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POP TUNES
e Rock the Casbah—arr. Matt Conaway & Jack Holt.
Recorded by the iconic '80s punk band The Clash, their
enduring hit features a distinctively exotic sound as well
as a hypnotic pulse that makes it unique. Add a refreshing
and unique musical element to your field and stands
performances.
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e Rock You Like a Hurricane—arr. Michael Brown
& Will Rapp. This driving rock tune recorded by the Scorpions
in 1984 has taken on a life of its own in American pop culture
and sporting events. Frequently used in TV, films and video
games, the song features the familiar chorus and a relentless
rock groove.
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e Rosanna—arr. Mike Story. The classic rock hit from the
group Toto is taken to a whole new level with this stellar
arrangement. Driving percussion and careful scoring makes
this a sure-fire hit for any size band!
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e Runaway Baby—arr. Paul Murtha. Here's the hot
dance groove from Bruno Mars, now even more popular after
his stunning live performance at the 2012 Grammy Awards.
With a catchy melody and driving tempo, this one is perfect
for dance groups or just energizing the crowd!
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Runaway Baby—arr. Tom Wallace. Bruno Mars was a
featured performer on the 2012 Grammy Awards show with
this old-school style rock and roll number. Its great groove
and feel make this chart a total blast to play!
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e The Safety Dance—arr. Jay Bocook and Omar
Carmenates. This campy 1983 hit from Men Without Hats
became the famous mall dance sequence on Glee. It's sure
to be a huge hit with your band whether you recreate the
dance on the football field or in the stands! Optional vocals
are included for the dance sequence.
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Saturday Night's Alright (for Fighting)—arr.
Tom Wallace. A percussion feature sets up the immediately
recognizable hook of this hard rocking arrangement. The
excitement never lets up as the chart builds to a powerful
conclusion to the Sir Elton John show!
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4 Say Amen (Saturday Night)—arr. Matt Conaway
& Pam Nave. From the killer album Pray for the Wicked, here
is the driving rock anthem by Panic! At the Disco that drove
listeners wild. The blazing hot tempo and irresistible catchy
hooks make this dynamite chart perfect for the stands or
dance features!
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School Spirit—arr. Jonathan Nelson. A great chart
for galvanizing a winning spirit, you'll want to break this
out when morale is low or when you want to keep up the
momentum. Carefully written, it's the perfect answer for
small groups, groups with incomplete instrumentation, or
groups with less experienced players.
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4 Self Esteem—arr. Dave Henning. Tell everyone in the
press box to hold on tight! This hard-rocking chart from
Offspring gives your band a chance to lean back and let 'er
rip - release a wall of sound that won't be denied! This is Part
2 of The Music of Offspring show.
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e September—arr. Ishbah Cox. Earth, Wind & Fire... just
the name sends chills of excitement throughout the crowd!
Since 1978, this classic number has enjoyed continued
popularity through recordings by countless artists as well
as appearances in television and film. A guaranteed "feel
good" tune, this funky chart makes a great dance feature
or stands blaster.
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September—arr. Mike Story. Young bands will
sound great on this Earth, Wind & Fire hit! The groove just
never quits!
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Seven Nation Army—arr. Dallas C. Burke. Put
your low brass section front and center with this rockin'
arrangement of the White Stripes hit! The instantly
recognizable bass line and the driving pulse will make this a
favorite year after year!
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Seven Nation Army—arr. Jay Dawson. This hit
from the White Stripes has all the ingredients for the perfect
stands tune! The raw, menacing and simplistic bass riff is a
natural for your low brass section!
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Sgt. Pepper's Lonely Hearts Club Band/
The End—John Lennon & Paul McCartney/arr.
Wallace. Opening with a brief drum solo a la Ringo Starr,
the familiar strains of this classic kick off the closer to the
"Beatlemania" show. The chart concludes with a powerful
setting of The End, the last song ever recorded by all four
members of The Beatles.
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4e Shake a Tail Feather—arr. Paul Murtha & Will Rapp.
This ageless wonder was originally recorded in the '60s
and has since been covered by countless artists over the
years, most notably by Ray Charles in the movie classic
"The Blues Brothers." It's sure to be recognized by all and
is the perfect chart to turn to when you want to get the
party started.
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e Shake It Off—arr. Michael Oare & K.J. Stafford. Taylor
Swift may be the brightest star in the pop universe and she's
never shined brighter than with this driving, smash hit. The
catchy melody and upbeat dance groove of this dynamite
tune make it a fan favorite and this arrangement is easy to
learn and will sound great with small bands.
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Shake It Off—arr. Tom Wallace. Taylor Swift's hit song
is a pop-culture sensation with the catchy melodies, a fast
groove, and a strong hook - but most of all it's just plain fun!
The title has even become an encouraging catchphrase for
parents, teachers, coaches, and even a few politicians.
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e Shakedown—arr. Tom Wallace. Pop Rock at its best
comes through loud and clear in this tribute to the throwback
hit by Bob Seger, featured in "Beverly Hills Cop II." With an
energetic tempo, catchy melody and splashy horn licks,
choreographers and dance lines will love entertaining with
this great arrangement.
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4 Shallow—arr. Mike Story. This powerful Oscar and
Grammy Award-winning ballad from the hit movie "A Star
Is Born" makes a terrific closer to your show this year.
Beginning with an optional alto sax solo, the piece then
gradually builds to a stunning conclusion that really delivers.
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4e Shallow (from "A Star Is Born")—arr. Paul
Murtha & Will Rapp. This acclaimed hit ballad from the
movie "A Star Is Born" has garnered numerous awards
and provides a strong emotional anchor to the story. This
effective arrangement includes a short solo for horn or
alto sax followed by nicely varied scoring that includes
wonderfully dramatic musical swells and emotional power.
10992383. . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
Shape of You—arr. Nick Baratta. Ed Sheeran's
Grammy-winning single was a #1 hit, and avid fans kept
it on the charts for almost a year! With its upbeat feel and
infectious groove, the song is a natural fit for marching
bands, a must-have chart!
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e Shape of You/Castle on a Hill—arr. Matt
Conaway & Jack Holt. Ed Sheeran has grown to become
a super-popular force in the music world and continues to
dominate the pop charts. Here is an energetic mash-up of
two of his biggest hits with Shape of You starting with a
strong rhythmic pulse before slipping into high gear with the
driving Castle on the Hill.
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e Sharp Dressed Man—arr. Paul Murtha. Screaming
guitar lines and edgy vocals made this ZZ Top hit really sizzle!
This driving rock arrangement is an ideal piece for dance
routines and features. Sunglasses and beards are optional
(but highly recommended!)
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e Should I Stay or Should I Go—arr. Paul Murtha
& Will Rapp. This swaggering rock hit by The Clash has
maintained a steady presence in pop culture with TV
advertising and was featured prominently in the hit series
Stranger Things. The moderate tempo and solid scoring
make this sassy arrangement perfect for dance features.
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e Shut Up and Dance—arr. Doug Adams. This catchy
hit from indie rock band Walk the Moon was a real chart-
climber and is well-known by all. This rockin' arrangement
is brimming with great sounds, perfect for the stands or
pep band.
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4e Shut Up and Dance—arr. Matt Conaway & Jack Holt.
Recorded and made famous by Walk the Moon, this popular
hit really brings the noise. Totally engaging, it features a
catchy up-tempo groove that's perfect for the stands or as
a dance feature. The solid scoring assures a full sonic effect
and features good pacing and variety throughout.
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e Sing—arr. Jay Dawson. This arrangement of the
Pentatonix original is a joyous celebration of the power of
music to elate and lift spirits. A great production presentation
for the field or a super crowd pleaser in the stands.
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e Sing—arr. Tom Wallace. This hit song continued to
dominate the airwaves and digital downloads, just as it had
for the entire previous summer. A boisterous, yet musical
chant is a hugely popular component and provides rich
material in fashioning this inspiring stadium sing-along.
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Sir Duke—arr. Jay Bocook. The signature horn riff in this
Stevie Wonder chart can be played by a small group or full
band. This chart works in concert, in the stands, or as a
production number.
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Slow Ride—arr. Ward Miller. Fans both young and old
will love this hard rockin' anthem from the '70s. The driving
jam has something to feature everyone in your ensemble,
and the careful scoring and doubling will have smaller or
developing bands sounding great.
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e Smells Like Teen Spirit—arr. Michael Brown.
This resounding hit is a great example of the grunge-rock
style of the band Nirvana, and this setting puts it on full
display! This arrangement trades the melody between low
brass and trumpets before closing with the powerful and
famous chorus.
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NEOTECH
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10451869 Shoulder Pad . . . . . . . 39.50
