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JAZZ
ENSEMBLE
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LATIN medium
4 Gimme Samba Dat!—Chris Sharp. Opening with
a catchy unison ensemble lick, this chart is a samba
reminiscent of the Antonio Carlos Jobim style.
It features alto sax 1 and trumpet 2 on the lead
melody and solos for each that can be improvised
or played as written. This hot, cookin' samba with
its nice ensemble and sectional passages includes
ranges and rhythms that fall into the moderate
category. Exciting and powerful!
10910604 Jazz Ensemble . . . . . . . . . . 55.00
4 Guantanamera—arr. Michael Philip Mossman.
This well-known Cuban song composed by
Jose Fernandez Diaz has been recorded by
countless artists through the years, and
receives a standout contemporary setting for
full jazz ensemble from Latin master Michael
Mossman. Arranged in a moderate "Guajira"
style, this chart features classy harmonizations
and smooth ensemble passages. The solo
section, optional for any instrument, is followed
by an out chorus that is built up in layers starting
with the rhythm section. Suggested solos and
chord/scale sheets in all keys are included.
Beautifully and effectively arranged!
10842271 Jazz Ensemble . . . . . . . . . . 50.00
I Wanna Be Like You—Sherman & Sherman/
arr. John Wasson. What happens when one of
the hottest swing bands in the land cuts loose
on a Disney classic? Cranked up excitement!
Big Bad Voodoo Daddy takes a mambo spin on
I Wan'na Be Like You from "The Jungle Book,"
and with lots of tutti writing, your band will get a
real powerhouse sound!
2433704 Jazz Ensemble . . . . . . . . . . 50.00
It Don't Mean a Thing (If It Ain't Got That Swing)
—Duke Ellington/arr. Ralph Ford. You may think
this very clever chart is all swing, but it begins as
Latin then alternates with a swing feel. The tempo
is bright at around 190-200 bpm with suggested
solos for trumpet and tenor sax, a few piano
montunos, and a big shout chorus leading to a
huge ending closing this fine chart appropriately.
Additional wind parts and a vibes part are
included for optional expanded instrumentations.
Highly recommended!
10756380 Jazz Ensemble . . . . . . . . . . 48.00
Just Friends—John Klenner/arr. Scott Ragsdale.
The jazz classic Just Friends is set here as a
trombone section feature with a samba groove.
This superb chart with a lyrical melody also
features written or ad lib solo space for trombones
1 and 2, excellent and accessible trombone solis,
and a lead trumpet range to written A above the
staff. Give the 'bones some of the spotlight with
this exceptional arrangement!
10311435 Jazz Ensemble . . . . . . . . . . 52.00
Let's Get Loud—Estefan & Santander/arr.
Rich Woolworth. As written by Gloria Estefan
and Kiki Santander, this Latin pop tune was a
huge hit for Jennifer Lopez. Here, in the hands
of Rich Woolworth, it translates into an extremely
awesome jazz band chart. With tons of Latin flair
in the rhythm section and tasty horn licks, this one
will be lots of fun to play and perform before your
adoring audiences!
10752081 Jazz Ensemble . . . . . . . . . . 65.00
Mambo Over the Mountain—Rick Hirsch.
This catchy mambo is built almost entirely on the
rhythmic figure clapped in the first two bars. Its
authentic mambo flavor is a blast to play. After
two bars of hand claps, it's winds only, then the
rhythm section is layered in. Nice combinations
of instrumental textures keep things interesting
throughout. The solos can be opened up for as
many players as desired, there are optional parts
included for expanded instrumentations, and
don't miss the highly effective drum/percussion-
only interlude near the end! This is a great chart
with a lot of substance.
10734986 Jazz Ensemble . . . . . . . . . . 60.00
Manteca—Dizzy Gillespie/arr. Mike Tomaro.
Dizzy Gillespie was a master of combining Latin
influences with the jazz idiom. This medium
tempo arrangement of one of his best-known
compositions really sizzles for jazz ensemble.
2384543 Jazz Ensemble . . . . . . . . . . 55.00
Mi Mentor, Mi Amigo—Erik Sherburne. Erik
Sherburne's exciting samba chart is very playable
and very melodic. A unique and highly effective a
cappella introduction leads to themes that allow
the chart to settle into a distinct groove before
the solos. A powerful interlude leads to a strong
ensemble section before returning to melodies from
the opening section. Sure to become a favorite, this
chart is highly recommended!
10757087 Jazz Ensemble . . . . . . . . . . 52.00
Naima—John Coltrane/arr. Craig Skeffington. One
of Coltrane's favorites and played by jazz musicians
everywhere, this sweet bossa chart is magical.
It opens with alto 1 on the written melody, then
the sax section, followed by the brass taking the
bridge. Features include a very nice, written tenor
solo and lead trumpet range to written B-flat above
the staff. Perfect for any jazz performance, you'll
be delighted with Naima! Highly recommended!
Optional expanded instrumentation.
10093179 Jazz Ensemble . . . . . . . . . . 52.00
A Night in Tunisia (Little Big Band)—Gillespie &
Paparelli/arr. Michael Mossman. Michael Mossman
takes Dizzy Gillespie's signature tune into new
territory, with a touch of mambo in this distinctive
arrangement for little big band. A perfect way to
showcase a trumpet soloist, the full ensemble also
plays an important role in this sophisticated and
dynamic arrangement for six horns and rhythm
section. Instrumentation: 3 Saxes; 2 Trumpets;
1 Trombone plus Rhythm Section. For flexibility,
optional parts are included for Alto and Tenor Saxes
and Trombone.
10317258 Jazz Ensemble . . . . . . . . . . 45.00
On Green Dolphin Street (Little Big Band)—
arr. Mike Tomaro. This American popular tune
is a "must know" in the standard jazz repertoire.
Set here in a smooth samba groove, Mike Tomaro
takes full advantage of the six horn format. The solo
space is flexible for any player. Instrumentation:
ATB Saxes; 2 Trumpets; 1 Trombone and rhythm
section with optional parts included for Alto Sax,
Tenor Sax and Trombone.
10775164 Jazz Ensemble . . . . . . . . . . 45.00
H Perdido—Juan Tizol/arr. Victor Lopez. Mambo!
Arranger Victor Lopez has masterfully intertwined
a mambo and a swing feel in this great Juan Tizol
jazz classic. Featuring a fully notated tenor sax solo,
lead trumpet range to written A, a brief sax soli and
lots of excitement throughout, this chart is pure
fun to hear and play! Don't be "lost", play Perdido!
Optional expanded instrumentation.
10093181 Jazz Ensemble . . . . . . . . . . 52.00
4 Porto Alegre—Ryan Fraley. A driving samba with
modest ranges and a fiery sax soli section, Porto
Alegre features carefully notated rhythm section
parts, suggested piano voicings, a transcribed solo
for trombone and/or trumpet, and great input from
every section. The entire ensemble gets in on the
action and there are optional parts for flute/violin,
clarinet and F horn, with the lead trumpet range to
written F top of staff. A fresh approach to jazz for
developing ensembles!
10881872 Jazz Ensemble . . . . . . . . . . 52.00
4 Puente Arriba!—Robert Skiles/arr. Paul Baker.
Puente Arriba! takes a trip to Mexico, opening
with a bravura solo trumpet cadenza before the
bass sets up the samba groove. The saxes enter
with the melody and are answered by the brass in
counterpoint. Lots of unison writing provides power
and confidence while energy and orchestration
continue to build throughout the melody and
provide a strong send off to the trombone and
trumpet soloists. The trumpet range is to written
B-flat. An interlude follows the solos and leads to
a sax soli and shout section before returning to the
final "A" section and a rousing finish. Dynamic and
exciting throughout!
10882939 Jazz Ensemble . . . . . . . . . . 50.00
H Jazz Play-Along Volume 25-Christmas Jazz—Various Composers.
Now virtually any instrumentalist can enjoy ten of the most popular holiday
classics and work on improvisation at the same time! The professionally recorded
play-along CD can be used as a split-track with melody, without the bass or piano,
or with rhythm section in stereo. Each song is notated as a jazz lead sheet, with
melody, chord symbols, and room to improvise. Contents: Frosty the Snowman;
The Christmas Song; (There's No Place Like) Home for the Holidays; I Heard the
Bells on Christmas Day; I'll Be Home for Christmas; Snowfall; The Christmas Waltz;
Let It Snow! Let It Snow! Let It Snow!; Silver Bells and Rudolph, the Red-Nosed
Reindeer. All the lyrics are included in the back pages of the book.
2476901 Flexible Book/CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16.99
H
Jazz Play-Along Volume 52-Stevie Wonder—Stevie Wonder. For use
with all Bb, Eb and C instruments, this series is the ultimate learning tool for jazz
musicians. With musician-friendly lead sheets, melody cues and other split-track
options on the included CD, this first of its kind package makes learning to play
jazz easier than ever before. FOR STUDY: Each tune includes a split track with
melody cue with proper style and inflection; professional rhythm tracks, choruses
for soloing and removable bass and piano parts. FOR PERFORMANCE: Each
tune also has an additional full stereo accompaniment track with no melody and
additional choruses for soloing. Contents: Bird of Beauty; I Just Called to Say I
Love You; I Wish; Isn't She Lovely?; My Cherie Amour; Part Time Lover; Ribbon in
the Sky; Sir Duke; Too High and You Are the Sunshine of My Life.
10009984 Flexible Book/CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16.99
H
Jazz Play-Along Volume 66-A Charlie Brown Christmas—
Vince Guaraldi.
Everyone knows these fantastic titles from the Charlie Brown
TV specials, and now here's a chance to play along and learn them with a
professional rhythm section track! Contents: Christmas Is Coming; The Christmas
Song (Chestnuts Roasting on an Open Fire); Christmas Time Is Here; Linus and
Lucy; My Little Drum; O Tannenbaum; Skating; and What Child Is This? For use
with all Bb, Eb and C instruments.
10023734 Flexible Book/CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16.99
Jazz Play-Along Volume 150-Jazz Improv Basics (The All-Purpose
Reference Guide Jazz Play-Along)—Joe Charupakorn.
In this special
instructional edition, technical concepts used in jazz improvising are covered in
detail...from scales to chord progressions to ii-V-I patterns. And in true Jazz Play-
Along fashion, there are also plenty of play-along tracks based on common chord
progressions and songs, so you can apply the concepts you learn right away in
context. Topics covered include: essential chord-to-scale relationships; making
music with scales; chord tones; adding chromatics; other scales; fundamental
harmony; the ii-V-I progression; advanced harmony; "must-know" progressions;
improvising; modern concepts in improvising and suggested listening. For use
with all B-flat, E-flat, C and Bass Clef instruments.
10191750 Flexible Book/CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19.99
l
Jazz Play-Along Volume 178-Jazz/Funk (Nine Favorite Tunes)—
Various Composers.
Includes nine jazz/rock/fusion classics: Always There; The
Chicken; Cissy Strut; Compared to What; Listen Here; Put It Where You Want It;
Sookie Sookie; Westchester Lady and Winelight. The audio files include exclusive
PLAYBACK+, a multi-functional audio player that allows you to slow down audio
without changing pitch, set loop points, change keys, and pan left or right.
10633181 Flexible Book/Online Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . .16.99
FAVORITES
in the JAZZ
PLAY-ALONG SERIES
For use with all Bb, Eb, C and Bass Clef instruments, the Jazz
Play-Along Series is the ultimate learning tool for jazz musicians.
With musician-friendly lead sheets, melody cues and other split-
track options on the CDs or online audio files, these packs make
learning to play jazz easier than ever before. To see more than 180
volumes in this series go to jwpepper.com/jazzplay.
