J.W. Pepper Music Catalog
Issue link: https://read.jwpepper.com/i/1171144
42019 Editors' Choice lNew for 2019 HPepper Basic Library ePrint All Prices in U.S. Dollars & Subject To Publisher Revision 72 FULL ORCHESTRA Go to cart CLASSICAL medium-advanced & advanced / ORIGINAL CONCERT WORKS easy & medium-easy Classical Selections Medium-Advanced & Advanced e Academic Festival Overture—J. Brahms/ed. Vernon Leidig. Brahms' famous overture has been carefully edited to remain playable yet as close to the original as possible. Veteran arranger Vernon Leidig has carefully scored this work to produce the rich full sound this masterpiece deserves. Your audience will be impressed! 2478651 Full Orchestra . . . . . . . . .MA 73.00 5986931 Additional Score . . . . . . . . . . 9.00 e Academic Festival Overture, Op. 80—Johannes Brahms/arr. Louis Bergonzi. One of Brahms' most performed works, this "very boisterous potpourri of student songs" (J. Brahms) is now playable by strings, or strings with any combination of wind and percussion instruments up to full symphonic instrumentation. Students and audiences will enjoy its tunefulness, Brahms' compositional craft, and the grand ending. If you have just a string orchestra, try to add at least the percussion parts. Special notation is included to work on consistency of bow lifts, bow placement, and phrasing. 10739913 String or Full Orchestra . . . . . . . . .MA 73.00 10739914 Additional Score . . . . . . . . . 11.00 He An American in Paris Suite—George Gershwin/ arr. John Whitney. Don't miss this one! Gershwin's original suite, some 17 minutes in length, is often too cumbersome to program. This version, edited and condensed down to 7 minutes, is your solution! Staying true to the original, it's a wonderful display of Gershwin's rich and evocative orchestral writing. Recommended for mature school orchestras and community orchestras! 2440956 Full Orchestra . . . . . . . . .MA 80.00 5912597 Additional Score . . . . . . . . . 11.00 Overture from "The Barber of Seville"— Giacomo Rossini/arr. Merle J. Isaac. One of the most recognizable overtures ever written! Rossini's 1816 comic opera is known for its cheery melodies, simple plot, and humorous characters - all captured in this spirited arrangement for high school full orchestra. The delightful theme frequently used in cartoons, film, and commercials is sure to bring a smile to players and audiences alike! 2139368 Full Orchestra . . . . . . . . .MA 82.00 e Berceuse and Finale (from "The Firebird Suite")—Igor Stravinsky/arr. Merle Isaac. Here is a classic arrangement being made available to a new generation of students! The beautiful Berceuse and exciting Finale of Stravinsky's "Firebird Suite" are fantastic works of music and will also be recognized as the climactic finale to Disney's "Fantasia 2000!" Isaac's meticulous arranging includes written cues for vital solos to ensure playability and success. Give your orchestra the chance to play this masterwork! 129064 Full Orchestra . . . . . . . . .MA 69.00 English Folk Song Suite—Ralph Vaughan Williams/ arr. Gordon Jacob. Originally for band, this classic orchestration showcases Vaughan Williams' mastery of bringing English folk songs into the orchestral repertoire. 4969861 Full Orchestra . . . . . . . . . . A 85.00 7193527 Additional Score . . . . . . . . . 27.95 Hoe Down (from "Rodeo")—Aaron Copland. Here's the original full orchestra version of the finale of Copland's "Rodeo." 973776 Full Orchestra . . . . . . . . . . A 80.00 2428340 Additional Score . . . . . . . . . 13.95 l O Mio Babbino Caro (from "Gianni Schicchi") —Giacomo Puccini/arr. Clark McAlister. A moving and beautiful excerpt from Puccini's "Gianni Schicchi," this arrangement will transport audiences to the opera stage. Tempo changes can be challenging, but a sensitive and alert orchestra will create magical moments. 10998552 Full Orchestra . . . . . . . . .MA 60.00 le Ode To Joy—Ludwig van Beethoven/arr. Matt Riley. A piano virtuoso's dream performance coupled with dynamic, audience pleasing orchestration. Very flashy and fun, this arrangement is perfect for a professional orchestra, advanced college or church orchestra concert. 10797462 Full Orchestra . . . . . . . . . A 100.00 He Rhapsody in Blue—George Gershwin/arr. Jerry Brubaker. Finally, this classic work is now available for full orchestra, with or without piano! All solo piano parts are covered within the orchestra but can also be played with a soloist. One of the most popular concert works ever, this transcription for full orchestra will be a new favorite. It's seven minutes long and includes all the major themes - for the advanced or community orchestra! 10032785 Full Orchestra Piano optional . . . . . . . . .MA 75.00 10032786 Additional Score . . . . . . . . . . 9.00 e Romeo and Juliet Overture—P.I. Tchaikovsky/ arr. Jerry Brubaker. A lovely transcription with tasteful reductions that allow the advanced orchestra or community orchestra to experience Tchaikovsky's masterpiece in about half the duration of the original. A must for any library! 10370686 Full Orchestra . . . . . . . . .MA 73.00 10370689 Additional Score . . . . . . . . . . 8.00 H Symphony No. 5 Finale—Dimitri Shostakovich/ arr. Stephen Bulla. One of the most notable movements from Dimitri Shostakovich is transformed into this superb new edition that is well within the reach of most orchestras. Stephen Bulla's arrangement is appropriately truncated and carefully altered with key, range and technique, with orchestration considerations for today's school, festival and regional orchestras. 10042883 Full Orchestra . . . . . . . . .MA 95.00 10054684 Additional Score . . . . . . . . . 10.00 e Toccata—Girlamo Frescobaldi/arr. Hans Kindler. Girolamo Frescobaldi composed this now-famous melody in the 1600s. For over 300 years, the Frescobaldi Toccata has been performed and loved by generations! This transcription presents a bold rendition that uses broad harmonic support for the melody. 134015 Full Orchestra . . . . . . . . .MA 69.00 4 Triumphal March—Ludwig van Beethoven/arr. Douglas Stroud. The brevity and melodic nature of Triumphal March make it a natural fit for any one of several places on your concert: opener, closer, or encore. 10998578 Full Orchestra . . . . . . . . .MA 50.00 Original Concert Works Easy & Medium Easy e Ancient Echoes of Time—Douglas E. Wagner. Expansive harmonies and soaring tunes combine to present an imaginative musical landscape that explores the tonal facets of the orchestra. This dynamic and colorfully scored original is playable by strings alone or full orchestra. 10522573 String or Full Orchestra . .ME 55.00 10522574 Additional Score . . . . . . . . . . 9.00 e Appalachian Morning—Robert Sheldon. Acknowledge the Scottish and Irish pioneers of Appalachia with a musical walk through the woods and mountains of the Cumberland Gap. This lovely composition allows for a moment of reflection and lyrical expression on any concert program. 10522599 Full Orchestra . . . . . . . . .ME 65.00 10522600 Additional Score . . . . . . . . . 10.00 e Cumberland Cross—Carl Strommen. Sure to delight, the central portion of this original piece brings the unrestrained exuberance of bluegrass fiddling to the orchestra. In a lovely contrast, the piece opens and closes with a slow chorale, bringing to mind sunset and sunrise over the mountains. 10522571 Full Orchestra . . . . . . . . .ME 59.00 10522572 Additional Score . . . . . . . . . . 9.00 e Dark Adventure—Ralph Ford. It's ghostly! It's creepy! Your orchestra will love it! From the driving opening motives to the quirky gypsy-sounding theme, this is haunted-house music at its best! You can play this with either full or string orchestra, but the percussion section is really vital and should be used in both cases. This is recommended and will thrill and delight your audience! A winner! 2466837 String or Full Orchestra . .ME 59.00 5972599 Additional Score . . . . . . . . . . 8.00 e Engines of Resistance—Larry Clark. You will want to program this thrilling music often! As the title implies, there is dramatic tension between opposing forces in the orchestra: a light ostinato pattern opposes a heavy, aggressive melody; bursts of percussion ring out against quieter moments in the orchestra, and all these conflicting elements come together for an incredible finish! Can be performed as strings and percussion, or as a full orchestra. A contest winner! 2416675 String or Full Orchestra . . . . . . . . . . E 59.00 5800651 Additional Score . . . . . . . . . . 8.00 e Millennium—Richard Meyer. This contemporary- sounding overture is extremely powerful and full of emotion from beginning to end. Richard Meyer's colorful and imaginative scoring features every section of the symphony orchestra, resulting in a wonderfully mature-sounding, yet playable, tour de force for the student orchestra. 2397792 Full Orchestra . . . . . . . . .ME 73.00 Second Storm—Robert W. Smith. Inspired by the devastating hurricane season during the summer of 2004, this begins with a melodic "calm before the storm" introduction; and as the fury of Mother Nature is unleashed, the work develops using strong unison impacts with driving rhythmic figures to capture the intensity of the event in sound. Your intermediate orchestra will sound big and bold. 2481119 String or Full Orchestra . . . . . . . . .ME 65.00 10005397 Additional Score . . . . . . . . . . 9.00 l Slingshot—Michael Story. This flexible original work will provide the opportunity for an entire instrumental program to perform together. Also perfect for a first full orchestra experience with plenty of doubling, it can be performed by string orchestra alone or with almost any combination of winds or percussion. Includes optional piano. 11000120 Full Orchestra . . . . . . . . . . E 51.00 11000122 Additional Score . . . . . . . . . . 9.00 e Warrior Legacy—Soon Hee Newbold. Explore the heroes and warriors of myth and legend in an epic work for full orchestra. Additional wind parts are included with the set, making it suitable for combined strings and full band. The cinematic-type score features various solos throughout, finishing with a riveting 12/8 section. Intense! 10366890 Full Orchestra with opt. Concert Band parts . . . . .ME 95.00 BEST SELLERS Full Orchestra Original Concert Works All Levels Buy with confidence! These works, listed in order of their popularity, are chosen most often by directors. Warrior Legacy—Soon Hee Newbold. 10366890 Full Orchestra with opt. Concert Band parts . . . . . . . . . . . . ME 95.00 10366891 Additional Score . . . . . . . . . . . . . . . . . . . . . 9.00 On Top of the World—Brian Balmages. 10752898 Full Orchestra . . . . . . . . . . . . . . . .MA 120.00 10752899 Additional Score . . . . . . . . . . . . . . . . . . . . 14.00 American Landscape—Soon Hee Newbold. 10752884 Full Orchestra . . . . . . . . . . . . . . . . . . M 75.00 10752885 Additional Score . . . . . . . . . . . . . . . . . . . . . 5.00 A Matador's Tale—Mark Lortz. 10696520 Full Orchestra . . . . . . . . . . . . . . . . . . M 65.00 10696521 Additional Score . . . . . . . . . . . . . . . . . . . . . 9.00 Engines of Resistance—Larry Clark. 2416675 String or Full Orchestra. . . . . . . . . . . E 59.00 5800651 Additional Score . . . . . . . . . . . . . . . . . . . . . 8.00 Millennium—Richard Meyer. 2397792 Full Orchestra . . . . . . . . . . . . . . . . . ME 73.00 5730296 Additional Score . . . . . . . . . . . . . . . . . . . . . 9.00 Appalachian Morning—Robert Sheldon. 10522599 Full Orchestra . . . . . . . . . . . . . . . . . ME 65.00 10522600 Additional Score . . . . . . . . . . . . . . . . . . . . 10.00 Dark Adventure—Ralph Ford. 2466837 String or Full Orchestra. . . . . . . . . ME 59.00 5972599 Additional Score . . . . . . . . . . . . . . . . . . . . . 8.00 American Salute—Morton Gould. 963348 Full Orchestra . . . . . . . . . . . . . . . . . . . A 85.00 2365492 Additional Score . . . . . . . . . . . . . . . . . . . . . 9.00 4570008 String Pack/Additional String Set. . . . . P.O.P. Waltz—Ilari Hylkila. 10843440 Full Orchestra . . . . . . . . . . . . . . . . . . M 59.00 10843441 Additional Score . . . . . . . . . . . . . . . . . . . . 10.00 New Original Work for Full Orchestra! DREAM MACHINE Brian Balmages. This haunting, powerful and aggressive work draws inspiration from a type of strobe light device that can potentially put an observer into a state of "threshold consciousness" (the idea of being half-asleep). The music portrays many sensations including the eerie feeling of being in a transitional sleep state, the fully intense experience of being surrounded by swirling shapes and colors, and then ventures into the world of lucid dreamers. The result is a piece that is mystical, unsettling, driving, powerful and heroic. 10995983 Full Orchestra. . . . . . 120.00 10995984 Additional Score . . . . 14.00 " Thanks for your friendly and efficient service. My package arrived today. You have kept me well-informed throughout and the "satisfaction" in your title has been well and truly earned." —GeoffreyBonner-Morgan Epsom, United Kingdom