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JAZZ
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BLUES & SWING medium-easy / medium
So What (Little Big Band)—Miles Davis/arr.
Michael Philip Mossman. Here is the Miles Davis
jazz standard skillfully and uniquely arranged
for six horns and rhythm section. On the head,
the saxes take the signature melody line
answered by the brass. The open solo section
features tasty background figures, followed by
a tutti ensemble section before returning to the
head. Instrumentation: six horns (ATB saxes,
two trumpets, one trombone) plus four rhythm
with optional additional parts for alto, tenor and
trombone. Don't miss this chart on the iconic Miles
Davis standard!
10556792 Jazz Ensemble . . . . . . . . . . 45.00
Solar—Miles Davis/arr. Rick Stitzel. One of the
most enduring compositions from Miles Davis'
early career is this medium swing tune recorded
on the 1954 album Walkin'. Rick Stitzel uses
some nifty phrase extensions in the beginning,
then alternates the full ensemble with statements
by a small group in this terrific chart for younger
players. The solo space is for trumpet and tenor
sax with suggested solos and chord/scale sheets
in all keys included.
10297515 Jazz Ensemble . . . . . . . . . . 45.00
4 South Side Shuffle—Doug Beach. With a driving
groove from the rhythm section, a strong melody
and blues-based harmonies, South Side Shuffle can
be either a great opener or closer on any program.
All the sections and the full ensemble have ample
opportunities to get in on the action in this infectious
shuffle chart. The solos are open with sample solos
included for help with the improvisation, and a
huge shout chorus leads to a dramatic conclusion.
A swinging free-for-all, and highly recommended!
10882594 Jazz Ensemble . . . . . . . . . . 52.00
St. Thomas (Little Big Band)—Sonny Rollins/
arr. Mark Taylor. Plenty of solid tutti ensemble
scoring is featured in this arrangement for small
group of Sonny Rollins' familiar Latin standard.
The solo section can be opened up for any player
and a tasty unison ensemble chorus follows.
Suggested solos and scale/chord sheets are
included. Highly recommended! Instrumentation: 3
saxes, 2 trumpets, 1 trombone plus rhythm section.
Optional additional parts are included for alto, tenor
& trombone.
10098775 Jazz Ensemble . . . . . . . . . . 45.00
H The Star Spangled Banner—arr. Paul Clark.
Although this piece is not usually associated with
jazz bands, this arrangement works so well it can
appropriately be included in any jazz concert.
It's also invaluable to have in the files for those
"emergency" situations where a jazz group is
called upon to perform our National Anthem. It
includes just the right elements to give it a jazz
flavor, yet maintains the dignity and reverence
of the original. While it is harmonically jazzy,
it is rhythmically traditional and can serve as
accompaniment for audience singing. It is also
playable with reduced instrumentation. If your
jazz ensemble plays for basketball games, this is
perfect. A wise investment for all jazz programs!
Highly recommended!
10050282 Jazz Ensemble . . . . . . . . . . 45.00
Summertime (from "Porgy and Bess")—
George Gershwin/arr. Michael Sweeney. Set in a
distinctive medium swing/shuffle groove, Michael
Sweeney's version for younger jazz bands presents
a contemporary styling of this classic song from
"Porgy and Bess." Mixing a variety of ensemble
textures, a stop time solo section, and briefly
slipping into a new key during the final chorus,
this is sure to be a standout for festival or casual
concert use. Suggested solos are included for tenor
sax and trumpet and chord/scale sheets in all keys
are available. Highly recommended!
10461398 Jazz Ensemble . . . . . . . . . . 45.00
Sweet Home Chicago—Robert Johnson/
arr. Roger Holmes. Made famous by The Blues
Brothers, this hard-hitting blues classic is sure
to become an instant favorite with jazz bands
and audiences. A driving shuffle groove and solid
scoring for the entire ensemble are featured
throughout in this great chart that will become a
staple of your library! Highly recommended!
10343798 Jazz Ensemble . . . . . . . . . . 45.00
Take Five—Dave Brubeck/arr. Mike Lewis.
Take the most famous 5/4 jazz tune ever written
and combine it with a flawless and playable
arrangement for developing jazz band and you've
got a chart that should be in everybody's library!
Dave Brubeck managed to make the 5/4 meter
sound like the most natural thing in the world, and
that's the way it plays, too. Who would've thought
that young players could experience Brubeck's
"Third Stream" jazz?
2381705 Jazz Ensemble . . . . . . . . . . 48.00
That's Life—arr. John Berry. Composed in 1963,
it wasn't until Frank Sinatra released his iconic
version in 1966 that this familiar tune solidified
its place in popular culture. In this medium-slow
version for developing players, John Berry spreads
the melody around to all sections starting with
the trombones on the first statement. With skillful
scoring throughout, there is a short solo for trumpet
and a tutti ensemble shout for an appropriate finish.
10759344 Jazz Ensemble . . . . . . . . . . 45.00
Things Ain't What They Used to Be—Mercer
Ellington/arr. Rich Sigler. This is a jazz classic that
every band should have in their library. The chart
is a swing shuffle played at around 116 bpm and
has a very familiar and catchy melody that flows
smoothly from section to section. Also featured
are written out solos for alto sax 1 and trumpet 2
and a lead trumpet range to written F-sharp top
line. Optional parts are included for expanded
instrumentation. A superb arrangement that is
clever and effective in every way!
10355626 Jazz Ensemble . . . . . . . . . . 48.00
Touchin' All the Basses—Andy Clark. It's time to
let your bass player get some of the spotlight! This
cool chart is written in three parts, a funky rock,
a slow triple blues, and a hot shuffle. Designed
to showcase the bass player, the band parts
complement the soloist, but allow the bass to be
heard. Each of the sections can be opened for bass
or other solos as desired, or it can be performed
straight through, exactly as written. A very unique
and useful chart!
2468262 Jazz Ensemble . . . . . . . . . . 45.00
The Way You Look Tonight—Jerome Kern/
arr. Mark Taylor. From the film "Swing Time"
and originally performed by Fred Astaire, The
Way You Look Tonight won the Academy Award
for best original song in 1939. Since then it has
remained a popular jazz standard, and here is
a terrific moderately paced swing version for
developing players.
10759342 Jazz Ensemble . . . . . . . . . . 45.00
4 What Is This Thing Called Love?—Cole Porter/
arr. Paul Baker. First of all, it's Cole Porter, and
secondly it's Paul Baker! This swinger on the
great Cole Porter standard features outstanding
sectional interplay. Every section has solis,
especially the saxes, and there are great tutti
passages for the entire ensemble. Add written
or ad lib solos for trumpet and tenor, a tempo
around 160 bpm, and you have an exceptional
chart. Our highest recommendation!
10867424 Jazz Ensemble . . . . . . . . . . 48.00
Whirly Bird—Neal Hefti/arr. Peter Blair. You may
have heard Basie's band play this great Neal Hefti
swinger, but this version is very accessible for
younger players at around 166 bpm. The features
include a written alto sax solo, a great sax soli, and
well-notated rhythm section parts. Includes optional
wind and vibes part, too!
10452088 Jazz Ensemble . . . . . . . . . . 48.00
4 Won't You Be My Neighbor? (It's a Beautiful
Day in the Neighborhood)—Fred Rogers/arr. Paul
Murtha. One of the truly iconic songs for television,
the opening to Mister Rogers' Neighborhood
resonates with all generations. This is a terrific setting
for aspiring jazz players in a moderate tempo swing
style. This one works in any neighborhood!
10908992 Jazz Ensemble . . . . . . . . . . 45.00
You'd Be So Nice to Come Home To—Cole
Porter/arr. Paul Baker. Ah, yes, Cole Porter! Paul
Baker has created a quality chart on this wonderful
jazz standard from the Great American Songbook.
It's a crafty swinger at around 168 bpm featuring
appealing sections for the full ensemble, written
or improvised solos for alto and trumpet, a great
saxophone soli, and a very hip interlude that builds
right to the end. The lead trumpet range is to
written F-sharp and additional parts are included for
optional expanded instrumentations. Quality writing
in a fine chart that's highly recommended!
10756378 Jazz Ensemble . . . . . . . . . . 48.00
Blues & Swing
Medium
125th Street Blues—Dave Mills. You, your band
and your audiences will really enjoy this bright
swing chart in a Basie jump-swing style. With a
chance to feature your favorite soloists over F blues
changes and some great ensemble choruses, this
chart swings hard from start to finish. The intro is
rhythm section with Basie-style piano fills and the
melody is a catchy blues line. Nice chart!
10280567 Jazz Ensemble . . . . . . . . . . 50.00
17 Mile Drive—Matt Harris. This medium
difficulty chart refers to the scenic road through
Pebble Beach and Pacific Grove on the Monterey
Peninsula in California, much of which hugs
the coastline and passes famous golf courses,
mansions, and cypress forests. The composer's
frequent use of suspended chords suggests the
grandeur of the region. Set in a catchy rock shuffle
and using contemporary harmonic techniques,
this one grooves from start to finish. Sophisticated
rhythmic content enhances the memorable melody
and tenor sax has solo changes. A fairly accessible
chart, it will definitely sustain the interest of medium
to advanced players and soloists!
10455654 Jazz Ensemble . . . . . . . . . . 52.00
After You've Gone—Turner Layton/arr. Mark
Taylor. Arranged here in a slow Basie style swing
setting, this well-crafted chart is loaded with style!
The band can really cut loose on the shout chorus!
A solid choice for festival or concert.
2470793 Jazz Ensemble . . . . . . . . . . 50.00
Along Came Betty—Benny Golson/arr. Alan
Baylock. A real jazz classic, this chart kicks! The
features include a medium swing style, a written or
improvised solo for tenor sax, meaningful ensemble
passages, exceptional soli lines, superb phrases,
and a lead trumpet range to written B-flat. An
outstanding Benny Golson jazz standard arranged
to perfection! Highly recommended!
10513907 Jazz Ensemble . . . . . . . . . . 52.00
4 America, the Beautiful—Samuel A. Ward/
arr. Chris Sharp. Here is the familiar America, the
Beautiful reimagined as an energetic shuffle. An a
cappella sax soli chorale introduction gives way to a
driving shuffle that continues for the remainder of the
chart. Harmon-muted trumpets provide extra color
in spots. The ranges and rhythmic responsibilities
are moderate, and there's written or improvised
solo space for tenor sax. This arrangement is
appropriate for civic events, patriotic celebrations or
as an interesting change-up for festival/adjudication
program. This one is really nice!
10910610 Jazz Ensemble . . . . . . . . . . 55.00
April in Paris—Vernon Duke/trans. Jeff Hest. This
chart is simply about style! And with style is exactly
how Count Basie and his orchestra played it! From
the silky smooth sax soli on the head to the Pop Goes
The Weasel trumpet solo to the "...one more time..."
repeat of the last phrase, every detail of this jazz
standard has been transcribed and reconstructed by
Jeff Hest. A remarkable, authentic way to tell your
audience what swing is really all about!
2422855 Jazz Ensemble . . . . . . . . . . 60.00
The Art of the Matter—David Springfield.
Inspired by the music of Art Blakey and the Jazz
Messengers, this medium swing original features
a combo style melody and a hard-driving rhythmic
feel. The written or ad lib solo section can be played
by any player, and there is plenty of space for drum
fills throughout. Notated piano voicings and bass
lines are provided along with a guitar chord chart.
10682767 Jazz Ensemble . . . . . . . . . . 52.00
Back Alley Shuffle—Doug Beach. Featuring
killer ensemble work, a strong melody, a wonderful
sax soli, an open solo section with written or ad
lib solos, and a memorable finish, this hard-driving
shuffle will ignite any program! It swings hard, has
an infectious groove, and is fun to hear and play. A
great workout for everyone in the band, this one is
highly recommended!
10499217 Jazz Ensemble . . . . . . . . . . 52.00
Back Bone—Thad Jones/arr. Mike Carubia.
This medium-tempo blues tune in F is a more
accessible version of the famous Thad Jones
chart that features suggested or improvised solos
for trombone and can be opened up for more! It's
scored for standard instrumentation with optional
flute, but can be played with 4 saxes, 3 trumpets, 2
trombones and 3 rhythm. A solid shout chorus and
an ending drum solo puts the crown on this one!
2481231 Jazz Ensemble . . . . . . . . . . 50.00
Back Burner—Carmine Pastore. This swinger
cooks all the way through! It's the kind of chart
that perks right along so your jazzers can really
dig in and nail it! A suggested solo for trumpet is
included. You're going to love that shout chorus!
2468288 Jazz Ensemble . . . . . . . . . . 45.00
Basie-Straight Ahead (Simplified Educational
Version)—Sammy Nestico. In this educational
edition of the classic Basie - Straight Ahead, the
ranges and technical demands have been modified,
but you'll still hear and feel all the excitement of
the original chart recorded by Count Basie in 1968
which is also available.
543157 Jazz Ensemble . . . . . . . . . . 52.00
Bebop Ballgame—arr. George Shutack. George
Shutack has taken one of the most famous tunes in
sports, Take Me Out To The Ballgame, and scored
it for big band with a heavy dose of bebop influence.
Written at the medium level, this swinging chart
features great melodic lines, an open solo section
with written or improvised solos, and plenty of
ensemble work. Perfect as an opener or as a closer!
10568029 Jazz Ensemble . . . . . . . . . . 52.00
Bernie's Tune—Bernie Miller/arr. Dave Wolpe.
This swinger features tenor sax 1 and muted
trumpet 2 and is arranged by one of the best, Dave
Wolpe. Featured are excellent written-out solos
for both horns, a superb shout chorus, and a lead
trumpet range hitting a written high B above the
staff. This great chart also features optional parts
for expanded instrumentations. You'll want this
outstanding chart! Highly recommended!
10355576 Jazz Ensemble . . . . . . . . . . 52.00
Better Get Hit in Your Soul (Better Get It in Your
Soul)—Charles Mingus/arr. Ralph Ford. A jazz waltz
that swings at around 170 bpm, this chart features
an infectious melody hook by the great Charles
Mingus that reaches out and grabs you! There are
written solos for alto sax and trombone 1, and the
trumpet 1 range is to written G top space. All the
ingredients you need for a fine chart, plus it includes
optional parts for expanded instrumentation!
10452110 Jazz Ensemble . . . . . . . . . . 48.00
H
Better Get Hit in Your Soul (Better Get It in
Your Soul)—Charles Mingus/arr. Andrew Homzy.
Written in a fast 3/4, this gospel-inspired burner
is as fun to play as it is to listen to. There's great
interplay between sections of the band as layers of
sound move in and out. Also included are hand claps
and some "play any note you want" opportunities
to really liven things up. The flexible solo section
allows you to customize this to fit the strengths of
your band. Also included are optional parts for flute,
clarinet and French horn. Highly recommended!
10034434 Jazz Ensemble . . . . . . . . . . 55.00
