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POP CHARTS
v e r y e a s y
He 25 or 6 to 4—Robert Lamm/arr. Paul Murtha.
Recorded by the group Chicago, this signature
hit has gone on to become a rock classic. Paul
Murtha's easy arrangement is playable with very
limited rehearsal time, but still has an authentic
and hard-driving feel. Included are optional solos
or solis for any sax and any brass instrument.
Suggested solos and scale/chord sheets in all
keys are included. Playable with optional reduced
or expanded instrumentations, it also includes a
CD. Highly recommended!
10188529 Jazz Ensemble . . . . . . . . . . . . . 40.00
He
Ain't No Mountain High Enough—arr. John
Berry. Recorded by such greats as Marvin Gaye,
Diana Ross and most recently Michael McDonald,
this rockin' Motown classic will sound great with
your
beginning players. Easy to learn and fun to play,
it's arranged for full jazz ensemble, but can be played
with as few as 3 saxes, 2 trumpets, 1 trombone
and rhythm section and also includes optional
parts for flute, 2 clarinets, French horn and tuba.
10061496 Jazz Ensemble . . . . . . . . . . . . . 40.00
The Bare Necessities (from "The Jungle
Book")—arr. Paul Murtha. Ever since The Bare
Necessities was first introduced in the classic
movie "The Jungle Book," this catchy tune has
remained a familiar favorite. Featured again in
the 2016 movie, here is an easy arrangement
that will make young jazz bands sound terrific.
Parents, players and audiences will enjoy this
swinging favorite designed especially for young
jazz musicians! Playable with optional reduced or
expanded instrumentations.
10617926 Jazz Ensemble . . . . . . . . . . . . . 40.00
e Billie Jean—Michael Jackson/arr. John Berry.
The song that launched Michael Jackson's
famous "moonwalk" was also one of the top-
selling singles of the year in 1983. This chart
features the signature bass line and catchy
melodies and is a great-sounding chart for young
ensembles or bands with limited rehearsal time.
The iconic melody is traded around between
the saxes and brass. There are no solos, it's
playable with optional reduced or expanded
instrumentations, and written out bass lines and
piano voicings are included. Classic rock at its
best! Highly recommended!
10667352 Jazz Ensemble . . . . . . . . . . . . . 40.00
e Boogie Shoes—arr. Paul Murtha. In a playful
disco style, this very easy chart of the KC and
the Sunshine Band hit from 1975 features fun
parts for every section. This solid rocker features
multiple options for soloists with written samples
provided and is playable with optional reduced or
expanded instrumentations. Get your groove on
with this highly recommended chart!
10909020 Jazz Ensemble . . . . . . . . . . . . . 40.00
e Cissy Strut—arr. Rick Stitzel. Originally recorded
by The Meters in 1969, Cissy Strut has since
become a model for playing funk as recorded
by both jazz and rock artists. The signature bass
line is played by trombones, tenors and baritone
sax, and the entire band joins in with catchy riffs.
There are short solo breaks for the bass and
drums, along with solo or soli spots for saxes and
trumpets. The solos are suggested or improvised,
or played as written by the individual sections.
Playable with optional reduced or expanded
instrumentations, this chart on Cissy Strut will
become one of your new favorites!
10625171 Jazz Ensemble . . . . . . . . . . . . . 40.00
e Crazy Little Thing Called Love (from "Bohe-
mian Rhapsody")—Freddie Mercury/arr. Rick
Stitzel. Recorded by Queen, this classic hit fea-
tures a medium-tempo shuffle style and an
infectious upbeat feel. The melody is traded around
the band and the saxes take the lead in the stop-
time clapping section. No solos are required and it's
a fun chart even if you have limited rehearsal time!
Scored for standard jazz band instrumentation
and playable with optional reduced or expanded
instrumentations. Highly recommended!
. . . . . . . .
10960674 Jazz Ensemble . . . . . . . . . . . . . 40.00
He Enter Sandman—arr. Paul Murtha. Let your
beginning players really rock out to the sounds
of Metallica with this hard-hitting chart for
young jazz ensembles. The syncopations are
handled in a repetitive manner, allowing for easy
teaching but still an authentic sound. No solos are
required, and it's playable with optional reduced
or expanded instrumentations.
10297532 Jazz Ensemble . . . . . . . . . . . . . 40.00
e Everybody Needs Somebody to Love—arr.
John Berry. This infectious, fun and rockin' tune
from the '60s boasts notable recordings by Wilson
Pickett, The Rolling Stones and most famously
The Blues Brothers. This very easy chart is
skillfully scored for all sections, requires no solos,
and is playable with optional reduced or expanded
instrumentations. Highly recommended!
10909016 Jazz Ensemble . . . . . . . . . . . . . 40.00
He Final Countdown—Joey Tempest/arr. John
Berry. Over the years this 1986 hit from the group
Europe has become a popular rock classic. Trum-
pets are featured on the signature opening riff and
the saxes carry the main melody in this powerful
chart for beginning jazz bands. A teaching unit with
exercise for melody, rhythm and improvisation
when applicable is included. Playable with
optional reduced or expanded instrumentations,
this is sure to become an instant favorite!
10343814 Jazz Ensemble . . . . . . . . . . . . . 40.00
He Green Onions—Booker T. Jones/arr. Paul
Murtha. Few purely instrumental tunes ever reach
the level of popularity achieved by this familiar
'60s hit by Booker T. & the M.G.'s. Often used
in TV and film, this infectious tune has a bluesy
groove that's unmistakable and still hip after
all these years. Play it with full jazz ensemble
instrumentation, or with as few as 3 saxes, 2
trumpets, 1 trombone and rhythm; or add the
optional parts for flute, 2 clarinets, horn in F and
tuba. Highly recommended!
10041757 Jazz Ensemble . . . . . . . . . . . . . 40.00
e HandClap—Fitz and the Tantrums/arr. Paul
Murtha. Recorded by Fitz and the Tantrums, this
catchy tune often shows up in pop culture and
on the airwaves in addition to the pop charts.
This very easy ensemble-based arrangement
will be instantly recognizable and requires no
solos. Plus, it's playable with optional reduced or
expanded instrumentations and includes written-
out bass lines and piano voicings. Fun for all and
highly recommended!
10759360 Jazz Ensemble . . . . . . . . . . . . . 40.00
le Hooked on a Feeling—Mark James/arr. Rick
Stitzel. Recorded by the rock band Blue Swede
in the 1970s, this catchy hit enjoyed renewed
popularity thanks to the blockbuster movie
"Guardians of the Galaxy." This very easy jazz
version features question-and-answer phrases
between sections of the band, requires no
solos, and is playable with optional expanded or
reduced instrumentations.
11172141 Jazz Ensemble . . . . . . . . . . . . 40.00
e Living for the City—Stevie Wonder/arr. Rick
Stitzel. Stevie Wonder's sultry, medium rock
tune first appeared on his landmark 1973 album
Innervisions. Rick Stitzel's authentic-sounding
and convincing chart for young players includes
all the signature riffs, easy meter changes,
and written or improvised solo spots for alto
or tenor sax. Plus, it's playable with optional
reduced or expanded instrumentations. Highly
recommended!
10909018 Jazz Ensemble . . . . . . . . . . . . . 40.00
He Low Rider—arr. John Berry. With its unmis-
takable bass line, just plain cool rhythmic groove,
and infectious rock style, here's a classic 1970s
hit that young players are sure to enjoy! Arranged
with moderate ranges, easy rhythms, and no
solos, this medium tempo rock chart will go
together quickly, and it's playable with optional
reduced or expanded instrumentations. Fun for all,
it's highly recommended for young jazz bands!
10490311 Jazz Ensemble . . . . . . . . . . . . . 40.00
JAZZ
ENSEMBLE
13
Take your jazz band to the
next level!
ESSENTIAL
ELEMENTS
for
JAZZ ENSEMBLE
Book 2
Mike Steinel.
This follow-up book to the popular Essential
Elements for Jazz Ensemble features a wealth
of instructional material that can be used in a
full band setting or individually. After a brief
review of style basics, this comprehensive
method includes a section of daily warm-ups
and workouts for rehearsal, followed by a
variety of lessons covering specific styles and
improvisation concepts. Each lesson ends
with a full band performance piece.
Additional features: Review of important
concepts from Book 1; Nine rewarding full
band pieces that reinforce each lesson;
Information on the cities, regions and artists
influencing the evolution of jazz. Additionally,
recordings of all exercises, including full
band arrangements and sample solos, are
accessed online by using the code included
in each book.
Take your aspiring jazz students to the next
level with this masterful approach!
11174668 Flute Book. . . . . . . . . . 15.99
11174669 Clarinet Book . . . . . . . 15.99
11174670 C Treble/Vibes Book. . 15.99
11174671 Alto Sax Book . . . . . . . 15.99
11174672 Tenor Sax Book . . . . . 15.99
11174673 Baritone Sax Book . . . 15.99
11174674 Trumpet Book . . . . . . . 15.99
11174675 Horn in F Book . . . . . . 15.99
11174676 Trombone Book . . . . . 15.99
11174677 Tuba Book . . . . . . . . . 15.99
11174678 Piano Book . . . . . . . . . 18.99
11174679 Guitar Book. . . . . . . . . 18.99
11174680 Bass Book. . . . . . . . . . 18.99
11174681 Drum Set Book . . . . . . 18.99
11174667 Conductor Score
Book . . . . . . . . . . . . . . 45.99
