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4 Editors' Choice l New Publication H Pepper Basic Library u A Cappella eAvailable via ePrint L Available in Large Print All Prices in U.S. Dollars & Subject To Publisher Revision
Pie Jesu
Victor C. Johnson.
This luscious and sensitive setting of the traditional Latin text exudes a
gentle simplicity, with soaring melodic lines and a fluid accompaniment. A
pronunciation and translation guide is provided.
10590502 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1.95
10443059 Three-Part Mixed . . . . . . . . . . . . . . . . . . . . . . . .1.95
10443060 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1.95
10953825 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1.95
10953825L SSA Large Print . . . . . . . . . . . . . . . . . . . . . . . . .1.95
10457512 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26.95
A Prayer of Compassion
Gwyneth Walker.
This sensitive, prayerful, and approachable setting of text from the Psalms
and Whitter's Divine Compassion contains reflective moments that give
way to grandness while bringing forward the message that in today's
world of increasing violence, and global awareness of atrocities, we are
often challenged to remain sensitive to suffering, to respond with "a heart
that still can feel and eyes that can still weep."
10953632 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.05
Psalm 150
Michael John Trotta.
A dynamic a cappella original with a festival feel! The opening chordal
style introduces a jubilant motive in the upper voices that gives a solid
foundation for the contrasting bass part. A contrasting middle section
gives the opportunity to teach lyrical tone and phrasing. The work finishes
with a soaring optional descant or solo. In Latin throughout, with the
English translation included. Exciting!
10947977 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.35
10947977L SATB Large Print . . . . . . . . . . . . . . . . . . . . . . . .2.35
The Road Not Taken
Douglas E. Wagner.
"Two roads diverged in a wood, and I - I took the one less traveled by,
and that has made all the difference." The timeless poetry of Robert Frost
is poignantly captured in this beautiful setting for mixed or treble choirs.
With an expressive and supportive piano accompaniment, this piece is a
wonderful selection for concert or festival.
1910835 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1.85
10953859 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.10
10953859L SSA Large Print . . . . . . . . . . . . . . . . . . . . . . . . .2.10
Shenandoah
arr. Brad Printz.
An exquisite setting of the beloved folk song for treble choirs!. The
arrangement includes a flowing piano accompaniment that imitates
sounds of a rolling river, while lush choral harmonies support the well-
known melody in a style that showcases tone and musicality. A superb
choice for concert or festival use!
10953856 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.10
10953856L SSA Large Print . . . . . . . . . . . . . . . . . . . . . . . . .2.10
Sing
Pinkzebra.
This inspirational song encourages you to find your own voice and to
feel empowered to have an impact on the world. Uplifting, positive, and
joyful, this song is a perfect fit for any concert or ceremony, celebrating
both beginnings and endings. Through it all - we sing! The orchestral
arrangement as heard in the recording is available separately and includes
parts for strings, harp, celesta, and suspended cymbal as well as a
conductor score.
10945721 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.25
10945722 SAB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.25
10945724 Two-Part or SA . . . . . . . . . . . . . . . . . . . . . . . . .2.25
10945723 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.25
10945726 Instrumental Parts . . . . . . . . . . . . . . . . . . . . . .45.00
Non Nobis, Domine
Franz Joseph Haydn/arr. Geoffrey Edwards.
One of the most effective ways of introducing part-singing to an ensemble
is through the canon. In this concertized Haydn work, all voices sing the
melody in unison at the beginning, then split into a two-part melodic
canon. The Latin text and approachable Classical style create an effective
training piece for developing treble ensembles that doubles as a stand-out
concert selection.
10953846 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1.95
10953846L Two-Part Large Print . . . . . . . . . . . . . . . . . . . . .1.95
O Love
Elaine Hagenberg.
This beautiful setting of George Matheson's familiar hymn text functions
perfectly in both sacred or secular settings. Here, O Love is given a fresh
new melody with equally refreshing and gorgeous harmonies. You will not
want to miss this for use as a sacred meditation in a worship service or in
a concert setting as a tribute to the glory of love itself. Simply stunning!
10667410 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.15
10667410L SATB Large Print . . . . . . . . . . . . . . . . . . . . . . . .2.15
10954544 SSAA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.25
10954546 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.25
10954547 Instrumental Parts Cello . . . . . . . . . . . . . . . . . . .2.95
O Vos Omnes
Robert Wall.
A complex and compelling a cappella setting of the traditional Latin text.
While maintaining the flavor of what an O Vos Omnes should be, beautiful
tone clusters, open harmonies, and divisi that form large dense chords
bring new life to the ancient text.
10956696 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.00
Oh, What a Beautiful Mornin' (from "Oklahoma!")
Richard Rodgers & Oscar Hammerstein II/arr. Ken Berg.
Here is the opening song from the Pulitzer Prize-winning musical
"Oklahoma!" in a unique arrangement. The positive message and
contemporary jazz-influenced harmonies in this concert setting of the
show tune feature the choir, soloists, and multiple small sections. A
wonderful piece for developing artistry in developing treble choirs!
10954036 Two-Part or SA . . . . . . . . . . . . . . . . . . . . . . . . .2.15
Out of the Dark
Jim Papoulis.
Middle school can be a difficult time in the life of a student, often filled
with feelings of inadequacy and self-doubt. The composer explored
this topic with middle school students in a songwriting workshop, and
the students discovered that they are not alone with their feelings of
self-doubt; that even adults struggle with these feelings. These students
also discovered that they have the ability to be strong and find inspiration
from within. The music reflects these moments of discovery with rhythmic
forces. There is a vulnerable honesty in this music, an honesty that will
resonate with young people.
10954056 SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.25
Pamoja (Together)
Mark Burrows.
Adapted from an African proverb, this up-tempo original teaches the
positive life message of togetherness. With lively rhythms and joyful
harmonies, this is an ideal concert opener or closer for young ensembles
of any size. Add djembe and shakers with the notated percussion part to
create a lively statement.
10953831 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2.10
10953831L Two-Part Large Print . . . . . . . . . . . . . . . . . . . . .2.10
the best new
CONCERT SELECTIONS
O VOS OMNES
Music by
Robert Wall
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