Go to cart ALL LEVELS
l 1812 Overture—Tchaikovsky/arr. Brubaker. Maintaining all of the excitement and pageantry of the original, this work has been paired down to six and half minutes. Best known for its climatic volley of cannon fire, ringing chimes and brass fanfare, this piece is perfect for a bicentennial celebration in 2012. You'll have to hear it to believe it! 10310481 Full Orchestra ........M 69.00
e Aboriginal Rituals—Elliot Del Borgo. Driving rhythms abound in this original contest work. Performable by string or full orchestra, the piece is contemporary in nature and includes a mysterious section that has the upper strings using natural harmonics. Full of energy and vitality! 2440766 String Orch or Full Orch ............M 55.00
e Amadeus (from Symphony No. 25)—W. A. Mozart/arr. Hoffman. Symphony No. 25 begins with one of Mozart's most recognized themes, as heard in the classic Oscar- winning
placed the first movement in an accessible, practical format that can be performed by school orchestras with confidence. 10062533 Full Orchestra ........M 65.00
film "Amadeus." Hoffman has
e Ancient Aires and Dances—Respighi/arr. Brubaker. The noble elegance and beauty of Respighi's marvelous work shines in this arrangement of the Balletto Movement from "Suite No. 1." The feel of early music carries through in an arrangement that works equally well for strings alone or with the addition of winds. A great introduction to Respighi! 10032563 String Orch or Full Orch ...........ME 50.00
Classical & Original Concert Works
e Berceuse and Finale-Firebird Suite— Igor Stravinsky/arr. Isaac. Here is a classic arrangement being made available to a new generation of students! The beautiful Berceuse and exciting Finale of Stravinsky's "Firebird Suite" are fantastic works of music and will also be recognized as the climactic finale to Disney's "Fantasia 2000!" Isaac's meticulous arranging includes written cues for vital solos to ensure playability and success. Give your orchestra the chance to play this masterwork! 129064
Full Orchestra .......MA 60.00
He Best of Bach—J S Bach/arr. Jerry Brubaker. Bach's familiar Sheep May Safely Graze is set here at a level perfect for intermediate orchestras. Playable with just strings or by adding any combination of winds up to full orchestra instrumentation,
a lovely addition to your concert. 2440733 String Orch or Full Orch ...........ME 55.00
this will be
l Blunderbuss Battles (Adventure on the High Seas)—Ralph Ford. Enjoy this exciting musical depiction of pirate days and battles on the high seas. This piece provides many textures, alternating between tutti, string, brass, and woodwind choirs, as well as unison section lines throughout. So, shiver me timbers and load the Blunderbuss. Aaahr! 10310345 Full Orchestra .......ME 58.00
e Capriccio Espagnol—Rimsky-Korsakov/arr. Meyer. Hailed by Tchaikovsky as a colossal masterpiece of instrumentation, Rimsky- Korsakov's Capriccio Espagnol has delighted audiences since its premiere in 1887. The melodies used in the piece go back to themes sketched by the composer for a virtuoso work for solo violin and orchestra. After changing his mind, Rimsky-Korsakov decided to make the work a display piece for the entire orchestra. This arrangement features two sections of the original capriccio: the Alborada (morning serenade) and the Fandango of the Asturias, a dance traditionally played with guitar and castanet accompaniment. Tastefully arranged by Richard Meyer, Rimsky- Korsakov's flashy showpiece is now playable by the less-experienced orchestra. 10015175 Full Orchestra .......ME 57.00
4 Aragonaise from
Bizet/arr. Meyer. Your students will love the Spanish sounds of this exciting and passionate dance, which introduces Act IV of this operatic masterpiece. The expressive opening melody will help develop your woodwinds'
"Carmen"—Georges
playing, while the intriguing Spanish rhythms and hemiolas will keep everyone on their toes! Careful doublings make this arrangement playable by any group, even those with limited instrumentation! Includes parts for violin 3, alto saxophone, bass clarinet and piano. 10310613 Full Orchestra ........ E 58.00
lyrical
He Bacchanale (from "Samson & Delilah")— Camille Saint-Saens/arr. Isaac. This haunting Saint-Saens theme is a favorite of audiences everywhere, and is a great "change of pace" on any program. 2143592 Full Orchestra ........M 65.00
e Beethoven's Symphony No. 6, Pastoral— Ludwig van Beethoven/arr. Vernon Leidig. Give your students a "Beethoven experience" with this lovely arrangement of two themes from the "Pastoral" Symphony. Perfect
working on musicality and expression as you have them imagine "Country Life" and "Thankful feelings after the storm." 10280469 Full Orchestra .......ME 62.00
for
e Danse Infernale—Igor Stravinsky/arr. Isaac. Here's is Merle Isaac's classic arrangement of Stravinsky's Danse Infernale from the "Firebird Suite." It will work hand in hand with his adaptation of the Berceuse and Finale (Pepper #129064). Treat your players and audience to some of the best music from the 20th century! 2051043 Full Orchestra .......MA 60.00
e Dark Adventure—Ralph Ford. It's ghostly! It's creepy! Your orchestra will love it! From the driving opening motives to the quirky gypsy-sounding theme, this is haunted-house music at its best! You can play this with either full or string orchestra, but the percussion section is really vital and should be used in both cases. This is recommended and will thrill and delight your audience! A winner! 2466837 String Orch or Full Orch ...........ME 50.00
l Dubinushka—Nikolai Rimsky-Korsakov/arr. Lopez. A full orchestra transcription of this brilliant Russian tone poem that features a new introduction and simplifications, yet maintains the feel of the original. Perfect for contest or festival! 10310477 Full Orchestra ........M 69.00
e Egmont Overture—Beethoven/arr. Meyer. Now, all the intensity of this powerful, minor-key overture for the young full orchestra! All individual parts are in very practical ranges, with string parts playable in first position (with optional shifting for first violins), yet the drama and impact of the original remain intact. Percussion parts have been tastefully added. A great opener or closer for any concert. Highly recommended! 10050412 Full Orchestra ........ E 57.00
4 Rigaudon—Henry Purcell/arr. Phillips. A super simple full orchestra setting of a classic Baroque tune! In the key of G, each section plays the melody in very comfortable ranges with doubling galore. Using mainly quarter and half notes, this piece also makes a great combined band and orchestra piece for an all-school performance with the inclusion of an alto sax part. Highly versatile! 10310319 Full Orchestra ........ E 50.00
Order Toll-Free! Call 1-800-345-6296 / FAX 1-800-260-1482 / Internet jwpepper.com / E-mail satisfaction@jwpepper.com 27
H Finale from Symphony No. 5—Beethoven/arr. Meyer. Now all of the energy and excitement of this great movement can be enjoyed by young players. Careful doublings make it playable by orchestras with less than full instrumentation. An impressive arrangement of a masterwork! 2288868 Full Orchestra ........ E 45.00
n Granada (from "Suite Espagnole, Op. 47") —Albeniz/arr. McAlister. Skillfully adapted for full orchestra, this movement comes from the composer's "Suite Espagnole." Originally written for piano, each movement of the suite depicts a different region of Spain. Granada evokes the serene atmosphere of this beautiful and historical old city. 10094084 Full Orchestra ........M 75.00
e La Rejouissance (from "The Royal Fire- works Music")—G.F. Handel/arr. Meyer. You will wonder how you ever did without this masterpiece at this level! In addition to wonderful tutti writing, the string section and wind section are featured on their own in this colorful arrangement, which makes a perfect opener to any concert. All string parts are playable in first position, with optional shifting for violin I and string bass. Add the Hornpipe from "Water Music" (Pepper #2478649) and/or The Hallelujah Chorus (Pepper # 2442606) for a wonderful suite honoring the great Baroque master. It will be Handelmania! Highly recommended! 10050416 Full Orchestra ........ E 52.00
e Nocturne (from "A Midsummer Night's Dream")—Felix Mendelssohn/arr. Richard Meyer. Mendelssohn's famous Nocturne is one of the cornerstones of the orchestral repertoire. Scored here for developing orchestra, it features the timeless melody with winds and uses legato hooked bowings in the strings. Recalling the magic slumbers of Shakespeare's main characters in the forest, this lovely transcription will provide a chance to develop a beautiful, legato playing style while displaying your orchestra's sensitivity and musicality! 10280409 Full Orchestra .......ME 52.00
e Ode to Joy—Beethoven/arr. Meyer. This is the perfect concert opener or closer! This flexible arrangement of Beethoven's most famous melody works for both full and string orchestras. It's been transposed and adapted to give all of your young students a rewarding orchestra experience. Don't miss your opportunity to perform this masterwork. 2442614 String Orch or Full Orch ........... VE 55.00
He Rhapsody in Blue—George Gershwin/arr. Cerulli. One of the most unforgettable songs in America! With its lyrical melodies and rhythmic counterparts, this Gershwin classic is equally at home as a concert number or a lighter selection. A guaranteed hit! 2304392 String Orch or Full Orch ............ E 55.00
FULL ORCHESTRA
