J.W. Pepper Music Catalog
Issue link: https://read.jwpepper.com/i/1171144
42019 Editors' Choice lNew for 2019 HPepper Basic Library ePrint All Prices in U.S. Dollars & Subject To Publisher Revision 24 STRING ORCHESTRA Go to cart CLASSICAL medium / medium-advanced & advanced 4 Symphony No. 2 (Finale)—Jean Sibelius/arr. Kirk Moss. An arrangement for strings with optional timpani that captures the drive and triumphant spirit of Sibelius's original work, but at an accessible level. In its original keys, this powerful selection from a master composer will enhance any concert, festival, or contest program. 10995827 String Orchestra . . . . . . . . . . .58.00 10995829 Additional Score . . . . . . . . . . .10.00 Symphony No. 2 (Fourth Movement)— Alexander Borodin/arr. Deborah Baker Monday. Imagine a scene of great celebration with Slavic dances and lyrical themes soaring over underlying rhythmic drive. That sums up this Borodin favorite with all of its power, playfulness, lyricism and liveliness. A stunning selection for concert or festival! 10906091 String Orchestra . . . . . . . . . . .56.00 10906092 Additional Score . . . . . . . . . . . .6.00 Symphony No. 5 (Choral and Allegro maestoso) —Felix Mendelssohn/arr. Jim Palmer. A wonderful string orchestra arrangement of Choral and Allegro maestoso from Felix Mendelssohn's great masterwork Symphony No. 5. The string parts are similar to the original score and will create a beautiful symphonic sound. A great festival choice or dynamic closer for any concert! 10872151 String Orchestra . . . . . . . . . . .56.00 10872152 Additional Score . . . . . . . . . . .10.00 4 Symphony No. 52 (First Movement)—Franz Joseph Haydn/arr. Brendan McBrien. This Haydn symphony movement is a powerful example of the Sturm und Drang ("storm and stress") style favored by the composer in the late 1700s. Arranged in D minor for accessibility, rhythmic and harmonic agitation propel the music forward with strong themes and energy. A masterpiece for the advancing string ensemble! 10981267 String Orchestra . . . . . . . . . . .58.00 Symphony No. 7 in D Minor (Third Movement) —Antonin Dvorak/arr. Todd Parrish. Though not as well known as his famous eighth and ninth symphonies, Dvorak's Symphony No. 7 is a masterpiece worthy of serious study and performance. The Scherzo movement has been abridged and simplified from 6/4 to 6/8 for playability, but the spirit of Dvorak comes through clearly. Full of the composer's trademark hemiola, this arrangement gives melody and countermelodies to all parts and ends with an exciting, powerful conclusion. The optional timpani part gives even more strength to your performance. 10872155 String Orchestra, Percussion Optional . . . . . . . .49.00 10872156 Additional Score . . . . . . . . . . . .9.00 Themes from American Quartet (Movement 1) —Antonin Dvorak/arr. Jamin Hoffman. Composed shortly after his iconic "New World" symphony, Dvorak's American Quartet reflects the composer's fondness for America acquired during his tenure in New York and vacation in Iowa. Featuring pentatonic scales and American folk-like melodies, the quartet has emerged as Dvorak's most popular chamber work. 10762228 String Orchestra . . . . . . . . . . .50.00 10762233 Additional Score . . . . . . . . . . . .5.00 Themes from "Carmen"—Georges Bizet/arr. Carrie Lane Gruselle. This accessible arrangement is based on four well-known themes from Bizet's popular opera: Prelude; Aragonaise; Habanera and Danse Boheme. From the foreboding introduction to the dancing and swirling ending, this spectacular arrangement has it all! 10752906 String Orchestra . . . . . . . . . . .65.00 10752907 Additional Score . . . . . . . . . . . .5.00 Themes from "Romeo and Juliet"—P.I. Tchaikovsky/arr. Carrie Lane Gruselle. Gift your string orchestra these expertly distilled themes from Tchaikovsky's orchestral saga of the most dramatic teenagers in love. This handful of excerpts presents ample expressive material and a grand emotional range found in the most memorable Shakespearian love story. 10307179 String Orchestra . . . . . . . . . . .55.00 10307180 Additional Score . . . . . . . . . . . .5.00 H Troika (from "Lieutenant Kije")—Sergei Prokofiev/ arr. Stephen Wieloszynski. This charming number takes its name from a Russian sleigh called a "troika," pulled by three horses and common in wintertime. The melody is really quite familiar, bright and bouncy as it evokes the sleigh. Parts are carefully edited for school age players, and many techniques are included, but can be omitted if too hard. Optional percussion parts are included. This would be a great choice for a wintertime concert! 2313955 String Orchestra . . . . . . . . . . .56.00 10053815 Additional Score . . . . . . . . . . . .6.00 Viola Concerto (Second Movement)—Georg Philipp Telemann/arr. Todd Parrish. Not just for the viola section! Both violins and violas get the exuberant melody in this very playable arrangement of the Baroque classic. Violists will appreciate the opportunity to showcase the beauty and power of their instrument. 10444035 String Orchestra . . . . . . . . . . .50.00 10444036 Additional Score . . . . . . . . . . . .7.00 H Waltz No. 2—Dimitri Shostakovich/arr. Paul Lavender. Shostakovich's waltz has become an international icon, made popular by artists like Andre Rieu and heard prominently in Stanley Kubrick's final film, "Eyes Wide Shut." Taken from Shostakovich's "Suite for Variety Orchestra," Paul Lavender's skillful adaptation is ideally suited for both serious and light programming. 10081471 String Orchestra . . . . . . . . . . .50.00 10095995 Additional Score . . . . . . . . . . . .5.00 4 Zampa Overture—J. Ferdinand Herold/arr. Deborah Baker Monday. The overture from "Zampa," an opera by Ferdinand Herold, has become a staple of orchestral literature since its first performance in 1831. Just under four minutes, this arrangement presents four themes from the original and contains lots of drama and even more excitement. The key of G major provides easily accessible third-position work for the first violins and shifting for cello and bass. A great concert or festival selection! 10998739 String Orchestra . . . . . . . . . . .56.00 10998740 Additional Score . . . . . . . . . . . .6.00 Classical Selections Medium-Advanced & Advanced Academic Festival Overture—J. Brahms/arr. Robert D. McCashin. This arrangement offers exciting opportunities for more mature players. A combination of juxtaposed and interlocking double- stops are used to maintain the sonorous depth of Brahms' original work. Several edits have been made to bring this to a more appropriate length for concert and festival performances. Although this is ideal for large string orchestras, also consider using it for a chamber group of your finest musicians! 2480768 String Orchestra . . . . . . .MA 60.00 Adagio and Presto—F.J. Haydn/arr. Robert Sieving. The fabulous setting of this great symphony will provide opportunities to develop spiccato bowing technique. It's perfect for any contest or concert. 10453659 String Orchestra . . . . . . .MA 62.00 10453708 Additional Score . . . . . . . . . . . .8.00 H Adagio for Strings—Samuel Barber. Originally written as the slow movement of a string quartet, this musical treasure was singled out by conductor Arturo Toscanini, who asked Barber for a string orchestra arrangement. It was played on a national radio broadcast following the death of president Roosevelt and has been part of the national consciousness ever since. This is a work of singular beauty and calls for great expressiveness and control. 427328 String Orchestra . . . . . . . . A 45.00 Adagio from Symphony No. 8 (Second Move- ment)—Antonin Dvorak/arr. Robert D. McCashin. Dvorak's 8th Symphony is often referred to as his Pastoral symphony for its optimistic and uplifting themes. With contrasting melancholy minor and lighthearted major folk-like melodies, this arrangement of the Adagio second movement features dramatic dynamics, solo lines, and thick, lush harmonies for advanced string orchestra. 10846044 String Orchestra . . . . . . .MA 55.00 10846045 Additional Score . . . . . . . . . . . .8.00 Allegro con Brio from "Symphony No. 8" —Antonin Dvorak/arr. Robert D. McCashin. This spectacular arrangement features the first movement of Dvorak's well-known "Symphony No. 8." While the arrangement has been made accessible to younger ensembles, it retains all the expressiveness and primary thematic material of the original work. A delightful and spirited piece that will surely captivate your orchestra and audience! 10592137 String Orchestra . . . . . . .MA 55.00 10592138 Additional Score . . . . . . . . . . . .5.00 Allegro Moderato—W.A. Mozart/arr. Robert D. McCashin. The first movement from Mozart's "Symphony No. 29" contains that delicate balance between his graceful lyricism and his signature tempestuous energy. This shockingly authentic arrangement allows your string students to experience all the intensity of the original without having to bring in wind players. 10454282 String Orchestra . . . . . . .MA 60.00 10454315 Additional Score . . . . . . . . . . . .6.00 Allegro Moderato from Symphony No. 3— Camille Saint-Saens/arr. Deborah Baker Monday. This movement of the famous "Organ Symphony" includes two of the most memorable themes ever penned by Saint-Saens. This arrangement includes the highly energetic string theme and the beautiful fugue based on his four-note theme which cycles throughout the entire symphony. The two contrasting sections of this arrangement offer two extremes of bowing style: one requiring heavy strokes at the frog and the other using legato, expressive, full bowing. 10752882 String Orchestra . . . . . . .MA 55.00 10752883 Additional Score . . . . . . . . . . . .5.00 Andante Festivo (Score and Parts)—Jean Sibelius. Originally composed for string quartet in 1922, this single-movement work by Finnish composer Jean Sibelius was re-scored by the composer in 1938 for string orchestra and timpani. This new arrangement was first performed in a radio broadcast on January 1st, 1939, conducted by the composer. It remains the only recorded example of the composer interpreting one of his own works. 5128350 String Orchestra . . . . . . .MA 25.00 7556376 Additional Score . . . . . . . . . . . .3.00 Capriccio Espagnol—Nikolai Rimsky-Korsakov/ arr. Robert D. McCashin. This resetting for string orchestra has successfully kept the composer's intent, and to a great extent, the sounds and colors of the original orchestration. While requiring some substantial string forces, it's fully approachable by quality high school groups. It consists of five connected movements based on Spanish themes. A terrific addition as a primary work for any concert! 10500790 String Orchestra . . . . . . .MA 95.00 10500791 Additional Score . . . . . . . . . . .12.00 H Capriol Suite—Peter Warlock. This staple of the string orchestra repertoire, composed in 1927, is based on a suite of six Renaissance dances. Each dance offers a different mood and rhythm, and together they form an excellent concert work. Original edition. 427864 String Orchestra . . . . . . . . A 45.00 Charterhouse Suite—Ralph Vaughan Williams/ arr. James Brown. Ralph Vaughan Williams' charming suite of dances in the English style is a mainstay of the string orchestra concert repertoire. Adapted in collaboration with the composer from the 1921 Suite of Six Short Pieces. The scoring is colorful and lighthearted, providing artistic and pedagogical opportunities for moderately advanced students. New edition and engraving. 10873332 String Orchestra . . . . . . . . A 90.00 BEST SELLERS String Orchestra Classical Medium-Advanced & Advanced Buy with confidence! These works, listed in order of their popularity, are chosen most often by directors. Charterhouse Suite— Ralph Vaughan Williams/arr. James Brown. 10873332 String Orchestra. . . . . . . . . . . . . . . . . . A 90.00 5022231 Additional Score . . . . . . . . . . . . . . . . . . . . 27.00 Finale from "Symphony No. 5"— Pyotr Ilyich Tchaikovsky/arr. Brian Holmes. 10846058 String Orchestra. . . . . . . . . . . . . . . . MA 55.00 10846059 Additional Score . . . . . . . . . . . . . . . . . . . . . 8.00 Capriol Suite—Peter Warlock. 427864 String Orchestra. . . . . . . . . . . . . . . . . . A 45.00 7180581 Additional Score . . . . . . . . . . . . . . . . . . . . . 7.50 Symphony for Strings (String Quartet No. 8, Op.110) (Set of Parts Only)— Dimitri Shostakovich/ed. Drew. 10021995 Set of Parts . . . . . . . . . . . . . . . . . . . . . . A 75.00 7572837 Full Score. . . . . . . . . . . . . . . . . . . . . . . . . . . 25.00 Suite for Strings—John Rutter. 10008820 String Orchestra Full Score & Set 4/4/3/4/2 . . . . . . . . . A 46.25 10008821 Additional Score . . . . . . . . . . . . . . . . . . . . 11.00 Serenade for Strings, Op. 48 (Set of Parts Only)—P. I. Tchaikovsky. 4967972 Set of Parts . . . . . . . . . . . . . . . . . . . . . . A 95.00 5755541 Full Score. . . . . . . . . . . . . . . . . . . . . . . . . . . 35.00 St. Paul's Suite (Set of Parts Only)— Gustav Holst. 10061288 String Orchestra. . . . . . . . . . . . . . . . MA 70.00 5586938 Full Score. . . . . . . . . . . . . . . . . . . . . . . . . . . 15.00 Allegro Moderato from Symphony No. 3— Camille Saint-Saens/ arr. Deborah Baker Monday. 10752882 String Orchestra. . . . . . . . . . . . . . . . MA 55.00 10752883 Additional Score . . . . . . . . . . . . . . . . . . . . . 5.00 March to the Scaffold— Hector Berlioz/arr. J. Cameron Law. 10908681 String Orchestra. . . . . . . . . . . . . . . . MA 75.00 10908682 Additional Score . . . . . . . . . . . . . . . . . . . . 12.00 Night on Bald Mountain— Mussorgsky/arr. Eric Segnitz. 2473624 String Orchestra. . . . . . . . . . . . . . . . MA 40.00 5986230 Additional Score . . . . . . . . . . . . . . . . . . . . . 5.00 " I've dealt with JW Pepper for over 30 years and I've never been disappointed with any part of your service. All of you are just wonderful people to work with. Keep up the great work!!" —Sheryl Deike, Hagerstown, MD R Manage your program in one place, in less time.