J.W. Pepper Catalogs

2020 Summer Instrumental Catalog

J.W. Pepper Music Catalog

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4 Editors' Choice l New H Basic Library ePrint All Prices in U.S. Dollars & Subject To Publisher Revision 16 Go to cart CONCERT BAND CONCERT Marches a l l l e v e l s e Acadia March—Terry White. Grab the audience 's attention with this ear-pleasing toe-tapper. A perfect opener or closer for your first concert, it's also an ideal vehicle to teach march style. Professionally written, pedagogically sound, and easy to read and perform, it is a march you're certain to return to frequently. 11000150 Band Set & Score. . . . . . . . .VE 45.00 e Bay Shore Park (March)—Joseph Compello. While intended for bands with at least one year's training, this will also sound great for more experienced bands. It's written in the style of a traditional American concert march, but the overall musical character is lively and carefree - much like a summer day at the seashore. 11104921 Band Set & Score. . . . . . . . ME 65.00 e Cadets in Step! (March)—Matthew R. Putnam. In the various branches of the military, one of the first things that a young cadet learns to do is to march in step. This march is written in the standard three-part form, with no break strain, and will reinforce the importance of keeping a strict tempo and playing crisp, measured rhythms. Very well- suited for contest or festival adjudication. 11001024 Band Set & Score. . . . . . . . .VE 50.00 e Cadets' Cavalcade—Joseph Compello. The inspiration for this very playable march is a spirited parade featuring proud and prancing horses. The regal style can be performed successfully in a variety of tempos, which helps add to the majestic and mature nature of this appealing piece. Elementary bands can really shine at their very first concert with this bold and impressive work. 11104930 Band Set & Score. . . . . . . . . .B 48.00 e Capstone (March)—Tyler Arcari. Young bands are certain to enjoy playing this traditional march. With plenty of dynamic changes and instrumental colors, you'll have your audiences applauding in no time. Melodic horn parts and moving low brass lines will keep everyone in the band busy and sounding their best. 11001026 Band Set & Score. . . . . . . . . . E 65.00 l Cavalry Scouts (Husarenvedette)—Julius Fucik/ed. John R. Bourgeois. A true march gem unmatched in its superb regimental style and musical imagery. Written in a lilting 6/8 time, the galloping rhythm creates a vivid depiction of the majestic horses associated with the cavalry. Continuing in alla breve meter, bold counterlines in the baritone voices are featured along with gallant trumpeting that all contribute to the regimental splendor that is evident throughout. 11168621 Band Set & Score. . . . . . . . . M 90.00 e Darklands March (March Through the Dark Forest)—Randall Standridge. This somewhat dark and edgy concert march is written in minor mode with the militaristic first half of the march in stark contrast to the lyrical trio. An expertly-written easy concert march that is also an excellent work for teaching march style, dotted eighth/sixteenth note rhythms and motivic development. 10457936 Band Set & Score. . . . . . . . . . E 70.00 e Excel (March)—John M. Pasternak. A tuneful, fun, and energetic original march written in a traditional style. A perfect vehicle for teaching march style, this piece is a welcome addition to the concert band repertoire. Sure to get delighted audiences clapping along. 11001040 Band Set & Score. . . . . . . . . M 75.00 e Founders March—Larry Clark. Another dynamic and tuneful traditional march in standard form. This composer has years of experience composing and arranging marches that have been widely popular, and this one is no exception. Reminiscent of the "fast and fun" marches of Henry Fillmore, this will be a great addition to festival or concert programs. 11001046 Band Set & Score. . . . . . . . ME 65.00 e Intuition (March)—Larry Clark. Even the youngest of students will be able to perform this impressive march. It uses only the first six notes of the B-flat scale, and the most difficult rhythm is two repeated eighth notes. Even with these limited technical demands, you won't believe how advanced this sounds. With all the hallmarks of an American march, it's exceptionally tuneful as well. 11001054 Band Set & Score. . . . . . . . . .B 45.00 e Morning Star (March)—Chris Ferguson. A jaunty work that takes inspiration from the brilliant sunrises along the coast. As the sun begins to peak over the sand dunes, both nature and townspeople become active, looking forward to the day's activities. Repeated syncopated patterns in this march are a great teaching tool as well as an attractive rhythmic melodic element. 11001062 Band Set & Score. . . . . . . . .VE 55.00 Pageantry (March)—Karl K. King/arr. Andrew Glover. All the thrills of the circus come to life with this time-honored "screamer." It really romps from start to finish, presenting the fun and excitement of a trip to the "big top." While very playable, it has all the appeal and musical frenzy you'd expect and includes extensive program notes, performance suggestions, and historical information. 11001879 Band Set & Score. . . . . . . . . M 72.00 Salute to Liberty (Concert March)—James Swearingen. A rousing original march for young band that has all the ingredients needed to brighten any performance. The melodies are tuneful, the style upbeat, and the effect is completely entertaining. It's just what we have come to expect from this popular and accomplished composer. A sure winner! 11002068 Band Set & Score. . . . . . . . .VE 49.00 Trans-America March—Robert W. Smith. An original march inspired by the westward expansion of the United States. Quotes from The Star- Spangled Banner and America (My Country, "Tis of Thee) evoke a westward journey across the continent. Melodic lines ascend and descend as you climb and descend the Great Divide in this perfect setting for patriotic concerts or festivals. 11002000 Band Set & Score. . . . . . . . .VE 45.00 Voice of America (March)—Karl L. King/arr. James Swearingen. This composer was a master of creating rousing marches associated with the circus. Great themes, singable countermelodies, and well-written percussion parts have made his marches popular with audiences around the world. You'll find all this and more in this entertaining rendition. A sure winner. 11001870 Band Set & Score. . . . . . . . ME 68.00 Manage your program in one place, in less time. R

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