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FOLKSONGS
The Ash Grove—arr. John Riggio. The
medieval Celtic dance style found in this two-
part arrangement gives this old Welsh folk song
some real drive. The fun-to-sing arrangement
is very approachable for younger students and
also provides an option to showcase a few
student soloists.
10996615 Two-Part. . . . . . . . . . . . . . . ME 1.95
De Bandyrowe—arr. Susan Brumfield. "Way up
yonder above the moon, a bluebird sits in a silver
spoon. Kitty alone and I..." This Irish nonsense
song is a whirling, twirling kaleidoscope of sound -
an excellent showcase for young treble choirs! "To
me tat, me tear, me ditt'n o-dill, Kitty alone and I."
11000948 Two-Part or SA. . . . . . . . . . ME 2.25
e Bim Bum (An American Folk Song/Game)—
Traditional/arr. Carol Troutman Wiggins. Students
love nonsense songs - they are fun to learn and
fun to teach! Bim Bum is an American Folk song
that includes a clapping game, and it can get faster
and faster as the song nears the end! Excellent
for late elementary and middle school students.
Great as a vocal warm-up up for any choir! Key
changes, staccato notes, clap-snap-pat legs as
body percussion, and chords included.
11163600 Two-Part Mixed . . . . . . . . . ME 2.00
t Black is the Color of My True Love's Hair—
Nathaniel Adams. Treble choirs will love the rich
vocal writing, dissonance and challenge of this
artistic, haunting and stunning arrangement of the
well-loved folk song.
10994239 SSAA . . . . . . . . . . . . . . . . . . M 2.75
le Bring Me Little Water, Sylvie—arr. Robert
Jones. Professor Sharon Gratto has built
a career providing historical context to
multicultural and folk music. Pavane Publishing
is proud to launch her new series with this
classic tune attributed to Huddie Ledbetter. A
simple three-part treble choir accompanied by
a stand-up bass gives an authentic American
home-spun quality to the work. Truly fun to sing,
this arrangement sounds just the way the song
should always be sung. Easy.
10997677 SAB. . . . . . . . . . . . . . . . . . . ME 2.55
The Fox—arr. Blake Richter & Taylor Shaeffer.
This fun, playful, folk song tells the story of a
family of sly foxes. Written for treble voices of
all ages, this energetic, engaging, and playful
arrangement, complete with instrumental section
with body percussion, will delight both your
singers and your audiences.
11121872 SA . . . . . . . . . . . . . . . . . . . . . M 2.55
Gather Love All Around—arr. Greg Gilpin.
Based on the traditional Shaker tune. The piano
accompaniment is lively, creating a strong dance-
like feel. Layered melodies and countermelodies
combine to create a piece that is easy to teach
and fun to sing.
11100067 Two-Part. . . . . . . . . . . . . . . ME 2.25
t I Am in Love—Faith Morgan. This dark and
emotional folk song tells an unexpected tale of
a lost love. With substantial and singable vocal
lines, this arrangement will become a favorite of
your mature treble chorus.
10980920 SSA. . . . . . . . . . . . . . . . . . . . M 2.95
KidSong—Stephen Caldwell. This delightful
medley of beloved children's songs is set in
mixed and asymmetrical meters with a tempo
indication that says "as fast as possible!" Treble
choirs will enjoy the challenge of performing
these songs with stomps, claps, and memorable
melodies in this crisp setting that will bring
youthful expression and musical vitality to your
concert. Your audience will love it!
10999363 SSA. . . . . . . . . . . . . . . . . . . . M 2.20
e Mama Don't 'Low—arr. John Maclane
Schirard. This American folk song is a perfect
change-of-pace selection for your tenor-bass
choir. Hilarious lyrics list all the things that Mama
doesn't allow - but that they love to do while
Mama isn't around! Rollicking rhythms, stacking
harmonies, handclaps and a down-home feel
make this a novelty selection that your choir will
love to perform!
11001275 TTB . . . . . . . . . . . . . . . . . . . ME 2.25
Old Joe Clark—arr. Dwight Bigler. This Appa-
lachian folk song is tremendously fun. Fantastic
and fun vocal lines are supported by a lively yet
accessible piano accompaniment. Add spoons
and clapping or stomping for a great time!
11121877 SATB. . . . . . . . . . . . . . . . . . . M 2.75
e Shenandoah—arr. Jonathan Rodgers. This
arrangement brings a new depth and beauty to
this American classic. The respect and reverence
for the tune and history is kept, but the addition
of nontraditional harmonies, the ethereal and
rhapsodic feel of the piece, and the beautiful piano
accompaniment and interludes make this setting
absolutely stunning and yet slightly different than
the others that have come before it.
10995819 SSAA . . . . . . . . . . . . . . . . . . M 2.75
DtSkye Boat Song—arr. Paul Langford. This
e a cappella piece, accompanied by simple hand
percussion, is full of mystery and pulse. The steady
percussion under the haunting Scottish melody
creates a dance-like lilt in triple meter. The use
of both familiar and unexpected close harmonies
gives this folk song setting a unique twist.
10994260 SSA. . . . . . . . . . . . . . . . . . . ME 2.10
Three Hungarian Folk Songs—Zoltan Ko-
daly/arr. Geoffrey Edwards. Geoffrey Edwards
presents three folk song settings by Zoltan
Kodaly with image-rich lyrics in English and
comfortable ranges for young voices throughout.
The vocal line and piano accompaniment are true
to the composer's original. The three folk songs
are intended to be performed as a continuous
suite with a total duration of 3:35.
11172890 Unison . . . . . . . . . . . . . . . . ME 2.05
De Uh-Hum! (Froggie Went a-Courtin')—arr. Greg
Gilpin. This lively arrangement finds all the charm
and humor of the classic American folk song. An
intro of the phrase "Uh-hum" is followed by the
familiar melody and text, with verses combined
to create the story in a faster pace. Featuring
interplay between the voices, text-painting, and
a rhythmic speech section complete with hand
claps, this choral will be especially appealing to
young singers. Fun!
10998758 Two-Part. . . . . . . . . . . . . . . . . E 2.25
t Who Killed Poor Robin? (from Five American
Songs)—arr. John Wykoff. This is a tremendously
fun and rowdy folk song. With accessible vocal
lines, this arrangement will work well for a wide
variety of choirs and will be a favorite of your
audiences. From the set of Five American Songs
by John Wykoff.
10994198 SATB. . . . . . . . . . . . . . . . . . . M 2.85
De With a Banjo on My Knee—arr. Tim Sharp &
Timothy Michael Powell. This clever combination
of Steele's The Rose of Alabama and Foster's Oh!
Susanna is a treat for treble choirs. Ample unison
and two-part harmony sections make this a
quick learn, and a gorgeous section of a cappella
three-part harmony in the contrasting minor will
really showcase your choir's tone. Incorporating
an optional bluegrass band and a few surprises
along the way with well placed quotes of other
famous Alabama tunes, this is not to be missed!
10981549 SSA. . . . . . . . . . . . . . . . . . . ME 2.25
e The Yellow Rose Of Texas (with "Dixie")—
Daniel D. Emmett. Two of the most popular
Southern American folk songs from the Civil War
have been combined and arranged with Piano
accompaniment. Accessible and appropriate for
any concert setting.
11129765 SATB. . . . . . . . . . . . . . . . . . ME 2.50
23
CHILDREN'S
COMMUNITY
CHOIR
Theme:
DIVERSITY &
ACCEPTANCE
I Dream a World—André J. Thomas.
10064634 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Letter from a Girl to the World—Andrea Ramsey.
10074607 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . 2.30
True Colors—arr. Matt Brown.
10518427 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Different Backgrounds—Dave & Jean Perry.
10583535 Two-Part Mixed or Three-Part Mixed 2.50
You Will Be Found (from "Dear Evan Hansen")—
Benj Pasek & Justin Paul/arr. Mac Huff.
10760618 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
This Is Me (from "The Greatest Showman")—
arr. Mac Huff.
10842200 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Sawubona (We Arrive with One Voice)—
James DesJardins.
10979654 Two-Part . . . . . . . . . . . . . . . . . . . . . . . 2.50
Ubuntu—Christi Jones.
10984558 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Hope for Resolution—Paul Caldwell & Sean Ivory.
3186335 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Seasons of Love (from "RENT")—
Jonathan Larson/arr. Roger Emerson.
3295593 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
