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4 Editors' Choice l New Publication H Pepper Basic Library u A Cappella eAvailable via ePrint All Prices in U.S. Dollars & Subject To Publisher Revision
SECULAR CONCERT
n Oh, Think of Me—Elaine Hagenberg. The simple
beauty of a sunrise, a summer breeze, or evening
stars can evoke memories of a loved one. Oh,
Think of Me was inspired by a poem by Frances
Anne Kemble to honor the life of a young man who
died too young. With a beautiful, emotive piano
part, soaring melodies and reflective moments,
your singers and audience will find heartache and
then resolution and peace in both the music and
the text. Absolutely breathtaking!
10661176 SSA. . . . . . . . . . . . . . . . . . . ME 2.10
4 Omnia Vincit Amor—Michael John Trotta.
This energetic original work is a testament that
"Love conquers all, therefore let us surrender
to love!" In Latin, with pronunciation guide and
translation included, this festival work may
be performed a cappella or with the optional
piano accompaniment, presenting flexibility and
educational opportunity for teaching blend and
musicality.
10944960 SA opt. piano
accompaniment . . . . . . . . . ME 1.65
n One Voice—Tom Shelton & Maribeth Yoder-
White. "One voice in the darkness. One single
voice searching for truth. A voice that's filled with
light and love. This is my voice reaching for you..."
An exceptional text, a solo feature, optional
audience participation, lyrical piano, and violin
obbligato make this a very special piece for treble
voices. The excellent performance notes add
educational value to this delightful performance
piece. Highly recommended!
10578875 SSA. . . . . . . . . . . . . . . . . . . ME 2.65
n Only in Sleep (Tikai Miega)—Eriks Esenvalds.
A beautiful soprano solo surrounded by lush a
cappella choral lines and a suspended cymbal
part create this dramatic setting of a Sara
Teasdale text. This is a stunning modern choral
work that has been widely performed by festival,
honors and collegiate choirs.
10786591 SSSAAA with soprano solo and
suspended cymbal. . . . . . . . M 4.50
n Peace on Earth... and Lots of Little Crickets
—Paul Carey. Clickers, guiros and shakers are
the voices of crickets, frogs and other species as
they join with human voices to express a profound
wish for peace on earth. Based on a text by Oliver
Twigge, this is serious fun - no kidding!
10046157 SA . . . . . . . . . . . . . . . . . . . . . M 2.55
4 The Rose—Ola Gjeilo. Christina's Rossetti's
mysterious poem is wrapped in a soundscape of
smoothly soaring vocal lines that are supported
with an undulating piano accompaniment and
optional string quartet. Though this piece is
featured on Gjeilo's Winter Songs album, it
possesses a general text that is appropriate at any
time of year. Altos will especially enjoy the setting
as they carry the beautiful melodic line through
much of the piece. Gorgeous!
10850197 SATB. . . . . . . . . . . . . . . . . . ME 2.95
4 Run Away—Stuart Chapman Hill. Stuart
Chapman Hill is a rising star in the choral world.
This work for 3-part treble voices a cappella is an
inspirational piece perfect for commencement, as
an encore, or an end of the year piece on which to
build your entire spring concert program. Sure to
be your treble choir's favorite piece.
10873717 Three-Part Treble . . . . . . . . . M 2.45
t The Runner—Joshua Rist. A beautiful, driving
piano accompaniment sets the stage for the
journey of a runner - the air filling his lungs and
the ground "pushing back with its slow spin." The
ethereal voices paint a wondrous picture. A lovely
work, not difficult, and perfect for high school
singers and above.
10756858 SATB. . . . . . . . . . . . . . . . . . . M 2.85
n The Seal Lullaby—Eric Whitacre. "Ah, weary
wee flipperling, curl at thy ease! The storm shall not
wake thee, nor shark overtake thee, asleep in the
arms of the slow-swinging seas..." This charming
poem by Rudyard Kipling is the inspiration for Eric
Whitacre's magnificent choral setting. A beautiful,
accessible work for mixed, treble or tenor-bass
choirs! Newly available for SAB, SA and TB choirs
in adaptations by Emily Crocker.
10910120 SAB. . . . . . . . . . . . . . . . . . . ME 2.75
10910122 SA . . . . . . . . . . . . . . . . . . . . ME 2.75
4 Shout Out Your Joy—Laura Farnell. The joy
of making music with one another is celebrated
in this rhythmic and energetic new composition.
With moderate ranges and strong support from
the piano accompaniment, this is a perfect festival
or concert selection for young treble choirs.
10843726 SSA. . . . . . . . . . . . . . . . . . . ME 2.25
4 Sing—Pinkzebra. This inspirational song en-
courages you to find your own voice and to feel
empowered to have an impact on the world.
Uplifting, positive, and joyful, this song is a perfect
fit for any concert or ceremony, celebrating both
beginnings and endings. Through it all - we sing!
The orchestral arrangement as heard in the
recording is available separately and includes parts
for strings, harp, celesta, and suspended cymbal
as well as a conductor score. An instrumental
performance recording bundled with a piano-only
rehearsal accompaniment track is available.
10945724 Two-Part or SA. . . . . . . . . . ME 2.25
10945723 SSA. . . . . . . . . . . . . . . . . . . ME 2.25
t Sing, My Child—Sarah Quartel. Sing, my Child-
asets a joyful text celebrating the beauty found all
around us in everyday life. Characterized by tight
harmonies and a dynamic percussion line, the
buoyant 7/8 metre of the opening drives the piece
forward. Lush harmonies colour the hymn-like B
section as the text evolves into a call for strength
despite the troubles that may come. Com-
missioned for a mass choir of over 700 singers, this
piece is well-suited for combined choir projects or
as a rousing and meaningful close to a concert.
10739018 SATB. . . . . . . . . . . . . . . . . . . M 2.90
n Sing On!—Lane Johnson. "Whatever comes
your way, sing on! Keep your music going... sing
on!" A great concert piece for SATB voices or SA
women's choir. Carefully crafted melodic lines
with exciting rhythms lie over a lovely harmonic
progression that is supported and enhanced by
a flowing piano part. The uplifting text and spirit
of the piece will appeal to singers and audience
members alike.
10736695 Two-Part. . . . . . . . . . . . . . . ME 2.15
4 Sogno Di Volare—Christopher Tin. Following
on the heels of the wildly popular Baba Yetu,
Christopher Tin brings us a wonderful new choral
piece from the soundtrack of the video game
Civilization VI. In Italian, with sweeping choral lines
and an epic feel, this dramatic piece is tailor made
for the concert stage. Amazing!
10910172 SSATBB . . . . . . . . . . . . . . . ME 2.25
4 Stars Tonight—Judith Herrington. Commiss-
ioned by the Manhattan Concert Productions, this
piece was premiered at Carnegie Hall in 2017. The
use of Tibetan bells and wind chimes provides an
ethereal atmosphere that is echoed in the music and
text.
Originally written for young voices, this piece
would also be effective by a treble choir of older
voices. Its festival use has already become popular
for any season. Easy to Medium in difficulty.
10800922 SA . . . . . . . . . . . . . . . . . . . . . M 2.45
n Storm—James DesJardins. A creative depiction
of the frenetic energy of a storm, this piece
utilizes body percussion and drums to mimic the
sounds one might experience during a storm.
That, coupled with the descriptive text, make
this piece worthy of study for your treble choir.
Truly exciting!
10735244 SA or Two-Part Treble . . . . ME 2.25
4 Tell Me What You See—Amy F. Bernon. In this
charming original, our curious narrator enlists
the help of wildlife friends to discover nature's
gifts. Sing in unison throughout, or utilize the
optional second part to create simple harmonies.
Whimsical melodies punctuated by contrasting
articulation and lyrical singing establish a beautiful
concert work for young treble choirs.
10906195 Unison/Two-Part . . . . . . . . ME 2.10
n This Is Your Time—J. Reese Norris. The
profound text quotes Sir Winston Churchill with
his challenge to young people: "You are needed
now more than ever before. Take up the mantle
of change, for this is your time." Commissioned
by the Cincinnati Children's choir, this dramatic
treble piece needs to be sung!
10830611 SSA. . . . . . . . . . . . . . . . . . . . M 2.25
n Uphill—Jill Friedersdorf & Melissa Keylock.
From a simple melodic idea shared through the
voices, the music builds gradually - dynamically,
rhythmically and in density to match the lyrics.
The text looks to our lives as an uphill journey,
and despite the weariness of travel, if we follow
the path, we shall find safe shelter prepared and
ready at the end of the road. This very accessible
work is perfect for graduation or as a thoughtful
closing number at any performance.
10805537 SA . . . . . . . . . . . . . . . . . . . . . M 2.05
n We Are the Voices—Jim Papoulis. "In every
heart there is a place that shows us who we are."
The opening phrase presents the challenge that
unfolds in this significant song: bringing our inner
voice to expression. Bound to be the highlight of
a program, this piece builds to a grand ending
with the rhythmic beat of a djembe adding to the
excitement.
10874650 SATB. . . . . . . . . . . . . . . . . . . M 2.35
n Why We Sing—Greg Gilpin. The consummate
concert closer! "A sound of hope, a sound of
peace, a sound that celebrates and speaks what
we believe. A sound of love, a sound so strong.
It's amazing what is given when we share a song.
This is why we sing..." You won't find a better song
than this one for combined choirs celebrating the
joy of music! Highly recommended!
3303244 Two-Part. . . . . . . . . . . . . . . . . E 2.50
4t Will the Circle Be Unbroken—arr. J. David
Moore. This wildly popular arrangement is a
favorite with choral festivals all over the country.
Beginning in the style of a bluegrass trio, the
piece opens into a four-part gospel celebration
of the power of song to create community. Often
performed with an opening solo refrain. A favorite
for treble choirs, now available for mixed or tenor-
bass voices.
10704230 SATB. . . . . . . . . . . . . . . . . . . M 2.95
t The Wisdom of the Moon—Susan LaBarr. The
Wisdom of the Moon expresses how easy it is to
be happy when things are difficult, but how we
all need to learn how to persevere during difficult
times. A sentiment of hope that is reflected in the
tonality and joyful triple meter. A great chance to
feature a soloist. Exceptional!
10746456 SATB. . . . . . . . . . . . . . . . . . ME 2.75
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