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H
ow to Train Your Dragon
arr. Michael Brown & Will Rapp.
How to Train Your Dragon Part 1
From the popular animated movie, this dynamic film
score features soaring melodies and a distinctive Celtic
flavor. Plenty of drive surrounds a brief calm section in
this exciting opener. It���s a stunning way to begin your
field show!
10357055 . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
How to Train Your Dragon Part 2
This production number from the popular animated film
opens with the dramatic Dragon Battle and finishes with
the lyric melody from This is Berk, beautifully scored for
the mid-range instruments. It���s an excellent change of
pace chart for the field.
10357064 . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
How to Train Your Dragon Part 3
This stunning finale for your Dragon show features the powerful main themes from the soundtrack, carefully paced for
maximum effect on the field. The dramatic reprise section
includes a touch of Scottish-style drumming for added flair.
This show���s impressive ending is sure to thrill!
10357068 . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
Invincible
Jay Dawson.
Invincible Part 1
Tension mounts as a seething melody churns its way
through the winds, then front ensemble and finally the full
band for a powerful statement.
10359783 . . . . . . . . . . . . . . . . . . . . . . . MA 100.00
Invincible Part 2
Many emotions are explored in this centerpiece of the
complete show Invincible. After a brief introduction, the
music displays increasing agitation. Inner strength is
found in the beautiful middle section, after which the
action resumes.
10359785 . . . . . . . . . . . . . . . . . . . . . . . MA 100.00
Invincible Part 3
The triumphant conclusion to the Invincible program is
a showcase for the entire band. The percussion section
is on full display in a dazzling feature, and in the end, all
performers emerge ���invincible!���
10359787 . . . . . . . . . . . . . . . . . . . . . . . MA 100.00
Modern Rock
The Music of James Bond ir Elton John
S
arr. Victor Lopez.
Basket Case
arr. Dave Henning.
Open your Modern Rock halftime show with this classic
from punk group Green Day! The infectious tune will grip
the audience from the first note!
10358058 . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
Tongue Tied
arr. Dave Henning.
You may not recognize the title, but you���ll know the song!
This fun pop tune from indie band Grouplove has been
all over the airwaves. It���s the perfect production number
for your Modern Rock show!
10358116 . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
Iron Man
arr. Dallas Burke.
Here���s one of the greatest stands tunes of all time! Rock
out from the bleachers or the field with this smokin��� Black
Sabbath classic as part of your Modern Rock show!
10358088 . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
Tom Sawyer
arr. Dave Henning.
It���s time to rock the field and stands with one of the most
seriously epic Rush tunes of all time! You���ll love the driving groove, powerful percussion and brass hits.
A dramatic closer to the Modern Rock show!
10358114 . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
arr. Tom Wallace.
Die Another Day/Live and Let Die/
James Bond Theme
Funeral for a Friend
This dramatic arrangement of the Elton John song
begins with a distant funeral march accompanied by the
sound effects of howling winds and tolling church bells.
It���s a musical adventure that will take you from stately
orchestral sounds to intense rock.
10359775 . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
To close out the Music of James Bond show, here is
the driving theme to Die Another Day, which is followed
by the powerful Live and Let Die. Featuring a solo for
trombone or baritone, the music quickly goes into a fast
section which gradually builds to a driving finish. A reprise
of the James Bond Theme then brings the whole show
to a stunning conclusion!
10357158 . . . . . . . . . . . . . . . . . . . . . . . . ME 70.00
Love Lies Bleeding
Some of Sir Elton���s best writing, including a reprise of
Funeral for a Friend, can be found in this tuneful rocker.
Complete with melodic and harmonic surprises, this
chart is a perfect production number on its own or in an
Elton John show.
10359777 . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
For Your Eyes Only/Goldfinger
Part 2 of the James Bond Show begins with the beautiful
ballad For Your Eyes Only. A short trumpet solo opens
the piece, growing in strength before giving way to
the powerful Goldfinger theme. This is an exceptional
production number for the field!
10357170 . . . . . . . . . . . . . . . . . . . . . . . . ME 70.00
Your Song
One of Elton John���s biggest hits provides a dramatic
change of pace as a field show production number.
This arrangement produces a positive uplift with gentle
melodies building to an emotional peak before
dramatically fading away.
10359779 . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
James Bond Theme
Audiences will love the three-piece halftime show featuring
music from the ever-popular James Bond movie series!
The iconic James Bond Theme opens the show in a
sizzling chart that combines all the great elements of the
original with some new twists. Your band of secret agents
will enjoy playing this on the field and in the stands!
10357184 . . . . . . . . . . . . . . . . . . . . . . . . ME 60.00
Saturday Night���s Alright (for Fighting)
A percussion feature sets up the immediately
recognizable hook of this hard rocking arrangement.
The excitement never lets up as the chart builds to a
powerful conclusion to the Sir Elton John show!
10359781 . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
complete shows!
Motown Era Soul
Michael Jackson Decades of Hits
arr. Dallas Burke.
One of Michael Jackson���s most explosive hits, this chart
makes the perfect opener to your Michael Jackson
themed field show - or use it to rock the stands at the
end of the game. Bands of any size will sound big with
this playable treatment of the MJ classic!
10358060 . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
Workin��� Day and Night
arr. Allen Gray.
Bring in the funk with this Michael Jackson show production number. It���s got a groove that just doesn���t quit - your
band will show they know how to work it!
10358128 . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
Smooth Criminal
arr. Dave Henning.
Michael Jackson had a huge hit with this smooth 1988
tune. An ideal production number for any MJ-themed
halftime show!
10358098 . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
P e pp e r 2013 Marching Band C a ta lo g
The Way You Make Me Feel
arr. Dave Henning.
Close your Michael Jackson show with this huge 1987
hit. This shuffle style rock tune grooves from start to finish, and is sure to make the audience feel like dancing!
10358104 . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
M
ichael Jackson King of Pop
Chain of Fools
arr. Dallas Burke & Carl Major.
This truly timeless Aretha Franklin hit is part of the Motown Era Soul halftime show. You���ll love the driving funk
arrangement for marching band!
10358064 . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
What���d I Say
arr. Allen Gray.
The music of Ray Charles never goes out of style. Here���s
one of his biggest hits in an energetic arrangement for
the marching band field!
10358124 . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
When a Man Loves a Woman
arr. Tim Waters.
This Percy Sledge Hit provides the perfect impact for a
big close to your Motown Era show. Don���t let the drum
corps have all the fun - now your marching band can get
some serious blues happening on the field!
10358126 . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
The Music of Chicago
Ayatey Shabazz.
Higher Ground
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Safari
Originally recorded by Stevie Wonder, this arrangement is
based on the 1989 version by the Red Hot Chili Peppers.
Aggressive stylization and a propelling tempo render this
chart a choice field show opener or production.
10359789 . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
Creep
Made popular by English alternative rock group Radiohead, this tune gained worldwide attention when it was
released in 1993. The reflective melody and tempo make
for a moving change of pace production number.
10359791 . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
Here is an original two-part complete show that will
transport the audience to Africa to experience a magnificent safari excursion. The music depicts the heat from
the sun, gently waving grasses, majestic lions, and running antelope. All you need to pack is your imagination,
and you���re ready to go!
10359765 . . . . . . . . . . . . . . . . . . . . . . . M 1,000.00
A Symphonic Journey
James Swearingen/arr. Ayatey Shabazz.
Umbrella Beach
A Symphonic Journey
This magical and bold work by American electronica
group Owl City provides excellent program material with
its fluid tempo, uplifting melodies and percussive effects.
Use it on its own or as a super show closer!
10359793 . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
Here is a three-part complete field show that truly is
a musical voyage, featuring arrangements of some of
James Swearingen���s most popular concert band works.
Part 1, taken from Dawn of a New Day, begins mysteriously but increases in tempo and excitement, tapering off
with a beautiful piccolo solo. The second part, Winter���s
Fury from Into the Joy of Spring, features captivating
mixed meters and high energy. The show concludes with
the Adagio and Allegro Marcato, portions of Novena. The
music translates very well from the concert band stage to
the marching band field.
10359768 . . . . . . . . . . . . . . . . . . . . . . . M 1,000.00
arr. Mike Story.
Make Me Smile
arr. Dallas Burke.
Beat It
One of Michael Jackson���s most explosive hits, this chart
makes the perfect opener to your Michael Jackson
themed field show - or use it to rock the stands at the
end of the game. Bands of any size will sound big with
this playable treatment of the MJ classic!
10358060 . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
Don���t Stop ���Til You Get Enough
You���ll never get enough of this Michael Jackson funkrock hit. No King of Pop show is complete without this
exciting production number!
10358076 . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
Bad
This Michael Jackson super hit makes a powerful field
show production number. The opening riff is instantly
recognizable and is followed by a sizzling trombone solo.
Perfect as a guard or dance feature, it���s just too good to
pass up!
10358056 . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
Close your Michael Jackson show with this funky classic.
The audience will jump to their feet to sing along!
10358118 . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
All Prices in US Dollars & Subject to Publisher Revision
arr. Allen Gray.
This funky classic from Sly and the Family Stone is a
groovy way to start your Motown Era Soul show or to get
everyone in the stands moving!
10358072 . . . . . . . . . . . . . . . . . . . . . . . . ME 65.00
redHOTradioCITY
Safari
arr. Jay Dawson.
Dance to the Music
Beat It
Wanna Be Startin��� Somethin���
The jazz-rock group Chicago has made some unforgettable music over the years. This driving arrangement of
Make Me Smile can be used as the first part of a threepiece show (with Saturday in the Park/Wishing You Were
Here and I���m a Man). This chart would also be great as a
stands or pep band tune by taking the optional cut for a
shorter version. The crowd will definitely be smiling when
your band plays this classic tune!
10353500 . . . . . . . . . . . . . . . . . . . . . . . . . . E 60.00
Saturday In the Park/
Wishing You Were Here
Part 2 of the Chicago show begins with the upbeat Saturday in the Park before moving into the haunting, mysterious Wishing You Were Here. An array of effects are used
in this exceptionally well-scored chart, including an easy
trombone solo. Also contains excellent visual potential.
10357204 . . . . . . . . . . . . . . . . . . . . . . . . . . E 60.00
I���m a Man
The hard-rockin��� I���m a Man brings the Chicago show to a
driving conclusion! Featuring the percussion section, this
arrangement also works well on its own as a stands tune
or pep band chart.
10357180 . . . . . . . . . . . . . . . . . . . . . . . . . . E 60.00
l New for 2013 e Available via e-Print
17
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Editors��� Choice
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