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He Dance of the Reed Flutes—P.I. Tchaikovsky/
arr. Carrie Lane Gruselle. Taken from Act II of
Tchaikovsky's timeless "Nutcracker" ballet,
Carrie Lane Gruselle's arrangement of Dance of
the Reed Flutes is a sugar-sprinkled "plum" for
string orchestras. It's a lively way to incorporate a
traditional Christmas favorite into secular holiday
concerts for upper-elementary/middle school
performers.
10091971 String Orchestra . . . . . . . . . . . . 50.00
10091972 Additional Score. . . . . . . . . . . . . 5.00
e Danse Bacchanale (from "Samson and
Delilah")—Camille Saint-Saens/arr. Hoffman.
One of opera's most famous scenes is now
available in this skilled adaption for strings,
with the powerful tribal dance scene from
"Samson and Delilah." After opening with an
evocative violin solo, the tension-filled movement
accelerates to a brilliant finish, depicting the
drama surrounding Samson's destruction of the
temple and his enemies.
10343646 String Orchestra, Perc. Req. . . 50.00
He Entrance of the Queen of Sheba—G.F.
Handel/arr. H.B. Fisher. A sure winner with your
violin section, this festive processional by Handel
will sound "royal" with your group. On the easy
side of this level. Recorded by Michigan State
University Orchestra on the CD Teaching Music
Through Performance in Orchestra, Volume 1 -
Pepper #5973728.
2301349 String Orchestra . . . . . . . . . . . . 62.00
e Finale from "The Firebird"—Igor Stravinsky/
arr. Michael Story. One of the most important
works of the 20th century, the iconic Finale is now
accessible to young players with this effective
arrangement. All meter changes have been
"squared off," while still maintaining the spirit and
integrity of the original work.
10594746 String Orchestra . . . . . . . . . . . . 46.00
10594790 Additional Score. . . . . . . . . . . . . 6.00
4e Fingal's Rock—Felix Mendelssohn/arr. Kathryn
Griesinger. In this modern twist on Mendelssohn's
epic Hebrides Overture, low strings get to dig into
energetic accented bass lines as two prominent
themes weave through the orchestra. This
arrangement is very playable in first position with
a few simple accidentals. Every section of the
orchestra is featured using the same melodic
echoes that inspired Mendelssohn almost two
centuries ago. Includes optional drum set.
10696530 String Orchestra . . . . . . . . . . . . 47.00
10696531 Additional Score. . . . . . . . . . . . . 6.00
H In the Hall of the Mountain King—Edvard Grieg/
arr. Monday. The ever-popular Grieg classic
is a natural in this carefully edited version for
string orchestra! Keeping as true to the original
as possible, Deborah Monday's arrangement is
exceptionally dramatic and lets your musicians
bring this Norwegian legend to life! A perennial
audience pleaser!
2444057 String Orchestra . . . . . . . . . . . . 45.00
2476121 Additional Score. . . . . . . . . . . . . 6.95
He Inverno (Scenes from Vivaldi's "Winter")—
Antonio Vivaldi/arr. Todd Parrish. This work
uniquely transforms the beauty of the second
movement of Vivaldi's famous "Winter" Con-
certo and weaves it into the excitement of the
first movement. The perfect selection for your
winter concert!
10444015 String Orchestra . . . . . . . . . . . . 50.00
10444016 Additional Score. . . . . . . . . . . . 10.00
Overture to Lucio Silla—W. A. Mozart/arr.
Sandra Dackow. Written during Mozart's teenage
years, this is a bold and robust overture. It is a
worthy addition to advancing string repertoires.
2191666 String Orchestra . . . . . . . . . . . . 45.00
6044960 Additional Score. . . . . . . . . . . . 10.50
e Palladio—Karl Jenkins/arr. Longfield. This great
arrangement of the famous diamond commercial
includes just the first movement of Karl Jenkins'
original suite. Skilled scoring for developing
groups puts this memorable theme well within the
reach of most groups. It's rhythmic, dramatic, and
its neo-Baroque style is perfect for young string
orchestras.
2481835 String Orchestra . . . . . . . . . . . . 40.00
10008084 Additional Score. . . . . . . . . . . . . 5.00
e Russian Dance from "The Nutcracker"—P.I.
Tchaikovsky/arr. Michael Story. Make your holiday
concert sparkle with this great arrangement
of Tchaikovsky's popular classic from "The
Nutcracker!" Though a solid Grade 1, this setting
of Russian Dance, or Trepak, maintains all of the
spirit and integrity of the original.
10594749 String Orchestra . . . . . . . . . . . . 46.00
10594793 Additional Score. . . . . . . . . . . . . 6.00
4e Sleigh Ride—Leopold Mozart/arr. Jan Farrar-
Royce. Although the structure, the notes, and
the dynamics are written by Leopold Mozart, the
arranger takes the liberty of distributing the main
themes of Sleigh Ride among the sections of the
ensemble so that every player can enjoy being
the horses who are trotting along, the rising and
falling winter winds, and the passengers enjoying
their ride.
10739951 String Orchestra . . . . . . . . . . . . 49.00
10739952 Additional Score. . . . . . . . . . . . . 9.00
The Sorcerer's Apprentice—Paul Dukas/arr.
Balent. Here it is! The only selection to be
featured in the original "Fantasia" film and
sixty years later in "Fantasia 2000!" Now it is
arranged in a version your students can play.
Playable by string orchestra or full orchestra, this
arrangement avoids much of the introductory
material to get right into the most familiar parts.
An orchestra classic!
2472121 String or Full Orchestra . . . . . . 65.00
m e d i u m
He The Abduction from the Seraglio (Over-
ture)—W.A. Mozart/arr. Hoffman. From the
comic opera filled with pirates, Turkish princes,
kidnapping and daring rescues, Mozart's The
Abduction from the Seraglio is the piece of music
that generated the (possibly fictional) "too many
notes" story. It is written in the Turkish "janissary"
style, a style of music that fascinated Europe at
the time. In this arrangement, the right hand of the
piano is frequently written 8va to help re-create
the piccolo that figured prominently in the original.
10185412 String Orchestra . . . . . . . . . . . . 45.00
10185413 Additional Score. . . . . . . . . . . . . 5.00
e Allegro—G.P. Telemann/arr. Robert Sieving.
Wonderful for teaching Baroque style and bowing
concepts, this piece features limited third position
for the violins, cellos, and basses. Violas share in
the thematic materials with string basses mostly
sharing the basso continuo line with cellos.
10594921 String Orchestra . . . . . . . . . . . . 49.00
10594922 Additional Score. . . . . . . . . . . . . 9.00
4e
Allegro from "Jupiter"—W.A. Mozart/arr. John
Caponegro. Containing selected themes from the
first movement of Symphony No. 41, this Grade
4 arrangement of Mozart's last symphony clearly
shows his brilliance. Mozart's adventurous approach
to the material paves the way for Beethoven and
other symphonic composers to follow.
10752480 String Orchestra . . . . . . . . . . . . 52.00
10752481 Additional Score. . . . . . . . . . . . . 6.00
4e Allegro from "Serenade No. 1 in D"—W.A.
Mozart/arr. Robert D. McCashin. This delightful
Serenade in D was completed in 1769, when
Mozart was a mere 13 years of age (an ideal fact to
share with young students)! The first movement,
even though composed at such a young age,
provides challenges for every musician in the
ensemble and is musically appealing to players
and audience.
10752880 String Orchestra . . . . . . . . . . . . 60.00
10752881 Additional Score. . . . . . . . . . . . . 5.00
4e Allegro from "Symphony No. 17"—W.A. Mozart/
arr. Steven J. Campbell. Mozart's Symphony
No. 17 was composed in 1772 when he was
just 16 years old. Originally for oboes, horns and
strings, this string orchestra arrangement of the
first movement has maintained the composition's
original spirit while making it more approachable
for students. It's a wonderful piece for teachers
who are working on Classical style and technique.
10696522 String Orchestra . . . . . . . . . . . . 52.00
10696523 Additional Score. . . . . . . . . . . . . 7.00
4e Allegro Moderato from "Symphony No. 3"—
Camille Saint-Saens/arr. Deborah Baker Monday.
This movement of the famous "Organ Symphony"
includes two of the most memorable themes
ever penned by Saint-Saens. This arrangement
includes the highly energetic string theme and
the beautiful fugue based on his four-note theme
which cycles throughout the entire symphony.
The two contrasting sections of this arrangement
offer two extremes of bowing style: one requiring
heavy strokes at the frog and the other using
legato, expressive, full bowing.
10752882 String Orchestra . . . . . . . . . . . . 55.00
10752883 Additional Score. . . . . . . . . . . . . 5.00
Allegro Spiritoso—W.A. Mozart/arr. Marcia
Stockton & J. Cameron Law. Mozart's effer-
vescent brilliance and perfection of the Classical
form are evident in this movement, written in 1775
for wind sextet. The included bowings and finger-
ings help make this wind piece a natural for strings!
10609908 String Orchestra . . . . . . . . . . . . 50.00
10609909 Additional Score. . . . . . . . . . . . . 8.00
e Carmen Suite—Georges Bizet/arr. Todd Parrish.
This three-movement suite of Bizet's masterpiece
"Carmen" is carefully arranged to work well
with your high school string orchestra. Each
movement is musically interesting and preserves
the passion of the original score. Use the optional
percussion part for added intensity. Includes
Aragonaise, Habanera, and Les Toreadors.
10568179 String Orchestra . . . . . . . . . . . . 55.00
10568180 Additional Score. . . . . . . . . . . . . 8.00
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