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GENERAL ANTHEMS
General Anthems
Adult Choir
l Across the Street—Dennis Stremming/Michael
Hill, Jr. A challenge to fulfill the Great Commission
around the world, as well as across the street- until
all have heard.
10913410 SATB . . . . . . . . . . . . . . . . . . 1.75
l Agnus Dei—Kirby Shaw. The traditional Latin
Agnus Dei ("Lamb of God, who takes away the sins
of the world, have mercy upon us") is paired with
deeply expressive music by Kirby Shaw.
10810213 SATB . . . . . . . . . . . . . . . . . . 1.95
Agnus Dei (Lamb of God)—Joseph M. Martin.
From the highly successful Holy Week cantata Song
of the Shadows, here is the incredibly beautiful and
lush Agnus Dei. The Latin text Behold the Lamb of
God is always moving. In this wonderful setting,
Joseph Martin has written a soaring duet for soprano
and tenor above a rich, chant-like chorus and flowing
accompaniment. A finely woven tapestry of color
and texture, Agnus Dei is a shimmering moment of
poignant beauty for Holy Week.
8036717 SATB . . . . . . . . . . . . . . . . . . 2.50
8036725 P/A CD . . . . . . . . . . . . . . . 26.99
8036733 Instrumental Parts . . . . . . . 50.00
H All Good Gifts (from "Godspell")—arr. John
Leavitt. This most popular song from "Godspell"
becomes a sweeping anthem of gratitude in
this stunning choral setting. Stephen Schwartz's
wonderful music takes the classic hymn text to a
new level, making it equally appropriate for concert
and church performances. This will envelop everyone
in a spirit of joyful celebration! Highly recommended!
10309794 SATB . . . . . . . . . . . . . . . . . . 2.25
10309795 SAB. . . . . . . . . . . . . . . . . . . 2.25
10309796 SSA . . . . . . . . . . . . . . . . . . . 1.95
10309797 P/A CD . . . . . . . . . . . . . . . 26.99
10309798E Instrumental Parts ePrint. . . 35.00
All Heaven Declares—Noel Richards, Trisha
Richards & Tom Fettke. Tom Fettke's majestic
adaptation of a contemporary praise hymn by
Noel and Trisha Richards is a musical glimpse of
Heaven itself! The quiet opening is a proclamation
of faith in the glory of the risen Savior. In response,
a chorus of "alleluias" begins, building with
intensity until all the heavens resound with praise!
With an optional instrumental ensemble available,
this outstanding piece just shouldn't be missed!
Perfect to conclude your Easter worship or for
services throughout the year!
8067280 SATB . . . . . . . . . . . . . . . . . . 1.85
8067281 SAB. . . . . . . . . . . . . . . . . . . 2.25
8067282 P/A CD . . . . . . . . . . . . . . . 27.99
8067283 Orchestration . . . . . . . . . . . 60.00
All My Trials—arr. Gwyneth Walker. A very
poignant song. Phrases such as "Hush little baby,
don't you cry, you know your mama was born to
die," or "Oh my brothers, I must leave you here
behind," view the approach of death in terms of
those left behind. The accompaniment of repeated
eighth-note chords is marked as if trembling or
sobbing. Although the harmonic language is tonal
and consonant almost entirely throughout the song,
a few dissonances appear near the end, reflecting
the pain of parting.
10606148 SATB . . . . . . . . . . . . . . . . . . 2.90
10606149 SSA . . . . . . . . . . . . . . . . . . . 2.60
Ht All That Hath Life and Breath Praise Ye the
Lord!—Rene Clausen. An animated, lilting, and
dramatic a cappella work, this choral tour-de-force
briefly quotes the hymn Praise To The Lord The
Almighty in a fresh and innovative way. It is a truly
impressive work for mature choirs.
1461284 SATB . . . . . . . . . . . . . . . . . . 2.50
H All Things Bright and Beautiful—John Rutter.
The delicate melody befitting this familiar text gains
gentle momentum by a continual movement in the
keyboard. A quintessential piece for spring from
renowned composer John Rutter.
1673078 SATB . . . . . . . . . . . . . . . . . . 2.70
10648587 SSA . . . . . . . . . . . . . . . . . . . 2.30
1484310 Unison/Two-Part . . . . . . . . . 2.30
4535720 Instrumental Parts . . . . . . . 58.95
10648586 Full Score . . . . . . . . . . . . . 24.95
Ht Alleluia—Ralph Manuel. With the text comprising
the single word "Alleluia," this quiet, reverent a
cappella work continues to be a strong seller in
its original SATB voicing. Now available for male
voices, this is an excellent choice for both school
contest-oriented use and church services!
1629831 SATB . . . . . . . . . . . . . . . . . . 2.45
Ht Alleluia—Randall Thompson. A true masterpiece
for a cappella chorus. The name Randall Thompson
is as much a part of choral music as is the voice.
His masterful compositions are all standards in the
repertoire. A choral classic!
337147 SATB . . . . . . . . . . . . . . . . . . 2.60
337238 SSAA. . . . . . . . . . . . . . . . . . 2.60
4128682 TTBB . . . . . . . . . . . . . . . . . . 2.60
lL Almighty God, How Strong and True—Jay
Althouse. Fourths and fifths in the melody and
harmonization give this anthem a timeless
strength, yet there is still tenderness as the text,
based loosely on a text by Horatius Bonar, speaks of
God's gentle grace. The music effectively contrasts
the eternal and the new, making this anthem
approachable and useful for any choir.
10805161 SATB . . . . . . . . . . . . . . . . . . 1.95
10805161L SATB Large Print . . . . . . . . . 1.95
4
Always in the Darkness—Patricia Mock/arr.
Brian Buda. An expressive piano part sets the scene
for this winsome musical tableau. Ideal for the
season of Epiphany, the text reminds us that "the
Light still shines and the darkness has not overcome
it." Melodic beauty characterizes the writing along
with sensitive harmonic touches. Charming!
10880930 SATB . . . . . . . . . . . . . . . . . . 2.10
L
Always Worthy of Praise—Patricia Mock/arr.
Faye Lopez. This joyful, upbeat hymn of praise
reminds us that God's glory is eternal and infused
in the wonders and beauty of creation. With a Celtic
feel, this syncopated piece is accompanied by piano
and flute. The choral parts are easily learned and
well written.
10753011 SATB . . . . . . . . . . . . . . . . . . 2.15
10753011L SATB Large Print . . . . . . . . . 2.15
10753012 P/A CD . . . . . . . . . . . . . . . 26.95
HL Amazing Grace—arr. Jack Schrader. Absolutely
inspired! Jack's perspective on this beloved melody
is to use a slow, gospel style. The authentic piano
accompaniment has all the piano licks you could
possibly want, and supports the arrangement just as
well as the marvelous orchestral track. In a creative
twist, the last verse features the instruments on the
melody as the choir acts as "back-up singers" to
the piano. Part of our American heritage, Amazing
Grace is a hymn everyone knows, and this
arrangement adds a richness to the melody that
you simply must hear to appreciate.
3133154 SATB . . . . . . . . . . . . . . . . . . 2.20
3133154L SATB Large Print . . . . . . . . . 2.20
3133162 P/A CD . . . . . . . . . . . . . . . 29.95
8020711 Orchestration . . . . . . . . . . . 69.95
H
Amazing Grace/Pachelbel's Canon—arr. Jean
Anne Shafferman. Here is a marvelous pairing
of Amazing Grace with the beloved baroque
classic, Pachelbel's Canon! The baroque canon
accompanies as the voices sing Amazing Grace in
4/4. Opening with unison voices, it flows easily to
rich part writing, closing in inventive counterpoint
with the canon bass line, the Amazing Grace
melody, and a soaring soprano descant "Alleluia."
Inventive and very creative!
3073350 Two-Part . . . . . . . . . . . . . . . 1.85
H And the Glory of the Lord—G. F. Handel/arr.
Emerson. This masterwork arrangement from "The
Messiah" has been created to meet the needs
of smaller or less experienced ensembles, while
maintaining the integrity of the Handel original.
1710623 SAB. . . . . . . . . . . . . . . . . . . 2.25
l
And the Morning Brings Great Joy—Stacey
Nordmeyer. There is a hopeful spirit to this
refreshing folk-style anthem. An easy-to-learn
melody supports the encouraging message that
God's mercies are ever new, and the harmonic
qualities of the work contain a few tasteful surprises.
The gentle guitar-like keyboard accompaniment is a
delight to play. Gracefully contemporary!
10803965 SATB . . . . . . . . . . . . . . . . . . 2.10
10801450 Multi-Song Accomp. CD . . . 44.99
L Anthems of Love—Dan Forrest. This anthem by
Dan Forrest features voices with handbells and a
choice of three instrumental accompaniments. With
text based on Zephaniah 3:17, Anthems of Love is
a well-crafted piece with shifting harmonic textures
that elicits joy from beginning to end. "Anthems of
love from the heavenly throne, the Father Himself
singing over His children, His love song a gift that
He sings to His own."
10667314 SATB . . . . . . . . . . . . . . . . . . 2.25
10667314L SATB Large Print . . . . . . . . . 2.25
10667315 P/A CD . . . . . . . . . . . . . . . 24.95
10667316 3 Octave Handbell Part . . . . . 4.50
10667317 String Quartet . . . . . . . . . . 25.00
10667318 String Orchestra . . . . . . . . . 40.00
10667319 Orchestration . . . . . . . . . . . 80.00
L
As the Deer—Martin Nystrom/arr. Douglas
Wagner. Douglas Wagner's ring-and-sing
setting of Martin Nystrom's contemporary classic
based on Psalm 42 has become a classic. This
beautiful ballad is now available in a new two-part
mixed setting. The optional 3-5 octave handbell
accompaniment is available separately.
8056695 SATB . . . . . . . . . . . . . . . . . . 2.20
8056695L SATB Large Print . . . . . . . . . 2.20
10067432 SAB. . . . . . . . . . . . . . . . . . . 2.20
10067432L SAB Large Print . . . . . . . . . . 2.20
10554448 Two-Part Mixed . . . . . . . . . . 2.20
10554448L Two-Part Mixed
Large Print . . . . . . . . . . . . . . 2.20
8056696 Handbell Part Handbell Part
3/5 Octaves Level 2 . . . . . . . 5.50
4L Ascension Prayer—Thomas L. Keesecker.
t "O Jesus, help us come to know, our work is here
on earth. For feeding the hungry, for helping the
poor..." This purposeful anthem reflects on the
work of the people after Christ's resurrection and
ascension. In this beautiful a cappella texture, the
voices move together as one, representing unity
and focus of mission.
10810890 SATB . . . . . . . . . . . . . . . . . . 2.10
10810890L SATB Large Print . . . . . . . . . 2.10
4L Ave Maria—Bob Moore. The traditional Latin text
of the Ave Maria is set to a lyrical melody for two-part
voices. The piano accompaniment complements
the vocal parts throughout and provides a sense of
movement. This piece is great for choirs looking for
a fresh setting to add to their repertoire.
10882950 Two-Part Mixed . . . . . . . . . . 2.00
10882950L Two-Part Mixed Large Print. . 3.00
4L Ave Maria—Franz Schubert/arr. Russell
Robinson. The Schubert masterpiece, skillfully
arranged for developing choral groups, provides
opportunities for solos or section features and
allows conductors to work on healthy singing
technique, beautiful intonation, and blend. Sung
in Latin, with a translation and pronunciation guide
included, this setting of the beloved melody remains
true to the original while making this important work
accessible to three-part mixed and SSA choirs.
Beautifully done!
10881599 Three-Part Mixed . . . . . . . . . . 2.05
10881599L Three-Part Mixed
Large Print . . . . . . . . . . . . . . . 2.05
10881600 SSA . . . . . . . . . . . . . . . . . . . . 2.05
10881600L SSA Large Print . . . . . . . . . . . 2.05
10881851 Multi-Song Accomp. CD . . . . 44.99
Ave Maria—Giulio Caccini/arr. Patrick
Liebergen. This haunting melody from the Italian
Renaissance has been recorded most recently
by Charlotte Church and Andrea Bocelli. Patrick
Liebergen's setting features straightforward
vocal lines, a supportive piano accompaniment,
and an optional flute part that is never overstated,
but lets the enchanting melody and harmonies
speak for themselves. Expressive and beautiful at
every turn, this is a glorious addition to sacred
choral literature!
3285509 SATB . . . . . . . . . . . . . . . . . . 1.85
3285517 SAB. . . . . . . . . . . . . . . . . . . 2.25
10501318 SSA . . . . . . . . . . . . . . . . . . . 1.90
3300748 TTBB . . . . . . . . . . . . . . . . . . 2.25
lL Baloo Lammy—Franklin D. Ashdown. The
Scottish poet John Wedderburn's lullaby for the
baby Jesus is set to folk-like music, with a piano
accompaniment that evokes the sound of the harp.
Some a cappella sections are stunningly beautiful.
10882410 SATB . . . . . . . . . . . . . . . . . . 2.10
10882410L SATB Large Print . . . . . . . . . 2.10
Be in Our Gathering—Sandra T. Ford. A simply
elegant piece, with a lyrical melody shared between
the voice parts. This anthem, scored for SAB chorus
with piano and optional violin or flute, promotes the
mission and wholeness of the church and might be
used successfully during a stewardship emphasis
or for World Communion Sunday. "Be in our
mission, making us whole, stirring to service and
touching each soul."
10873706 SATB . . . . . . . . . . . . . . . . . . 2.45
10748276 SAB. . . . . . . . . . . . . . . . . . . 2.45
4L Be My Church—David Lantz. Based on Romans
12:9-18, Pamela Stewart's lyrics are Christ's
description of and admonition to be His body moving
in the world. Rather than the divisions and factions
found all too often, this is a plea for love, unity and
service. An optional flute part that floats above the
voices and accompaniment is also available.
10805753 SATB . . . . . . . . . . . . . . . . . . 2.25
10805753L SATB Large Print . . . . . . . . . 2.25
BEST
SELLERS
General Anthems
SATB Choir
Buy with confidence! These works, listed in
order of their popularity, are chosen most often
by directors.
Meditations of My Heart—Elaine Hagenberg.
10805761 SATB . . . . . . . . . . . . . . . . . . . . .2.15
He Never Failed Me Yet—Robert Ray.
1424092 SATB . . . . . . . . . . . . . . . . . . . . .2.10
1901263 P/A CD. . . . . . . . . . . . . . . . . . .26.99
1939735 Instrumental Parts . . . . . . . . . .50.00
10002660E Full Orchestra ePrint . . . . . . . .55.00
I Choose Love—Mark A. Miller.
10661699 SATB . . . . . . . . . . . . . . . . . . . . .2.25
Our Father—Craig Courtney.
10805764 SATB . . . . . . . . . . . . . . . . . . . . .2.10
10805767 Instrumental Parts . . . . . . . . . .20.00
10805768 Orchestration . . . . . . . . . . . . . .80.00
I Believe—Mark Miller.
10335690 SATB . . . . . . . . . . . . . . . . . . . . .2.35
10907411 Instrumental Parts
String Quintet/Harp . . . . . . . . .49.95
10907412 Orchestration . . . . . . . . . . . . 149.95
How Can I Keep from Singing?—
arr. Gwyneth Walker.
3062221 SATB . . . . . . . . . . . . . . . . . . . . .2.80
10355556 Full Score Brass. . . . . . . . . . . 11.55
10355557 Full Score
Chamber Orchestra . . . . . . . . .19.90
10355556E Full Score Brass ePrint . . . . . .11.55
10355557E Full Score
Chamber Orchestra ePrint. . . .19.90
10355560 Orchestration . . . . . . . . . . . . . .73.45
Mercy—Craig Courtney.
10554825 SATB . . . . . . . . . . . . . . . . . . . . .2.10
Be My Church—David Lantz.
10805753 SATB . . . . . . . . . . . . . . . . . . . . .2.25
I Am the Vine—Allen Pote.
10748306 SATB . . . . . . . . . . . . . . . . . . . . .2.45
The Journey—Joseph M. Martin.
3080314 Two-Part Mixed. . . . . . . . . . . . .2.10
8069443 Two-Part. . . . . . . . . . . . . . . . . . .2.10
