J.W. Pepper Music Catalog
Issue link: https://read.jwpepper.com/i/1171144
42019 Editors' Choice lNew for 2019 HPepper Basic Library ePrint All Prices in U.S. Dollars & Subject To Publisher Revision 70 FULL ORCHESTRA Go to cart CLASSICAL medium-easy / medium e Symphony No. 36, the "Linz"—W.A. Mozart/arr. Richard Meyer. The "Linz" symphony is included among Mozart's best. The first movement is cheerful and buoyant in mood yet retains an air of dignity and poise reflective of a true master of the genre. Richard Meyer's arrangement of this classic symphony is carefully arranged to work well with your full orchestra. 10594971 Full Orchestra . . . . . . . . . . . . .59.00 10594972 Additional Score . . . . . . . . . . . .9.00 Symphony No. 5 (Third Movement)—Ludwig van Beethoven/arr. Richard Meyer. Haunting, ominous, and playful, this Scherzo movement from Beethoven's famous Symphony No. 5 has it all. Students will love the stirring harmonies and driving rhythms while the colorful orchestration - faithful to the original - keeps brass, woodwinds, strings, and percussion involved throughout. An opportunity for your orchestra to experience a glorious moment in symphonic history! 10872149 Full Orchestra . . . . . . . . . . . . .59.00 10872150 Additional Score . . . . . . . . . . .10.00 e Symphony No. 5 Finale—Peter Ilyich Tchaikov- sky/arr. Richard Meyer. One of the grandest works in all of symphonic literature, this finale from Tchaikovsky's "Fifth Symphony" is positively electrifying! All of the colors and moods of the original are retained in this exciting arrangement that is sure to challenge every section of your orchestra. This is a great way to introduce your student musicians to a 19th century masterwork, and the quintessential closer to any concert! 10280411 Full Orchestra . . . . . . . . . . . . .59.00 10280412 Additional Score . . . . . . . . . . . .9.00 He Themes from "Scheherazade"—Nikolai Rimsky- Korsakov/arr. Richard Meyer. Rimsky-Korsakov's famous symphonic suite "Scheherazade" has been a staple of the symphonic literature since it was written in 1888. Now your younger students can enjoy the Russian master's colorful orchestrations and imaginative themes in this "true-to-the- original" arrangement that takes just five minutes to perform. Included are The Sultan's Theme, Scheherazade's Theme (for solo violin), and the themes from "The Story of the Kalendar Prince" and "The Young Prince and the Young Princess." 10092534 Full Orchestra . . . . . . . . . . . . .59.00 10092540 Additional Score . . . . . . . . . . . .9.00 Classical Selections Medium e 1812 Overture—P.I. Tchaikovsky/arr. Jerry Brubaker. Maintaining all of the excitement and pageantry of the original, this work has been paired down to six and half minutes. Best known for its climactic volley of cannon fire, ringing chimes and brass fanfare, this piece is perfect for a bicentennial celebration in 2012. You'll have to hear it to believe it! 10310481 Full Orchestra . . . . . . . . . . . . .73.00 10310482 Additional Score . . . . . . . . . . . .8.00 He Amadeus (from Symphony No. 25)—W.A. Mozart/arr. Jamin Hoffman. Symphony No. 25 begins with one of Mozart's most recognized themes, as heard in the classic Oscar-winning film "Amadeus." Hoffman has placed the first movement in an accessible, practical format that can be performed by school orchestras with confidence. 10062533 Full Orchestra . . . . . . . . . . . . .65.00 10084749 Additional Score . . . . . . . . . . . .5.00 And the Glory—G.F. Handel/arr. Clark McAlister. A triumphant and joyful arrangement for full orchestra, this excerpt from "Messiah" will need no words, partially because the work is so well known and partially because the arrangement so captures the spirit and verve of the original choral version. 10738682 Full Orchestra . . . . . . . . . . . . .40.00 10738695 Additional Score . . . . . . . . . . . .6.00 He Bacchanale (from "Samson and Delilah")— Camille Saint-Saens/arr. Merle Isaac. This haunting Saint-Saens theme is a favorite of audiences everywhere and is a great change of pace on any program. 2143592 Full Orchestra . . . . . . . . . . . . .69.00 e Dance of the Hours—Amilcare Ponchielli/arr. Richard Meyer. Your orchestra will love the chance to play these ever-popular tunes from Ponchielli's opera "La Gioconda." Instantly recognizable to any audience, this arrangement retains the sound of the original and gives students a chance to develop the variety of techniques needed to perform two very different styles of dance music. The key has been changed from E major to G major and the time signature simplified from 4/8 to 4/4, but none of the fun is missing! 10738946 Full Orchestra . . . . . . . . . . . . .59.00 10738978 Additional Score . . . . . . . . . . .10.00 Espana Cani—Pascual Marquina Narro/arr. Albert Wang. The stirring Spanish style is immediately recognizable, particularly in this famous paso doble. Some simplification of keys makes it accessible to orchestras of all levels of experience. 10459542 Full Orchestra . . . . . . . . . . . . .65.00 10459543 Additional Score . . . . . . . . . . .10.00 e Farandole (from "L'Arlesienne Suite No. 2")— Georges Bizet/arr. Merle J. Isaac. This spirited, well-loved work by Georges Bizet is an absolutely delightful work for both rehearsal and performance! 2156024 Full Orchestra . . . . . . . . . . . . .73.00 4956280 Additional Score . . . . . . . . . . . .7.00 Farandole—Georges Bizet/arr. Ernest Guiraud & Clark McAlister. This is just what you would expect, but carefully edited and adapted for modern orchestras. It is a timeless classic filled with joy and excitement. 10617956 Full Orchestra . . . . . . . . . . . . .95.00 10617957 Additional Score . . . . . . . . . . .25.00 Fidelio Overture—Ludwig van Beethoven/arr. Merle J. Isaac. A fantastic piece of orchestral literature, expertly arranged for advanced full orchestra! This spirited overture from Beethoven's only opera contains dramatic contrast between slow, lyrical sections (featuring wind and brass solos) to a bombastic finale utilizing all the fullness and color of the original orchestration. Moved to the approachable key of D major, this outstanding arrangement is a solid introduction to a masterwork, appropriate for concert and contest. 2031953 Full Orchestra . . . . . . . . . . . . .70.00 He Finlandia—Jean Sibelius/arr. Owen Goldsmith. There's a cold mystique about this work from Finland's most famous composer, but at its heart is a warmth that overflows with beauty. Well known to many listeners, Finlandia displays a strong sense of nationalistic strength in its mighty brass and soaring strings. Owen Goldsmith's adaptation eliminates a few of the technical difficulties and includes generous cross-cuings. The brass double tonguing is still there, but so is all the power! 2376036 Full Orchestra . . . . . . . . . . . . .80.00 5627229 Additional Score . . . . . . . . . . . .9.00 e The Firebird—Igor Stravinsky/arr. Jack Bullock. This thrilling selection provides a great introduction for younger players to Stravinsky! This transcription provides access at the perfect level. 10453875 Full Orchestra . . . . . . . . . . . . .55.00 10453917 Additional Score . . . . . . . . . . . .7.00 e The Holberg Suite—Edvard Grieg/arr. Victor Lopez. With string parts as close to the original as possible, this full-orchestra arrangement of two movements from Grieg's Holberg Suite is superb! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and the Gavotte, careful attention has been paid to maintain the original intentions of the composer. 10594781 Full Orchestra . . . . . . . . . . . . .73.00 10594825 Additional Score . . . . . . . . . . .10.00 He Jupiter - Bringer of Jollity (from "The Planets") —Gustav Holst/arr. Vernon Leidig. This magnificent work by Gustav Holst is now available in a quite playable arrangement for school orchestras. 2155315 Full Orchestra . . . . . . . . . . . . .73.00 4 La Donna e Mobile—Giuseppe Verdi/arr. Clark McAlister. Verdi's soaring, ecstatic melodies are part of the reason he is one of the most popular opera composers of all time. This canzone is one of his most recognized themes. 10998548 Full Orchestra . . . . . . . . . . . . .50.00 10998549 Additional Score . . . . . . . . . . .12.00 Light Cavalry Overture—Franz von Suppe/arr. Merle J. Isaac. A truly excellent addition to any orchestra library! Completely re-edited for advanced full orchestra in its original length, this exciting work is always a concert favorite. Opening with its famous horn calls and strong chords, it contains the celebrated theme for which the overture is always remembered, depicting the gallop of the cavalry. A bright, energetic concert feature for both school and community ensembles, sure to delight! 2200913 Full Orchestra . . . . . . . . . . . . .70.00 He Marriage of Figaro—W.A. Mozart/arr. Merle J. Isaac. Here's Mozart's most famous overture, carefully arranged and edited by Merle Isaac. Staying very true to the original, this one challenges the strings, but often becomes their favorite! An excellent opener or closer. 2127850 Full Orchestra . . . . . . . . . . . . .69.00 5761507 Additional Score . . . . . . . . . . . .9.00 4 Non piu andrai (from "Le Nozze de Figaro")— W.A. Mozart/arr. Sandra Dackow. A solid arrange- ment of this famous aria from "The Marriage of Figaro" for full orchestra. Dackow has creatively used the expanded instrumentation of the school orchestra to highlight the aria's military theme. 11100414 Full Orchestra . . . . . . . . . . . . .70.00 11100415 Additional Score . . . . . . . . . . .14.00 He Nutcracker Ballet, Set 1 (Dance of the Sugar Plum Fairy and Waltz of the Flowers)— P.I. Tchaikovsky/arr. Merle Isaac. For decades, the skilled arranging of the late Merle Isaac made great works playable by developing orchestras. Here he presents the beloved "Nutcracker" in two sets that sound like the originals. Feature a good pianist in Dance of the Sugar Plum Fairy. Show off the entire orchestra in Waltz of the Flowers. Perform as is or make your own suite with the addition of Set 2 (Pepper #2041903). 2041911 Full Orchestra . . . . . . . . . . . . .73.00 e Nutcracker Ballet, Set 2 (March of the Nutcracker and Trepak)—P.I. Tchaikovsky/ arr. Merle Isaac. This second set features two of the most well-known holiday favorites of all time: March of the Nutcracker and Trepak. As always, Merle Isaac remained as true to the originals as possible. Playable alone or with Set 1 as a suite (Pepper #2041911). Trepak makes a fantastic finish to your holiday concert! Wonderful music! 2041903 Full Orchestra . . . . . . . . . . . . .69.00 9562514 Additional Score . . . . . . . . . . . .9.00 l Overture from "Orpheus in the Underworld"— Jacques Offenbach/arr. Louis Bergonzi. The quintessential can-can provides a rousing finish to any concert. This entire piece offers excitement, lyricism, and opportunities for impressive, yet manageable, solos and cadenzas. For strings alone or with any combination of winds, harp, and percussion up to full symphonic orchestra. Optional cuts included. 11000104 Full Orchestra . . . . . . . . . . . . .73.00 11000107 Additional Score . . . . . . . . . . .11.00 Pines of Rome—Ottorino Respighi/arr. Stephen Bulla. Long considered to be one of the most dramatic symphonic movements of all time, Respighi's finale is arranged to make it accessible and effective for advancing groups. The tension- building final section of this monumental work has been carefully crafted by Stephen Bulla to give your orchestra the opportunity to perform the triumphant "ending of all endings." 2481823 Full Orchestra . . . . . . . . . . . . .75.00 10004523 Additional Score . . . . . . . . . . . .7.50 He Pomp and Circumstance (Military March Op. 39, No. 1)—Edward Elgar/arr. John Whitney. This marvelous, flexible arrangement of Elgar's famous processional march is so versatile, you'll want to use it every year! All the strings can remain in first position, double stops may be divided, repeats can be optional, and it works equally well with full orchestra or just strings and piano. Highly recommended! 10092290 String or Full Orchestra . . . . . .59.00 He Procession of the Sardar (from "Caucasian Sketches")—Ippolitov-Ivanov/arr. Merle J. Isaac. This very pompous, march-like setting by Merle Isaac is perfect for assemblies and concert openings. This is quite full sounding, and there is a nice balance of melody between winds and strings. 2066645 Full Orchestra . . . . . . . . . . . . .69.00 5535877 Additional Score . . . . . . . . . . . .9.00 EDITORS' CHOICE Full Orchestra • Classical All Levels Each year Pepper's Editors review hundreds of new releases and choose the cream of the crop to bear the name, Editors' Choice. You can buy any of these with confidence! e Blue Danube Waltz—Johann Strauss, Jr./arr. Richard Meyer. A beautiful arrangement of Waltz Number 1, Waltz Number 2, and the Coda from the original, set perfectly for the first full-orchestra experience. e Blue Danube (the common English title of the original German, An der schonen blauen Donau), was premiered in February of 1867. It has remained one of the most popular classical pieces ever since. 10997703 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 59.00 10997704 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10.00 La Donna e Mobile—Giuseppe Verdi/arr. Clark McAlister. Verdi's soaring, ecstatic melodies are part of the reason he is one of the most popular opera composers of all time. is canzone is one of his most recognized themes. 10998548 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 50.00 10998549 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12.00 Non piu andrai (from Le Nozze de Figaro)—W.A. Mozart/arr. Sandra Dackow. A solid arrangement of this famous aria from e Marriage of Figaro for full orchestra. Dackow has creatively used the expanded instrumentation of the school orchestra to highlight the aria's military theme. 11100414 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 70.00 11100415 Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14.00 Triumphal March—Ludwig van Beethoven/arr. Douglas Stroud. e brevity and melodic nature of Triumphal March make it a natural fit for any one of several places on your concert: opener, closer, or encore. 10998578 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 50.00 VISIT JWPEPPER.COM