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l Caterpillar—Audrey Engdahl & Rick Engdahl/arr.
Lee Larsen. An accessible, flexible piece for upper-
elementary school choruses and a great selection
for featuring your Orff program and highlighting
many student instrumentalists. This charming
partner song offers various accompaniment options:
piano, recorder(s), and/or a large Orff ensemble set
up in two groups of woods and metals.
10708319 Two-Part . . . . . . . . . . . . . . . 1.95
t Changes—Audrey Snyder. Changing the world
starts with just one person! Using a powerful
vocal call and response with body percussion, this
original work builds confidence and self-awareness
through the affirming lyrics and vocal inflections.
A refreshing change of pace for any concert!
10605483 SSA . . . . . . . . . . . . . . . . . . . 2.25
Clever Chameleon—Andy Beck. How fun to sing
about one of nature's most curious creatures! A
whimsical text, bluesy overtones, quirky chromatics,
and optional hand percussion paint a clear picture
of the skillful lizard and his changing colors. As
to be expected from Andy, the two-part writing is
spot-on for young choirs! Highly recommended!
10514796 Two-Part . . . . . . . . . . . . . . . 1.90
10515003 Multi-Song Accomp. CD . . . 44.99
Echo—Sally K. Albrecht. "Do you hear an echo
out here? Do you hear an echo so clear?" Creative
choral writing from Sally Albrecht that features
pentatonic melodies sung in unison and canon,
with ostinato accompaniment for Orff instruments
and percussion. Simple body percussion further
engages students and ensures a kinesthetic
rhythm experience. A quality musical experience in
a delightful concert work! Highly recommended!
10751932 Two-Part . . . . . . . . . . . . . . . 1.90
10751933 P/A CD . . . . . . . . . . . . . . . 27.99
H
Fairest Lady—Nick Page. This gentle lullaby
based on a nursery rhyme uses London Bridge Is
Falling Down as a descant over a soothing original
melody and accompaniment. The peaceful moment
is a loving lullaby for a fair little lady whose mother
reassures her that London Bridge will not fall down,
rather it will fly away. Sensitive and touching.
3244092 Unison . . . . . . . . . . . . . . . . . 2.15
10449077 SSA . . . . . . . . . . . . . . . . . . . 2.15
4 Fearless Are We (Three Songs for the Emerging
Tenor Bass Choir)—Jake Averitt. A set of three
songs specifically written and arranged to provide
quality concert repertoire for unchanged male
voices at the elementary or middle school level.
Each song may be performed in unison, as a solo,
or in the two-part choral texture given. Songs
include: Through and Through, When I Return and
Together as One.
10871865 Unison/Two-Part . . . . . . . . . 2.95
H
Firefly—Andy Beck. Excellent craftsmanship
is apparent in this delightful tone painting as
an accented vocal theme creates the image of
flickering fireflies on a dark summer night. Carefully
selected ranges and intervals, youthfully inquisitive
lyrics, a delicate accompaniment and a whispered
ending all add up to a very special concert feature
for young choirs! Highly recommended!
10029937 Two-Part . . . . . . . . . . . . . . . 1.85
4 First Songs for the Emerging Tenor Bass Choir
—Mark Patterson. A set of three songs composed
specifically for young male singers whose voices
are unchanged or are in the process of changing
from the composer of Heroes and Vagabonds and
other well-known solo collections for young voices.
Each song may be performed independently in
unison, as a solo, or with the optional second part.
Songs include: Come Sail Away With Me, A Future
Shared and Gloucester Moors.
10846411 Unison/Two-Part . . . . . . . . . 2.25
H Good Night (A Russian Song)—Kabalevsky/
arr. Doreen Rao. Arranged for unison or two-part
voices, this Russian song, taught to Doreen Rao by
Dmitri Kabalevsky, may be accompanied by piano
or Orff instruments.
1665843 Unison/Two-Part . . . . . . . . . 2.15
H Heart, We Will Forget Him!—Laura Farnell.
Emily Dickinson's haunting poem is beautifully set
over a gently arpeggiated piano accompaniment.
This is ideal for developing voices working on
blend and phrasing, and the poetry is very easy to
comprehend. "Heart, we will forget him! You and I
tonight! You may forget the warmth he gave, I will
forget the light..."
10008889 SSA . . . . . . . . . . . . . . . . . . . 2.10
I Am—Melanie Horne. "I am nature, I am beauty.
I am the earth and the sea..." Easy to learn, with
plenty of unison passages, this is an absolute
delight for young singers. The simple, poetic text
reminds us all that we are a natural part of the
wonderful world in which we live. "I am the sun so
bright, I am the sweet butterfly. I am the field and
the sky."
10457611 Two-Part . . . . . . . . . . . . . . . 2.05
I Ask for One Day—Jim Papoulis. "I ask for one
day where I don't have to hear about pain, or life
that's lost, I ask for one day where whispers of hope
are alive inside my heart." These words, written
by 5th graders in a writing workshop, moved the
composer to create this inspiring work.
10519315 Unison/Two-Part . . . . . . . . . 2.10
10519314 SSA . . . . . . . . . . . . . . . . . . . 2.10
I Give You a Song—Amy Bernon. "I give you a
song full of life, full of hope and full of dreams."
Light and fanciful, this inspiring original features
opportunities for soloists and a message of youthful
optimism that everyone will appreciate. A terrific
combination of music and message that we
recommend very highly.
3298136 Two-Part . . . . . . . . . . . . . . . 1.95
In the Arms of an Oak—Andy Beck. This special
piece is a loving tribute to those who stand strong
throughout life's seasons and storms. Superb two-
part writing gives each voice part a chance to shine,
while thoughtful dynamics and tempo markings
encourage singers to achieve new heights of
artistry. Highly recommended!
10590233 Two-Part . . . . . . . . . . . . . . . 1.90
10604579 Multi-Song Accomp. CD . . . 44.99
A Joyful Song—Mary Lynn Lightfoot. This jubilant,
accessible original will add flourish and excitement
to your performance. The strong opening theme
leads to a colorful contrasting middle section, and
the buoyant recapitulation propels the work to an
exuberant conclusion. The text is mainly in English
but features a few well-known Latin phrases.
10519960 SATB . . . . . . . . . . . . . . . . . . 2.10
10047306 SAB. . . . . . . . . . . . . . . . . . . 2.10
10046140 Two-Part or SA. . . . . . . . . . . 2.10
10590268 SSA . . . . . . . . . . . . . . . . . . . 2.10
10047770 P/A CD . . . . . . . . . . . . . . . 26.95
The Lighthouse—Andy Beck. The title of
this piece, though it never actually appears in
the lyrics, provides an overarching metaphor
for the text. The ebb and flow of the piano
accompaniment represents a turbulent sea, while
the text presents themes of strength, guidance,
and living by example in this inspirational choral.
Superb voice leading, along with sweeping
musicality and phrasing, make the warm
harmonic twists and turns accessible for any
choir. Expressive and elevating!
10752439 SATB . . . . . . . . . . . . . . . . . . 1.90
10752440 SAB. . . . . . . . . . . . . . . . . . . 1.90
10752441 Two-Part or SA. . . . . . . . . . . 1.90
Listen to the Rain—Stephen L. Lawrence. This
imaginative piece will captivate your audience with
the sounds and sensations of a thunderstorm.
The whispered opening and lyrical melody set the
mood for an intriguing moment when the audience
actually becomes part of the performance. One
or more singers, the Rain Leaders, lead them
in creating a remarkably realistic-sounding
thunderstorm (using body percussion). From the
hush of the wind preceding the rain to the climactic
crash of the thunder, the effect is breathtaking!
Performance notes and ideas are included, along
with an opening narration.
10028810 Unison/Two-Part . . . . . . . . . 2.10
10028811 P/A CD . . . . . . . . . . . . . . . 26.95
Listen to the Wind—David Waggoner. A gently
floating piano theme introduces an uplifting,
nature-themed text in this sensitive piece for
developing voices. Superb choral writing allows
each voice part to take a turn singing the melody,
as well as supportive harmony. A wonderful piece
for growing musicians!
10604557 Two-Part . . . . . . . . . . . . . . . 1.90
10604579 Multi-Song Accomp. CD . . . 44.99
H The Poet Sings—Z. Randall Stroope. "Stay the course, light a star,
change the world wherever you are..." With a compelling text, based on a
poem by Richard LeGallienne, and magnificent original music, this is truly
inspiring! A brief narration sets the mood, enhancing the impact of this
profound work: "...Send out the best messages, for they may be shaping future
generations." An excellent choice.
3129079 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
The Road Not Taken—Ruth Elaine Schram. Ruth Elaine Schram brings
Robert Frost's distinguished poem to life in this expertly crafted original. With all
three parts given equal opportunities to sing the melody and a truly accessible
men's part, this warm, expressive setting is sure to become a three-part mixed
favorite. A good choice for performance at graduation.
10513118 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
l
A Song of Blessing—Jude B. Roldan. This beautiful and prayerful original
song is perfect for graduations, memorials, or simply to close your choral concert.
Emotive writing and chord clusters formed from the lush choral harmonies that
move close to each other combine to create an elegant treble piece. An optional
soprano solo and supportive piano accompaniment complete the presentation of
this lovely piece.
10833235 Three-Part Treble or SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
4t
Two Irish Blessings—Glenda Franklin. These two a cappella settings
of traditional blessings from Ireland will warm your heart. The straightforward
chorale-style rendering, with its lovely harmonies, puts the focus clearly on the
text, while allowing for artistic liberty with tempo and dynamics. Sung separately
or as a set, these make a fitting end or encore to any performance. Very nice!
10875736 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
10875736L SATB Large Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
lt
Until We Meet Again—arr. Christi Jones. A lovely and accessible
arrangement based on the traditional Irish Blessing for a cappella mixed choirs.
This well-known choral benediction is an excellent choice for end of the year
concerts or graduations, or as a theme song for your ensemble that can be
utilized throughout the year.
10871927 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
l
We Won't Stop Dreaming—Pinkzebra. This beautiful and inspiring song is
about finding yourself at an important moment of your life and taking action that will
allow you to fulfill your dreams. Soft, poignant verses lead to triumphant choruses
full of yearning and emotion. Perfectly suited for graduation ceremonies and
concert programs. Additional string orchestra parts heard in the demo recording
are also available in the String Pack, which includes the conductor's score.
10568078 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10568079 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10568081 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10568080 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10568082 Instrumental Parts Strings . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35.00
4
When Dreams Take Flight—Rollo Dilworth. Based on the poem Dreams
by Paul Laurence Dunbar, one of the first African American poets to gain national
prominence and recognition. Sing of the power of dreams and how they take
flight to higher heights of hope and inspiration.
10837793 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
l
The Winds of Fate—Cynthia Gray. This arrangement for voices and
piano, which promotes positive thinking, is based on the poem The Winds of
Fate by Ella Wheeler Wilcox. The piano accompaniment provides a constant
movement under the voices, allowing the voices to be more lyric and flowing.
Intricate harmonies, a full range of dynamics, tempo changes and more offer
fantastic teaching opportunities. Perfect selection for concerts, graduations, or
moving up ceremonies.
10805206 SA opt. SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
You'll Never Walk Alone (with Climb Ev'ry Mountain)—
Rodgers & Hammerstein/arr. Mark Hayes.
Two of Rodgers and
Hammerstein's most beloved songs are powerfully set together in a combo
of great emotion and strength. Whether performing with the exquisite piano
accompaniment, full orchestral parts, or accompaniment track, your choir
will stir every heart in the audience and bring them to their feet in applause.
With opportunities for solos, it's a fantastic finale selection for mixed and
women's choirs.
10454095 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10454096 SAB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10454097 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10454098 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.99
10454099E Instrumental Parts ePrint . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50.00
