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CLASSICAL
FULL
ORCHESTRA
He Amadeus (from Symphony No. 25)—W.A.
Mozart/arr. Jamin Hoffman. Symphony No. 25
begins with one of Mozart's most recognized
themes, as heard in the classic Oscar-winning
film "Amadeus." Hoffman has placed the first
movement in an accessible, practical format
that can be performed by school orchestras with
confidence.
10062533 Full Orchestra . . . . . . . . . . . . . . 65.00
10084749 Additional Score. . . . . . . . . . . . . 5.00
And the Glory—G.F. Handel/arr. Clark McAlister.
A triumphant and joyful arrangement for full
orchestra, this excerpt from "Messiah" will need
no words, partially because the work is so well
known and partially because the arrangement so
captures the spirit and verve of the original choral
version.
10738682 Full Orchestra . . . . . . . . . . . . . . 40.00
10738695 Additional Score. . . . . . . . . . . . . 6.00
He Bacchanale (from "Samson and Delilah")—
Camille Saint-Saens/arr. Merle Isaac. This
haunting Saint-Saens theme is a favorite of
audiences everywhere and is a great change of
pace on any program.
2143592 Full Orchestra . . . . . . . . . . . . . . 69.00
4 Chaconne—Jean-Philippe Rameau/arr. Douglas
Stroud. This chaconne has been edited from
the 1736 version of Les Indes galantes. This
arrangement for small orchestra reflects the style
of the period, offering a bright and melodic treat
seldom heard today.
10882305 Full Orchestra . . . . . . . . . . . . . . 55.00
10882306 Additional Score. . . . . . . . . . . . 12.00
e Farandole (from "L'Arlesienne Suite No.
2")—Georges Bizet/arr. Merle J. Isaac. This
spirited, well-loved work by Georges Bizet is an
absolutely delightful work for both rehearsal and
performance!
2156024 Full Orchestra . . . . . . . . . . . . . . 73.00
4956280 Additional Score. . . . . . . . . . . . . 7.00
He Finlandia—Jean Sibelius/arr. Owen Goldsmith.
There's a cold mystique about this work from
Finland's most famous composer, but at its heart
is a warmth that overflows with beauty. Well
known to many listeners, Finlandia displays a
strong sense of nationalistic strength in its mighty
brass and soaring strings. Owen Goldsmith's
adaptation eliminates a few of the technical
difficulties and includes generous cross-cuings.
The brass double tonguing is still there, but so is
all the power!
2376036 Full Orchestra . . . . . . . . . . . . . . 80.00
5627229 Additional Score. . . . . . . . . . . . . 9.00
e The Firebird—Igor Stravinsky/arr. Jack Bull-
ock. This thrilling selection provides a great intro-
duction for younger players to Stravinsky! This
transcription provides access at the perfect level.
10453875 Full Orchestra . . . . . . . . . . . . . . 55.00
10453917 Additional Score. . . . . . . . . . . . . 7.00
e The Holberg Suite—Edvard Grieg/arr. Victor
Lopez. With string parts as close to the original
as possible, this full-orchestra arrangement of
two movements from Grieg's "Holberg Suite"
is superb! It may be performed by string or
full orchestra, and, for ultimate flexibility, each
movement can be performed alone. Featuring
the Sarabande and the Gavotte, careful attention
has been paid to maintain the original intentions
of the composer.
10594781 Full Orchestra . . . . . . . . . . . . . . 73.00
10594825 Additional Score. . . . . . . . . . . . 10.00
He Jupiter - Bringer of Jollity (from "The
Planets")—Gustav Holst/arr. Vernon Leidig.
This magnificent work by Gustav Holst is now
available in a quite playable arrangement for
school orchestras.
2155315 Full Orchestra . . . . . . . . . . . . . . 73.00
He Marriage of Figaro—W.A. Mozart/arr. Merle
J. Isaac. Here's Mozart's most famous overture,
carefully arranged and edited by Merle Isaac.
Staying very true to the original, this one
challenges the strings, but often becomes their
favorite! An excellent opener or closer.
2127850 Full Orchestra . . . . . . . . . . . . . . 69.00
5761507 Additional Score. . . . . . . . . . . . . 9.00
4 Scherzo Colombine—Cecile Chaminade/arr.
Philip Clark. Chaminade wrote many wonderful
works, but few have been fully orchestrated.
This whimsical scherzo, reminiscent of a danse
macabre, brings out the depth and harmonic
richness of the original keyboard work with skillful
weaving of contrasting textures and graceful
melodic lines throughout the orchestra.
10882343 Full Orchestra . . . . . . . . . . . . . . 65.00
10882344 Additional Score. . . . . . . . . . . . 15.00
e Symphony No. 8 (First Movement)—Franz
Schubert/arr. Richard Meyer. Treat your students
to one of the most-loved symphonic movements
ever written by a master of the classical style in
this arrangement of the "Unfinished Symphony."
All of Schubert's unforgettably melodious themes
are present, and the composer's imaginative
orchestration has been carefully preserved. A
must for any young symphonic orchestra!
10738945 Full Orchestra . . . . . . . . . . . . . . 59.00
10738977 Additional Score. . . . . . . . . . . . . 9.00
4 War March of the Priests—Felix Mendelssohn/
arr. Joseph Goodwin. Though the opera may not be
immediately identifiable, this strong march is quickly
and easily recognized. It is a remarkable example of
Mendelssohn's melodic and harmonic gifts.
10882363 Full Orchestra . . . . . . . . . . . . . . 40.00
10882364 Additional Score. . . . . . . . . . . . 12.00
m e d i u m - a d v a n c e d
e Academic Festival Overture, Op. 80—
Johannes Brahms/arr. Louis Bergonzi. One
of Brahms' most performed works, this "very
boisterous potpourri of student songs" (J. Brahms)
is now playable by strings, or strings with any
combination of wind and percussion instruments
up to full symphonic instrumentation. Students
and audiences will enjoy its tunefulness, Brahms'
compositional craft, and the grand ending. If you
have just a string orchestra, try to add at least the
percussion parts. Special notation is included to
work on consistency of bow lifts, bow placement,
and phrasing.
10739913 String or Full Orchestra . . . . . . 73.00
10739914 Additional Score. . . . . . . . . . . . 11.00
e Berceuse and Finale (from "The Firebird
Suite")—Igor Stravinsky/arr. Merle Isaac. Here
is a classic arrangement being made available
to a new generation of students! The beautiful
Berceuse and exciting Finale of Stravinsky's
"Firebird Suite" are fantastic works of music and
will also be recognized as the climactic finale to
Disney's "Fantasia 2000!" Isaac's meticulous
arranging includes written cues for vital solos
to ensure playability and success. Give your
orchestra the chance to play this masterwork!
129064 Full Orchestra . . . . . . . . . . . . . . 69.00
e Danse Infernale—Igor Stravinsky/arr. Merle J.
Isaac. Here's is Merle Isaac's classic arrangement
of Stravinsky's Danse Infernale from the "Firebird
Suite." It will work hand in hand with his adaptation
of the Berceuse and Finale (Pepper #129064).
Treat your players and audience to some of the
best music from the 20th century!
2051043 Full Orchestra . . . . . . . . . . . . . . 75.00
e Fanfare for the Common Man—Aaron
Copland/arr. Robert Longfield. Probably the most
famous fanfare ever written! Now available in
a version written for the level of your orchestra!
Technical demands have been modified;
however, this superb adaptation still maintains all
the power and majesty of the original.
10033603 Full Orchestra . . . . . . . . . . . . . . 75.00
10042287 Additional Score. . . . . . . . . . . . . 5.00
He Procession of the Nobles—Nicolai Rimsky-
Korsakov/arr. Merle Isaac. This exciting arrange-
ment of this stirring work by Rimsky-Korsakov is
a powerful way to showcase your orchestra!
955294 Full Orchestra . . . . . . . . . . . . . . 73.00
4957973 Additional Score. . . . . . . . . . . . . 7.00
e Romeo and Juliet Overture—P.I. Tchaikovsky/
arr. Jerry Brubaker. A lovely transcription with
tasteful reductions that allow the advanced
orchestra or community orchestra to experience
Tchaikovsky's masterpiece in about half the
duration of the original. A must for any library!
10370686 Full Orchestra . . . . . . . . . . . . . . 73.00
10370689 Additional Score. . . . . . . . . . . . . 8.00
H Symphony No. 5 Finale—Dimitri Shostakovich/
arr. Stephen Bulla. One of the most notable
movements from Dimitri Shostakovich is
transformed into this superb new edition that is
well within the reach of most orchestras. Stephen
Bulla's arrangement is appropriately truncated
and carefully altered with key, range and
technique, with orchestration considerations for
today's school, festival and regional orchestras.
10042883 Full Orchestra . . . . . . . . . . . . . . 95.00
10054684 Additional Score. . . . . . . . . . . . 10.00
e Toccata—Girlamo Frescobaldi/arr. Hans Kindler.
Girolamo Frescobaldi composed this now-
famous melody in the 1600s. For over 300 years,
the Frescobaldi Toccata has been performed and
loved by generations! This transcription presents
a bold rendition that uses broad harmonic support
for the melody.
134015 Full Orchestra . . . . . . . . . . . . . . 69.00
Variations on a Shaker Melody (from
"Appalachian Spring")—Aaron Copland. This
tuneful and graceful excerpt from "Appalachian
Spring" is one of Copland's most "American"
works, famous for his use of the Shaker tune, Gift
to be Simple. Written primarily with dancer Martha
Graham in mind, Copland himself describes the
music as being much like Graham herself, "..she's
unquestionably very American: there's something
prim and restrained, simple yet strong, about
her which one tends to think of as American."
Orchestra Set contains strings: 8-8-6-6-6.
169292 Full Orchestra . . . . . . . . . . . . . . 90.00
5813597 Additional Score. . . . . . . . . . . . 15.50
14
R
Manage your program in one
place, in less time.
