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ORIGINAL CONCERT WORKS
a l l l e v e l s
e American Landscape—Soon Hee Newbold.
Inspired by train rides through the countryside, this
full orchestra work depicts our diverse landscape
- from vast plains to majestic mountains; from
forests and streams to towns and cities. Rich in
history and diverse cultures, the land tells many
stories as varied as the backdrop. The style and
spirit of the piece has influences from film and
other contemporary American composers. Enjoy
the soaring melodies and many colors of a cross-
country train ride through the multifaceted scenes
of America.
10752884 Full Orchestra . . . . . . . . . . . M 75.00
10752885 Additional Score. . . . . . . . . . . . . 5.00
Ancient Echoes of Time—Douglas E. Wagner.
Expansive harmonies and soaring tunes combine
to present an imaginative musical landscape that
explores the tonal facets of the orchestra. This
dynamic and colorfully scored original is playable
by strings alone or full orchestra.
10522573 String or Full Orchestra . . ME 55.00
10522574 Additional Score. . . . . . . . . . . . . 9.00
Appalachian Morning—Robert Sheldon.
Acknowledge the Scottish and Irish pioneers
of Appalachia with a musical walk through the
woods and mountains of the Cumberland Gap.
This lovely composition allows for a moment of
reflection and lyrical expression on any concert
program.
10522599 Full Orchestra . . . . . . . . . . ME 65.00
10522600 Additional Score. . . . . . . . . . . . 10.00
Cumberland Cross—Carl Strommen. Sure to
delight, the central portion of this original piece
brings the unrestrained exuberance of bluegrass
fiddling to the orchestra. In a lovely contrast,
the piece opens and closes with a slow chorale,
bringing to mind sunset and sunrise over the
mountains.
10522571 Full Orchestra . . . . . . . . . . ME 59.00
10522572 Additional Score. . . . . . . . . . . . . 9.00
e Dark Adventure—Ralph Ford. It's ghostly!
It's creepy! Your orchestra will love it! From the
driving opening motives to the quirky gypsy-
sounding theme, this is haunted-house music at
its best! You can play this with either full or string
orchestra, but the percussion section is really
vital and should be used in both cases. This is
recommended and will thrill and delight your
audience! A winner!
2466837 String or Full Orchestra . . ME 59.00
5972599 Additional Score. . . . . . . . . . . . . 8.00
e Engines of Resistance—Larry Clark. You will
want to program this thrilling music often! As the
title implies, there is dramatic tension between
opposing forces in the orchestra: a light ostinato
pattern opposes a heavy, aggressive melody;
bursts of percussion ring out against quieter
moments in the orchestra, and all these conflicting
elements come together for an incredible finish!
Can be performed as strings and percussion, or
as a full orchestra. A contest winner!
2416675 String or Full Orchestra . . . E 59.00
5800651 Additional Score. . . . . . . . . . . . . 8.00
Legacy—Robert Longfield. This outstanding
original work in D minor exists for both band
and full orchestra. It is rich, full, and vibrant, with
exciting parts for all players.
10738685 Full Orchestra . . . . . . . . . . . M 60.00
10738698 Additional Score. . . . . . . . . . . . 15.00
Lux Aurumque—Eric Whitacre. Upon reading
Edward Esch's poem Light and Gold, Eric Whitacre
was immediately struck by its genuine, elegant
simplicity. He asked the celebrated American poet
Charles Anthony Silvestri to translate it into Latin
for his seminal Lux Aurumque for mixed choir a
cappella. A simple approach was essential to the
success of the work, and he waited patiently for
the tight harmonies to shimmer and glow. The
transcription for full orchestra was premiered by
the Minnesota Orchestra.
10678236 Full Orchestra . . . . . . . . . . M 125.00
e A Matador's Tale—Mark Lortz. With traditional
Spanish flair, this programmatic work depicts a
bullfight, beginning with the matador's fanfare
entrance. After the various stages of the fight, the
music comes to a rousing end. The many doublings
in this intermediate work allow orchestras to play
it with missing instrumentation.
10696520 Full Orchestra . . . . . . . . . . . M 65.00
10696521 Additional Score. . . . . . . . . . . . . 9.00
e Millennium—Richard Meyer. This
contemporary-sounding overture is extremely
powerful and full of emotion from beginning to
end. Richard Meyer's colorful and imaginative
scoring features every section of the symphony
orchestra, resulting in a wonderfully mature-
sounding, yet playable, tour de force for the
student orchestra.
2397792 Full Orchestra . . . . . . . . . . ME 73.00
e On Top of the World—Brian Balmages. This
invigorating overture is a celebration of achieve-
ment and seeks to portray the feeling of standing
on top of the world. Featuring memorable themes
and vibrant fanfares, this is a powerful way to
begin your concert and involve your winds and
percussion a great deal.
10752898 Full Orchestra . . . . . . . . .MA 120.00
10752899 Additional Score. . . . . . . . . . . . 14.00
e A Pirate's Legend—Soon Hee Newbold/arr.
Carl Rydlund. Experience the high seas with this
programmatic work for full orchestra complete
with mystery, adventure, sword battles and
buried treasure. A multitude of effects add to the
drama and intensity, including the unique sound
of glissando cello harmonics simulating the sound
of seagulls on a desert island. Includes optional
parts for your concert band members as well (not
playable by concert band alone).
10454287 Full Orchestra . . . . . . . . . . . M 90.00
10454320 Additional Score. . . . . . . . . . . . 10.00
He Rites of Tamburo—Robert W. Smith. Entrancing
instrumental colors burst into splashes of energy
from the brass and rhythm sections, biting
dissonances abound, and a constant surge of
excitement flows through the piece. There's even
a measure where the brass are invited to "pick-a-
note" as they crescendo into a resolving chord...
a really neat effect!
2440741 String or Full Orchestra . . . M 65.00
5957618 Additional Score. . . . . . . . . . . . 10.00
e Second Storm—Robert W. Smith. Inspired
by the devastating hurricane season during the
summer of 2004, this begins with a melodic "calm
before the storm" introduction; and as the fury of
Mother Nature is unleashed, the work develops
using strong unison impacts with driving rhythmic
figures to capture the intensity of the event in
sound. Your intermediate orchestra will sound big
and bold.
2481119 String or Full Orchestra . . ME 65.00
10005397 Additional Score. . . . . . . . . . . . . 9.00
e Summer Dances—Brian Balmages. Dramatic,
heroic and stately, this incredible work originally
for concert band is now available for full
orchestra. A proven winner that takes advantage
of the fantastic textures uniquely available to the
combination of winds, percussion and strings.
Impressive!
10366880 Full Orchestra . . . . . . . . .MA 100.00
4e Waltz—Ilari Hylkila. A wistful new work for
full orchestra, influenced by great romantic
composers like Dmitri Shostakovich. Waltz is
suitable for both professional orchestras and
amateur groups. Duration ca. 2:40.
10843440 Full Orchestra . . . . . . . . . . . M 59.00
e Warrior Legacy—Soon Hee Newbold. Explore
the heroes and warriors of myth and legend in an
epic work for full orchestra. Additional wind parts
are included with the set, making it suitable for
combined strings and full band. The cinematic-
type score features various solos throughout,
finishing with a riveting 12/8 section. Intense!
10366890 Full Orchestra opt. Concert
Band Parts . . . . . . . . . . . . ME 95.00
4 Wonder—Britt Burns. The inspiration behind this
cinematic work for full orchestra comes from a
quote: "The difference between a question and
wonder is that with wonder, we are not looking
for an answer." Musically explore the concept of
simply accepting the unknown, and be immersed
in the mystery of our universe.
10909205 Full Orchestra . . . . . . . . . . MA 90.00
10909206 Additional Score. . . . . . . . . . . . 15.00
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