quasi-Latin setting. Soprano saxophone has the lead with alto saxophone 2 optionally doubling on soprano. Here is a wonderfully unique change-of-pace offering! 10748152 Jazz Ensemble . . . . . . . . . . 57.00 OverjoyedStevie Wonder/arr. Mark Taylor. This wonderful and classic ballad recorded by Stevie Wonder is set here as a solo feature for tenor saxophone. Beautifully accompanied by piano only in the beginning, a mellow accompaniment follows with flugelhorns and trombones in bucket mutes as a medium tempo bossa nova style settles in. 10617882 Jazz Ensemble . . . . . . . . . . 55.00 H PerdidoJuan Tizol/arr. Victor Lopez. Mambo! Arranger Victor Lopez has masterfully intertwined a mambo and a swing feel in this great Juan Tizol jazz classic. Featuring a fully notated tenor sax solo, lead trumpet range to written A, a brief sax soli and lots of excitement throughout, this chart is pure fun to hear and play! Don't be "lost", play Perdido! Optional expanded instrumentation. 10093181 Jazz Ensemble . . . . . . . . . . 52.00 n Quiero Mas (I Want More)Mike Carubia. Not just another Latin chart, Quiero Mas has a relaxed feel, but stays exciting at all times! A Latin/funk style, memorable melodies, and pent-up energy all add up to an inventive chart that fits in anytime tasteful repertoire is appropriate. The optional open solo section has suggested solos and chord changes written in the tenor 1 and trumpet 2 parts. Additionally, there are drum fills along with creative band hits near the end. An optional flute part is included. Highly recommended! 10607106 Jazz Ensemble . . . . . . . . . . 48.00 Sabor de Cuba (Taste of Cuba)Victor Lopez. Looking for a hot Latin chart? This Victor Lopez original is very hot indeed. It's an Afro-Cuban show- stopper that's jam-packed with lines that bounce section to section, then a suggested tenor sax solo with backgrounds. The lead trumpet range is to written A above the staff with an optional high D. There are two auxiliary percussion parts included that really make this chart come alive, plus optional flute and vibraphone parts. You'll want to play this highly recommended chart! 10593777 Jazz Ensemble . . . . . . . . . . 52.00 n Salsa NightsPete McGuinness. "Pure excitement" is the best way to describe this terrific Latin chart in a fast mambo style! All parts are orchestrated with an authentic Latin-based big-band sound, and written solos are supplied for trumpet, alto sax and trombone with cued backgrounds. Want to turn up the heat? Pass out the auxiliary percussion instruments and open up the percussion interlude near the end! Outstanding in every respect! 10518315 Jazz Ensemble . . . . . . . . . . 48.00 n Salta! (Jump!)Scott Stanton. Exuding a joyful party atmosphere, this fun original includes steel drum and/or vibes adding that special flavor to this cut-time salsa chart. Featured are lots of unison horn lines and mostly block rhythmic scoring making this very attainable for younger players. The guitar part includes parts for both rhythm and/or lead guitar with chord/shape performance suggestions. Playable with optional limited instrumentation, Salta! is kid tested and kid approved! 10607086 Jazz Ensemble . . . . . . . . . . 48.00 l Samba NovaDan Torosian/arr.Paul Baker. Samba Nova has a breezy samba melody suited for a beach in Rio while melodic counterpoint plays in the sand. Following a funky half-time interlude the trumpet takes the first solo, followed by tenor sax, piano, or guitar. Both solos can be played using only a concert B-flat major scale. Following the solos, the drums, or optional congas, trade phrases with the ensemble before moving on to a sax soli and shout section. The trumpet range is to written B natural. 10754130 Jazz Ensemble . . . . . . . . . . 50.00 H SpainChick Corea/arr. Paul Jennings. Paul Jennings' masterful arrangement from 1982 has stood the test of time and sounds as fresh today as it did when it was written. The authentic sounds of Chick Corea's classic are faithfully captured and this new edition which is notated in cut-time, rather than 4/4, makes it much easier to read. A real gem for every jazz ensemble! 2101111 Jazz Ensemble . . . . . . . . . . 50.00 Pepper Live Connect. Learn. 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