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4 Editors' Choice l New Publication H Pepper Basic Library u A Cappella eAvailable via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
SACRED CONCERT
Alleluia! Sing Alleluia—J.S. Bach/arr. John
Leavitt. Adapted from a Bach cantata, this
joyful work will allow younger ensembles the
opportunity to xperience Baroque music and
develop important performance techniques for
tone, style and expression. A superb training
piece, it is also an excellent selection for festival
choirs and contests. Equally appropriate for
concert or worship settings for any combination
of treble voices.
10683003 Unison/Two-Part . . . . . . . . . . E 2.10
t Ave Generosa—Ola Gjeilo. This setting of
Hildegard von Bingen's Ave Generosa text uses
a hauntingly joyful tonality, paying homage to
the mysterious story of Mary. A beautiful middle
section is surrounded by contrasting modal
beginning and ending sections. The juxtaposition
of sustained and moving moments holds true
to the composer's style, while the harmonic
structure and vocal construction offer very fresh
textures. Highly recommended!
10746480 SSAA divisi . . . . . . . . . . . . . . M 2.85
4 Ave Maria—Franz Schubert/arr. Russell
Robinson. The Schubert masterpiece, skillfully
arranged for developing choral groups, provides
opportunities for solos or section features and
allows conductors to work on healthy singing
technique, beautiful intonation, and blend. Sung
in Latin, with a translation and pronunciation
guide included, this setting of the beloved melody
remains true to the original while making this
important work accessible to three-part mixed
and SSA choirs. Beautifully done!
10881599 Three-Part Mixed . . . . . . . . . M 2.05
n Cantate Domino—Charlotte Botha. Through a
juxtaposition of texture, dynamics and tempo, the
composer has created a dramatic song of praise
which serves well as an opener or closer. The
vocal parts are woven together with percussion,
claps and stomps to illuminate the message of
the "new song" as dictated by the Latin text.
10779511 SSA . . . . . . . . . . . . . . . . . . . . . . 2.15
4 Dies Irae—Ryan Main. This heart-pounding
setting of the Dies Irae is becoming a favorite
at festivals and honor choirs. Driving rhythms
overlap with flowing lines, creating a piece that
is easy to learn and impressive in performance
for developing choirs. A uniquely accessible and
rewarding work!
10661116 SATB. . . . . . . . . . . . . . . . . . ME 2.95
n Dominus Vobiscum—Jacob Narverud. This
powerful, flowing a cappella work in Latin opens
with a beautiful unison chant and closes with a
quiet "Amen." It is infused with interesting and
varied harmonies, changing meter, and dramatic
dynamics. This will bring out the musicianship
of your a cappella voices very nicely! Highly
recommended!
10735148 SAB. . . . . . . . . . . . . . . . . . . ME 1.95
n Et in Terra Pax—Victor C. Johnson. This
heartfelt and poignant setting of the traditional
Latin text "And on earth, peace" features soaring
melodies and rich harmonies. The middle
section further develops the text with borrowed
tonality for added color and harmonic interest
before a resolution to the opening melody once
again. Equally appropriate for school concerts
or a worship setting; any time of the year is a
fitting time to present this message. A helpful
pronunciation guide and translation is included
for the Latin text.
10757118 Two-Part. . . . . . . . . . . . . . . ME 2.10
10757120 SSA. . . . . . . . . . . . . . . . . . . ME 2.10
n Gloria—Michael John Trotta. For mixed or
treble choirs, this energetic choral work offers
an introduction to the traditional Latin text with
compound meter and accessible choral parts.
Whether chosen for its educational features, its
lyric melody or its energetic accompaniment, it
is a wonderful way to open any concert. It can
be used in combination with Trotta's other Latin
works Kyrie; Agnus Dei and Sanctus to create a
Missa Brevis.
10735245 SA . . . . . . . . . . . . . . . . . . . . . . E 2.25
n Gloria Tibi (from MASS)—Leonard Bernstein.
Featuring a tenor solo with SA chorus, with piano
and bongo accompaniment, this is a unique and
exciting excerpt from Bernstein's MASS.
399246 Two-Part from Mass . . . . . . M 2.15
t Izar Ederrak (The Beautiful Star)—Josu El-
berdin. Izar Ederrak is the story, in the Basque lan-
guage, of a beautiful shining star surrounded by
eight angels, one of whom is "lovesick" for the
star. The story comes to life for a cappella
voices through rich harmonies and a memorable
melody. Pronunciation guide is included; spoken
pronunciation is available from the publisher's
website.
10593272 SATB. . . . . . . . . . . . . . . . . . . M 2.45
n A New Psalm—Ken Berg. A lively and rhythmic
setting of this ancient text in Hebrew and English
in strophic form. This piece features a soloist
with choir, interesting harmonic ideas, wonderful
melodic ideas, syncopations and alternating time
signatures. This edition includes the words in
Hebrew, an English translation, a transliteration,
a phonetic pronunciation guide, and a substantial
piano part. A score for low brass quintet, timpani,
percussion, and piano is also available. A rousing
piece, perfect as a festival piece or concert finale.
10754510 SSA. . . . . . . . . . . . . . . . . . . MA 2.80
n Nisi Dominus—Baldassare Galuppi/ed. Kevin
T. Padworski. Although primarily known as an
opera composer, Galuppi contributed a steady
output of sacred music. In this edition, the original
figured bass has been fully realized in the piano
accompaniment, but the figured bass symbols are
included for educational purposes or for accom-
paniment by a Baroque ensemble. The choral
parts have been maintained according to the
original manuscript. A wonderful example of auth-
entic Baroque repertoire for your concert choir!
10833255 SATB. . . . . . . . . . . . . . . . . . . M 2.50
n O Antiqui Sancti—Hildegard von Bingen/
arr. Michael Engelhardt. This thrilling work for
women's chorus from Michael Engelhardt offers
something totally unique for your program. A mix
of sustained vocal lines and articulated passages
along with both contrapuntal and homophonic
writing make this a truly remarkable composition.
A fascinating combination of old and new, Latin
with bass and percussion, this piece will be a
favorite of your singers!
10746432 SSAA . . . . . . . . . . . . . . . . . . M 2.65
n The Pure in Heart (from "Beatitudes")—
Patrick Hawes. Movement 6 from "Beatitudes"
that uses text from Matthew 5:8, "Blessed are
the pure in heart, for they shall see God." Filled
with lush harmonies and clever writing, there
is a sense of peace that develops from the
piano accompaniment to the lyrical vocal lines.
Excellent for both concerts and church services.
10746477 SATB. . . . . . . . . . . . . . . . . . ME 2.40
4t Rise, My Soul—arr. Susan LaBarr. Rich melodic
lines and fragments form the basis for a delicious
counterpoint in this traditional folk hymn arranged
for mature treble voices. LaBarr's harmonies
are at once modern and tasteful, with elements
of tone-painting and melismatic treatment of
the word "rise" throughout. Yet, she retains the
historical feel of this joyful American song in
an a cappella style that is worthy of study and
performance. Beautiful!
10849143 SSAA . . . . . . . . . . . . . . . . . . M 2.75
4 Sanctus—Jude B. Roldan. East meets West in
this creative fusion of a traditional Latin text with
an ancient-modern feel. An opening chant-like
solo blossoms into a rollicking asymmeterical
meter with an accented piano part, percussion for
goat horns, kiling-kiling and tultog, and exciting
choral parts. A truly unique piece for treble choirs!
10833237 Three-Part Treble or SSA. . MA 2.25
n Sim Shalom (Prayer for Peace)—Will Lopes.
This fervent Hebrew prayer for peace is richly set
to original music for treble or mixed choirs with
piano and optional violin. A touching and reverent
work for sacred services and concerts.
10518361 SA or two-part . . . . . . . . . . ME 2.10
n Ubi Caritas—Ola Gjeilo. Originally published for
mixed voices, this stunning work has reached a
large audience in a very short time, and has been
published in SSAA and TTBB voicings as well,
to meet the growing demand. The reviews are in
— it is an exceptionally strong choice for every a
cappella choir!
10046201 SSAA . . . . . . . . . . . . . . . . . . M 2.70
t Ubi Caritas et Amor—Josu Elberdin. Written in
honor of composer Javier Busto, this a cappella
work attempts to capture in sound the warmth and
blessing of a deep friendship. Typical of Elberdin's
chordal Spanish compositional style, this joyful
work will be a beautiful addition to any program!
10746398 SATB. . . . . . . . . . . . . . . . . . MA 2.75
n Veni Sancte Spiritus—Mozart/arr. Victor
C. Johnson. This time-honored choral classic
from the pen of a very young Mozart is now
available in a fresh, new, authentic, and complete
arrangement for women's choir. Carefully crafted
vocal lines combine with a vibrant, yet highly
playable piano part and opportunities for short
solo's in the "Alleluia" section. Perfect for concert
or festival!
10737137 SSAA . . . . . . . . . . . . . . . . . . M 2.80
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