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POP CHARTS
H Brick House—arr. Paul Murtha. It is absolutely
impossible to find a funkier tune than this R&B hit
from the 1970s courtesy of The Commodores.
This chart has it all, from the trademark bass riff to
the ensemble punches and melodic hooks. Bring
down the house as you groove on this one!
2479363 Jazz Ensemble . . . . . . . . . . . . . 45.00
H Bridge Over Troubled Water—Paul Simon/arr.
Paul Baker. Paul Simon's soulful rock ballad is set
here at 88 bpm, and as arranged by Paul Baker
is sure to please! The melody is first stated by
trumpet 2 and tenor sax, there are no improvised
solos, and the trumpet 1 range is to written G
on top of the staff. This chart also features great
dynamic contrasts and a satisfying vamp toward
the end. Optional wind and vibes parts are
included for expanded instrumentations. Highly
recommended!
10452102 Jazz Ensemble . . . . . . . . . . . . . 48.00
e Can't Stop the Feeling (from "Trolls")—arr.
John Wasson. Topping the charts as well as being
featured in the movie "Trolls," this hit song from
Justin Timberlake features a catchy hook along
with an energetic rock style. The saxes begin with
the melody followed by the trumpets and there's a
short written or ad lib solo for trumpet. Additional
features include chord/scale sheets in all keys,
written-out bass lines and piano voicings. Here is
a great-sounding chart for developing players!
10667340 Jazz Ensemble . . . . . . . . . . . . . 45.00
Careless Whisper—arr. Dave Mills. This funky
pop rock ballad by George Michael has captured
the hearts of a new generation and your students
and audiences will instantly recognize the hook.
The solo section features adlib or improvised
solos for alto sax, trumpet and trombone. Optional
parts for flute, clarinet and horn in F are included
for expanded instrumentation. With some nice
ensemble writing and a chance for all the sections
to shine with the melody, this chart will make a
nice change-of-pace for your next concert!
11000468 Jazz Ensemble . . . . . . . . . . . . . 65.00
He Cool (from "West Side Story")—Leonard Bern-
stein/arr. Mark Taylor. From one of the most
famous musicals of all time, here is the swinging
and aptly titled Cool. Mark Taylor's version for
developing players remains true to the original
but adds a touch of contemporary flair with the
melody passed from section to section and written
or improvised solo space for trumpet. Timeless!
10083826 Jazz Ensemble . . . . . . . . . . . . . 45.00
e Despacito—arr. Paul Murtha. Setting records
for most views on YouTube and topping the
pop charts in several countries, Despacito was
recorded by Puerto Rican singer Luis Fonsi with
rapper Daddy Yankee (and later remixed with
Justin Bieber). With its infectious Latin pop style
and catchy melody, here is a great sounding and
effective version for jazz ensemble!
10842281 Jazz Ensemble . . . . . . . . . . . . . 45.00
e Diggin' the New Digs (from "Incredibles
2")—Michael Giacchino/arr. Paul Murtha. From
the entertaining soundtrack of "Incredibles 2"
comes this marvelous jazz waltz that works great
for full jazz band. Baritone sax gets a rare turn in
the spotlight, followed by the brass section with
sax answers. The solo section can feature any
combination of alto sax, trumpet, or trombone
with suggested or improvised solos. A fun change
of pace and highly recommended!
10960664 Jazz Ensemble . . . . . . . . . . . . . 45.00
He Don't Stop Believin'—arr. Paul Baker. Hey rock
fans, here's a powerful rock ballad made famous
by Journey, arranged for young jazz ensemble.
From the opening line, this chart is magical to
the band and the audience. It has no jazz solos,
but if you have a guitar player, the arrangement
has an optional written guitar melodic line
that's also written for trumpets. A great classic
and highly recommended! Optional expanded
instrumentation.
10093155 Jazz Ensemble . . . . . . . . . . . . . 48.00
e Faith (from "Sing")—arr. Paul Murtha. From
the blockbuster animated film "Sing," comes
this driving rock tune that was recorded by
the legendary Stevie Wonder with current pop
sensation Ariana Grande. Here's a funky version
for jazz band featuring an energetic groove and
solid writing for the entire ensemble. Written or ad
lib solo space for trumpet is provided along with
chord/scale sheets in all keys and written-out bass
lines and piano voicings. Highly recommended!
10759348 Jazz Ensemble . . . . . . . . . . . . . 45.00
e Finesse—Bruno Mars/arr. John Wasson. Here's
another in a long line of monster pop hits from
Bruno Mars! Finesse uses a funky hip-hop shuffle
style along with infectious harmonies and catchy
riffs. Every section gets a workout, and there's
a short written or improvised solo for trumpet.
Highly recommended!
10909000 Jazz Ensemble . . . . . . . . . . . . . 45.00
e Free Ride—arr. John Wasson. Recorded by the
Edgar Winter Group in 1973, this driving rock tune
has a powerful contemporary edge that remains
popular today. This terrific chart is propelled by
a driving pulse and the signature melodies and
riffs from the original. The dynamic level is almost
full bore until the suggested or improvised solo
for trumpet. After the solo the dynamics drop
down and the whole thing begins to build again!
Everyone gets the melody at some point, chord/
scale solo sheets in all keys, fully notated bass
lines and piano voicings are included. Highly
recommended!
10667342 Jazz Ensemble . . . . . . . . . . . . . 45.00
e Gimme Some Lovin'—arr. Roger Holmes.
Recorded in 1966 by the Spencer Davis Group,
this classic rock hit is a true icon of the era and
still popular today. This powerful arrangement
features the signature bass riff and familiar style
and melodies from the original.
10908994 Jazz Ensemble . . . . . . . . . . . . . 45.00
He Gonna Fly Now (Theme from "Rocky")—Bill
Conti/arr. Victor Lopez. The theme from "Rocky"
is inspiring, triumphant, powerful and noble! This
rock-style chart is scored for younger players
with the familiar Maynard Ferguson-flavored solo.
The lead trumpet range is to written A above
the staff. It also includes a written or improvised
tenor solo and options for reduced or expanded
instrumentations. Gonna Fly Now is a great classic
that should be in all jazz ensemble libraries!
10028091 Jazz Ensemble . . . . . . . . . . . . . 48.00
He Hooked on a Feeling—arr. Paul Murtha.
Recorded by Blue Swede in 1974, this familiar
hit was featured prominently in the blockbuster
movie "Guardians of the Galaxy" as part of the
film's "Awesome Mix." Instantly recognizable with
the "ooga chaka" jungle chant, the popularity of
this easy-going rocker is now reaching a new
generation! Fun for all!
10490291 Jazz Ensemble . . . . . . . . . . . . . 45.00
He I Want You Back—arr. John Wasson. The
music of The Jackson 5 remains as popular today
as ever. Here is one of their biggest hits from
the Motown era in a funky arrangement that is
skillfully scored for the entire ensemble. No solos,
just solid ensemble writing!
10297517 Jazz Ensemble . . . . . . . . . . . . . 45.00
e I
n Summer (from "Frozen")—arr. Rick Stitzel.
From Disney's animated hit movie "Frozen" and
sung by Olaf the snowman, this entertaining song
features a light soft-shoe style that adapts quite
naturally for jazz bands. Easy-going and restrained
at first, the arrangement builds for more excitement
as it progresses. With skillful trading of the melody
between sections and slipping into a straight-
ahead swing style, this chart is sure to be a hit with
players and audiences! Great anytime of the year!
10490293 Jazz Ensemble . . . . . . . . . . . . . 45.00
JAZZ
ENSEMBLE
17
New! VOCAL FEATURES
It Had to Be You—Isham Jones/arr. Rick Stitzel. Few standards have maintained the staying
power of this popular ballad, having been recorded by such luminaries as Frank Sinatra and Bing
Crosby to more recent versions by Harry Connick Jr., Barbra Streisand, and Michael Buble.
This silky-smooth chart is a perfect choice for your vocal or tenor sax soloists.
Vocal key: E-flat
11172103 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . . . . . . . . . . . . . . . ME 55.00
e Uptown Funk—arr. Paul Murtha. Recorded by Mark Ronson and featuring Bruno Mars, this
sassy funk tune is on its way to becoming a modern-day pop standard. Here's a hot version for
vocal solo, or optional tenor sax, that captures all the excitement of the original.
Vocal key: D minor
11172100 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . . . . . . . . . . . . . . . . .M 55.00
Witchcraft—Cy Coleman/arr. Roger Holmes. Recorded by countless jazz artists through
the years, including three times by Frank Sinatra, this song features a classic melody and an
easygoing medium swing style. Nicely scored here for big band and vocal or tenor sax soloists.
Vocal key: E-flat
11172107 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . . . . . . . . . . . . . . . ME 55.00
Here are two great jazz standards and a modern
funk classic, all ready to provide exciting variety
to any program.
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