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lt Have You Seen the Baby Jesus?—
Rosephanye Powell.
This is a new, original song,
but it carries the sound of a favorite spiritual with
both gospel and jazz influences. The form contains
repeated phrases which make the piece easy to
learn, and gives a unique style and feel to the driving
spirit of the song.
10873687 SSAA . . . . . . . . . . . . . . . . . . . . . . . 2.45
Holy Night, Silent Night—Ruth Elaine Schram.
Perhaps the world's two most beloved carols, Silent
Night and O Holy Night, are masterfully combined
in this powerful arrangement. The two classics
shimmer with holiday charm, while the addition of
rich harmonies and an optional string orchestra
create a strong sense of wonder and awe. Fitting
for worship services and seasonal concerts, this
heartwarming choral captures the true essence and
beauty of the spirit of Christmas!
10067708 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.10
How Far Is It to Bethlehem?—
arr. Molly Ijames.
The tender questions of childlike
wonder embrace the events of that miraculous
night in Bethlehem. Written for two-part voices, this
touching carol can be sung by women's ensembles
as well as children's choir. A quiet and captivating
moment for Christmas.
10520119 SATB . . . . . . . . . . . . . . . . . . . . . . . 2.30
10280448 Two-Part. . . . . . . . . . . . . . . . . . . . . 2.40
I Saw Three Ships—arr. Russell Robinson.
This lively and singable version of the traditional
English carol shares the melodic material within
the textures of the full ensemble. Of particular note
in this setting is the easy and carefully supportive
piano part that sounds at times like a Bach invention.
Simple to prepare and perform, and available in a
variety of voicings, this is a wonderful choice for
developing choirs.
10871881 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.50
I Saw Three Ships—arr. Lloyd Larson. I
Saw Three Ships and The Sussex Carol are artfully
combined in this lively, dance-like arrangement
for Christmas performance. A strong Celtic
flavor resounds throughout and is reinforced by
the charming and flexible optional instrumental
accompaniment. A true Celtic Christmas celebration!
10067716 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.40
In Dulci Jubilo—arr. Matthew Culloton.
A cappella choirs will enjoy this ethereal arrangement
of the traditional Christmas carol. The melody is
easily identifiable throughout, and a quiet energy
makes it an exciting setting. Available for mixed,
women's and men's voices.
10606190 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.50
It's So Still in Bethlehem (Still, Still, Still
- with - O Little Town of Bethlehem)—
arr. Ruth Elaine Schram.
This tender pairing
of two beloved carols features a flowing piano
accompaniment with optional use of handchimes.
Gentle melodies and harmonies that tie the two
carols together add beauty, depth and character.
Available in a variety of voicings to meet the needs of
most any ensemble, it makes a wonderful Christmas
selection in both school and church settings.
10906152 SSA . . . . . . . . . . . . . . . . . . . . . . . 2.25
10906152L SSA Large Print . . . . . . . . . . . . . . 2.25
The Little Drummer Boy—arr. Mark Hayes.
The special magic of this wonderful Christmas song
comes to life in Mark Hayes' superb arrangement!
All the simplicity and innocence of the original
shine through the rich choral textures and soaring
orchestration. This is as good as it gets for mixed,
treble or male choirs!
10008392 SSA or SA . . . . . . . . . . . . . . . . . . . 2.95
Love Came Down—arr. Ruth Morris Gray.
When sung by children, this exceptional partner
song teaches vocal independence; when performed
by more mature voices, the artistic arrangement
yields many musical moments. The pairing of Away
in a Manger with the quiet intensity of Rossetti's text
is simply beautiful.
10453223 Two-Part or SA. . . . . . . . . . . . . . . . 1.85
l
Of One That Is So Fair and Bright—
Andrew Wright.
This beautiful setting for SSA
choir of a 15th-century macaronic text, English and
Latin, is appropriate for Advent. The score includes
a translation of the Latin text. Modal cadences, the
mixed meter that accommodates the poetry, and the
radiant picardy third at the very end give the piece a
flowing, timeless quality.
10912611 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.40
Peace, Peace—Rick Powell & Sylvia Powell/
arr. Fred Bock.
This lovely Christmas piece
introduces a beautiful yet simple melody that
is surrounded by keyboard, optional handbells,
and obbligato C-instrument accompaniment.
Orchestration is also available. The warm melody
is later joined by the familiar Silent Night to create
one of the most touching of Christmas selections.
Highly recommended!
1573138 Two-Part. . . . . . . . . . . . . . . . . . . . . 1.95
706952 SSA . . . . . . . . . . . . . . . . . . . . . . . . 1.95
10527027 P/A CD . . . . . . . . . . . . . . . . . . . . . 25.00
Rise Up, Shepherd and Follow—
arr. Mark Hahn.
Voices shine in this new
arrangement of the African American Christmas
spiritual, Rise Up, Shepherd and Follow.
With an underlying jazz idiom and a fantastic
accompaniment, this will be a highlight of your
Christmas season. Choirs will love the synergy of the
vocal lines, especially throughout the layered middle
section. Don't miss this fresh take on a familiar carol.
10513706 Two-Part. . . . . . . . . . . . . . . . . . . . . 2.10
Sing We Now of Christmas—Mark Hayes.
This exuberant rendition of a favorite French carol
will live in your library for years to come. Dynamic
choral parts, a thrilling piano accompaniment, and
a colorful chamber orchestration equally showcase
the talents of your choir, your accompanist, and the
arranger. A magnificent piece de resistance for the
concert hall or sanctuary!
10453491 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.00
There Is Faint Music—Dan Forrest. The "faint
music" is descriptive of Mary singing lullabies to
hush her baby's sleepy sighs. This touching anthem
paints a beautiful musical picture of Mary and her
newborn Baby. "A shelter from the winter storm/
A straw-lined manger, safe and warm/ And Mary
singing lullabies/ To hush her Baby's sleepy sighs."
Poetic and lyrical, this gorgeous offering will be a
blessing to your congregation on Christmas Eve.
10068975 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.10
H
This Little Babe—Benjamin Britten.
This exciting Christmas carol, originally for treble
voices, comes from Britten's "A Ceremony of
Carols." The accompaniment, written for harp, may
also be played by keyboard.
162545 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.15
We're Goin' Up to Bethlehem!—
Ruth Morris Gray.
Pull out all the stops when
performing this fabulous up-tempo a cappella
Christmas spiritual exuding a joyous gospel feel!
Especially worthy as an exciting opener, closer,
or encore, it features fun, rhythmic interplay with
musical repetition of the text, "We're goin' up and
up and up!" Suggestions for adding hand claps and
percussion are included.
10601735 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Were You There on That Christmas Night?—
Natalie Sleeth / Martha Lynn Thompson.
The master melody writer Natalie Sleeth originally
composed this captivating Christmas selection in
a unison/two-part setting. That anthem has gone
on to be one of the all-time best-selling pieces. It
is now available in an SAB version with piano or
3-5 octave handbell accompaniment with optional
2-octave handchimes.
984542 SA. . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10305828 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.10
1921402 3/5 Octave Handbell
with opt. 2 Octave Handchimes. . . 4.95
Wexford Carol—Robert Sieving. Typically set
in triple meter, this arrangement of this beloved Irish
carol is set in duple meter. This choice allows each
phrase a bit more room to breath, added contrapuntal
writing, and more appropriate employment of agogic
accents. This is a showpiece for any Christmas or
winter concert. Highly recommended!
10683353 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.25
What Child Is This?—Jill Friedersdorf &
Melissa Malvar-Keylock.
The timeless carol
Greensleeves is given fresh treatment for women's
voices. With a simple meter change between the
verse and chorus, lovely harmonies and a very
expressive piano part, this setting is one that can be
enjoyed by treble choirs of all ages. Well crafted and
deeply felt.
10456852 Unison/Two-Part . . . . . . . . . . . . . . 2.10
What Child Is This?—arr. Molly Ijames.
This humble and beautiful treatment of the traditional
carol is guaranteed to take your breath away! The
glory and the reverence of the Christmas season
and the scene at the stable are delicately brought
forth in moving chorals and a supportive piano
accompaniment. With performance options for SATB
and SSA voicings, and a full orchestration, this is a
truly captivating setting worthy of your finest moment
in worship or concert hall!
10367798 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.40
What Sweeter Music—John Rutter.
"What sweeter music can we bring than a carol
for to sing the birth of Christ, our heavenly King."
This tender setting of the traditional carol text
has become one of John Rutter's most cherished
Christmas anthems. Don't miss the new and
accessible SSA setting!
10523432 SSA . . . . . . . . . . . . . . . . . . . . . . . . 2.80
10661563 Instrumental Parts . . . . . . . . . . . . 40.00
10661564 Full Score . . . . . . . . . . . . . . . . . . . 19.95
While Shepherds Watched Their Flocks—
Craig Courtney.
Every syllable of Nahum Tate's
Christmas text is carefully rendered in Craig
Courtney's new melody, set for divisi choral forces
and piano. A sound rhapsody through every
measure, this is absolutely glorious music for mixed,
men's or women's choir that might be the expressive
high point of your December Christmas celebration.
10366986 SSAA . . . . . . . . . . . . . . . . . . . . . . . 2.15
