J.W. Pepper Music Catalog
Issue link: http://read.jwpepper.com/i/858811
63 Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: satisfaction@jwpepper.com jazz ensemble Go to cart Latin medium-easy / medium n Song for My FatherHorace Silver/arr. Mark Taylor. A classic composition by Horace Silver, this tune is written in a moderate Latin style. Opening with a 4 horn combo (alto, tenor, trumpet, trombone), it features some very nice ensemble writing. 2384295 Jazz Ensemble . . . . . . . . . . 45.00 n St. ThomasSonny Rollins/arr. Mark Taylor. One of the all-time best known Latin/jazz classics is this lively tune by Sonny Rollins! Mark Taylor has done a great job of making it playable by younger groups while maintaining the style of the original. Small group playing is alternated with the full band and a flexible solo section allows any number of soloists. 2423630 Jazz Ensemble . . . . . . . . . . 45.00 St. Thomas (Little Big Band)Sonny Rollins/ arr. Mark Taylor. Plenty of solid tutti ensemble scoring is featured in this arrangement for small group of Sonny Rollins' familiar Latin standard. The solo section can be opened up for any player and a tasty unison ensemble chorus follows. Suggested solos and scale/chord sheets are included. Highly recommended! Instrumentation: 3 saxes, 2 trumpets, 1 trombone plus rhythm section. Optional additional parts are included for alto, tenor & trombone. 10098775 Jazz Ensemble . . . . . . . . . . 45.00 l Too Little, Too LatteCharles Booker. This moderate Latin/funk chart will be a real crowd pleaser with its accessible tempo and ensemble highlights along with a written solo for trumpet. Optional parts for expanded instrumentations include flute, clarinet, horn in f and tuba. 10757158 Jazz Ensemble . . . . . . . . . . 60.00 l What a Wonderful World (Little Big Band) arr. Michael Philip Mossman. Famously recorded by Louis Armstrong, this chart is set in a moderate cha-cha style for a creative version of a classic melody. Even in this flexible instrumentation, little big band format there is an amazing variety of textures, harmonies and dynamics. The solo space is flexible and can be used to feature a number of different soloists. 10667356 Jazz Ensemble . . . . . . . . . . 45.00 Latin Medium H Afro BlueMongo Santamaria/arr. Michael Mossman. Made famous by John Coltrane, but treated here in a more traditional Afro-Latin style, this is something a little different for jazz ensemble. As with all Mossman charts, the rhythm section is meticulously notated to ensure the correct style. The 3/4 pattern throughout draws heavily on African influences and the melody is masterfully passed from section to section. A single pentatonic scale works for the solo section, making this a wonderful vehicle for involving many soloists. 2478928 Jazz Ensemble . . . . . . . . . . 50.00 Afro Blue (Little Big Band)Mongo Santamaria/ arr. Michael Mossman. Even though this is scored by Michael Philip Mossman for just six horns in the Little Big Band Series, the writing is sophisticated and full sounding. Written in 3/4, but featuring an Afro-Cuban 6/8 groove, this marvelous chart includes solos for tenor or trumpet. Instrumentation: 3 saxes, 2 trumpets, 1 trombone, rhythm section with optional additional parts for alto sax, tenor sax and trombone. 10074146 Jazz Ensemble . . . . . . . . . . 45.00 l After You've Gonearr. Chris Sharp. A relic of the gaslight era, this classic tune by Turner Layton receives a fresh new treatment as a spright samba. After the trumpet and saxophone melody statement, the full wind section is featured in a stop-time section. There are solos for the lead alto and trumpet 2 with chord changes provided along with optional written solos for each. The chart wraps up in a burlesque style with a bawdy half-time swing section to bring it home. Nice change-of-pace programming for any performance occasion! 10757518 Jazz Ensemble . . . . . . . . . . 55.00 Besame MuchoConsuelo Velazquez/arr. Mike Tomaro. Featuring a contemporary-sounding groove utilizing even eighth notes, this familiar standard is given a unique treatment in the skilled hands of Mike Tomaro. A trio of tenor sax, trombone and guitar take the lead before yielding to the entire ensemble. The overall style is laid back but with an underlying rhythmic pulse and energy, with plenty of variety in scoring and dynamics. Highly recommended! 10374144 Jazz Ensemble . . . . . . . . . . 50.00 n Birk's WorksDizzy Gillespie/arr. Mike Tomaro. In this classic minor blues tune from Dizzy Gillespie, Mike Tomaro starts this version as a funky mambo, but then shifts the style to swing and back again to the mambo feel. This well-paced arrangement features a great feel plus solos for trumpet and tenor. There is tons of variety in this excellent chart that will show off your band's ability to play and change from style to style! 2481646 Jazz Ensemble . . . . . . . . . . 60.00 n Blue BossaKenny Dorham/arr. Mark Taylor. One of the essential Latin jazz classics, this catchy tune moves and grooves in Mark Taylor's spicy arrangement. It really makes the most of the Latin rhythmic feel, with exciting solo space and well- articulated ensemble backups. Very cool... and hot! 2475702 Jazz Ensemble . . . . . . . . . . 50.00 n Blue Bossa (Little Big Band)Kenny Dorham/ arr. Mark Taylor. Sounding full and richly varied, here is a great six-horn chart on the timeless Kenny Dorham jazz standard. The melody is first stated by a trio of trumpet, tenor and guitar followed by the full ensemble, then solo sections for trumpet and tenor. Scored for 6 horns (3 saxes, 2 trumpets 1 trombone) plus rhythm section with optional parts included for alto sax, tenor sax and trombone. Highly recommended! 10374158 Jazz Ensemble . . . . . . . . . . 45.00 Blue Skies (Little Big Band)Irving Berlin/arr. Mark Taylor. Here's a creative and unique version of this familiar Irving Berlin standard that alternates between samba and swing styles. Featuring intricate and effective six horn scoring with solos for tenor sax and/or guitar, this is a terrific full-blown production for little big band. Scored for 6 horns (3 saxes, 2 trumpets, 1 trombone) plus rhythm section with optional parts included for alto sax, tenor sax and trombone. 10374154 Jazz Ensemble . . . . . . . . . . 45.00 4 Brother RayMichael Philip Mossman. Composed for Latin jazz master Ray Baretto, this appealing cha-cha is based around a moderate groove and a very melodic theme. The variety in scoring is beautifully blended between showcasing individual sections interspersed with the power of the full ensemble. Included is a highly effective percussion only interlude that can feature your conga player. Solo space is provided for alto sax followed by trumpet or trombone. Suggested solos, chord/scale sheets in all keys, and fully notated bass lines and piano voicings are included. Here is your ideal change-of-pace chart! 10667334 Jazz Ensemble . . . . . . . . . . 55.00 n C-Jam Blues (a la Mambo!)Duke Ellington/ arr. Michael Mossman. Here is an excitedly different take on this Ellington swing classic done in a mambo style! Including a slightly twisted melody to fit the style, Latin master Michael Philip Mossman cleverly adds counterlines, a montuno section, solos for alto or trumpet, and a vamp that starts soft and then gains momentum. We think even the Duke would have liked this distinctive chart! 10016125 Jazz Ensemble . . . . . . . . . . 50.00 n Camisa NegraDan Torosian. Camisa Negra simmers with attitude! Beginning with a funky bass riff, this Latin/soul groove chart features the alto sax with a saucy melody and solo choruses. A trombone solo comes next and leads into an eight- bar drum/percussion break, ideal for featuring additional percussion if desired. The ensemble then begins building layer by layer as the intensity rises to the final punch chords. The trumpet range is to written high B-flat. Unique, cool and fun! 10518338 Jazz Ensemble . . . . . . . . . . 50.00 Chili Today, Hot TamaleRick Hirsch. A great title and great chart! Chili Today, Hot Tamale is set in a samba groove in cut-time at around 90 bpm. It's accessible for a solid easy to medium grade level, there are written solos for trombone 1 and tenor sax 1, optional parts for expanded instrumentations, and a trumpet 1 range going to written A above the staff with optional lower notes. This chart is fun to play and loaded with energy! 10452086 Jazz Ensemble . . . . . . . . . . 48.00 H Coconut ChampagneDenis DiBlasio/arr. Victor Lopez. Victor Lopez' arrangement of this great tune by Denis DiBlasio is a more accessible version than the original. At a medium grade level with an upbeat samba groove, everybody gets some action with the classic Maynard Ferguson trumpet solo harmonized for the trumpet section in a playable range. There is a sax section soli that can also be a solo for bari sax or any saxophone. An optional percussion part will complete the package. You'll dig this chart...it soars, it excites! 10277765 Jazz Ensemble . . . . . . . . . . 52.00 Emergency Stopping OnlyCraig Skeffington. A fiery Latin Afro/Cuban songo with a unison sax melody sets up the high energy level for this chart. The suggested or improvised solos are for trumpet 2, trombone 1 and drums, and the lead trumpet range is to written B-flat above the staff with an optional D. The baritone sax and bass trombone players both get a lot of action in the interlude. The title really hits home, because this one does not stop! Highly recommended! Optional expanded instrumentation. 10093173 Jazz Ensemble . . . . . . . . . . 52.00 BEST SELLERS Latin Selections Medium to Advanced Buy with confidence! These works, listed in order of their popularity, are chosen most often by directors. Sabor de Cuba (Taste of Cuba)—Victor Lopez. 10593777 Jazz Ensemble . . . . . . . . .M 52.00 El Abrazo—Alan Baylock. 10593791 Jazz Ensemble . . . . . . . MA 60.00 Spain—Chick Corea/arr. Paul Jennings. 2101111 Jazz Ensemble . . . . . . . . .M 50.00 Afro Blue— Mongo Santamaria/arr. Michael Mossman. 2478928 Jazz Ensemble . . . . . . . . .M 50.00 Feels So Good— Chuck Mangione/arr. Victor Lopez. 2480787 Jazz Ensemble . . . . . . . . .M 52.00 Gibraltar—Freddie Hubbard/arr. Mike Kamuf. 10593775 Jazz Ensemble . . . . . . . MA 52.00 Coconut Champagne— Denis DiBlasio/arr. Victor Lopez. 10277765 Jazz Ensemble . . . . . . . . .M 52.00 Chili Today, Hot Tamale—Rick Hirsch. 10452086 Jazz Ensemble . . . . . . . . .M 48.00 Caravan—Duke Ellington/arr. John Wasson. 2402725 Jazz Ensemble . . . . . . . MA 60.00 The Cannonball Run—Gordon Goodwin. 10513952 Jazz Ensemble . . . . . . . . . A 72.00 Teach jazz standards! APPROACHING THE STANDARDS - Volume 1 Willie Hill. Every jazz director will want to have this innovative, user-friendly approach to jazz improvisation! Designed for individual or group instruction, each volume contains a play-along CD with eight classic jazz tunes. Each tune is played by a professional jazz group and contains clearly written musical examples, jazz vocabulary, transcription opportunities, informative composer insights and a discography. It's a real step forward in teaching jazz improvisation! Volume one includes: Billie's Bounce; On The Trail; Cantaloupe Island; The Preacher; Summertime; Satin Doll; C Jam Blues and I Got Rhythm. 2434462 C Instruments Book/CD . . . . . . . . . . 16.95 2434488 Eb Instruments Book/CD . . . . . . . . . . 16.95 2434470 Bb Instruments Book/CD . . . . . . . . . . 19.95 2434496 Bass Clef Book/CD . . 16.95 2453892 Conductor Book/CD Score & Rhythm Section . . . 19.95 High-definition video! Q8 HANDY VIDEO RECORDER The Q8 marries high-definition video with high-resolution audio, making it the perfect camera for music and video creators everywhere. Its 160 degree wide angle lens and digital zoom ensure that you'll always capture the complete picture. Combine that with Zoom's groundbreaking interchangeable mic capsule system and two XLR/TRS combo inputs for a world of options. 10524066 Handheld Video Recorder . . . . 349.99