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JAZZ
ENSEMBLE
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POP HITS easy / medium-easy
Soul Bossa Nova—Quincy Jones/arr. Rick Stitzel.
This infectious and immediately recognizable
Quincy Jones standard was popular long before
Austin Powers introduced it to a brand-new
generation of fans. Easy to learn and fun to play,
this will quickly become a favorite of your young
players and their audiences! Arranged for full jazz
ensemble, it's also playable with as few as 4 saxes,
3 trumpets, 3 trombones, piano, bass and drums.
Groovy baby!
10033706 Jazz Ensemble . . . . . . . . . . 40.00
H
Superstition—Stevie Wonder/arr. Paul Murtha.
Stevie Wonder helped bring funk to mainstream
pop music in the '70s, and this is one of his
most recognizable hits. This arrangement is easy
to learn yet maintains the authentic groove of
the original. Playable by standard jazz ensemble
instrumentation, it will also sound full and complete
with 4 saxes, 3 trumpets, 3 trombones and rhythm.
Optional parts included for flute, 2 clarinets, horn in
F and tuba. Highly recommended!
10041752 Jazz Ensemble . . . . . . . . . . 40.00
H
Sweet Caroline—Neil Diamond/arr. Rick Stitzel.
Even before the TV series Glee, this Neil Diamond
classic, first recorded in 1969, had proven its
popularity and staying power. Here is a solid, yet
easy treatment for jazz ensemble that requires
no solos. Sure to be a favorite with students and
parents alike! Optional reduced or expanded
instrumentations.
10098793 Jazz Ensemble . . . . . . . . . . 40.00
Uptown Funk!—arr. Michael Sweeney. From
Mark Ronson and Bruno Mars, this monster hit is
the perfect throwback to a funky R&B style! This
arrangement for younger players features modest
ranges and repetitive yet authentic-sounding
rhythms. This outstanding chart is playable with
optional reduced or expanded instrumentations,
and the bass lines and piano voicings are written.
No solos are required, just a little attitude! Our
highest recommendation!
10522944 Jazz Ensemble . . . . . . . . . . 40.00
We Are Family—arr. Paul Murtha. In the height of
the disco era, this tune recorded by Sister Sledge
caught fire on the R&B pop charts in 1979. Here
is a great-sounding and funky version for younger
players. There are no solos, all horn sections
get their chance with the melody, and there's a
unique and effective rhythm-section-only interlude.
Playable with optional reduced or expanded
instrumentations. Written-out bass lines and piano
voicings are included. Every audience will know this
familiar tune!
10681401 Jazz Ensemble . . . . . . . . . . 40.00
4 Welcome to the Jungle—arr. Rick Stitzel.
Recorded by Guns N' Roses in the 1980s, this
rocker has become a classic and is often heard
in TV and film. Set here for younger players, it
still retains the relentless drive and energy of the
original. There's a short written solo for alto or
tenor sax while the brass carry the signature riffs.
Also playable with optional reduced or expanded
instrumentations, this one will be great fun for
younger players!
10842291 Jazz Ensemble . . . . . . . . . . 40.00
Yesterday—Lennon & McCartney/arr. Rick
Stitzel. One of the all-time great songs from the
Beatles, Yesterday truly has become a modern
day standard! This well scored arrangement for
young jazz ensembles features a brief tenor solo,
beautiful counterlines, and an overall rich sound
that will be impressive in concert or as a change of
pace chart for festivals. Suggested solo and scale/
chord sheet provided. Optional reduced or expanded
instrumentations. Includes CD. Highly recommended!
10188524 Jazz Ensemble . . . . . . . . . . 40.00
You Are the Sunshine of My Life—Stevie
Wonder/arr. Paul Murtha. This is one of Stevie
Wonder's signature hits from the 1970s, and here
is a masterfully arranged easy version in a light
bossa style. The trombones grab the spotlight in
the beginning and again at the end. In between, the
saxes and trumpets take turns with the melody, and
there are short written or ad lib solos for trumpet
and alto sax. Playable with optional reduced or
expanded instrumentations, this one also includes
bass lines and piano voicings that are completely
written. It's great for programming variety, and it's
highly recommended!
10522946 Jazz Ensemble . . . . . . . . . . 40.00
You Can't Stop the Beat (from Hairspray)—
arr. John Berry. From the hit musical "Hairspray,"
here is the show-stopping production number in
a dynamic arrangement for younger ensembles.
Featuring a fast-paced rock groove and hard-hitting
brass figures, this is sure to sound impressive with
almost any jazz band. It's a bright rocker filled
with fun, excitement and attitude. There are no
solos and the bass line is pure fun to hear and
play. Playable with optional reduced or expanded
instrumentations, this chart is highly recommended!
10667348 Jazz Ensemble . . . . . . . . . . 40.00
You're Still a Young Man—arr. Mike Story.
Here's a soulful yet accessible treatment of this
Tower of Power hit song. This chart is played at
about 128 bpm in 3/4 time, and the trumpet 1
range is to written E top space. Including a written
tenor sax 1 melody solo, it's a superb chart in
every respect. Playable with optional reduced or
expanded instrumentations. Highly recommended!
10452082 Jazz Ensemble . . . . . . . . . . 42.00
Pop Hits
Medium-Easy
Africa—Paich & Porcaro/arr. Ralph Ford. Here's
a wonderful take on the group Toto's classic rock
tune from the '80s. It's solidly scored throughout
and sounds amazingly like the original while
remaining accessible for developing jazz bands.
With nice dynamic contrasts, an uncomplicated
melodic line, and a medium rock groove, this chart
is one that younger players can really dig into, yet
it will sound mature when performed by a more
advanced group. More features include: half-note
tempo of 90 bpm; written or ad lib solos for alto sax
1 and trombone 1; trumpet 1 range to written G on
top of the staff; and optional parts for flute, clarinet
and vibes. Great tune, fine chart!
10513875 Jazz Ensemble . . . . . . . . . . 48.00
H
Ain't No Sunshine—Bill Withers/arr. Rick Stitzel.
Originally recorded in the 1970s, Bill Withers'
distinctive slow rocker has become a classic. The
minor mode adds to the flavor, and this version for
younger players skillfully passes the melody from
section to section. Also included is a solo for tenor
sax. A suggested solo is included along with chord/
scale sheets in all keys. Soulful groove!
10283144 Jazz Ensemble . . . . . . . . . . 45.00
At Last—Harry Warren/arr. Dave Mills. This
beautiful ballad made famous by the great Etta
James makes a perfect change of pace for any
concert. Featuring a sultry tenor saxophone solo
sprinkled with melodic replies from other sections
and lush chords, this one really dazzles. There are
improvised solos for piano and tenor sax before
the full ensemble returns to close out this dreamy
ballad. Highly recommended!
10752061 Jazz Ensemble . . . . . . . . . . 65.00
4 Bad to the Bone—George Thorogood/arr. Allen
Gray. This was a big hit for George Thorogood and
the Destroyers, and this down n' dirty, bluesy shuffle
version is the perfect vehicle for showing some
attitude and flexing your band's blues muscles.
With big brass hits and a melody your crowd will
instantly recognize, this chart roars. The improvised
solo sections are in everyone's favorite solo keys of
B-flat and E-flat. This is definitely one to check out!
10881452 Jazz Ensemble . . . . . . . . . . 65.00
The Bare Necessities (from "The Jungle Book")
—arr. John Wasson. From "The Jungle Book,"
this timeless classic appeared in the original movie
as well as the latest blockbuster hit. With a jaunty
2-beat swing style and well-known melody, this
one is impossible not to like. This carefully crafted
arrangement requires no solos, but features every
section of the band with the trombones first,
followed by the saxes and finally trumpets. Smart,
stylish and pure fun!
10617908 Jazz Ensemble . . . . . . . . . . 45.00
Beat It—Michael Jackson/arr. Dallas Burke. From
the best-selling album of all time, Thriller, this rock
classic from Michael Jackson makes a superb jazz
band tune your students and audiences will enjoy.
The brass get a chance to shine in a range that's
right in the pocket and there are short written or ad-
lib solos to feature alto sax, tenor sax and trumpet.
Don't miss the short, but effective a cappella
section. Bass trombone and bari sax players will
dig playing this bass line!
10456814 Jazz Ensemble . . . . . . . . . . 65.00
H Brick House—arr. Paul Murtha. It is absolutely
impossible to find a funkier tune than this R&B hit
from the 1970s courtesy of The Commodores. This
chart has it all, from the trademark bass riff to the
ensemble punches and melodic hooks. Bring down
the house as you groove on this one!
2479363 Jazz Ensemble . . . . . . . . . . 45.00
H Bridge Over Troubled Water—Paul Simon/
arr. Paul Baker. Paul Simon's soulful rock ballad
is set here at 88 bpm, and as arranged by Paul
Baker is sure to please! The melody is first stated
by trumpet 2 and tenor sax, there are no improvised
solos, and the trumpet 1 range is to written G on top
of the staff. This chart also features great dynamic
contrasts and a satisfying vamp toward the end.
Optional wind and vibes parts are included for
expanded instrumentations. Highly recommended!
10452102 Jazz Ensemble . . . . . . . . . . 48.00
Can't Stop the Feeling (from Trolls)—arr.
John Wasson. Topping the charts as well as being
featured in the movie "Trolls," this hit song from
Justin Timberlake features a catchy hook along
with an energetic rock style. The saxes begin with
the melody followed by the trumpets and there's a
short written or ad lib solo for trumpet. Additional
features include chord/scale sheets in all keys,
written-out bass lines and piano voicings. Here is
a great-sounding chart for developing players!
10667340 Jazz Ensemble . . . . . . . . . . 45.00
H
Cool (from "West Side Story")—Leonard
Bernstein/arr. Mark Taylor. From one of the most
famous musicals of all time, here is the swinging
and aptly titled Cool. Mark Taylor's version for
developing players remains true to the original but
adds a touch of contemporary flair with the melody
passed from section to section and written or
improvised solo space for trumpet. Timeless!
10083826 Jazz Ensemble . . . . . . . . . . 45.00
Dancing in the Street—arr. John Wasson.
Recorded in 1964 by Martha Reeves and the
Vandellas, this moderate tempo rocker became a
signature of the Motown sound. John Wasson's
soulful version for jazz ensemble stays true to the
original feel while adding a bit of contemporary flare.
10317279 Jazz Ensemble . . . . . . . . . . 45.00
4 Despacito—arr. Paul Murtha. Setting records for
most views on YouTube and topping the pop charts
in several countries, Despacito was recorded by
Puerto Rican singer Luis Fonsi with rapper Daddy
Yankee (and later remixed with Justin Bieber). With
its infectious Latin pop style and catchy melody,
here is a great sounding and effective version for
jazz ensemble!
10842281 Jazz Ensemble . . . . . . . . . . 45.00
Don't Stop Believin'—arr. Paul Murtha. From the
group Journey, this powerful rock ballad from 1981
has enjoyed renewed popularity thanks to the hit TV
series Glee as well as multiple uses in film and even
on Broadway. Sure to be a hit with audiences and
players alike!
10083822 Jazz Ensemble . . . . . . . . . . 45.00
Don't Stop Believin'—arr. Paul Baker. Hey rock
fans, here's a powerful rock ballad made famous
by Journey, arranged for young jazz ensemble.
From the opening line, this chart is magical to the
band and the audience. It has no jazz solos, but
if you have a guitar player, the arrangement has
an optional written guitar melodic line that's also
written for trumpets. A great classic and highly
recommended! Optional expanded instrumentation.
10093155 Jazz Ensemble . . . . . . . . . . 48.00
Enter Sandman—arr. Roger Holmes. From heavy
metal masters Metallica, this 1991 hit is one your
players can really cut loose on. Arranged here as a
feature for guitar, performance options are provided
for bands without guitar. All of the signature lines
are still here for a rockin' good time!
10023031 Jazz Ensemble . . . . . . . . . . 45.00
BEST
SELLERS
Pop
Medium-Easy
Buy with confidence! These works, listed in
order of their popularity, are chosen most often
by directors.
Africa—Paich & Porcaro/arr. Ralph Ford.
10513875 Jazz Ensemble . . . . . . . . . . . . .48.00
Can't Stop the Feeling (from "Trolls")—
arr. John Wasson.
10667340 Jazz Ensemble . . . . . . . . . . . . .45.00
Vehicle—James Peterik/arr. Ralph Ford.
10011915 Jazz Ensemble . . . . . . . . . . . . .48.00
Wipe Out—arr. Dallas Burke.
10752093 Jazz Ensemble . . . . . . . . . . . . .65.00
I Want You Back—arr. John Wasson.
10297517 Jazz Ensemble . . . . . . . . . . . . .45.00
You're Welcome (from "Moana")—
Lin-Manuel Miranda/arr. John Wasson.
10759346 Jazz Ensemble . . . . . . . . . . . . .45.00
Free Ride—arr. John Wasson.
10667342 Jazz Ensemble . . . . . . . . . . . . .45.00
Faith (from "Sing")—arr. Paul Murtha.
10759348 Jazz Ensemble . . . . . . . . . . . . .45.00
At Last—Harry Warren/arr. Dave Mills.
10752061 Jazz Ensemble . . . . . . . . . . . . .65.00
Cool (from "West Side Story")—
Leonard Bernstein/arr. Mark Taylor.
10083826 Jazz Ensemble . . . . . . . . . . . . .45.00
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